Crayon Figurative Paintings

Abstract composition is a contemporarary artwork realized by Mario Guglielmotti in 1973 Charcoal and Oil Pastel.

Macauley Norman — Have a Nice Day In Have a Nice Day, Macauley Norman transforms an everyday urban recycling scene into a richly textured contemporary still life. A row of familiar ...

NANCY CHUNN (American, born 1941) Untitled mixed media work Ink and pastel on newspaper De-acidified artistically rendered edition of Washington Post, October 23, 1997, various headlines and illustrations Dimensions Framed, 31 in. x 22 in. Sheet 23 X 14 With some whimsical illustrations and a stencilled Mazel Tov text Nancy Chunn is an American artist (born 1941) based in New York, Known for her commitment to geopolitical issues, Chunn’s work includes a diverse range of paintings. Nancy Chunn was born in Los Angeles, California and received her Bachelor of Fine Arts in 1969, from the California Institute of the Arts, Santa Clarita, California. She began her career in Southern California before moving to New York in the late 1970s, where she currently lives and works. Chunn has exhibited internationally and has been represented by Ronald Feldman Fine Arts in New York since 1985. Chunn currently teaches at the School of Visual Arts in New York, and taught a master painting class at Otis College of Art and Design in Los Angeles in 2007. Chunn’s paintings commonly expose the political arena and portray the power of the media to define and control public opinion. Her work is mostly painting focused on narrative, cultural references and social problems, history, and symbolism both in the global community. She often uses the news, and famously newspapers to draw inspiration and information, adding her own commentary to these sources. The work she produces is colorful, cartoonish, and laced with humorously dark commentary. A self-proclaimed “political junkie,” she achieved critical success with her early map like paintings of tyrannized nations and has continued her commitment to documenting world events and the repeating cycle of history in the paintings she has produced since the early 1980s. She is largely recognized for the yearlong Front Pages project, where she applied images and text to provide commentary on every cover page of The New York Times from January 1 to December 31, 1996. In 1997, Rizzoli produced a hardcover book illustrating each of the project’s works. Chunn was a 2009 Guggenheim Fellow. She was named Honoree of the fall 2007 Jennifer Howard Coleman Distinguished Lectureship and Residency at Otis College of Art and Design. In 2005, Chunn received an Anonymous Was A Woman Award. She has also twice received a Fellowship Award in Painting from the National Endowment for the Arts, namely in 1985 and 1995. Public collections City of Chicago, Chicago, IL Ms. Foundation for Women, New York, NY Chicago Museum of Contemporary Art, Chicago, IL The New York Times, New York, NY The Progressive Corporation, Cleveland, OH The Prudential Insurance Company of America, Newark, NJ Commissions Public School 125, Queens, NY permanent installation painting, commissioned by the City of New York, 1995 Chicago Library Uptown Branch, Chicago, IL, permanent installation painting, commissioned by the City of Chicago, 1993-1995. Select Exhibitions Include 2017 The Times The FLAG Art Foundation Chelsea New York. The exhibition uses The New York Times as its point of departure. Artists included: Carlos Rolón, Ellsworth Kelly, Felix González-Torres, Fred Tomaselli, Nancy Chunn, On Kawara, Richard Prince, Rirkrit Tiravanija, Robert Gober, Suzanne Caporael. 2009 Black and White Works Ronald Feldman Fine Arts Soho NYC Artists included: Andy Warhol, Bruce Pearson, Buckminster Fuller, Chris Burden, Eleanor Antin, Hannah Wilke, Ida Applebroog, Joseph Beuys, Leon Golub, Les Levine, Nancy Chunn, Todd Siler, Vitaly Komar & Alexander Melamid 1995 Strung Into the Apollonian Dream... took place at Feature Inc. in New York, New York from January 20 - February 24, 1995. Artists included Michael Banicki, Nancy Chunn, Tom Friedman, Felix Gonzalez-Torres, Jenny Holzer, Peter Huttinger, Mike Kelley, Louise Lawler, Sherrie Levine, Allan McCollum, David Moreno, Hirsch Perlman, Raymond Pettibon, Adrian Piper, Richard Prince, David Robbins, Rene Santos...

