Framed Figurative Paintings

Signed lower center, "Mancini"; additionally signed verso and painted circa 1975. Figurative oil in crimson, vermilion, jade, and deep blue, showing a young woman wearing a hat with...

Blacksmith (Untitled), 1936, oil on canvas, signed and dated lower right, 28 x 30 inches Erle Loran was an influential American painter, art historian, and educator, renowned for h...

Adriana van Zoest Detail Red Onion 31 x 31 cm Framed 42 x 42 cm ( Frame is included in price) Oil paint on wood panel (2024) Various subjects Adriana van Zoest's paintings are not e...

"Light Warms the Cold" by Stephen Day is an original oil painting depicting evergreen and aspen trees on a spring morning, resting across the ridge of a mountainside river stream. St...

"Guardian Angels" by Diego Glazer is an original oil painting. Artist Statement: Painted on location at a beautiful old cemetery in Atlanta, Georgia. About the Artist: For as long...

Marinus van Reymerswaele c.1490 – c.1546 Dutch The Tax Collectors 16th century Oil on wood panel Marinus van Reymerswaele stands among the greatest and most beloved artists of 16th-century Antwerp. Entitled The Tax Collectors, this oil on board original exudes the technical skill and life-like vibrancy for which the artist is renowned. In a quiet interior scene, two men sit at a green table covered in coins, jewels, and empty moneybags. While the man in the red turban...

Mitzy Renooy Cuban Games 100 x 100 cm Frame included in price, size with frame: 105 x 105 cm Dutch artist Mitzy Renooy, a former camera woman for national television, did follow art...

Circle of David Vinckboons (1576-1629). This remarkable 17th century oil painting depicts artists and traders in Dam Square, the booming commercial and political heart of Amsterdam's...

"Red Cliffs" by Tim Deibler (US based) is an original oil painting that depicts a Colorado landscape of sunlit cliffs. Tim Deibler has had a life-long passion for art. From his ear...

An Intriguing 1991 Surrealist painting of downtown Chicago by artist James Mesplé. Oil and tempera on panel. Signed and dated "James Mesplé 1991", lower right; titled on label on ...

Early 20th Century French gouache and watercolour on paper of a fisherman by Louis Henri Magnat, The painting is signed bottom right and presented in a carved and gilt wood frame und...

The Weaver by John Edwards (English, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, England Condition: ver...

An original oil painting by the prolific and well collected Württemberg soldier and battle painter, Otto von Faber Du Faur (1828-1901). Entitled ' Legionare'. Presented in a modern g...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

A large French oil on canvas portrait of a dignitary from the Caucasus by Théophile Paul Marie Bérengier. The painting is signed and dated b...

Stunning oil on canvas depicting a pine forest, dating from the mid-20th century, of French origin. Signature illegible. The painting presents a landscape of tall pines in a clearin...

The Old Fishing Harbor French School, mid 20th century signed, 'Charles Cermak'? oil on canvas signed lower right framed: 24 x 29.5 inches canvas: 18 x 24 inches Provenance: privat...

This artwork titled "November Landscape" c.1960 is an acrylic polymer painting on hardboard by Vallejo artist Marsh Nelson, 20th Century. It is hand signed at the lower right corner by the artist. The artwork size is 17.5 x 23.5 inches, framed size is 25.5 x 31.5 inches. It is framed in original wooden...

Huile sur panneau par Peter Pàlffy, représentant des chevaux. Dimensions avec le cadre: 77x99 cm Peter Pallfy est un peintre autrichien du XX siècle que a...

"Approach" by Blair Atherholt is a an original, hand made painting depicting a cluster of suspended grapes above a brilliantly lit orange. Blair Atherholt is an award-winning conte...

Linda Lillegraven's beautiful original oil landscape "County Road 55" (2023) captures a paved dirt road crossing through vast midwestern green hills, the afternoon sun creating a glo...

A 19th century painting of a lady and a man in conversation. In a quiet, sunlit drawing room, a young lady sits by the window, bathed in the soft, diffused light of a late afternoon...

Figural abstract inspired by Chinese art and calligraphy featuring a large totem-like form in textured earth tones with black Chinese characters in bold, black brushstrokes by Anna Wu Weakland...

This piece, titled "The Meeting 22" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, a...

The River Landscape by Andre Rodet (French, dated 1946) signed and dated 1946 oil on board, framed framed: 16.5 x 21.5 inches board: 13 x 18 inches Provenance: private collection, F...

David Grossman's (US based) "Autumn Orange Leaves" is an oil on linen panel created in 2024 depicting an abstracted birch forest in autumn. About the artist: David Grossmann’s evoc...

