Cubist Figurative Paintings

Abstract Composition by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 29 x 36 inches Provenance: all the paintings we have by this artist...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Nude Lady In Grey Bathroom Interior by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 32 x 39 inches Provenance: unsigned, all the paintin...

Figurative Portraits French School, illegibly signed and dated 47' circle of Fernand Leger (French 1881-1955) oil on canvas, unframed canvas: 38 x 58.5 inches Provenance: private col...

Still Life Composition by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 10.75 x 18 inches Provenance: all the paintings we have by this a...

Cubist Interior Scene Marcel Seignobos (1892-1972) signed oil on canvas, unframed Canvas : 18 x 22 inches Provenance: private collection, Cote d'Azur, France Condition: good conditio...

The Artists Model, female nude reclining in chair by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 29 x 29 inches Provenance: all the pai...

Beautiful cubist portrait of a woman by unknown Russian artist. Oil on canvas measures 17 x 25 inches. Signed and dated lower right. Label fragments affixed on verso.

A captivating oil painting by the Haitian master, Albert Desmangles. This piece is a wonderful example of his work within the highly sought-after School of Beauty art movement, which...

You cannot pass this doleful young man without engaging. If you have traveled, you have met him in the streets of Latin America, of India, of Africa and even some parts of the U.S. H...

French Garden Scene with Figures at Table, Post-Impressionist Oil Painting by Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote oil on canvas, unframed Canvas: 18 x 22 ...

Large Post-Cubist Reclining Nude Interior Composition French Oil Painting by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 29 x 46 inches...

Portrait of a Lady by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 24 x 14 inches Provenance: all the paintings we have by this artist h...

From the estate of Jerry Opper & Ruth Friedmann Opper Yellow Cubist FIgure c. 1940-1950's Gouache 15" x 18", silver wood frame 16"x19" Unsigned This striking gouache painting featur...

The Girl in the Red Trousers by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE signed upper left corner oil on canvas, framed framed: 26 x 21 inches canvas: 25.5 x 20 inc...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

A portrait of a woman in green with her arms outstretched towards the sky. In a cubist style the arms and colors create a tropical feel to this composition.

Wonderful acrylic on wood panel by Georges Connan. Comes with frame Georges Connan born in 1912 and dead in 1987.

by Paul-Louis Bolot (French 1918-2003) signed & dated 1981 original gouache painting on thick paper/ card - double sided image (cat verso) unframed condition: very good and sound; th...

Terpsichore III Acrylic on Canvas 35 x 27 cm Terpsichore III by Grégoire Mathias is a vibrant and dynamic portrayal of Terpsichore, the muse of dance, rendered in the artist's signa...

Cubist acrylic on paper on card by French artist Eliane Versini , signed, dated and titled 'Etude pour le Trio' to the front bottom right and the same to the bottom right reverse. H...

Artist/ School: by Henri Van Der Beck (French 1886-1956), signed lower right Title: Portrait of a lady seated on a golden yellow chair within an interior...

You don't have to be a Catholic, or a medievalist, or a Catholic medievalist (Tolkien?) to appreciate this striking image of St. George taking on the dragon. In style it falls somewhere between Cubism and Guernica, to my eye. The limited color palette, with the bold red, gives it the energy of early 20th-century Russian poster...

Portrait of a Lady by Wladyslaw Szary, circa 1960’s See label reverse for bio details Oil painting on canvas with applied mixed media Canvas is 64cm x 44cm Original frame Good condi...

Les Dormeuses (The Sleepers) Acrylic on Canvas 46 x 61 cm Les Dormeuses by Grégoire Mathias captures the serene stillness of rest through the fragmented yet harmonious lens of Diach...

A period work by a Russian artist working in a Cubist approach. The canvas is 24 1/4 x 22 1/4 inches and the above dimension is the framed size. The frame is an older frame, with a flat gold/brown finish. In Woman with Guitar, Simkhovitch plays on his his early fascination with Cubism and Constructivism (and his background in illustration) expressing and compressing with planes and color the spatiality of a domestic scene. Considered a master draftsman and an adherent of certain classicism, Simkhovitch’s compositions are often built up in a complicated but well-managed counterpoint, at heart, he is a romanticist preferring the dreamy colors of a Russian fairy tale.

Matinée au Soleil (Morning in the Sun) Acrylic on Canvas 40 x 30 cm Matinée au Soleil by Grégoire Mathias is a cubist portrait that reinterprets the human form through geometric fr...

