Framed Figurative Paintings

A Charming, 1950s Modern Portrait of a Girl in White Dress by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork size: 6 1/2” x 5 3/4”. Oil on Masonite. (Framed size: 1...

Exceptional detail in this painting of boys playing dice by R. Hauslar (German, 20th Century). A Hausler interpretation of a work by the famous Bartolome ...

Dutch painter (late 19th century) - Landscape with windmill. 30 x 40 cm without frame, 42 x 52 cm with frame. Antique oil painting on panel, in gilded wooden frame (not signed). C...

William Henry Williamson (British, fl. mid to late 19th Century) Fishing Boats off the English Coast Oil on canvas, signed lower left Circa 1870–80 Presented in a period gilt frame ...

17th century German portrait of the wine merchant Caspar Roemerskirchen at the age of 26 in 1628, Franz Kessler This highly decorative portrait depicts the 26 year old Caspar Roemer...

War Ship at Sea signed oil on canvas, framed framed: 23 x 33 inches canvas: 20 x 30 inches provenance: private collection, England The painting is in very go...

We are pleased to present this painting by Ernst Lundström, dedicated to the esteemed sculptor Per Hasselberg. The dedication on the front of the painting makes this piece particular...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts a delicate assortment butterflies in ascension placed in a wonderful red, white, and ...

19th century English Antique Victorian Summertime Harvest landscape, with figures. John Mundell was a British painter of landscapes as well as river scenes and coastal views. It is suggested that Mundell was a pseudonym of John James Wilson. Mundell’s work was vigorous, bright, and attractive and compares favorably with the work of many of the better artists of his time. This is a very fine example of the artist's work. It is a rare composition for the artist as he mostly painted marines. This piece is framed in its original antique gold leaf frame

Duska Markotić (Croatia, 20th century) - Winter landscape. 50 x 50 cm without frame, 69.5 x 69.5 cm with frame. Oil on canvas, within passe-partout in wooden frame. - Work signed ...

This maritime scene by Nicholas Matthew Condy, the celebrated English marine painter continues to reveal his deep fascination with ships and the shifting moods of the sea. The compos...

Very large scale oil on canvas of a port marine scene. The painting is signed and dated bottom left Olio, 1941. The spelling of the artists name suggests they were Danish, Norwegian ...

Title: Harvesters Artist: Jesús Villar (1930–2015) Technique: Oil on canvas Dimensions: 24 x 48 inches (61 x 122 cm) Framed dimensions: 30.7 x 54.7 inches (78 x 139 cm) Signatur...

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...

A charming Venetian scene with gondola oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking with gondolas and an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Venice so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower left and it comes housed in a gold tone carved wood frame with hanging wire on verso ready to be displayed. Art measures 12 x 16 inches Frame measures 16.5 x 20.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

Flemish School, 1600s Landscape With Pan and Syrinx painted around the 1600s oil on copper 19 x 23.5 cm frame 29 x 34 cm Hand-made oak frame by Swedish frame maker Christer Björkma...

A wonderful oil on canvas painting portrait of an alchemist, unsigned, probably Continental in origin, dating to the 19th century, housed in a molded giltwood frame. Notice the atten...

Restaurant terrace at evening in Montmartre, Paris. Oil on canvas, 46x38 cm

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...

This artwork titled "Yosemite" 1952, is an oil painting on board by noted California artist Jean Martin (Eugenia Victoria Weir Martin) 1906-1986. It is signed at the lower right corner by the artist. The artwork (board) size is 16 x 20 inches, framed size is 24.25 x 28.25 inches. Framed in original wooden gold with grey patina frame, with fabric liner. It is in excellent condition. About the artist: Eugenia "Jean" Victoria Weir Martin 1906-1986 San Diego, California Landscapes, Seascapes artist Eugenia Victoria Weir Martin was a painter and art instructor in Southern California. She was born in Tennessee on March 7, 1906. "Jean", as she was called, was brought to La Jolla, California as a small child by her parents, and remained in that area the rest of her life. Her Father was a businessman in the early stages of the development of La Jolla. He operated a General Store in the early village. They resided in "Windemere", which is now the home of the La Jolla Historical Society. At the age of 10 she studied art with a Mrs. Fletcher, an artist in residence at the 1916 California Exposition in Balboa Park. She also studied at the San Diego Academy of Fine Arts. Early in her career she also studied with Maurice Braun, Alfred Mitchell, Edward Langley...

