Paper Figurative Paintings

Artist: Mkrtich Sarkisyan (Mcho) Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Paper Year: 2023 Style: Abstract Art Subject: Symphony Size: 23" x 29" ...

A whimsical pastel featuring a Mother with her Child on her lap that just pulled a goldfish from it's bowl. A charming large work that is exquisitely framed. Peggy Dodds Williams ...

One of 30 copies. FRANCISZEK BUNSCH (born in 1926) Franciszek Bunsch was born in Bielsko in 1926. He studied painting under the guidance of prof. Eugeniusz Eibisch and graphic art as...

Pankaj Panwar Pastel on Paper, 6 x 9 inches (Unframed Size) 2017 (Each) Set of 2 works ( Delivered unframed ) Born : 1961. Education : 1988 - M.F.A. (Sculpture) from Fine Arts Faculty, M.S. University, Baroda. 1986 - B.F.A. (Sculpture), Kala-Bhavana, Visva-Bharati University, Santlniketan.1989-1990 - Post-Experience Diploma in Sculpture, Royal College of Art, London, UK . Professor in Sculpture, Kala-Bhavana, Visva-Bharati University, Santiniketan, W.B. India. Select Solo Exhibitions : 2008 Aicon Gallery, Palo Alto. Grosvenor Museum, Chester, UK. R. C. A., London, UK . Leeds City Art Gallery, Leeds, UK Art-Heritage, New Delhi. Select Group Exhibitions : 2008 Shaptarishee, Sculpture in Steel, organized by Depika Jindal, by curated Alka Pandey, Habitat center, New Delhi . Edge of Desire – Idioms of Indian & Italian Contemporary Art, NGMA, Kolkata, Bombay; New Delhi. The Human Figure, Gallery Threshold, New Delhi. Entrusted, Charles Wallace Trust, New Delhi . Continuity, Disjuncture, Creativity, Akar Prakar, Kolkata. Tale of Two Cities, Birla Academy, Kolkata; Mumbai . Hundred and Fifty years of Art of Bengal, CIMA, Kolkata; Mumbai. Multi Media Art...

Acrylics on cardboard, 2013. Joanna Woyda (b. 1981) Studied painting at the Academy of Fine Arts in Warsaw (2000-2005). She received her honorary degree in 2005. She was also a sch...

The Paths series was born out of a trip I took one summer to LA. The trip itself was more of an escape from my life in New York. At the time I was at a crossroads. Having just gone t...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was named one of 20 standout artists at the 2014 NY Affordable Art Fair. His works have been exhibited at Artspace Warehouse since 2013. His contemporary artworks continue to be exhibited at major international art fairs in the United States, Asia and Europe, including Los Angeles, New York, London, Singapore and Hong Kong. Celebrities and major art collectors worldwide have acquired his timeless artworks, which have seen a significant increase in value. John applied acrylic paint onto newspaper to create this one-of-a-kind artwork measuring 15 inches high by 11 inches wide. The artwork is signed and dated by Gary John in black along the lower left corner using the first two letters of his first and last names: "GA JO". This artwork is not framed and requires framing for proper display. A certificate of authenticity issued by the art gallery is included. Convenient local Los Angeles shipping. Affordable Continental U.S. and worldwide shipping also available. Gary John has been a street artist since 1985. Originally from Seattle, Washington, he moved to Venice Beach, Los Angeles in 2003 and began selling on...

Willy Pimental "Red Cheeks" c. 2000 Acrylic on paper 15"x20.75" unframed $675 Signed in paint lower left *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. Willy Pimental, an adult artist with intellectual disability; he worked at Outside The Lines...

"Osip Mandelstam" is an acrylic painting on paper, measuring 36" high by 24" wide. It is one of 50 portraits that comprise Profiles in Democracy. Savag...

Gammell Trust #W126. Signed and dated in pencil lower right: "R.H. Ives Gammell, Paris, 1917". This is a very early work and despite the fact that it is squared off for enlargement,...

13 layer hand cut stencil. Spray paint on ten Pound banknote in a black shadow box frame with museum quality non glare glass. I'M PENNY AND I HAND CUT EXTREMELY DETAILED AND OCCASI...

Compelling figurative watercolor of blue-eyed brother and sister feeding birds by California artist Lee Whittier (American, 20th Century). Circa 1...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and ...

Amitabha Banerjee - Man & Woman - 6 x 10 inches ( unframed size) Etching on paper Inclusive of shipment in roll form. About the Artist and his work : Born : In 1929 born in Barisal,...

