Linen Figurative Paintings

"Pensive" by Barbara Hack is an original portrait painting depicting a female model. This piece is framed and ready to hang. Barbara Hack’s work is an ongoing reflection on people ...

19th Century Impressionist Original Oil Painting of Malaysian Fishermen and Schooner by Alberto Bonghi The painting is a depiction of a scene in Malaysia with a Schooner in backgro...

Turn of Century American Figurative Maine Lobster Fisherman - Grandfather's Joy A Old Lobster Fisherman ponders the future and the joy of grandchildren. Wonderful turn of century Ame...

Serene depiction of an Ohlone Mother and Child walking a forest path by Anton Dahl (Swedish-American). Ohlone Mother and child are walking through the North...

Gorgeous turn of the 20th Century Mount Shasta landscape by Anna Carver Bingham (American, 1849 - 1924), 1901. Several deer gather around calm waters that...

Seated Nude Woman American Figurative School 1940s Mid-century American impressionist painting of a woman by American artist Frederick "Fred" Yost (American/Swiss, 1888-1968). He studied: at Mt. Union Col., Alliance, OH; American Students League, New York, and with Homer Boss, John Sloan, Robert Henri, R. Lahey. The painting gleans much form his studies with John Sloan and Robert Henri in the French post-impressionist style. Image 24"H x 18"W Frame, 30"H x 24"W x 1.5"D Signed "Yost" lower right Painter, lithographer, teacher, lecturer About Fred's life: by Hal Fry of the Herald “Fred Does Whatever He Likes” was a title given to a biography written about Fred Yost by Hal Fry of the Herald. The following is taken directly from this column: “Fred Yost’s living style is like his painting style. He has fun with it. Fred John Yost was born in Switzerland, he’ sure, on November 6, 1889, he thinks. His father John brought the family to his country when Fred was about a year old—first to New York and later to Canton, Sebring and finally Alliance, where Yost Sr. loaded freight for a railroad. Fred like drawing and painting so far back he can’t remember how or when it started—it was always that way. But through the public schools in Alliance he didn’t think of this as a career possibility. He wanted to be a newspaperman. He worked his way through Mt. Union College, finishing, he thinks, about 1912. Then he beat it for New York and after kicking around for a time got a job as a proofreader for the Wall Street Journal. He combined this and art school until World War I took him into the Army. In infantry, field artillery and ordnance duties he served with the 27th New York Division through St. Mihiel and the Argonne and the rest—in the process getting his hearing clobbered by blasts from his outfit’s own guns. Coming out a Sergeant in 1919, he went back to the Wall Street Journal briefly—then caught on as a staff artist for the (New York) Herald. For several years, when he felt like it, Yost would take a bus to the Mexican border and switch to a Mexican bus to carry him way down south, then make it any way he could to the places he wanted to see. On these trips he virtually becomes a peon, disappearing totally from those who know him—living with, like and clearly thoroughly liked by the people among whom he moves.” Yost was a graduate of the Art Students League and past president of the Ohio Watercolor Society. Fred Yost, a man who eminently loved the Mexican landscape, Exhibited: S. Indp. A., 1928, 1930-33; MMA, 1945; AIC; Butler AI, 1947-1951; Ohio WC Soc.; PAFA, 1948-1950; Akron AI, 1947-1951, 1958; Fla. Southern Col., 1952; Ohio Univ., 1950; Columbus Gal. FA, 1947-50; AWCS, 1958; Salons of Am.; 3 solo: Canton AI; Akron AI, Springfield Mus. A. Contributor to Ford Times, 1958-59. Awards: prizes, Massilon Museum, 1944; Ohio Watercolor Society, 1944, 1948; Indianapolis, Ind., 1944; Tri-State Pr. M., 1945, 1946; Butler AI, 1946; Youngstown Pub. Schools, 1946 (prize); Ohio Univ., 1950; Ethel Printz award, 1950; Fla. Southern Col., 1952; Akron AI, 1952, 1956-1958; Canton AI, 1961, 1963; medal, Phila. Pa., 1950 Member: Ohio Watercolor Society (president) Work: Massillon Mus.; Youngstown Pub. Sch. Coll.; Butler AI; Akron AI; Kennedy & Co., NY; Beaver Col., Beaver Falls, Pa.; Block Gal., Indianapolis; Prospect Park, NY; murals, Sioux City Steak House; Sioux City A. Center; City Hall, Sioux City; Akron AI; Evangelical Church, Akron; Rockefeller Center; Radio City, NY; Brooklyn Zoological Park. Affiliated with NYC Park Dept. Mural Projects. Comments: Came to U. S. in 1889. Position: teacher, Butler AI; Akron AI; instr., Akron AI, Akron, Ohio; cur. Historical House of Refuge...

Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...

White Horse Carousel, 1956 - Oil On Canvas Oil painting of an empty carousel ride, a single white horse gleams in the center. Three doorways are seen to the right, with sunlight ema...

Bold composition of two people on a porch by Majel McHugh Logan (American, 1916-1982). Two people sit facing each other on a porch, backlit by warm sun. The piece is sketchy but confident, with thick brushstrokes adding high contrast shadows and highlights. Although the subjects' faces are undefined, there is nonetheless an expressive quality in their body language. Signed "Majel Logan" in the lower right corner.\ Artist's tag on verso with title. Presented in a wood frame with a gold accent. Frame size: 14.75"H x 16.75"W Canvas size: 14"H x 16"W Majel Logan (nee McHugh) (American, 1916-1982) was born in Utah. After graduation from St. Mary of the Wasatch College in Utah, she studied at the Pennsylvania Academy of Fine Arts. She continued to study at Idaho State University before eventually settling in Santa Clara, CA. Although she was a professional artist at the time, she nonetheless continued her studies at San Jose State University in the 1970s. By the mid-70s, she had won 43 awards in state, regional, and local competitions, including Fiesta des Artes (Los Gatos...

"Window" is a modern impressionist painting of a seated woman looking out her window at a beautiful Tuscan Landscape. She wears a yellow dress and a dark jacket. The natural light b...

Old town on the Bay in Baja Mexico Original Oil painting on Linen by Palavicini Old Village in Baja Mexico by unknown Mexico artist Palavicini. (Mexico 20...

"Girl, Sunlight" is an oil painting by Contemporary Impressionist painter Ben Fenske. A soft depiction of a woman laying in grass, her arm reaching over her head, shading her eyes. A...

Early 20th Century Original Still Life Oil Painting Titled "Fish and Brass" in Style of William Merritt Chase Moody and atmospheric, this still life painting by unknown artist. Titl...

David Grossman's (US based) "Evening View to the South West" is an original, handmade oil painting that depicts a wide open plain of the West with fields of...

Ulrich Gleiter's (EUR based) "Dalmatian Coast (Near Dubrovnik)" is an oil painting that depicts a blue coast lined with green textural beaches. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...

Reclining Nude Figure in Oil on Linen This original painting is a beautifully depicted nude figure study in a cozy interior space with southwest elements by San Jose, California art...

Blue Lake in the Rockies and Hunter - Oil on Linen Cascades and snow capped mountains over look a blue lake with a successful hunter carrying his trophy deer by Vern Byers (American...

"Apple Feast" (2024) by Olga Karpeisky is an original, handmade oil painting on linen that depicts a branch with red and green apples on a colorful abstracted background.

1880s Century Original California School Oil Painting of Native Americans Fishing in Sierras by Ransome Gillet Holdredge Wonderful landscape of Sierra Mountains in Hudson River Scho...

"French Village" by Sandra Pratt Artist Statement: My work is inspired by my emotional response to places I've seen and experienced. In particular, the contrasts of light and dark....