Signed in red, u.r. Oil on canvas 68 x 77 inches This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York ...

Flowers, Peonies, White Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in Europe, Japan, United States and in the following museums: Moscow, Tret’jakov Gallery Moscow, The Ministry of Culture Collection Moscow, Central Museum of the Soviet Army St. Petersburg, Russian State Museum St. Petersburg, History Museum St. Petersburg, Repin Institute Museum Novgorod, Fine Arts Museum Ostrov, Contemporary Art Museum Rostov, Fine Arts Museum Pskov, Koustodiev Gallery Kostroma, Contemporary Soviet Art...

Great Spanish painting from the second half of the 17th century. Oil on canvas artwork depicting a religious subject, Pope Innocent III confirms the Franciscan Rule, of good pictorial quality. A large, impactful painting adorned with a 19th-century carved and gilded wooden and plaster frame. Artwork that develops horizontally, ideal for placing in an important hall or study, for antique dealers and interior decorators. A painting that shows various signs of aging and old restorations (see photo), in a beautiful patina. The perspective offered by the painter is pleasant. The main subject, in the foreground on the left, connects to the view with architecture and characters on the right through the checkerboard...

Australian River Landscape Painting by 20th Century English Australian Artist, Howard Barron (1900–1991) depicting a scene along the Murrumbidgee River in Australia’s New South Wales...

"A Young Girl Reading a Book" is a captivating portrait by Swedish artist Gustaf Arnolds. Arnolds was a prolific painter whose roots began in Vingåker and later in Ronneby from his teenage years. His educational journey in art took him through prestigious institutions such as Althins målarskola and the Tallbergska grafikskolan in Stockholm, followed by a significant period at the Konstakademien, Stockholm, between 1904 and 1909. His talent and dedication were recognized early on, earning him a scholarship to Paris, a city that would deeply influence his artistic direction. This particular work, likely painted shortly after his return to Sweden, reveals a profound influence from his time in Paris. It portrays a young girl absorbed in reading a book, a simple yet profound subject that Arnolds imbues with a sense of tranquility and introspection. The background hints at a serene landscape, dotted with quaint houses, a nod to the everyday beauty surrounding us. What sets this piece apart is Arnolds’ technique, reminiscent of pointillism but distinguished by longer, more expressive brush strokes that add a vibrant texture and depth to the canvas. This method showcases Arnolds' unique adaptation of the techniques he encountered during his Parisian studies, particularly during his interactions with Nils Dardel...

Jean Laurent, French 20th century marine artist signed oil on board, framed Framed: 13.5 x 21.5 inches Board: 8 x 16 inches Provenance: private collection, UK Condition: very good co...

Montezin's dazzling display of brushwork captures the effects of the sunlight on the water and the glittering leaves of the poplar trees. A masterwork by the artist presented in the ...

Oriental dancer is an artwork realized by a french artist of 19th century. Signed lower left, unreadable.  Includes a wooden frame. Good conditions.

A good antique miniature French School oil on panel painting, a post battle cavalry scene, James Alexander Walker (1831-1898), British, circa 1875. The painting depicts two French cavalry officers riding through a rural landscape, each on horseback, one is evidently wounded and is being supported by the other. The painting is signed to the verso of the walnut panel it is painted on and titled "Hors de Combat", meaning out of combat due to injury. Walker's auction record for a painting was at Christies London, for more than $191,000 in 2007. The painting is housed in the original ebonized frame with gilded Fleur de Lis decoration, condition is good, unrestored antique condition and ready to hang. James Alexander-Walker (1831 – 1898), was a British painter of French descent for his battle scenes. He was born in Calcutta, but from 1871 he lived in Paris where he made historical scenes of soldiers. He died in Paris...

Figurative Abstract French School small frame oil painting on board painting: 20.5 x 21 inches overall size: 21x 21 inches condition: overall very good and pleasing provenance: from ...

Dan McCaw's "Reverie" created in 2024, is a striking oil painting measuring 48 x 42 inches. This original artwork features an abstract composition of a figure, rendered with rich tex...

