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Medium: Oak
Portrait of a Young Man with Bagpipes, Follower of J.H. Tischbein the Elder
Portrait of a Young Man with Bagpipes, Follower of J.H. Tischbein the Elder

Portrait of a Young Man with Bagpipes, Follower of J.H. Tischbein the Elder

By Johann Heinrich Tischbein the Elder

Located in Stockholm, SE

Follower of Johann Heinrich Tischbein the Elder (1722–1789) Man with Bagpipes oil on oak panel no signature 25 × 19 cm (9.8 × 7.5 in) 31 x 26 cm (12.2 x 10.2 in) This refined 18th...

Category

18th Century Rococo Oak Figurative Paintings

Materials

Oak, Oil, Wood Panel

Dutch Military Scene – Circle of Duyster, Soldiers Dividing War Spoils, c.1700
Dutch Military Scene – Circle of Duyster, Soldiers Dividing War Spoils, c.1700

Dutch Military Scene – Circle of Duyster, Soldiers Dividing War Spoils, c.1700

Located in Firenze, IT

Division of the Spoils in a Military Encampment Entourage of Willem Cornelisz. Duyster (Amsterdam 1599 – 1635) Not signed. Dutch school, late 17th – early 18th century Oil on oak pa...

Category

18th Century and Earlier Dutch School Oak Figurative Paintings

Materials

Oak, Oil, Wood Panel

Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms
Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms

Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms

By Philips Wouwerman

Located in Stockholm, SE

Workshop / Circle of Philips Wouwerman (1619-1668) Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms oil on oak panel 12.40 x 14.17 inches (31.5 x 36 cm) wit...

Category

17th Century Old Masters Oak Figurative Paintings

Materials

Oil, Oak, Wood Panel

Crucifixion, Bruges school, Flemish, mid 16th century
Crucifixion, Bruges school, Flemish, mid 16th century

Crucifixion, Bruges school, Flemish, mid 16th century

Located in PARIS, FR

Crucifixion, cercle of Adriaen Isenbrandt, mid 16th century School of Bruges, cercle of Adriaen Isenbrandt (actif 1510-1551) Oil on oak panel with its original ebonized frame Dimensi...

Category

16th Century Old Masters Oak Figurative Paintings

Materials

Wood Panel, Oak, Oil

Madonna and child with angels, circle of Joos Van Cleve, 16th c. Antwerp school
Madonna and child with angels, circle of Joos Van Cleve, 16th c. Antwerp school

Madonna and child with angels, circle of Joos Van Cleve, 16th c. Antwerp school

By Joos van Cleve

Located in PARIS, FR

Madonna and Child with Saint John the Baptist and angels Circle of Joos Van Cleve (1485 – 1541) 16th century Antwerp school Oil on oak panel Dimensions: h. 32 cm (13 in.), w. 28.5 cm...

Category

16th Century Old Masters Oak Figurative Paintings

Materials

Oak, Oil

Rest on the Flight into Egypt - Attributed to Pieter Van Avont - 17th c. Flemish
Rest on the Flight into Egypt - Attributed to Pieter Van Avont - 17th c. Flemish

