Framed Figurative Paintings

This painting is framed at 34 x 24 inches. Bio: Jen focused seriously on ballet and modern dance throughout her childhood and adult life. She has a BA in Performance Art from the U...

'Chinatown San Francisco at Twilight', ink and gouache, diptych on card stock, French School (circa 1950s). This artwork was discovered in Paris, France. The unnamed artist skilfully captured that magical moment at dusk when light is at its most beautiful. The scene is Chinatown, San Francisco in the 1950s. The Far East Café, depicted in this artwork was established in 1920. It is the oldest banquet-style Chinese restaurant in the city. Of course, Chinese cuisine in large cities in America has since moved on from the chop suey...

#5-2933a Cubic Figures, oil on artist board displayed in a white wood frame,signed lower left by Jhonson.Image size 17 H x 13.5

Keimpe van der Kooi Green with flowers 80 x 68 cm Framed: 110 x 73 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He like...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

"Road to Castle Valley" by Lorenzo Chavez (US based) is a handmade, landscape, pastel painting that depicts a meandering dirt road flanked by majestic sandstone cliffs. “Road to Ca...

The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...

Attributed to Margaret Carpenter Portrait of Mary Pringle Oil on canvas 48 x 38 inches Unsigned Margaret Carpenter was a painter of portraits and figure subjects. She was born Marga...

I painted this on one of my many trips to France at a place called Narbonne. A quiet town with winding streets and flowers on the doorsteps. This particular step caught my eye becaus...

Sunny Spanish Village Post-Impressionist Oil, Mediterranean Courtyard Artist: Ángel Román Pina Medium: Oil on board Period: c.1960 Style: Post-Impressionist / Mediterranean landscap...

Frank Dekkers Landscape 09 15 x 20 cm (framed, included in price 20 x 25 cm) oil on Panel About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know...

The present work was reproduced as an illustration for Bruce Barton's story "The Boy Who Established a Nation," published in the February 1929 issue of Good Housekeeping. Part of an ...

Artist Biography: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

A fine impressionist oil painting of a New England harbor scene with boats and fishermen by American artist Harry Aiken Vincent (1867-1933). Vincent was born in Chicago, Illinois, an...

About the Artist: Claudia Griesbach- Martucci was born in Monmouth New Jersey, 1990. She attended the School of Visual Arts undergrad in 2008 and went on to obtain her Master's Degr...

"The Music Room #2 (interior with Piano)" Original painting. Size 39x23.5in / 100x60cm . Oil on canvas. Part of Interior series. "The Music Room" was part of Mixed Moods, solo sh...

“Man and the Machines #4”, 70x50cm, 31.5x19.5in, acrylic on canvas from the same series of Neo-Mythology paintings. Young male deity placed in an industrial modern space. It reflect...

"The Harvesters" Raphaël Dubois aka Chanterou (Belgium, 1888-1960) Signed bottom left under the pseudonym "Chanterou" Oil on canvas 23 1/2 x 19 1/4 (27 3/4 x 23 3/4 frame) inches Born in Liege in 1888, he enrolled at the age of fourteen at the Academy of Liege where he studied under Evariste Carpentier...

About the artist: I am an oil painter based out of Southern Maine. My subject matter focuses mainly on animals and capturing a sense of movement and narrative through the captivat...

Oil Painting on panel realized by Miloslava Vrbova (1909-1991) in the mid-20th century, depicting an elegant reclyned ballerina. Hand signed. Good condition, framed.

Hiroshi Honda Hatatatedai Signed upper right Ink on paper laid on canvas 35 x 92 inches Hiroshi Honda was an American painter who was born in Hilo, Hawaii, to Japanese parents who ...

"In the Room Where You Sleep" by Daire Lynch (Ireland based) is an original oil, acrylic and gold leaf on canvas that depicts a red haired nude model in ...

Marinus van Reymerswaele c.1490 – c.1546 Dutch The Tax Collectors 16th century Oil on wood panel Marinus van Reymerswaele stands among the greatest and most beloved artists of 16th-century Antwerp. Entitled The Tax Collectors, this oil on board original exudes the technical skill and life-like vibrancy for which the artist is renowned. In a quiet interior scene, two men sit at a green table covered in coins, jewels, and empty moneybags. While the man in the red turban...