A charming 18th-century oil painting after a series by the 17th century Flemish painter Gillis van Tilborgh, titled 'The Five Senses'. The composition is derived from a panel showing...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

- ANNA CATERINA GILLI or GILLI Anna Caterina Turin 1729- 1751 Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi, working in a simil...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

A wonderful example of the artist's work depicting an idyllic scene in the Norfolk countryside. Owen Waters (1916-2004) Farm near Repps Signed, inscribed with title verso Oil on boa...

Oil on panel by Alfred SAVIGNOL (1877-), Beginning of the 20th century, France. Port of Villefranche-sur-Mer (between Nice and Monaco). With frame: 68x 56 cm - 26.8x22 inches ; with...

This artwork "The Harbor" c.1990, is an acrylic painting on canvas by noted American artist Robert (Bob) Logrippo, 1947-2021. It is signed at the lower left corner by the artist. The canvas size is 24 x 36 inches, framed size is 31 x 43 inches. Framed in a wooden gold frame, with fabric liner and gold color bevel. It is in excellent condition. About the artist: Bob LoGrippo's paintings have appeared on magazine, book and album covers, as well as calendars, greeting cards and puzzles. The New York Times Sunday Magazine, Readers Digest, Six Flags...

Kazuya Ushioda’s The Sound of Prayer (2021) is a striking figurative oil on panel that captures a moment of quiet reflection. Measuring 44.12 x 11.87 x 0.70 inches, this tall and slender composition features a single figure clothed in a white kimono adorned with delicate blue floral motifs and cinched by a vivid red sash. The woman’s eyes are closed, and her hands are gently positioned near her head, suggesting an intimate state of concentration or contemplation. Painted in oil on a carefully prepared panel, this original, handmade work showcases Ushioda’s meticulous technique, evident in the rendering of subtle skin tones and nuanced folds of fabric. The vertical format accentuates the graceful poise of the figure, drawing the viewer’s gaze downward from her serene expression to the richly detailed kimono patterns. The neutral background highlights the subject’s form, creating a harmonious interplay of color and space. Executed in 2021, The Sound of Prayer stands...

Wilson Irvine French Landscape, circa 1908 Signed lower right Oil on canvas 29 x 36 inches A prolific Impressionist with a penchant for atmospheric scenes, Illinois native Wilson I...

John F. Pasmore (British, 19th century) Young Woman by a Cottage Door with Cat, Dog and Bird, circa 1880 Oil on panel, signed lower left A finely observed late-Victorian genre paint...

The Witch of Endor conjures up the specter of Samuel in front of King Saul is an old master artwork realized by a follower of Georg Andreas Wolfgang I between 18th and 19th century. Mixed colored oil painting on canvas. On the back probable signature of the author traced by brush "P. So [mita] rt [...] Fac. ". The subject of this painting, the witch of Endor, a necromancer mentioned in the Bible whose power was to evoke the spirit of the dead, is a very rare theme in painting and there are few artists who represented it. In Italy it was especially Salvator Rosa (1615-1673) who had a deep interest in necromantic subjects and, in particular, he produced many paintings of this kind when he stayed in Florence in the 1840s. Rosa's inventions were exported throughout Europe and, in particular, in the German cities of Stuttgart, Nuremberg and Augusta through the works of Johann Heinnrich Schonfeld (Stuttgart, 1627 - Habsburg, 1684), an artist who worked in Naples and who remained sensitive to figure of Salvator Rosa. In this context, in addition to Schonfeld, the Swiss Joseph Werner II (Berne, 1637-1710) was also responsible for the diffusion of this pictorial genre, introducing Rosa's works on witchcraft among his knowledge of Augsburg. He was also the inventor of the scene represented here from whose drawing (Bern, Kunstmuseum, inv. A1196), executed in 1677, the engraving made immediately after by Georg Andreas Wolfgang the Elder (1631–1716) and by which derives precisely the work examined here. The engraving, which was part of a series of biblical images, was dedicated by Wolfgang to Leonhard Weiss, probably a municipal employee of Augsburg or tis mayor. Reference bibliography: - Susan Broomhall, Gender and emotions in medieval and early modern Europe...

This painting titled A Quiet Day of Fishing by Clement Rollins Grant captures a serene moment along a sunlit shoreline. At the center, a barefoot boy stands with his back turned, car...

Acrylic on canvas set in white wooden frame. Abstract and figurative depending on how close or far you are from the piece. The word LOVE is the focus. Small amount of paint crea...

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

‘News from the Front’ by Frederick Goodall R.A. H.R.I. (1822-1904). The painting – which depicts a diverse cross-section of Victorian figures gathered outside a post office as they...

The Old Convent French School, mid 20th century signed lower right by M.P Feiffer dated 1952 oil on board, framed framed: 16.5 x 13 inches Provenance: private collection, Paris Condi...