"Les Lavandieres" French School, mid 20th century signed by the artist, M. Jantet oil on canvas, framed in original period frame framed: 29.5 x 34.5 inches canvas: 24 x 28.5 inches p...

Highly textured landscape, with thick impasto illustrating a glorious scene of figures swimming in calm waters near large rocks and swaying trees, by Tyler Micoleau (American, 1911-2001). Signed and dated "Tyler Micoleau 1968" in the lower left corner. Presented in a gold colored wood frame. Image size: 12"H x 16"W Tyler Micoleau (American, 1911-2001) was born in Rhode Island but spent most of his life in Nevada County, California. He was a graduate of the Rhode Island School of Design and an instructor at Brown University. Micoleau moved to Nevada City...

Early historical portrait in the style of William Aikman believed to be of David Carnegie, 4th Earl of Northesk, a Scottish peer and politician. The work features the central figure ...

Feeding the Ducks by Jules Rene Herve (1887-1981) French, signed front and back oil painting on canvas, framed canvas: 9 x 11 inches framed: 15 x 16.5 inches Provenance: private col...

Morgan Cameron’s (US based) “Dust Storm” is an oil painting on panel that depicts a red and white horse galloping with it's mane flowing. This painting is framed and ready to hang. ...

Canvas Size: approx 26.5 x 18 Framed Size: approx 30 x 22 inches Born into a poor family in Durham, England, John George Brown (1831-1913) earned a reputation as one of 19th-century...

This artwork "Excavator" c.1990 is an oil painting on canvas attributed to American artist Ben Abril, 1923-1995. It is signed at the lower left corner. The c...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

Opera con effetto Trompe-l'œil ,fiori e finestra , appeso da la sensazione fi avere un'altra finestra. - Firmato e datato , venduto con certificato di autenticità - Maya KOPITZEVA ...

VERY RARE Oil PAINTING Antique 19th Century By Listed artist British old master OLD MASTER OIL PAINTING BRITISH SCHOOL 19th Century Gold Frame Description Late 19th century “Good...

Vintage American modernist interior scene with figures by Carol Lauttenbauch. Oil on canvas. Large scale work. Amazing detail and an intricate composition. Very impressive in per...

Signed figures in interior oil on canvas circa 1920 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family in a typical Breton kitchen scene. An elderly lady is seated at the table with her back to the artist and a young girl also sits at the table beside a bowl of oranges and a carafe of red wine. Another lady stands at the table under the light of the lamp. Signature: Signed lower right Dimensions: Framed: 29.5"x34" Unframed: 21.5"x26" Provenance: Salon des Independants - 1922 exhibition Galleries Maurice Sternberg - Chicago Original artists label with title and number "9" on the reverse. Edouard Leon Cortes, the son of the painter Antonio Cortès, was sent to the front during World War I to sketch enemy positions. In civilian life, his base was in Lagny in the former studio of Cavallo-Peduzzi. Although he travelled extensively in France. Notably in Normandy, Brittany, the Champagne region and Savoy painting...

This captivating early 19th century antique oil painting presents a beautifully executed pastoral scene by an unknown but undoubtedly professional English master - signed lower left ...

Artist/ School: Charles Leslie (British 19th century), signed and dated 1875 Title: The Panoramic Loch. Beautiful and majestic Scottish Highlands loch scene with figures walking alo...

Topiaria. Big format Oil on canvas Beautiful garden by Chico Montilla. Measurements: (H) 130 x (W) 195 x 3 cm. Framed 142 x 207 x 5 cm. Colorful expressionist view of a garden with plants that have been given artistic form through the topiary art...

Adriana van Zoest Neighbourhoodcat 13 x 20 cm Framed in a black wooden frame: 22 x 30 cm Oil paint on wood panel Dutch artist, painter, Adriana van Zoest, lives and works in Warmen...

Signed and titled post impressionist figures in landscape oil circa 1980 by French painter Max Michel Agostini. The work depicts park-goers on a path beside a lake on a sunny spring ...

Heidi von Faber (Dutch artist) Lego 20 x 20 cm (framed, included in price 23 x 23 cm) Acryl on canvas In the paintings of The Hague-based artist Heidi von Faber, light plays a key r...