Rocky trail and landscape

"Happy Family", Mid Century Sepia Figurative Interior Scene, Illustration Art by Charles Kinghan A classic and heartwarming mid-century sepia toned figurative interior scene by Charles Ross Kinghan (American, 1895-1984). Circa 1940's. This mid-century piece exemplifies the classic style of illustrations and advertisements from the period, and depicts a family gathered in their living room. Signed "Kinghan" in the lower right corner. Acquired with other works by the artist. Displayed in a period giltwood frame. Linen size: 36"H x 30"W. Framed size: 45"H x 38.5"W x 2"D. Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign...

Oil painting of a Chestnut tree in Amagansett. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest years, it was evident that his passion was...

Gorgeous European figurative of a simpler time. Horses being watered in the plains by Janos Viski (Hungarian/American 1891-1965), circa 1940. Signed lower ...

Gold Country, a rustic figurative landscape of early California pioneers by an unknown artist (American, 20th Century). Excellent workmanship and ...

"Season of Falling Leaves" by Jim Morgan is an original oil painting depicting the brilliance of autumn color. Roaming the canyons and fields around the small, central Utah town wh...

"Rocky Mountains" by Sandra Pratt Artist Statement: My work is inspired by my emotional response to places I've seen and experienced. In particular, the contrasts of light and dark...

Gorgeous late 19th Century Russian landscape with stream in the shade by Nikolai Aleksandrovich Sergeev (Nikolai Alexandrovich Sergeyev ...

Excellent figurative oil painting of a man seated in an armchair with papers strewn about the interior space by Charles Ross Kinghan (American, 18...

Oleg Ardimasov was born on July 24, 1936 in the village of Lermontovka, in the Khabarovsk region of Russia. As a young artist, Oleg studied visual arts under Anfisa Burkova. After n...

"Tea, Reading" impressionist composition of woman at the kitchen table, Tuscany. A woman sits in Fenske's kitchen, reading a book and sipping on tea. Light streams in through an open...

Sunrise on Nantucket Island Fisherman Gazing at the Sky 1929 Nantucket Sunrise, a Fisherman is gazing at the sky by James Francis Barker (American, 1872 – 1950). In the style of Albert Pinkham Ryder (1847 - 1917) was active/lived in New York, Massachusetts. Albert Ryder is known for Romanticism-pastoral landscape painting. Barker has a heavy impasto and extensive brushwork throughout and captures American Post Impressionism with this early sunrise on Nantucket Island scene. Image, 10.25"H x 14.25"W Signed "J. F. Barker" dated "3/29" on Stretcher bar verso Signed James F. Barker on Linen verso James F. Barker’s lineage traces back to eleven of the original Nantucket settlers. He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, With a degree in mechanical engineering and graduate degree in architecture, his career was centered among institutes of higher learning. Barker was also a skilled painter and a talented photographer. Barker specialized in waterfront, wharf, and beach scenes. The artist exhibited his work during the summer months at the Eagle’s Wing Studio on Union Street, having named the studio after a steamer, which had been captained by his grandfather. James Francis Barker (1872 – 10 December 1950) was the second president of the Rochester Athenæum and Mechanics Institute, succeeding Carleton B. Gibson, from 1916–1919. He also pursued painting, pottery, metal working, and cabinet making. Gravestone in Prospect Hill Cemetery, Nantucket He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, becoming Superintendent of the Manual Training Department at East Division High School in Milwaukee, Wisconsin in 1897. He left in 1904 to pursue similar positions at Grand Rapids High School and the Hackley School in Muskegon, Michigan. In 1906, he participated in the formation of East Technical High School in Cleveland, Ohio and served as its first principal. He married the former Kate Spooner in 1897 and raised one daughter. After being widowed in the late 1930s, he married Josephine M...

Portrait of a Woman After Gustav Klimt Finely detail oil on linen of a serene young woman stylized after Gustav Klimt by Valentin Skribins (Russian/F...

Acquired by the gallery directly from the artist UNFRAMED: 58" x 45" FRAMED: 66" x 53" x 4" Artist Statement “The painting was created during a live rodeo, and shows the skills, e...

