Paper Figurative Paintings

Beautiful pastel on paper laid down on canvas in an oval shape. It depicts a young noblewoman portrayed three-quarter-length with her little dog in her arms. Seated in a gilded armch...

Abstract expressionist figure, a seated blonde female nude with dynamic expressive lines by San Francisco artist Michael William Egglest...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Initialled and dated lower right "a/60", countersigned and dated on the back "aguayo 60". A breath of modernity animates this iconic work, inspired by Velázquez' portrait of the Inf...

Figural abstract inspired by Chinese art and calligraphy featuring a large totem-like form in textured earth tones with black Chinese characters in bold, black brushstrokes by Anna Wu Weakland...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Contemporary neutral toned social commentary collage by Texas based artist Ken Luce. Created using modified shooting range targets after experiencing an armed robbery, the work feat...

A serene study in charcoal, The Art of Relaxation by Judith Williams captures the quiet strength of a woman at rest. Rendered with expressive, gestural linework, this minimalist figu...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Ganesh Haloi Untitled, Watercolor on Paper 11 x 14 inches 2011 ( Framed & Delivered ) Haloi’s abstract composition in ink exudes a meditative rhythm, where organic forms emerge thro...

This artwork is a captivating collage that pays homage to the iconic “Les Demoiselles d’Avignon” by Pablo Picasso while embracing a minimalist aesthetic. Through the use of paper cu...

Figurative gouache and acrylic on paper painting by young professional European artist Waleria Matelska. Artwork is minimalist and composed with synthesized shapes. Painting is vibra...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vi...

Judd Mercer's (US based) "043 - Plein Air-Lake Haiyaya, CO" is a gouache painting depicting a river. Artist bio/statement Judd Mercer is a contemporary landscape painter and Colora...

The New Colossus, Still (#2248) 2023 Signed, titled, and dated, verso India ink, watercolor, and gouache on paper 30 x 22 inches This painting by ...

Detailed and vibrant depiction of a kachina dancer by Cliff Bahnimptewa (Native American, 1937-1984). Signed and dated in the lower right corner. Pres...

23" x 15" Unframed Original - Acrylic On Paper Hand Signed by Jason Alexander

Original artwork by Russell Young. Acrylic paint screen print on somerset paper 44 1/2 x 35 inches Framed 45.5 Inches x 36,5 Inches white wooden frame with glass, custom made as seen...

This abstracted figure painting by Juniper Briggs is made with mixed media on Arches paper with deckle edges. It features a warm, earth-toned palette an...

Fishing Village - Massachusetts Watercolor on Paper Cloudy day on the Massachusetts Coast by Richard Clark Hare (American, 1906-1959). Richard Clarke Hare was a painter best known f...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

🔸 _Title: Paths of Memory 🔸 _Artist: Diego Tirigall 🔸 _Year of Creation: 2024 🔸 _Dimensions: 200 x 160 cm 🔸 _Medium: Acrylic, Enamel, Oil Pastel, ...

"The Soul Behind the Gaze" is a contemporary abstract expressionist portrait by French artist Natalya Mougenot, and forms part of her evocative series of masked or emotionally veiled...

"Etch A Sketch Sampler" - 1989 Multimedia on Paper Lithograph titled "Etch A Sketch Sampler" by Lilya Vorobey. From a suite of prints from College of San Mateo class of 1989, instru...

Small acrylic painting of a group of people gathered outside in front of small buildings in bold graphic lines by artist Elisabeth Hoffova, 1985. Signed lower left. Original one-of-...

"Petite fille avec sa poupée" Parisian Girl with Her Doll Figurative 1962 Exquisitely precocious portrait of a little "Petite fille avec sa poupée" girl with her doll in Paris by Ro...

'Monkey with child and a tiger' ANDRZEJ FOGTT (born in 1950) He graduated from the PWSSP in Poznań in 1974 where he studied in the studios of prof. Z.Kępiński and M. Abakanowicz. In...

Mixed media on hanji paper (Korean traditional paper) Kim Soo Young is a Korean artist born in 1978 who lives and works in Seoul, South Korea. Through ...

Impressionist watercolour on paper circa 1890 by French Neo-Impressionist painter Henri Edmond Cross. The work is a rear view study of three workers in standing and kneeling position...

