Jaclyn Alderete Art
to
5
1
4
3
2
1
3
1
Overall Height
to
Overall Width
to
1
3
2
2
2
2
1
1
1
5
5
6,856
3,180
2,516
1,217
5
5
2
1
1
Artist: Jaclyn Alderete
Out There
By Jaclyn Alderete
Located in Denver, CO
Out There
Category
21st Century and Contemporary Jaclyn Alderete Art
Materials
Oil
Untitled
By Jaclyn Alderete
Located in Denver, CO
Untitled
Category
21st Century and Contemporary Jaclyn Alderete Art
Materials
Oil, Canvas
Brumes Veil
By Jaclyn Alderete
Located in Denver, CO
Brumes Veil
Category
21st Century and Contemporary Jaclyn Alderete Art
Materials
Oil
Soot and Salt
By Jaclyn Alderete
Located in Denver, CO
Soot and Salt
Category
21st Century and Contemporary Jaclyn Alderete Art
Materials
Board, Pencil, Oil
"Wrung, " Oil painting
By Jaclyn Alderete
Located in Denver, CO
Jaclyn Alderete's (US based) "Wrung" is an original, handmade oil painting that depicts lone woman in blue flowing skirt holding her hands over her fac...
Category
2010s Impressionist Jaclyn Alderete Art
Materials
Oil, Board
Related Items
Clown with Birthday Bouquet - Oil and Ink on Cardstock
Located in Soquel, CA
Clown with Bouquet - Acrylic and Ink on Cardstock
Colorful portrait of a clown holding a bouquet of flowers by Jassen Marek (20th Century). A sad clown in a suit with a straw hat ho...
Category
Late 20th Century American Impressionist Jaclyn Alderete Art
Materials
Illustration Board, Oil, Pen
H 24 in W 12 in D 0.25 in
The Light Refreshment - Nabis Oil, Seated Figures in Interior - Edouard Vuillard
By Edouard Vuillard
Located in Marlow, Buckinghamshire
Signed figurative oil on board circa 1890 by French Nabis school painter Edouard Vuillard. The work depicts two seated ladies dressed in black with grey pinafores enjoying coffee together.
Illustrated in the Catalogue Raisonne of Edouard Vuillard by Antoine Salomon and Guy Cogeval - Volume I, Page 229 - Reference IV-7
This striking work dates to between 1890 and 1891 which was without doubt Vuillard’s greatest decade as an artist. At this time the painter was working with the group of artist known as "Les Nabis" which included Pierre Bonnard, Maurice Denis, Paul Ranson, Ker-Xavier Roussel, Félix Vallotton, Paul Sérusier and Auguste Cazalis. The group played a large part in the transition from impressionism and academic art to abstract art, symbolism and the other early movements of modernism. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist.
Signature:
Signed lower right
Dimensions:
Framed: 19.25"x20.25"
Unframed: 9.25"x10.25"
Provenance:
Renou et Poyet - Paris
Roland, Browse & Delbanco - London (labels verso) c. 1955
The collection of Sir Alec Guinness
Galerie Jan Krugier, Geneva - 1972
Nichido Gallery - Tokyo 1972
Private collection - Japan
Christie's London - Impressionist & Modern Art - June 2016
Édouard Vuillard attended the Lycée Condorcet in Paris, where he made friends with Maurice Denis, Lugné-Poe, and Ker-Xavier Roussel, later his brother-in-law. He studied in Maillart’s studio; for six weeks came under the tutelage of Jean-Léon Gérôme at the École des Beaux-Arts in Paris; and later under William Bouguereau and Robert at the Académie Julian, where he became closely linked with the Nabis group (from the Hebrew word for ‘prophet’). He met Marcel Proust in 1902. From 1908, he taught at the Académie Ranson. In 1937, he was elected member of the Institute.