Artist: Jose Canes (aka Dore) Title: Woman in Pink with Flowers Medium: Acrylic and Pastel on Paper, signed "Dore" l.r. Year: circa 1980 Size: 19.5 x 25.5 inches

Seeking Advice from the Buddha - Figurative in Pastel on Paper Brightly colored figurative composition by Michael William Eggleston (American, 20th Century). An abstracted figure is...

Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...

Almazan Realistic Still Life watercolor Painting. virtual frame MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romanti...

Gloria Dudfield Driver with Hard Hat 1960s Gouache and Oil Pastel on Paper 27"x36" unframed Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from...

Scott likes to think of his work as what it might look like if an overly observant 5 year old kid from New Jersey left hieroglyphics for alien life forms to discover. A mixture of ...

Wonderful figurative study in abstract expressionist style titled "Ralph" by California artist Evan D. Thomas (American, b. 1957), circa 1990. Signed ...

This original painting on canvas brings the immediacy of street art, neo-expressionism, and raw gestural abstraction into a striking contemporary composition. Based in Los Angeles, O...

Expressive nude figure, movement, powerful color and texture, abstract brushwork

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. The artist used a...

Pierre Carrier-Belleuse (1851-1932) Jeune femme ajustant son corset 1893 pastel on canvas 133.4 x 92.7 cm signed and dated 'Pierre Carrier-Belleuse 1893' (upper right) Price: £34,00...

Donald Stacy "Orange Nude Lounging" c.1950s Oil pastel and gouache paint on paper 23" x 20" framed black gallery wood frame float mount Unsigned Came from artist's estate Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art...

Figures Beneath Colourful Parasols on a French Beach Modernist Pastel Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Paper: 9 x 14 inches Medium: Pastel on artist's p...

Almazan Realistic Still Life watercolor Painting. . frame MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic and ...

Inspired by her background in fashion, artist Lindsey McCord creates vibrant portraits that encapsulate the confidence that comes with the fun of being stylish and chic. Her figures ...

Inspired by her background in fashion, artist Lindsey McCord creates vibrant portraits that encapsulate the confidence that comes with the fun of being stylish and chic. Her figures ...

French School Portrait of a young woman in Louis XV period dress Pastel on paper mounted on oval canvas H. 68 cm; W. 54 cm (Frame: H. 102 cm; W. 71 cm) 18th century frame, anti-refle...

Ginger Williams Cook says of her work... My previous solo exhibition, entitled Abundance of Apollo: The Celestial Gods, Goddesses, and Heroes of Greek Mythology, served as a point o...

Title: French Mid-Century Portrait of Woman with White Veil in Dreamlike Setting by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Mixed media and watercolour on u...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Scream. 1971, cardboard, oil crayons, 15.5x13 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time ...

Original Soft Pastel on Sandpaper

Female figure, swimmer, bathing, ocean, sunshine, rocks; acrylic ink, flashe and pastel on 300g Arches hot press paper; custom wooden frame, shallow shadow box frame. Deep blue, turq...

Hares, 2023, 78x54 cm

Marilyn Monroe signed by Fanch Lel (French b. 1930) dated 94' size: 10.5 x 8.75 inches oil pastel painting on board, unframed condition: the painting is in very good condition. It ha...

Subrata Biswas - Untitled - 10 x 8 Inches ( unframed size ) Dry Pastel & Tea Liquor on Paper. ( Unframed All in Delivered Price ) Style : The motive of a child in its most basic for...

Jacques Zucker was born in 1900 in Radom, Poland. He was a notably famous Jewish American artist mostly known for his expressionist figure paintings. In his young years he traveled t...