Michael Miller's beautiful original photorealist Midwestern landscape painting "Camp Road" (2024) depicts a Midwestern barn lying at the end of a dirt road, surrounded by forestry an...

"Industrial Cityscape, Chicago" WPA Modernism Mid-Century Cityscape 20th Century Aaron Bohrod (American 1907 – 1992) Industrial Cityscape 20 x 16 inches Oil on board Signed lower ri...

French mid century oil on board painting of a colourful flower market in the square of the Grand Theatre in Cherbourg, northern France by J Lietard. The painting is signed bottom rig...

J. A. van Schooten (1870-1933) 'The mint, Deventer' Signed lower left J. v. Schooten Maroufle (oil on canvas on board) Dimensions without frame: 26 x 34 cm. Dimensions with frame: 4...

Italian School, late 19th century Christ in the Garden of Gethsemane miniature painting, framed framed: 3.5 x 3 inches image: 2.5 x 2 inches provenance: private collection, Italy con...

A beautiful full portrait of two girls, possibly the artist's daughters, with spring flowers by British American artist Hamilton Hamilton (1847-1928). Hamilton was born in Oxford, En...

Late 20th century modernist oil painting of Greco Roman wrestlers done in the classical style. By David Loeb. Oil on handmade paper. Signed on reverse and dated 1989. Loeb was born in 1953 and raised in Chappaqua, New York, David Loeb’s mother and her identical twin were painters, and he has been painting since childhood. He studied with Gillian Pederson-Krag at Cornell University; Reed Kay at Boston University; Louis Finkelstein, Wolf Kahn and Philip Guston at the Yale Summer School of Art and Music; and attended graduate school at Indiana University, Bloomington, where he studied with Robert Barnes...

Samuel S.Hoskins Statement on White Roses: "White Roses" is an endeavor to evoke the enchanting fragrance of roses. One of the most delightful aspects of living in Florence, Italy, is cycling through the outskirts of the city in spring after a refreshing rain shower. The rain seems to awaken the scents of various flora. I utilized Viridian Green and Cerulean Blue to capture the cool contrast that rain imparts to the flowers, seeking to encapsulate the sensory experience of those post-rain, blossoming moments. White Roses 14x18 20x24 with Frame As a graduate of The Florence Academy of Art and a devoted oil painter, Samuel Hoskins...

A charming Parisian scene oil on canvas painting by the French artist, Johannes Schiefer. This painting is a wonderful example of his work from the prime of his career. Capturing a v...

Oil on Canvas. Central European school of the mid-nineteenth century. In the middle of the scene, in front of a throne surmounted by a red velvet canopy and with the royal insignia o...

The Old Fishing Harbor French School, mid 20th century signed, 'Charles Cermak'? oil on canvas signed lower right framed: 24 x 29.5 inches canvas: 18 x 24 inches Provenance: privat...

This painting depicts a landscape scene of a town scene of figures on the stairwell. The attractive perspective is what makes this painting so interesting and desirable; there is a s...

An impressionistic depiction of a lively Manor scene with a large oak tree adorning the view, set in Ukraine. The bold brushwork and marks are noted with colorful city life as the le...

George Henry Smillie East Hampton, New York, 1884 Signed lower left Dated lower right Oil on canvas 15 x 24 inches Provenance Cigna Museum and Art Collection Questroyal Fine Art T...

Alessandro La Volpe (Italian, 1820-1887) View of Mt. Etna From the Ruins of the Theatre at Taormina, 1883 Oil on canvas Signed and dated lower right 29.5 x 52.5 inches 39 x 62 inches...

Title French Surrealist Abstract Male Figures Oil Painting Normandy Provenance Key Details Artist: French School Subject: Surrealist abstract male figurative scene Medium: Oil painti...

Antoine Williams Zarra (1820-1892) was an international man of mystery. When not painting in the rural village of Barbizon and its environs, he was mo...

"Hudson Gardens" (2023) Is a beautiful impressionist landscape by contemporary painter Harold Deist, which depicts an autumn landscape with trees overhanging a river in warm sunlight...