At first, Vuillard painted small subjects, disciplined and proficient, qualities for which the prestigious École Française was famous. His earliest still-lifes (1888) are astonishing in their decisiveness and subtlety. His empathy for the object had already compelled him to soften its appearance; the object, which, by virtue of its bright or glossy presence, remained the nonego and the ‘thing represented’ for so many others. ‘Intimacy’ developed immediately between the painter and this modest environment; inhabiting it every day enabled him to celebrate its splendour, and it was to remain his favourite environment. But he was already alternating between small portraits and still-lifes, which gained recognition because of their natural qualities and dignity of tone: a rare combination in a beginner.
About 1890, influenced indirectly by Paul Gauguin, all the certainties which the self-styled Nabis painters had contented themselves with suddenly collapsed. Everything was called into question again: both the linear layout of the picture and its colour scheme; the choice of subject and its material aspect; its manufacture and its purpose. Vuillard’s paintings at that time show surprising, bold innovations and an arbitrary power, which one would expect 15 or 20 years later at the height of the Fauvist period. The preoccupation with an internal geometry set them apart from earlier studies. From then on, the paintings were based on forms, lines, and colours. Vuillard made concessions. He produced a portrait or interior with its furniture and its wallpapers, in which the family inhabiting it, evolves. Treated with flat areas of colour and solid shades of ochres, reds, blues, and saffron yellow, without modulation, they seem to prefigure certain paintings by Henri Matisse and Roger de La Fresnaye.
In 1891, Vuillard painted an Elegant Lady, a silhouette seen from the back; a long vertical shape starting from the hair decorated with brown feathers; there is a kind of pink cloak, the tight and never-ending black skirt, erect in front of a half-open, bright orange door in a green wall, from where the light of another vertical shape emerges, which is bright yellow, and is reflected in red on the parquet at the feet of the elegant lady. This painting meets his concerns about the actual moment of creating ‘harmonies corresponding to our feeling’, and by virtue of its almost geometric structure, its drawing entirely free of detail, its light effects and colour harmonies, very much prefigures aspects of the future Abstraction movement and is oddly reminiscent of the final period of Nicolas de Staël.
All too often, Vuillard is only admired in his role as the harmonist, the serene contemplator who combines an exquisite sense of nuance, rhythms, and values with the most acute observation. These singular investigations, these three-dimensional meditations including a table, a folding metal cot...
Category
1890s Impressionist Jaclyn Alderete Art
Materials
Oil, Board
Study of Blue Boy
By Mary Welch
Located in Soquel, CA
Oil painting of a study of "Blue Boy" standing with his hat in his left hand by Mary Welch (American, 1875-1967). Circa 1918. Signed "M. Welch" lower left and gifted circa "1955" on verso. Image: 6"L x 9"H.
Mary Welch, born 10 years after the end of the Civil War, was a woman ahead of her time. She signed her paintings M. Welch, hoping that potential buyers wouldn't discover she was a woman. More often than not, when they learned her sex, art dealers lost interest.
The Hutchinson artist never married, never had children. But when she died in 1967, she left an impressive body of paintings, many of them familiar Kansas landscapes...
Category
1920s Impressionist Jaclyn Alderete Art
Materials
Oil, Board
Girl playing the flute oil painting
Located in Barcelona, Barcelona
Enrique Montserrat Foj (1935-2022) - Girl playing the flute - Oil
Oil on canvas glued to cardboard.
Oil measures 46x38 cm.
Frameless.
Romantic cartoonist, especially for the foreign market, and also a gymnast.
Cartoonist linked to Editorial Bruguera and its agency Creaciones Editoriales. She got her start drawing girls' or adventure comics in Stories and the Sissi Graphic Novel Supplement. Much of her work from the 1960s was aimed at the European market for young women's magazines through the Selecciones Ilustradas agency. Anecdotally, he collaborated with Marvel Comics, drawing a romantic comic based on a script by Stan Lee for the title My Love (later republished in Our Love Story), credited there as Enrique Monserratt.
He retired from comics in the 1980s to focus on painting.
He was also an Olympic gymnast, a member of the Barcelona Gymnastics Center and the Barcino Tennis Club. He was champion of Spain in the third category (1955) and third in the Spanish Artistic Gymnastics Championships (1961). He participated in the Mediterranean Games (1959) and in the Rome Olympic...