Emilio Cruz (1938-2004) Bonnie and Clyde Pastel on paper Hand signed lower right Dimensions Framed H 15-7/8" W 18-1/2", Sight H 13-1/2" W 16-1/8" Emilio Antonio Cruz (1938 – 2004) was a Cuban American artist who lived most of his life in New York City. His work is held in several major museums in the United States. Emilio Antonio Cruz was an American Artist of Cuban descent. He was born in the Bronx on March 15, 1938. He studied at the Art Students League of New York with Edwin Dickinson, George Grosz and Frank J. Reilly and at The New School in New York City, and finally at the Seong Moy School of Painting and Graphic Arts in Provincetown, Massachusetts. As a young artist in the 1960s, Cruz was connected with other artists who were applying abstract expressionism concepts to figurative art such as Lester Johnson, Red Grooms, Mimi Gross, Bob Thompson and Jan Muller. He combined human and animal figures with imagery from archaeology and natural history to create disturbing, dreamlike paintings. Cruz received a John Hay Whitney Fellowship and awards from the Joan Mitchell Foundation and from the National Endowment for the Arts. In the late 1968, Emilio and wife Patricia Cruz moved to St. Louis to work with Julius Hemphill and the Black Artists Group. He served as director for the visual arts program, which also included painters Oliver Jackson and Manuel Hughes. In addition to artistic contributions, the couple participated in city-wide civil rights protests and rent strikes. Cruz moved to Chicago and taught at the School of the Art Institute of Chicago during the 1970s, where he exhibited widely and was represented by the Walter Kelly Gallery. He wrote two plays, Homeostasis: Once More the Scorpion and The Absence Held Fast to Its Presence. These were first performed at the Open Eye Theater in New York in 1981, and later were included in the World Theater Festival in Nancy and Paris, France, and in Italy. In 1982 he returned to New York where he began to exhibit again. In the late 1980s he resumed teaching at the Pratt Institute and at New York University. Harry Rand, Curator of 20th Century Painting and Sculpture at the Smithsonian American Art Museum, described Emilio Cruz as one of the important pioneers of American Modernism of the 1960s for his fusion of Abstract Expressionist art with figuration. Geno Rodriguez, Curator and Executive Director of The Alternative Museum, wrote in 1985, "Emilio Cruz, is a brilliant and impassioned artist whose current paintings are monumental, imbued with intelligence, fury and an apt sense of irony. They reflect the turbulent world within which we live." Geoffrey Jacques wrote in 1990, "Emilio Cruz paints humanity’s essence. Mythology and archeology are the foremost concerns of the painter Emilio Cruz. Dinosaurs, skeletal humans and fossil-like images are used in his work as metaphoric signposts in a consideration of the basic questions of existence." Art historian and curator Paul Staiti wrote in 1997, "Emilio Cruz's Homo sapiens series is a strange and haunting genealogy of the modern soul... What is at stake here more than biopolitical culture, is the remystification of the body and mapping of consciousness ... For all the trauma, explicit and implicit, Cruz's style is masterful, classical, even beautiful." Exhibitions Cruz held his first solo exhibition at the Zabriskie Gallery in New York in 1963. Afterwards his work was included in many group and solo exhibitions, including the Anita Shapolsky Gallery in 1986 and 1991, museum exhibitions at the Studio Museum in Harlem in 1987, the Pennsylvania Academy of the Fine Arts in 1997. In 1994, Cruz's work was shown as part of the American contingent at the IV Bienal Internacional de Pintura en Cuenca, Ecuador. Other American artists exhibiting at this show were Donald Locke, Philemona Williamson, Whitfield Lovell...

Ginger Williams Cook says of her work... My previous solo exhibition, entitled Abundance of Apollo: The Celestial Gods, Goddesses, and Heroes of Greek Mythology, served as a point o...