Rest on the Flight into Egypt - Attributed to Pieter Van Avont - 17th c. Flemish

By Pieter van Avont

Located in PARIS, FR

Rest during the Flight into Egypt - The Virgin and Child with St. John the Baptist and the angels in a Landscape. Attributed to Pieter Van Avont (1600-1652) 17th century Antwerp School, circa 1630 Oil on oak panel, Dimensions: h. 38 cm, w. 50 cm (14.96 in x 19.68 in) Flemish style frame in ebonized and moulded wood Framed: h. 56 cm, w. 68.5 cm (22.04 in. x 26.97 in.) This artwork is sold with a certificate of authenticity guaranteeing its origin, date of execution, and attribution to the artist. In the heart of a lush wooded landscape, the Virgin with Jesus rests in a green clearing accompanied by Saint John the Baptist and the cherubs. Seated to the left of the composition, the Virgin Mary holds the Child on her lap; the little Saint John the Baptist wearing the camel-skin tunic (his attribute) stands before Jesus to exchange a few caresses. On the right, the couple of cherubs are playing with the lamb of Saint John the Baptist, bringing a jovial character to the scene. A pair of gardening putti on the left pick flowers to bring bouquets to the Virgin and Jesus. Spring flowers such as tulips, daffodils and anemones that grow abundantly around them and enrich the composition with their shimmering colors. A lush rose bush blooms to the left of the figures offering delicate roses. (The rose is the flower associated with the Virgin Mary, who is the "mystical rose," the one that does not bear the "thorn of sin") At the feet of the Virgin are bunches of grapes (symbol of the future passion of Christ) as well as apples (symbol of the original fall of Man but also of the Redemption in Christ) In the foreground we find a wicker basket filled in profusion with beautiful flowers and guinea pigs nibbling on the blades of grass. In a cleverly arranged disorder, these elements of the still life with their strong symbolic power accentuate the religious theme, but are also an opportunity for the artist to demonstrate his know-how in the still life genre that is gaining momentum in Antwerp. The landscape behind the figures consists of a large tree with a twisted trunk and a luminous opening to the horizon placed on the right. We see Saint Joseph arriving with a donkey, a small reminder from the artist that the composition is associated with the episode of Rest during the flight into Egypt. The calm expanse of this bucolic forest opening onto the luminous distance, with its profusion of symbolic flowers and fruits, is particularly suited to this sacred scene. The theme of Jesus' sacrifice and his tragic fate is mitigated by cherubs who play with innocence and carelessness in the face of the fragility of life symbolized by cut flowers. The great mastery of the painter is manifested by the finesse of the drawing enhanced by the delicacy in the application of the brushstrokes bringing a multitude of details. The richness of the whole is exacerbated thanks to the choice of colours, this varied palette is an undeniable asset of our work. The virtuosity of our artist lies in his versatility, as much concerned with the success of the landscape and flowers as with the modelling of his figures. The cherubs with their naked bodies are gracefully illuminated by warm colours with subtle shadows, while the still life is rendered with astonishing realism, both in the precision of the drawing and in the countless shades of the flowers. There are several compositions similar to ours, of which below are the closest versions: • Sale, Jean-Claude Anaf et Associés, Lyon, 08/02/1998, attributed to Pieter Van Avont, oil on panel, h. 48 cm, l. 71 cm (recorded on RKD n° 31451). Comment: identical composition, only St Joseph with the donkey is different) • Christie's New York sale, 29/01/1998, Pieter Van Avont, oil on copper, h. 23.8 cm, w. 24.8 cm • Dorotheum sale, Vienna, 25/04/2017, Pieter Van Avont and Jan Breughel II, oil on copper, h .26 cm, w. 39 cm • Hermitage Museum, Saint Petersburg, Russia, Pieter Van Avont, oil on panel, h. 50.5 cm, w. 71.7 cm Peter van Avont, Flemish painter (Mechelen, 1600 - Antwerp. 1652) Born in Mechelen, he is mentioned in 1620 as a member of the painters' guild of his hometown. He left in 1 622 for Antwerp, where he was also a member of the guild. He collaborated with many painters, including Jan Brueguel the Younger, David Vinckboons, Lucas van Uden...

Category

17th Century Old Masters Oak Figurative Paintings

Materials

Oak, Oil

The Rape of Europa, signed Peter Sion (1624-1695), Antwerp, 17th century
The Rape of Europa, signed Peter Sion (1624-1695), Antwerp, 17th century

The Rape of Europa, signed Peter Sion (1624-1695), Antwerp, 17th century

Located in PARIS, FR

The Rape of Europa By Peter Sion (Antwerp, 1624-1695) Signed in the lower right corner P. Sion 17th century Antwerp School Oil on copper, dim. h. 53 cm, w. 45 cm Moulded and ebonized...

Category

17th Century Old Masters Oak Figurative Paintings

Materials

Oak, Oil, Wood Panel

Frans Wouters, Adoration of The Herders, Christmas Scene, Christ, Flemish School
Frans Wouters, Adoration of The Herders, Christmas Scene, Christ, Flemish School

Frans Wouters, Adoration of The Herders, Christmas Scene, Christ, Flemish School

Located in Greven, DE

Frans Wouters was a Flemish Baroque painter who mainly created smaller cabinet pieces. He was initially apprenticed to Pieter van Avont in Antwerp, but then moved to Rubens‘ worksho...

Category

17th Century Baroque Oak Figurative Paintings

Materials

Oak, Oil

Apollo
Apollo

Apollo

Located in Edinburgh, GB

Andrey and Alexey Kulibin are self-taught artists who established their studio in 2020. The advertising industry seemed too bureaucratic and regulated to us, so one day in 2019 we si...

Category

21st Century and Contemporary Other Art Style Oak Figurative Paintings

Materials

Wood, Acrylic, Plywood, Oak, Birch, Mirror

Banquet with Figures Memento Mori Italian 17th Century After Giovanni Martinelli
Banquet with Figures Memento Mori Italian 17th Century After Giovanni Martinelli

Banquet with Figures Memento Mori Italian 17th Century After Giovanni Martinelli

Located in Milano, IT

Antique Painting of 1600s Banquet with Figures Memento Mori after Giovanni Martinelli death comes to the banquet table-memento mori circa 1635. The oil on canvas painting (lined with...