Martha Walter Mothers and Children, North Africa Signed lower right Watercolor on paper 6 1/2 x 7 1/2 inches Martha Walter was best known as a painter of colorful beach scenes and ...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

"Maybe We’re Spinning in a Straight Line" (FRAMED) Painting by Booboo Stewart Artwork size: 29.5" x 22" in Size framed: 38" x 31" in Booboo Stewart, born in Los Angeles, is a proli...

Desire for what might have been, 2022 by Ramonn Vieitez Oil on paper Size: 16.7 H x 11.8 W in. Unique Signed on the back by the artist ___ Ramonn Vieitez is a self-taught Brazilian...

Sunil Das - Horse Head Ink on Paper 10 x 8 inches, 2011 ( delivered unframed ) Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extremely successful right from h...

Ink on Jang-Ji paper, dye, pigment & Ottchil on panel Hyun Deok-Sik is a Korean artist born in 1979 who lives and works in Jeju Island, South Korea. He is graduated from the departm...

This is a one of a kind original encaustic mixed media artwork by Tiffany Bociek. Its dimensions are 8 x 10 x 1 in. A certificate of authenticity will follow delivery. Created thr...

Kamal Mitra - Untitled - 28 x 22 inches (unframed size) & 19.5 x 13 inches (Palette Size) Etching on paper. Inclusive of shipment in ready to hang condition. About Kamal Mitra’s Wo...

Honore Sharrer (1920 - 2009) Woman Listening Signed lower right Caseine on paper 15 x 20 inches Provenance: Forum Gallery, New York Private Collection ...

Abesh Bivore Mitra - Transformed faces VI - 15 x 11 inches (unframed size) Ink & Mixed Media on thick imported hard paper. Style : Abesh Bivore Mitra is a Kolkata based artist. Abesh’s works are based on issues and project related to Urbanisation, Transformed Landscape, Public Sphere and Migration. Sometimes it depends on curatorial perspectives like ‘Democracy’,' Art against Terrorism’ and ‘Black & white’. He simultaneously has exhibited his woks in Institutional spaces and Gallery Spaces in India and abroad. As per his art practice he uses different mediums like Paintings, Installation – Photo Documentation - Graphics and Book Art which means he is combining together conventional and non conventional art practice medium as well as his own visual language. About the Artist and his work : Born:1965 Education: 1994 : He did his BFA from Kala Bhavan,Visva Bharati University, Santniketan. 1996 : MFA from M.S. University, Vadodara, Gujarat. Solo Shows : 2003 : Curated solo exhibition in three parts -1) Migration 2) Urbanisation 3) Transformation under the mother project: of "Public Sphere" at Nandan Art Gallery, Santiniketan. 2001-02 : ‘Le Paysage transforme’-The Transformed Landscape – Solo Exhibition & Slide show-conference on past / present works organised by Ecole Supérieure des Beaux-Arts du Mans, Le Mans, France. 2002 : Le Paysage Transformé (The Transformed Landscape) – Solo Exhibition at Galerie les Comptoirs...

Atul Bose - Royal Academy Series-3 Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Wonderful vibrant modernist abstract figurative of a dancing man comprised of inventive shapes, colors, and forms by Michael William Eggleston (American, 20th c.). From a collection ...

Small paintings are intimate and personal, a form of self expression. In this artwork on paper, attention to detail captures a chic and timeless sense of glamour. Expressive brush an...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Life is a sweet journey with errors, mistakes, failures, happiness, success, pains, joy, love, and the list goes on. But you are the most important person to yourself in this world if you want to be life has taught us how we expected and unexpectedly it to be but still life is life. Your emotions are ways to which you can accept or respond to a situation and as humans, we all have emotions that react differently according to the situation at hand, whether good or bad we tend to react About Artist Ariyo Adeyemi...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Each person you meet influences your mental universe in a way that has the potential to make a substantial impact on the causality of the intellectual development of an entire species because where you are in five years depends on who you meet today. About Artist Ariyo Adeyemi...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Pastel on Paper, 2010 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...

"Man Wearing Crown in Water" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. This artwork is part of a new ongoing series called "Humans Without Warning". Typical of the artist's practice, it is mythic and humanitarian all at once, striking several political and spiritual notes as well. From Dale Williams – "The figures of Humans Without Warning arrive with little forethought. They soon reveal their troubled and antic states of being. They began at the start of the COVID pandemic and explore shared vulnerabilities in a time of political and social disunity. If I am mindful of any of their attributes as I work on them, it is surely how the figures mirror the losses many of us have experienced over the past two years, and the accompanying trudge which often finds us stumbling into numbness." From George Del Barrio (2018), Vanderbilt Republic, Brooklyn NY: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of Philip Guston. Such works echo throughout Williams social surrealist re-visioning." Dale Williams has exhibited in the New York City area for over 25 years. He is a 2014 recipient of a Fellowship in Printmaking/Drawing/Book Arts from the New York Foundation for the Arts. His recent one-person show, “America Now Suite,” which re-visioned American history in service of the civic imagination, was held at Gowanus Loft, Brooklyn in October 2018. A selection of portraits from “America Now Suite” was included in the BRIC Biennial, Winter/Spring 2019. His portrait of Osip Mandelstam...

