Etching Figurative Paintings

At the bus station 2021, paper, acrylic, 25x25 cm Ansis Butnors (1977) Education: J. Rozentals Art School in Riga – 1989. – 1996. Latvian Academy of Art, Painting Department – 19...

Couple at play Watercolour on paper laid to board 21cm x 14cm Mounted 39cm x 29cm 1921 Signed with Monogram Bottom right This is an exquisitely executed watercolour painting that ...

Wonderful aquatint figurative titled, "Majestic Fiqure" by Lenore Simon (American, b. 1928). Signed lower right corner below edge. Titled below lower middle edge with medium "Aquatin...

Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene Antonio Petruccelli (1907 – 1994) Perplexed Gentleman New Yorker cover proposal, c. 1939 13 1/4 X 8 ...

Prize winning 1923 Dry Point Etching of Santo Domingo by George "Pop" Hart. Wonderful early 20th century modern etching of the Santo Domingo, capital of Dominican Republic by Georg...

Glassblowers WPA American Scene Mid- 20th Century Modern Figurative Workers. Dated and signed "32 Harry Gottlieb" lower right. Sight: 13 1/8" H x 18 1/4" W. Harry Gottlieb, painter, screenprinter, educator, and lithographer, was born in Bucharest, Rumania. He emigrated to America in 1907, and his family settled in Minneapolis. From 1915 to 1917, Gottlieb attended the Minneapolis Institute of Arts. After a short stint as an illustrator for the U.S. Navy, Gottlieb moved to New York City; he became a scenic and costume designer for Eugene O"Neill's Provincetown Theater Group. He also studied at the Philadelphia Academy of Fine Arts and the National Academy of Design. He was one of America's first Social Realist painters, influenced by that Robert Henri-led movement in New York City where Gottlieb settled in 1918. He was also a pioneer in screen printing, which he learned while working for the WPA. He married Eugenie Gershoy, and the couple joined the artist colony at Woodstock, New York. He lectured widely on art education. In 1923, Gottlieb settled in Woodstock, New York and in 1931, spent a a year abroad studying under a Guggenheim Fellowship. In 1935, he joined the Federal Art Project...

Dancers 2022, acrylic on paper, 25x25 cm Ansis Butnors (1977) Education: J. Rozentals Art School in Riga – 1989. – 1996. Latvian Academy of Art, Painting Department – 1996. – 200...

This has young ISraeli pioneers dancing with the flag as typical of works of the late British mandate Palestine era early state of Israel. Genre: Modern Subject: Figurative (stained glass style) Medium: Mixed media gouache on paper Hand signed lower left Alexander Raymond Katz, Hungarian / American (1895 – 1974) Alexander Raymond Katz was born in Kassa, Hungary, and came to the United States in 1909. He studied at the Art Institute of Chicago and the Chicago Academy of Fine Arts. In the late 1920s, he worked as a director of the Poster Department at Paramount Studios. He was appointed the Director of Posters for the Chicago Civic Opera in 1930. During the Great Depression, notable architect Frank Lloyd Wright urged Katz to become a muralist. In 1933, he was commissioned to paint a mural for the Century of Progress exposition in Chicago. In 1936, he painted the mural History of the Immigrant for the Madison, Ill., post office. Katz’s works were included in various exhibitions and now are part of several museum collections, including those of the Art Institute of Chicago; Corcoran Gallery of Art, Washington, D.C.; and the Jewish Museum, New York. His murals, bas-reliefs and stained glass designs adorn more than 200 Jewish synagogues in the United States. Katz and other Jewish artists in Chicago who expressed Jewish and Biblical themes were inspired by the artist Abel Pann (1883-1963). Pann, who is regarded as the leading painter of the Land of Israel, exhibited in the Art Institute of Chicago in 1920. Early in his career, Katz began to explore the artistic possibilities inherent in the characters of the Hebrew alphabet. He developed aesthetic and philosophical interpretations of each letter and became the leading innovator and pioneer in the field of Hebraic art. Katz applies this concept in the woodcut Moses and the Burning Bush. Hebrew letters appears in Moses’ head, his cane and inside the flame. The initial of Moses’ name crowns his head. The letter in the flame is the first letter of the name of God. A combination of images and Hebrew letters appeared commonly in illustrations of the scene Moses and the Burning Bush in the Haggadah, the book of Passover. The symbolism of the burning bush corresponds to the motifs of A Gift to Biro-Bidjan. Among the fourteen participating artists were notable Chicago modernists Todros Geller, Mitchell Siporin...

WPA Mural Study American Scene Social Realism Mid 20th Century Modern Workers Seymour Fogel (1911-1984) Mural Study, untitled 11 x 49 1/4 inches (sight) Tempera on board Provenance:...

CHARLES LEVIER – [SOLITUDE DE PIERROT ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Original Period Frame A THEATRICAL PORTRAIT OF MELANCHOLY “Solitude de Pierrot” captures Charles Levier’s fascination with the archetypal Pierrot from commedia dell’arte. With angular black outlines and muted pastel tones, Levier reduces the figure to its essential gestures, creating a poignant symbol of isolation and quiet reflection. The vertical format emphasizes Pierrot’s elongated stance, while his downcast eyes and red-tipped nose heighten the painting’s emotive impact. This work was acquired directly from the artist by noted Beverly Hills designer Dean Richard Kukuk and retains its original Martin Lowitz Gallery label, underscoring both provenance and historical context. WHY COLLECT THIS WORK? ✓ An early and expressive Charles Levier oil from circa 1950 ✓ Features the Pierrot subject, connecting to the theatrical tradition of commedia dell’arte ✓ Strong provenance: Martin Lowitz Gallery, Los Angeles, and the collection of Dean Richard Kukuk, Beverly Hills ✓ Retains its original period frame in excellent condition with gallery label affixed verso ARTWORK DETAILS: ▸ Title: [Solitude de Pierrot] ▸ Artist: Levier, Charles ▸ Medium: Oil on Canvas ▸ Creation Date: circa 1950 ▸ Country of Creation: US ▸ Signed: Hand Signed Lower Right ▸ Current Condition: Excellent commensurate with age. Original period frame in great condition consistent with age. ▸ Documentation: Martin Lowitz Gallery label affixed to verso ▸ Provenance: Martin Lowitz Gallery, Los Angeles; Dean Richard Kukuk, Los Angeles ▸ Dimensions: — ◼︎ Canvas Size: 44.25 inches x 15 inches — ◻︎ Frame Size: 59 inches x 30 inches x 2.625 inches INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Charles Levier (1920–2003) was a French-American painter known for expressive oils, gouaches, and watercolors that bridge Modernism and postwar design sensibilities. His subjects include harbor towns, still lifes, café society, and commedia dell’arte figures such as Pierrot and Harlequin. Levier’s linear bite and stylized elongations have invited comparison to Bernard Buffet, while collectors of Modigliani, Rouault, and mid-century École de Paris painting...

Important red chalk drawing of a reclining Female nude Signed and dated by Frank Dobson "Frank Dobson 37" This drawing, never before on the market, comes from an important European...

Donald Stacy "Mark" c.1950s Oil pastel and gouache paint on paper 14x17" unframed Unsigned Came from artist's estate Donald Stacy (1925-2011) New Jersey Studied: Newark School of ...