Where We Gather From the series “Where We Belong” Medium: Acrylic and oil pastels on canvas; Size: 96 × 89 × 2 cm; Presentation: Stretched on a wooden stretcher, ready to hang. The...

In 2018, I became a painter. An artist.  I am a product of the '70s and I spent my life in the fine state of New Jersey—the most wonderful state of them all.  As a result of stuff th...

James Vaulkhard Jim, 2025 Oil, charcoal, pastel and oil stick on fine linen 80 x 70 cm 31.5 x 27.6 inches James Vaulkhard Share James Vaulkhard holds a BA degree in History of Art f...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Nelson De La Nuez is one of the most sought-after contemporary Pop artists practicing today. His striking, vivid mixed media artwork borrows motifs and messages from the language of ...

Pastel on board - Saturday Evening Post Cover, Evening Gown May 21st, 1938 - Reproduced version looks better because the Saturday Evening Post Art Director retouched the plates before printing and strengthened the colors to give it more newsstand appeal - Signed and inscribed lower left. Housed in an inexpensive period frame, would benefit from a new frame. undlations to the board From Wiki : as an American illustrator and portrait painter who studied at The School of The Art Institute of Chicago and Art Students League of New York. She began her career as an illustrator and during World War I, she traveled across France entertaining military troops with Anita P...

This piece, titled "Wanderer Study 2"is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and gr...

Le Resesquement a l'Advocats (The Legal Reservation) Pastel on paper, c. 1910 signed lower right Image size: 10 3/4 x 14 inches Frame size: 23-1/2 x 26-1/2 x 2-3/8 inches Condition: ...

Daggi Wallace's "Not All That Glitters I" is an original, handmade mixed media painting that depicts a female's model face with gold leaf drips. Born and raised in Berlin, Germany ...

Daggi Wallace's "Not All That Glitters II" is an original, handmade mixed media painting that depicts a female's model face with gold leaf drips. Born and raised in Berlin, Germany...

Daggi Wallace's "Not All That Glitters III" is an original, handmade mixed media painting that depicts a female's model face with gold leaf drips. Born and raised in Berlin, German...

Details: Title: Tropical Corals Medium: Acrylic Painting and Gouache Crayon on Watercolor Paper Size: Size: 40x83 Inches (100x210cm), each panel measures 40x28 Inches (100x70 cm) Yea...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

This piece, titled "Wanderer 16" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and graphi...

Vue des Grands Boulevards à Paris by H. CLAUDE PISSARRO (b. 1935) Pastel on card 37 x 50 cm (14 ⅝ x 19 ⅝ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a...

Original Mixed Media Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his artistic p...

This charming singerie depicts a lively scene of monkeys gathered within the rustic interior of a tavern. Dressed in contemporary human attire and engaged in recognizably human activ...

Late Mid Century French pastel drawing on paper of a farmer harvesting wheat by Jean Arène. Signed and dated bottom right, in modern black metal frame with black card mount. A charm...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

This original painting on canvas brings the immediacy of street art, neo-expressionism, and raw gestural abstraction into a striking contemporary composition. Based in Los Angeles, O...

Modern pastel drawing of a pair of sumo wrestlers in the middle of a match wearing green and blue mawashi set against an orange floor. Signed by the artist in the front lower right c...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

In Game Creator, Yulianna Verba presents a symbolic and emotionally rich narrative exploring self-awareness, feminine power, and spiritual awakening. This striking mixed media work—c...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

STARSKY BRINE’s paintings and drawings captivate audiences with their distinctive style and a recurring theme, the search for the nature of humanity. In his bold works, the artist fo...

Deconstructing the icon: A raw, subversive take on pop culture. In 'Behind Hello Kitty', Diego Tirigall strips away the sweetness to reveal an exhausted figure amidst graffiti and ch...

About this piece: This started as a plein air painting in October in Sedona. Artist Statement: I've been working in pastel full-time for the last twenty-nine years and have been tea...