Signed lower right, 'Palmer Schoppe' (American, 1912-2001) and dated 1966. Displayed in a gilt frame with a water-gilded, silver-gilt liner. Framed dimensions: 27 H x 1.25 D x 23 W inches. Born in Utah, Palmer Schoppe moved with his family to southern California in 1920 and settled in Santa Monica. Artistically inclined and precocious, he began painting as a child. After graduating from UCLA, he spent a year in the Merchant Marines before attending Yale School of Fine Arts and the Art Students League in New York. At the ASL, he was initially drawn to the paintings of Jean Charlot and Thomas Hart Benton but grew increasingly frustrated with their insistence on rigid compositional principles. His native artistic talents prevailed over his lack of formal training, however, and he was promptly employed by both the Chouinard Institute and Walt Disney Studios as a drawing instructor. During this pre-war period, he exhibited with success including at the Golden Gate International Exposition (1939) and with the California Watercolor Society. Outside of his teaching responsibilities, he worked on his personal artistic endeavors and. like many artists of the time, focused primarily on figurative subject matter. Schoppe's early travels in the low country of South Carolina; Harlem, New York and Los Angeles informed his work as he sought to capture the regional life of manual laborers, musicians, circus performers, sun bathers and surfers. Schoppe once stated that, "It seems fairly certain that my work is not 'art about art', but art that is a reaction to a given stimulus. These are 'subject' pictures in that they are definitely in response to a certain place, type of people, cultures and customs". Following his service in World War II, Schoppe returned to teaching at the Art Center College of Design in Pasadena, CA. He became increasingly disillusioned by the changing focus of the art world in the 1950s, when "the' drip' , the' blot', and the' isms' had taken over". He stated that, "it was difficult for the figurative painter to exhibit and I retired from the scene." However, a new artistic outlet presented itself when Schoppe began working as a muralist and architectural sculptor for the architect Aurthur Froelich, who designed race tracks and club houses around the country. This led to a proliferation of mural projects ranging from restaurants to scores of hotels and casinos, such as the Aladdin Hotel, Las Vegas; Circus-Circus, Las Vegas; the Queen Mary ship...

Sailing on Choppy Seas by Jean Laurent (French 1898-1988) signed oil on board, framed framed: 22.5 x 27 inches board: 18 x 21 inches provenance: private collection, UK condition: ove...

John Sanderson-Wells British, (1872-1955) Gone to Ground Oil on canvas, signed Image size: 15.5 inches x 23.5 inches Size including frame: 21.75 inches x 29.75 inches A well painte...

Artist: Walsh, Alan Title: Champagne and Vogue Date: 2025 Medium: Acrylic on Canvas Unframed Dimensions: 44.75" x 57.5" Framed Dimensions: 47.25" x 59" Signature: Signed Editi...

5048 Vintage female gigurative oil painting on canvas Set in a custom wood frame Image size 13.5x10.5" Signed T.Torrenti 1977 Matching painting to # 5047

WPA Mural Study American Scene Social Realism Mid 20th Century Modern Workers Seymour Fogel (1911-1984) Mural Study, untitled 11 x 49 1/4 inches (sight) Tempera on board Provenance:...

One of several paintings that we are offering by Henri-André Martin's. A wonderfully evocative image of an expansive beach with figures relaxing on the beach, painted with great pana...

America Martin "Take The Sheets Off The Line" Oil & Acrylic on Canvas 48 x 48 Inches 49.5 x 49.5 Inches, Framed Signed painting by America Martin. Exploring the identity of both h...

Colorful expressionist corner of a garden with fuchsia flowers. In a corner of the soul (En un rincón del alma), Oil on linen by Chico Montilla. Original perspective of a garden, w...

"Les Artistes du Cirque" is an original painting in ink, watercolor, and gouache on paper by leading Fauvist artist Kees Van Dongen, signed in the lower right. In the piece, two circus performers stand against against a wall. On the left, a pale woman in a blue leotard with red flowers on the shoulder stands with her arms crossed, looking out at the viewer. The painter fills in her tights with delicate white brushstrokes, lending them an almost iridescent appearance. Her strawberry blond hair is piled on top of her hair according to the fashion of the period. On the right, an African man stands in a vivid orange toga, looking somewhere off to the left. His feet are clad in bright white shoes...