Born in 1961, Alexej Ravski exhibits in France, Germany, Belgium, The Netherlands, the United States, Belarus and his native Russia. Alexej’s painting is dynamic in its form and pea...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Original Painting. New Yorker Magazine Published 1935 American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Movers New Yorker published, September 20, 1935 18 X 11 1/2 inches...

Alan Lambirth b 1959 RA Schools graduate RA Schools student from 1980 to 1983 Piece is in a light wooden frame. Keywords: young woman, flowers, outside, park, green, field, fields...

Alexander III Bridge and the banks of the Seine Oil on canvas, 55x81 cm Gustave Madelain (1867-1944) Landscape painter, Gustave Madelain was born in...

Artist/ School: 17th Century Italian School Title: The Presentation of the Virgin in the Temple Medium: oil painting on canvas, framed Size: canvas: 21” x 16” (53.3 x 40.8cm) Pro...

Attributed to Antoine Felix Boisselier (19th Century) French (unsigned) 'Classical figures in a bed chamber Medium: oil on canvas, with inscription verso S...

Artist: William Weintraub (1926) Title: Young Boy with Donkey Year: 1962 Medium: Oil on board Size: 33 x 25.5 inches Condition: Excellent Inscription: Signed and dated by the artist ...

Hebe with Zeus mythological nude by Eduard Buchler 19th Century Hebe is the daughter of Zeus and his sister-wife Hera. Pindar in Nemean Ode 10 refers to her as the most beautiful of...

Post Impressionist Mediterranean Village with Church, Spanish Landscape Oil on Canvas, Framed, c.1995 Artist: Rafael Griera Calderón (b. 1934, ...

Bonito óleo sobre lienzo de personaje futurista. Firmado en el margen superior derecho También va firmado y fechado en 1971 en la parte trasera. En buen estado general. Medidas: ...

Attributed to Frans Francken II (1581-1642) – "Adoration of the Magi" Medium: Oil on canvas Dimensions: 136 x 162 cm (unframed), 141 x 166 cm (framed) Provenance: Private collectio...

Pocket Bright Red Strawberry [2023] original Oil paint on canvas Image size: H:5 cm x W:5 cm Complete Size of Unframed Work: H:5 cm x W:5 cm x D:2cm Frame Size: H:15 cm x W:15 cm...

Drying Nets Spanish School, late 20th century signed lower corner and inscribed verso oil on canvas, framed framed: 29.75 x 41 inches canvas: 28.5 x 29.5 inches provenance: private c...

"The Three Sisters" in the Blue Mountains of New South Wales, Australia by Australian Artist, Alan Robert Colquhoun Grieve (1910-1970). Signed on lower right. Original, oil on canvas. Art measures 21 x 17 inches Frame measures 28 x 24 inches (Original ornate period frame is commensurate with age) Vintage 1960's Born in Sydney in 1910, Alan Robert Colquhoun Grieve studied at the Julian Ashton School and the East Sydney Technical College and with Australian artist Herbert Edward Badham. Alan Grieve has notably exhibited at Royal Arts Society in Sydney and was Vice President of the Australian Arts Society. His work is held in private collections the world over, including The Art Gallery of New South Wales, The Fred & Elinor Wrobel Collection in Sydney and the Howard Hilton Collection. He has won numerous art prizes during the 20th Century. This painting was bought from Gordon Galleries in Double Bay, Sydney, New South Wales in circa 1962 by Major General Sir Douglas Kendrew KCMG, CB, CBE, DSO - Governor of Western Australia from 1963 to 1974. The Three Sisters are an unusual rock formation in the Blue Mountains of New South Wales, Australia, on the north escarpment of the Jamison Valley. They are located close to the town of Katoomba and are one of the Blue Mountains' best known sites, towering above the Jamison Valley. The Legend: The Aboriginal dream-time legend has it that three sisters, 'Meehni', 'Wimlah' and 'Gunnedoo' lived in the Jamison Valley as members of the Katoomba tribe. These beautiful young ladies had fallen in love with three brothers from the Nepean tribe, yet tribal law...

Norberto Martini (1940-2007) From his studio on the Arno, dressed in a three-piece suit, Martini brought his experiences of his time singing opera coupled with being a devout Catholi...

‘Crepuscular Rays’ by Henry Dawson RBA (1811-1878). The painting – which depicts shipping off the English coast at sunset – is signed by the artist and dated 1863. We only offer ori...

Title: Jaguar E-Type Roadster (Series 1) Artist: Juan Carlos Ferrigno (Buenos Aires, 1960) Medium: Oil on canvas Dimensions: 54 × 65 cm (21.3 × 25.6 in) Framed dimensions: 78 × 89 cm...