"Moonlight Romance" (2012) By Susie Hyer is an original handmade oil painting on stretched linen that depicts a landscape in dim moonlight. This painting measures 26 x 22 inches fram...

"Straw Barge" on the Thames (after) Edward Duncan Oil on Linen 1898 Well executed study of E. Duncan's Straw Barge circa 1881, painted by Richard Hayley Lever...

Detailed still life of roses, books, a statue from The Pirates of Penzance, and an ash tray by Texas artist Willa (Willie) Kay Fall (1891-1976). Signed in the lower right corner. Presented in the original period giltwood frame. Image 36" H x 28"W. Unframed. Frame, 42"H x 33.5"W x 1.5"Signed lower right "W. Kay Fall" Willie (Willa) Kay Fall was 1976 Born in Kaufman, Texas to William K. Irvin an advertising man and Roxanne M. Cole. She Married Cecil G. Fall in 1912 in Kemp, Texas She painted in Texas 1920-19600, New York 1950-60, England 1947 and 1951 Sailed on the RMS Queen Elizabeth...

Charming and bright mid century California figurative landscape with a female figure walking down a verdant and inviting path by William Hiller (America...

An oil painting by American Realist painter, Kelly Carmody. Framed in a simple white-washed wood floating frame, .25 inches wide. Framed dimensions: 20.25 x 24.25 inches Kelly Ca...

Linda Lillegraven's beautiful original oil landscape "Cows and Calves Near Antelope Creek" (2024) depicts a serene moment of a western plain in the afternoon, with a few cows crazing...

Acquired by the gallery directly from the artist UNFRAMED: 8" x 8" FRAMED: 13.875" x 1313.875" x 1.125"

Linda Lillegraven's beautiful original oil landscape "Mud Volcano Twon" (2024) depicts a serene moment of a western plain in the afternoon with active geysers spewing steam. Linda L...

Wonderful old Hollywood portrait of a middle aged Peter Lorre (1904-1964) by Charles Kingham (American, 1895-1984), circa 1955. Unsigned. Acquired with oth...

The Flower Seller, a late 19th century figurative oil painting of a barefoot female figure in period dress standing outside of a doorway selling nos...

"All Tucked In for the Night" (2011) By Susie Hyer is an original handmade oil painting on stretched linen that depicts a trailer parked in a landscape under bright moonlight. This p...

Bright and cheery painting of a young girl by a wind by Helen Rayburn Caswell, (American, 1923 - 2018) she was born in Long Beach, California. Image, 12"H x 11"W Frame, 16"H x 15"W ...

Pont Neuf, After Pissarro - Mid-Cent. French Impressionist Paris Street Scene A wonderful mid-century copy of Pissarro's timeless Fr...

Evocative portrait of Scottish gentleman by David Nicholas Ingles Ingres ARHA (Associate member) (Scottish, 1888-1933), circa 1920. Signed lower rig...

Interior Portrait

"Rock All Night" (2012) By Susie Hyer is an original handmade oil painting on stretched linen that depicts a landscape with a bright star filled sky above. This painting measures 24 ...