Suhas Roy - Untitled Charcoal on Paper, 11 x 13 inches, 2007 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

"The Model #5" is a pastel on paper showing a nude female figure emerging from what appears to be an evening darkening mist where a distant landscape is suggested or perhaps she is e...

Jogen Chowdhury Untitled, Figurative, Ink & Pastel on Paper 5 x 6.5 inches , 2003 Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...

Rabin Mondal - Untitled ; Ink on Paper 15 x 22 inches (unframed size) 1993 ( Unframed & Delivered ) Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They came from far to work and earn their livelihood. He would observe them and was deeply moved by the labour and low rung working class who carried all the heavy load oriented work. He would paint the men and the women , some distressed , some gloomy but with a force that would uplift them to be the heros of the society. Surprisingly Mondal was never depressed himself although he painted people in hard labour and poverty . Style : Mondal`s works are mainly figurative. He paints in bold strokes and creates tableaux, whose themes are universal. The faces of his figures stare at you out of the canvas, strange and pensive, but also strong and defiant. Not yet beaten, surviving by sheer force of spirit. He mostly uses dense pigments in blacks and reds, with only occasional moss green and turquoise colors seeping through. About the Artist & his works : Born : Rabin Mondal (1929 – 2019) was born in Howrah, Kolkata. Education : 1959 : Completed his Art Appreciation Course, Ashutosh Museum, Kolkata University, Kolkata. 1956-58 : Attended Evening Classes, Indian College of Art and Draughtmanship, Kolkata. 1952 : Bachelor of Commerce, Vidyasagar College, Kolkata University, Kolkata. Art Career : The industrial belt of Howrah, with its inherent tendency towards violence, anguish and suffering influenced him deeply, and found its way into his works. So did ugly street battles fought by political parties. Mondal discovered that his artistic temperament was out of keeping with the hostile environment and situation. Besides a debilitating knee injury in his childhood created a sense of isolation in the artist, which also finds expression in his canvas. He says what saved him from sheer madness was his talent in art. In 1949, he joined the Vidyasagar College of Art in Kolkata. At that time, a festival of French artists was being held in the city. It exposed him to the works of French modernist artists. Prior to this, he had no exposure to the international art world. He was only familiar with different schools of Indian art, particularly the Bengal school. As a young painter, Mondal was attracted by Jamini Roy`s folk style and Rabindranath Tagore`s disquieting paintings and drawings. But the show by French artists was virtually a turning point in his artistic career. "This was like opening a window to an astounding, astonishing, unsuspected world," he says. This encounter with avant-garde Western art helped him to later incorporate elements from it in his own work. Art Works : Mondal worked out of his Howrah studio, churning out a series of "kings" and "queens" painted with oil on canvas. These are perhaps Mondal’s best known works, depicting tragic looking figures, seemingly suffering from paranoia and fear, yet ironically termed kings and queens. Some of the highlights of this series were the works Man Acting as King, King Being Appeased, King Making Confession, and King and his Assassin. Mondal also produced a series of "deities", which sometimes seem to merge thematically with his "queens". The artist’s deities are generally depicted with radiate crowns, whereas his kings and queens are not. Other favorite subjects of the artist were the brothel and the harem, which he depicted in canvases such as Event in Red Light Area and Orgy. For someone who hates all forms of pretentiousness, he has done a series of painting on queens and empresses. "Though they belong to the past, queens live in virtual isolation, and I feel sorry for them," he says. "It is this isolation that makes the queen, for me, a fascinating subject." One of the criticisms leveled against him is that his works are not pleasing to the eye. To which he replies, "Painting is for communication and not for decoration." Solo Exhibitions : Rabin has had several solo exhibitions:
 From 1961 - 1973, 1976, 1987, 1993 and 1999 he exhibited solo at various places in Kolkata. In 1974, 1977, 1982, 1983, 1987 and 1991 he showcased solo in several place in New Delhi. From 1978 - 1980 and in 1984 he had solo exhibitions at Birla Academy of Art and Culture in Kolkata. In 1980 he had a solo show at Max Mueller Bhavan, Mumbai. In 1989 and 1990 he exhibited solo in Mumbai. In 1993 he had a solo show at Jehangir Art Gallery, Mumbai. In 2014 - 2015 and 2016 he exhibited 'Kingdom of Exile: A Retrospective' at Delhi Art Gallery, Mumbai and at DAG Modern, New York. Group Exhibitions : He has participated in several group exhibitions:
 In 1955, 1969, 1970 - 1972, 1975, 1976, 1978, 1983, 1988, 1995, 1998 - 2002 and 2010 he participated in various group exhibitions in Kolkata. From 1963 - 1965, 1971, 1973, 1980 - 1982 and 1985 he exhibited in group shows at Lalit Kala Akademi in New Delhi. In 1964, 1969, 1994 and 1996 he took part in group exhibitions at All India Fine Arts and Crafts Society (AIFACS) and LTG Gallery in New Delhi. In 1968 and 1972 he participated in group exhibitions at Kala Bhavan, Santiniketan. In 1972, 1974, 1976, 1978 - 1980 and 1983 he took part in several group shows at Jehangir Art Gallery, Mumbai. From 1975, 1979, 1988, 1989, 1992, 1998, 2001, 2002, 2009 and 2010 he participated in multiple group shows in New Delhi, Mumbai, Kolkata, Bangladesh and Bangalore. In 1975 he took part in the 3rd Triennale in New Delhi. In 1984 he participated in the Tokyo Biennale, Japan. From 2003 - 2005, 2010 and 2011 he took aprt in Manifestations I - VI’ at...

