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Frank McCarthyThe River Devils
$5,000
£3,797.62
€4,367.96
CA$6,985.98
A$7,790.16
CHF 4,064.57
MX$95,588.18
NOK 51,735.53
SEK 49,018.29
DKK 32,599.71
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About the Item
Medium: Oil on Canvas mounted on Board
Signature: Signed Lower Right
Subject matter features a mottled blue ground with a male kissing a woman, the foreground with a man holding gun standing in front of a ship.
- Creator:
- Dimensions:Height: 20.5 in (52.07 cm)Width: 13 in (33.02 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fort Washington, PA
- Reference Number:Seller: 37571stDibs: LU38435744972
About the Seller
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Medium: Oil on Board
Signature: Signed Lower Left
Cover illustration for the book Many Rivers to Cross by Steve Frazee (Fawcett Gold Medal #935, October 1959) - (#S1371, December 1963)
Category
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Eagles Where I Walk, Original Paperback Book Cover Illustration
Located in Fort Washington, PA
Paperback book cover illustration for Eagles Where I Walk by Stephen Longstreet, published by Popular Library, 1961.
The publisher describes the story:
“Anger had burst into rebellion, and rebellion had exploded into war—and across the Colonies brave men and women joined together in a passionate struggle which there was no turning back.
Such a man was David Cortlandt—robust, daring, never one to avoid danger. He was a man who must have what he desired, be it freedom from a tyrant or possession of a strange and deadly beauty named Roxanne.”
The cover features a soldier embracing a woman above a small illustration...
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A Few Painted Feathers, Original Paperback Book Cover Illustration
Located in Fort Washington, PA
Paperback book cover illustration for A Few Painted Feathers by Stephen Longstreet, published by Popular Library, 1963.
A historical novel about the American Revolution.
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1960s Figurative Paintings
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Safe!
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Medium: Tempera on Board
Illustration of a baseball player's dusty crash to a field base as seen out of the corner of a television set.
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Medium: Oil on Canvas
Signature: Signed Lower Left
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Stonewall Susan
Located in Fort Washington, PA
Medium: Gouache on Board
Signature: Unsigned
Original illustration for "Stonewall Susan" by Joan Aucourt for Collier's magazine, published May 31, 1952, pp. 62-63.
The full caption...
Category
1950s Figurative Drawings and Watercolors
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Pulp Magazine Marine Combat Scene Shoot Out in Blue Noir
Located in Miami, FL
What makes this work important?
It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades.
Initialed lower left - unframed
John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book.
Early life
John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios.
Career
Disney
At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II.
US Marines
McDermott World War II sketch titled "Buddy is Wounded"
On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education.
"In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship."
According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps.
Illustration
Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly.
McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...
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