Category
1980s Impressionist Jaclyn Alderete Art
Materials
Canvas, Oil, Cardboard
Mid Century Modern Portrait of a Dark Haired Man
By Genevieve Rogers
Located in Soquel, CA
Mid-Century Modern portrait of a man by California artist Genevieve Rogers (American, 1904-1984). The abstracted background has texture created with d...
Category
Mid-20th Century American Impressionist Jaclyn Alderete Art
Materials
Canvas, Oil, Cardboard
Christian Zeimert "Gentilly", 1972
Located in Washington, DC
Painting by French artist Christian Zeimert (b.1934 – 2020). Signed in lower right corner and titled on reverse "Gentilly".
Zeimert's painted slow and meticulously. It took him se...
Category
1970s Conceptual Jaclyn Alderete Art
Materials
Canvas, Oil
Boat trip oil on board painting impressionism Spain spanish seascape
By Joan Vives Maristany
Located in Barcelona, Barcelona
Joan Vives Maristany (XX) - Boat ride - Oil on panel
Oil measures 46x28 cm.
Frameless.
Category
1990s Impressionist Jaclyn Alderete Art
Materials
Board, Oil
Virgin Mary and child Jesus oil on board painting Christ
Located in Barcelona, Barcelona
Josep Lloveras Feliu (1922-2014) - Virgin Mary and child Jesus - Oil on panel
Oil measurements 60x49 cm.
Frame measurements 68x57 cm.
Josep Lloveras y Feliu, was a painter and sculp...
Category
1950s Fauvist Jaclyn Alderete Art
Materials
Oil, Board
Nude with Drape
By Fletcher Martin
Located in Los Angeles, CA
Nude with Drape, c. 1937, oil on board, 24 x 17 (oval), signed lower right, provenance: Frances Lee Kent Falcone Family Trust
About the Painting
Fletcher Martin’s Nude with Drape ...
Category
1930s American Modern Jaclyn Alderete Art
Materials
Oil
"Rhythmic Silk, " Oil painting
By Suchitra Bhosle
Located in Denver, CO
Suchitra Bhosle's "Rhythmic Silk" is an original, handmade oil painting that depicts a dark-haired woman on a red chair with a red silk top and flowing white skirt.
About the Artis...
Category
2010s American Impressionist Jaclyn Alderete Art
Materials
Board, Oil
French School, Portrait of a Young Lady, Actress, Louis XIV sculpted frame, 1700
Located in Greven, DE
French School,
Portrait of a Young Lady, perhaps an actress
Oval
Louis XIV sculpted and gilded frame
French Art, Roccoco Art
The oval portrait of a young woman measures 61 by 50,5 cm canvas sight size and its 18th century oak carved and gilded frame...
Category
18th Century Rococo Jaclyn Alderete Art
Materials
Canvas, Oil
Portrait of singer Adelina Patti - L. Frossard - Opera
Located in BELEYMAS, FR
L. FROSSARD
(active in Vienna around 1870)
Portrait of Adelina Patti (1843-1919)
Oil on canvas
H. 100.5 cm; L. 73.5 c
Signed lower left
If the artist maintains a certain discretion ...
Category
1860s French School Jaclyn Alderete Art
Materials
Canvas, Oil
Previously Available Items
Cerebral Congregation
By Jaclyn Alderete
Located in Denver, CO
Cerebral Congregation, 2018
Category
21st Century and Contemporary Jaclyn Alderete Art
Materials
Oil, Board
Out There
By Jaclyn Alderete
Located in Denver, CO
Out There
Category
21st Century and Contemporary Jaclyn Alderete Art
Pellucid
By Jaclyn Alderete
Located in Denver, CO
Pellucid
Category
21st Century and Contemporary Jaclyn Alderete Art
Jaclyn Alderete art for sale on 1stDibs.
Find a wide variety of authentic Jaclyn Alderete art available for sale on 1stDibs. You can also browse by medium to find art by Jaclyn Alderete in oil paint, paint, board and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the Impressionist style. Not every interior allows for large Jaclyn Alderete art, so small editions measuring 9 inches across are available. Jaclyn Alderete art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $650 and tops out at $2,500, while the average work can sell for $1,500.