Turn of 20th Century Spanish-American War Coast Guard Cutter with Cannons Original Oil Painting A fine example of maritime ship portraiture oil painting of a Coast Guard Cutter with cannons under sails during the Spanish American War by renowned Nautical British/American painter Captain William Lindsay Challoner (British/American 1852-1901), 1901. Auction values Luminous and striking painting with seaman unfurling sails heading into rough waters. Challoner served as captain of a naval vessel (Coast Guard Cutter) during the Spanish-American War. Here he is depicted on the deck of the ship while seamen scramble aloft on the rigging during a gale. The captain stands tall before the cannons at the ready to fend off intruders. His paintings are rare and highly prized by museums and Nautical collectors alike. Signed: Lower right corner "W. Challoner" Not framed Dated: "1910" Provenance: A local Monterey Bay area estate find. Condition: Professionally restored (conservation report available) Image size: 27.75"H x 47.38"W William Lindsay Challoner lived the peripatetic life of a mariner, spending much of his time at sea, and in ports such as New Orleans and San Francisco, California. He was born in Bedminster, England, and attended the York Naval Academy. In 1880, Challoner married Mary Cadogan. That same year, the couple immigrated to Argentina and then New Orleans. They had one son, William Lindsay Challoner, Jr. Lloyd’s Lists record Challoner as master aboard J.P. Macheca, a “Clipper Schooner” running bananas from Jamaica during the mid-1880s. The clipper also raced at the Southern Yacht Club in New Orleans. As is often the case, Challoner’s middle name is misspelled as “Lindsey” in J.P. Macheca & Co. records. He is also said to have served as captain for vessels in the Morgan Line. Painting was at first an avocation for Challoner, but his draftsmanship and handling of paint suggest academic training. He may also have learned to make precise topographical drawings at the York Naval Academy. Many of his ship portraits are in the English tradition, notably followers of Samuel Walker, a leading English maritime artist in the 1850s. Like his Liverpool counterparts, Challoner used receding linear and atmospheric perspective to focus on the crisp portraits of specific ships. At their best, his canvases are highly finished, a style that imitates the Venetian tradition of topographical city views associated with Giovanni Antonio Canal, also known as Canaletto. However, Challoner’s restrained bravura paint handling also may bear witness to the influence of the French Impressionists. Challoner seems to have arrived in New Orleans about 1880. He advertised in the press and exhibited at the Creole Art Gallery and Grunewald’s Music Store in New Orleans. In 1887, Challoner moved to San Francisco, where he exhibited his maritime scenes at the Mechanic’s Institute and became a U.S. citizen. He may have been back in New Orleans after 1891, and served as captain of a naval vessel during the Spanish-American War. His art clients tended to be men involved in the shipping industry—ship owners and commission merchants, along with professional clubs and maritime benevolent societies. Challoner’s principal competition in New Orleans was August Norieri, a talented ship portraitist and painter of marines. While Norieri lived hand-to-mouth, Challoner drew a handsome salary working as a ship captain, presumably until shortly before his death at the age of 49. Securing the commission for painting the newly founded New Orleans Yacht Club suggests that Challoner was held in higher regard as an artist than Norieri. The two artists together met the market demand for ship portraiture and marine views in the port city, as had Edward Arnold and James Guy...

"On the Way to Ram Island" by Viktor Butko, is a plein air painting of an early evening landscape on Shelter Island. Rendered in soft palette, this painting depicts a road descending...

“View from the Dock on Cedar Ave” is a seascape by Kelly Carmody. It is an oil on linen painting. It depicts the view of sailboats in Dering Harbor, on Shelter Island, as seen from t...

Ulrich Gleiter's (EUR based) "Cortijo in the Sierra Alhamilla" is an oil painting that depicts the textural hillside of a desert landscape and a adobe-like structure in the foregroun...

"Yellow Dress" is a contemporary impressionist oil painting. In "Yellow Dress" we are presented with a proper lady, dressed in a flattering summer frock, arms raised behind her head...

Oil painting of a neighborhood in the winter. A quiet, tree-lined street is sprinkled with snow. A yellow sky blends into blue and above. Frame dimensions: 32 x 44 inches Artist ...

Ulrich Gleiter's (EUR based) "Midnight Sun in Finland (Last Snow)" is an oil painting that depicts a snow covered yard with a deck railing and a yellow mi...

After the rain, abstract large poppies by Mary Chaplin, artist : A summer rain falls on the poppies in the garden of contemporary artist Mary Chaplin bringing a new source of inspira...

"Golf" is a plein air oil painting of a woman leaning against her Fiat with her dog in Tuscany, Italy. Her dog sits at attention while she is relaxed. Ben Fenske (b. 1978), althoug...

This contemporary floral expressionist piece with a touch of impressionism was created by French artist Natalya Mougenot and belongs to her evocative series dedicated to the beauty o...