From the estate of Jerry Opper & Ruth Friedmann Opper Slit c. 1940-1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framing...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper inscribed verso stamped to the reverse Image : 19.5 x 25.5 inches Superbly decorative 196...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Drawing / Illustration / Pop and Contemporary Pop / Representations of Everyday Objects / Figurative Art / Pop Art / Mixed-Media From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Bulletin Board" is an incredible and unique installation-style figurative, pop surrealist piece featuring over 15 traditional and 3D drawings made with PLA plastic filament and gel pen on archival paper affixed with pins to a bulletin board. Among the imagery are a panoply of pop culture references from the Eastern, Western, Northern and Southern hemispheres -- Nacho Libre...

America Martin "The Wrestler" Acrylic on Paper Paper 78" x 38" Unframed Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration from her C...

In this bright creation of mine, I released a kaleidoscope of emotions through a bright spectrum of colors and dynamic shapes. Each curve and shade sings a song of freedom and joy. ...

Pointilliste View of Istanbul is a modern artwork realized by Stan Reszka in 1951 Oil on Canvas. Hand signed Stan Reszka. Titled, signed, dated on the reverse. Includes frame. S...

Figurative Portrait of a Nude Male Model Handsome example of a vibrant figurative of a nude male model by Katherine Kallick (American, b. 1952). Med...

Tathagata - a Pali or Sanscrit word used primarily by Siddartha Gautama Buddha to refer to himself. However it also the term for one who has reached enlightenment through Buddhist principles & has as many as eight different meanings. Generally accepted is the translation one who has thus arrived. And this vivid painting from Berlin has arrived! Drawing on his knowledge of the faith & his research into the theme this is a beautiful & informed rendition of Buddha. The colours are vibrant but enable one to look deep and take the essence of tranquility from the image. This Buddha would sit happily on an altar or a home corner of peace and tranquility, giving an essence of calm & preparedness to those who stand before it. Oil paint using hand ground pigments, 24 ct gold and silver...

Our Gallery acquired the estate of a Northern California artist, Thelma Terrell. Terrell lived in Oakland and was an illustrator and profes...

This abstracted figure painting by Juniper Briggs is made with mixed media on Arches paper with deckle edges. It features a vibrant, contrasting palette...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Art Edition (No. 1–100), with the numbered and signed print The Caged Bird’s Song (Voyeur), 2024, by Chris Ofili. Art print, Giclée on 340gsm Hahnemühle Rag Metallic paper with deckl...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Portrait of a Magellan in Profile in Acrylic on Paper Stylized modern portrait of Ferdinand Magellan by California-based artist, Ricardo de Silva (American/Brazil, 20th C). Looking ...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Porthole to Another Dimension, 168x153cm, woodblock print, acrylic ink, acrylic paint, 2020 * Please note this artwork is on two separate pieces of paper that have been joined together. The join is not obvious when looking at the work. At the time Isabel was desperate to make the piece but did not have a large enough piece of paper in the studio, so she joined two together. Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown In Isabels own words: Porthole to Another Dimension The legend said, that down by the river, beneath the purple hills, where the black iris...

Compelling figurative abstract of the silhouette of a figure in white, in a minimalist monochromatic background by Jean Wallin (American). Signed “Wallin” in bottom right corner. Pre...

Signed, lower right: Fantin Provenance: Gustave Tempelaere (1840–1904), Paris; possibly by descent to his son: Julien Tempelaere (1876–1961) and with F. & J. Tempelaere, Paris, prob...

European Painter (19th century) - Portrait of a Gentleman. 13.5 x 10 cm without frame, 18.5 x 15.5 cm with frame. Watercolor on paper, in original 19th century frame (not signed). ...

Melissa Chalhoub, a 2014 graduate of Saint Joseph University in Beirut, seamlessly navigates the realms of cinema and visual art. With a background in directing and sound design for ...

Giuseppe Bernardino Bison (Palmanova 1762 - Milan 1844) - Holy Family. 32 x 26 cm without frame, 36 x 30 cm with frame. Pencil and white chalk drawing on paper, in a gilded wooden ...

Untitled , 2025, 78x54 cm The work is sold without a frame.

Figurative Nude Study - Watercolor and Charcoal on Paper Watercolor and charcoal painting of a nude reclining woman by acclaimed bluegrass musician and San Francisco artist Katherin...

Oil & spray paint on paper

Ludwig Hans Fischer (1848–1915) – "Colombo" (1889) An exceptional original watercolor by Austrian artist Ludwig Hans Fischer (1848–1915), titled "Colombo" (1889). This vibrant and m...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...