Circle Wouwerman, Horseman by a Tent, Riders Playing Cards (?), Old Master Dutch Art, Travellers or Riders resting by a tent and gambling

Kevin Weckbach's (US based) "Winter's Song" is an original, hand-made oil painting that depicts a secluded snowy forest in the early morning sunlight. Artist Statement: "Subject mat...

Ivan Chai, Russia,Green,Pink LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Europe, Japan, United States and in the...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

JAUME MUXART DOMÈNECH (Martorell, Barcelona, 1922). "Futbolistas". Óleo sobre lienzo. Firmado en el ángulo inferior derecho. Medidas Pintura: 97 x 130 cm. Medidas marco: 101 x 134 cm...

Title: Shepherd in the Pyrenees Artist: Enric Porta i Mestre (1898–1993) Technique: Oil on canvas Style: Post-Impressionism with Expressionist influences Dimensions: Unframed: 23.6 x 31.9 in Framed: 29.9 x 38.2 in Signature: Signed in the lower right corner as "E. Porta". Date: 1956 (according to the inscription on the back). DESCRIPTION OF THE WORK Shepherd in the Pyrenees by Enric Porta i Mestre depicts a rural scene with a striking sense of introspection and evocative charm. The painting portrays a shepherd tending to his flock amidst the mountainous landscape typical of the Catalan Pyrenees. The composition captures the serenity and beauty of nature through vibrant colors and dynamic brushstrokes. The work reflects a Post-Impressionist style with loose, bold strokes and vivid tones, combined with Expressionist influences in its ability to evoke emotions beyond the physical depiction. The energetic and textured brushwork infuses the painting with a lively rhythm, while the rich palette of greens and blues immerses the viewer in the landscape's tranquil atmosphere. In this piece, Porta i Mestre showcases a mastery of color and light, illustrating his deep connection to his homeland and its rural life, which served as a source of inspiration throughout his career. ARTIST BIOGRAPHY Enric Porta i Mestre (La Pobla de Segur, 1898–1993) was a Catalan painter known for his landscapes, still lifes, and costumbrist depictions. Trained in Lleida and Barcelona, Porta debuted in 1922 with an exhibition in the Catalan capital. He later moved to Paris to further his artistic studies, where he connected with avant-garde artists such as Miquel Villà...

Deep in Conversation by Pierre Georgeot (French mid 20th century) oil on canvas, framed framed: 25 x 30 inches canvas : 24 x 29 inches Provenance: private collection, France Conditio...

'Family Seated on a Bench at the Port', oil on board, by François Diana (circa 1970s). A painting with a very wholesome, homespun theme harks back to a more innocent time. A family i...

Moses Striking Water from the Rock; Circle of Pietro Dandini, Italian 1646-1712 Italian School, late 17th century oil on canvas, framed framed: 3...

Jay Patel ELEPHANT & THE KING Acrylic on Board Year: 2022 Size: 10x12x1.5in Signed verso COA provided Ready to hang Ref.: 924802-1113 "Against a burnt orang...

"San Francisco" Continental School, signed Vogel circa 1970's oil painting on canvas, framed framed: 13 x 20.5 inches board: 12 x 19.5 inches provenance: private collection, France c...

Artist Statement: "I find the behind the scenes action of more interest than the actual rodeo events themselves. Watching the men and women get ready with their horses before they go...

Sunlight pours through a leaded light window set within a stone casement. The deep stone sill is bathed in bright sunlight and beyond the glass, clustered building seen be in the br...

A joyous colorful street scene painting depicting the peaceful Lambertville village in New Jersey with much depth and detail. The piece is done in a highly impressionistic manner and...

A River Landscape With A Figure On A Donkey 1800's Dutch School oil painting on canvas, framed framed: 21 x 27 inches canvas: 18 x 24 inches provenance: private collection, England ...

The painting we are offering for sale, executed by Swedish artist Erik Tryggelin on May 3, 1907, presents a striking and atmospheric view of Sankt Matteus Church in Stockholm. It sta...

The Battlefield of Waterloo English School, 19th century original oil painting on canvas, framed canvas: 12 x 15.5 inches framed: 17.5 x 20.5 inches condition: overall very good and presentable, some former restoration and signs of retouching visible. provenance: from a private collection A very rare and historically important early painting, depicting the Waterloo battle...

Circle of Teniers, Peasants in a Landscape passing by a river and an Inn.