Category

Mid-17th Century Baroque Oak Figurative Paintings

Materials

Canvas, Oak, Oil

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19th Century Antique Dutch Oil Painting Interior Scene Couple Reading Framed
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Located in Stockholm, SE

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17th Century Old Masters Oak Figurative Paintings

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Located in Stockholm, SE

Here we see a reproduction of the renowned triptych altarpiece "The Werl Triptych" by Robert Campin, dating back to 1438, currently housed in the Prado Museum in Madrid. Unfortunately, the centerpiece of the triptych is missing. It portrays Heinrich von Werl, the donor, who is shown kneeling and praying alongside Saint John the Baptist. Von Werl was a member of the Minorite order, now known as the Franciscan order, based in Osnabrück. He relocated to Cologne in 1430 to pursue his studies at the university, where he earned a master's degree in 1435, after being previously designated as the provincial of the Cologne province. It is likely that von Werl commissioned the original triptych for the Minorite church in Cologne. The painting also reflects the concept of an intermediary saint, a notion influenced by Jan van Eyck...

Category

17th Century Old Masters Oak Figurative Paintings

Materials

Oak, Oil, Panel

Virgin and Child, a paiting by David Teniers the Younger after Palma Vecchio
Virgin and Child, a paiting by David Teniers the Younger after Palma Vecchio

Virgin and Child, a paiting by David Teniers the Younger after Palma Vecchio

By David Teniers the Younger

Located in PARIS, FR

Provenance: Dukes of Marlborough Collection, Blenheim Palace until its sale at Christie's London on 26 July 1886 (lot 172) English private collection until its sale at Christie's London on 11 December 1992 (lot 363) Erna Weidinger Collection (1923 - 2021) - Austria Literature : Georg Scharf - A list of the pictures in Blenheim Palace - Catalogue raisonné Part 2 - London 1862 (page 166 - number 199 "after Palma Giovane") Charles Davies...

Category

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Materials

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Flemish 17th Century Landscape Painting, Circle of Lodewijk de Vadder
Flemish 17th Century Landscape Painting, Circle of Lodewijk de Vadder

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Located in Stockholm, SE

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17th Century Old Masters Oak Figurative Paintings

Materials

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Riverside landscape, a painting on oak panel by Jacques d'Arthois (1636 - 1686)
Riverside landscape, a painting on oak panel by Jacques d'Arthois (1636 - 1686)

Riverside landscape, a painting on oak panel by Jacques d'Arthois (1636 - 1686)

Located in PARIS, FR

This landscape is typical of the maturity work of Jacques d'Arthois, one of the masters of the Brussels Landscape School in the 17th century. It represents probably a view of the Soignes Forest, the painter's favourite place. It opens on a double perspective: on one side a shady alley, animated by numerous characters, and on the other side a river full of serenity in which the sky is reflected, guiding our eye towards the blue hills on the horizon. 1. Jacques d'Arthois and the Brussels Landscape School Jacques d'Arthois was born in Brussels in 1613. After having been a pupil of Jan Mertens, a painter now forgotten, he became a master in the Guild of Saint Luke, the guild of painters of Brussels in 1634. In 1632 he married Maria Sampels, with whom he had five children. He specialised in representations of wooded landscapes filled with figures, leaving an abundant production of more than 250 listed works ranging in size from 25 x 20 cm for cabinet paintings (like our painting) to very large formats of up to 410 x 340 cm, often commissioned by religious communities. The inclusion of these characters to animate landscapes (called staffage in English and German) was generally done by other painters and Jacques d'Arthois' collaboration with character painters such as Peter Bout, David Téniers the Younger, but also Adam Frans van der Meulen, Pieter Snayers or Gaspar de Crayer...

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Mid-17th Century Old Masters Oak Figurative Paintings

Materials

Oak, Oil

Church Interior by Jans Juriaensz van Baden, a Dutch Golden Age painter
Church Interior by Jans Juriaensz van Baden, a Dutch Golden Age painter

Church Interior by Jans Juriaensz van Baden, a Dutch Golden Age painter

Located in PARIS, FR

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Oak figurative paintings for sale on 1stDibs.

Find a wide variety of authentic Oak figurative paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Teniers the Younger, George Vincent, and Nicolaes Maes. Frequently made by artists working in the Old Masters, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Oak figurative paintings, so small editions measuring 0.1 inches across are also available