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Conte on Paper Proposed Frame Size : 3 inches mount on all sides and 1 Inch frame Supported by Artist's Authenticity Certif...

A restrained neutral palette adds a touch of elegance to this original artwork on paper. Both delicate and understated, focus is placed on the blending of detail and expressive brush...

Bull III is a unique acrylic on paper painting by contemporary artist Christophe Dupety, dimensions are 65 × 50 cm (25.6 × 19.7 in). The artwork is signed, sold unframed and comes wi...

Abstract, figurative, Street art, bright color, paper

Mixed media on paper Signed and dated, l.r. $1250.00, including framing This work is offered by ClampArt, located in New York City.

In crowd, 2023, 78x54 cm

Haren Das - Dream Woodcut Edition 12/15 10.6 x 11.6 inches, 1976 ( Unframed & Delivered ) Born in Dinajpur in present day Bangladesh on 1 February 1921, Das took a diploma in fine a...

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

BETTY BALL "LA NOVA" PASTEL, SIGNED AMERICAN, DATED 1949 18 x 14 Inches

Raju Sarkar - Untitled Watercolour on Paper, 10 x 10 inches, 2021 (Shipment in a roll form) Raju Sarkar is a resident of Kolkata. He completed his BVA (pa...

Kartick Chandra Pyne - Untitled - 18 x 29 inches ( unframed size without mount ) Watercolor on rice paper Signed in Bengali Lower right. This would will be shipped mounted without th...

Rabin Mondal - Untitled ; Acrylic on Paper 16 x 12 inches (unframed size) 2015 ( Unframed & Delivered ) Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They came from far to work and earn their livelihood. He would observe them and was deeply moved by the labour and low rung working class who carried all the heavy load oriented work. He would paint the men and the women , some distressed , some gloomy but with a force that would uplift them to be the heros of the society. Surprisingly Mondal was never depressed himself although he painted people in hard labour and poverty . Style : Mondal`s works are mainly figurative. He paints in bold strokes and creates tableaux, whose themes are universal. The faces of his figures stare at you out of the canvas, strange and pensive, but also strong and defiant. Not yet beaten, survi...

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

A modern Chinese watercolor painting depicting birds soaring under a red sun.

Raju Sarkar - Untitled Watercolour on Paper, 10 inches (Dia) (Shipment in a roll form) Raju Sarkar is a resident of Kolkata. He completed his BVA (painting) with a first class from ...

MALCAH ZELDIS Circus, Trapeze Artists, Horse rider and Acrobats gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Fr...

Rabin Mondal - Face ; Watercolour on Paper 9.6 x 12.8 inches (unframed) ; 2008 ( Shipment will be in a ready to hang ) Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They came from far to work and earn their livelihood. He would observe them and was deeply moved by the labour and low rung working class who carried all the heavy load oriented work. He would paint the men and the women , some distressed , some gloomy but with a force that would uplift them to be the heros of the society. Surprisingly Mondal was never depressed himself although he painted people in hard labour and poverty . Style : Mondal`s works are mainly figurative. He paints in bold strokes and creates tableaux, whose themes are universal. The faces of his figures stare at you out of the canvas, strange and pensive, but also strong and defiant. Not yet beaten, survi...

Bhaskar Chitrakar - Frida Kahlo - 15 x 11 inches (unframed size) Watercolor & Gouache on Paper, 2020 About the Artist & his works : Born : 1978. Bh...