The Old Street by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 13 x 18.5 inches Provenance: all the paintings we have by this artist hav...

Promenade Acrylic on wood 33.1 x 21.8 cm A compact yet striking cubist composition by French artist Grégoire Mathias, “Promenade” explores human figures through layered geometries and rich earth tones. “Promenade” is a refined, vertically oriented work in acrylic on wood panel by French artist Greg Mathias, a pioneer of Diachronic Cubism—an evolution of Cubism that doesn’t just fragment space, but also folds multiple moments in time into a single frame. In this composition, a solitary figure appears mid-step, portrayed through overlapping forms that subtly shift in posture and position, evoking successive instants of the same walk. Using a palette of earthy ochres, rose-beige tones, slate blues, and deep browns, Mathias blends geometric abstraction with temporal movement. The fractured background enhances the impression of both forward motion and layered time, suggesting the silent passage of moments within a single contemplative scene. Unlike traditional Analytical Cubism, which reduces forms to a still, spatial analysis, this piece embodies motion and transformation—hallmarks of the artist’s unique visual language. Compact in size but conceptually expansive, “Promenade” invites the viewer to witness the echo of steps already taken and those just about to occur. Perfect For: Interior designers sourcing vertical wall art...

"La Liseuse" (the reader) by Magali Lucas (French b. 1915) signed, titled verso oil on canvas, in original period mirror lined frame framed: 28 x 21.5 inches canvas : 25 x 18 inches...

Roland Gaubert (1914-1997) The Musicians, circa 1940 Oil on canvas Monogrammed lower right Signed and located Paris on the reverse 73 x 73 cm

Apéritif au Cap Ferret Acrylic on canvas 41 x 33 cm Ornate gold frame included, ready to hang Signed “Mathias” lower left In Apéritif au Cap Ferret, Greg Mathias invites us into a ...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Signed lower right, 'Paula Melcher' (American, 20th century) and dated 1956.

The Artists Studio by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 32 x 40 inches Provenance: all the paintings we have by this artist h...

"San Francisco" Continental School, signed Vogel circa 1970's oil painting on canvas, framed framed: 13 x 20.5 inches board: 12 x 19.5 inches provenance: private collection, France c...

Chris Ritter (1906-1976). Walking Figure, ca. 1960. Watercolor on rag paper, sheet measures 15.5 x 22 inches. Sheet is loose and unmounted. Unframed. Estate stamps500 on verso....

Framed size 41.5 x 52 inches. This painting was exhibited at the Salon Indépendants in 1964, label on verso, Louis-André Margantin was a student at the École Nationale des Arts Déc...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Christian Marche (1935-2008) was a prolific French artist best known for being one of the most significant pinball machine illustrators of the 1960s and 1970s. Pinball Illustration...

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Gabriele Varese (in Italian uniform), 1919 oil on canvas mounted on panel 116 x 90 cm stamp signature Exhibited: Solo exhibition, Stockholm, Nov-Dec 1917; The Royal Academy Stockholm 1973; Åmells Konsthandel – En internationell kubist, Stockholm & London 2008 Hälsinglands Museum 2011 Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and had left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick and continued to support him financially for the rest of his life. Dick Beer also exhibited in Sweden, albeit irregularly due to his failing health. In the 1920s and 1930s, Beer continued to pursue an expressionist painting with intense colours and unexpected perspectives, but eventually he veered towards more naturalistic forms, including a large number of nudes. He also painted several portraits of artists, politicians and writers. In 1938, Dick Beer sojourned in Arles. The budding photographer Christer Strömholm...

Mother and Child (3) by John F. Leonard, American (1921–1987) Date: circa 1965 Oil on Board, not signed Size: 44 in. x 29 in. (111.76 cm x 73.66 cm)

Auguste Chabaud was born in Nimes, France and attended the Ecole des Beaux-Arts in Avignon and Paris.He lived in the area of Montmarte where he had a studio and painted various scene...

Modernist Portrait signed and dated French School, mid 20th century oil on board, framed Framed: 29 x 25 inches Board: 22 x 18 inches Provenance: private collection, France Condition...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

French School, circa 1970's oil painting on cardboard, framed 21.75 x 17 inches Superbly decorative and bold abstract painting from the 1970's, of French authorship. Painted with st...

Signed, titled, and dated on verso. A leading Peruvian artist, Ernesto Gutierrez, was born in Lima, Peru, in 1941. His father was a Spaniard and his mother a descendant of the Incas...

Outstanding Monumental Artwork Consists of 8 mounted Cubist charcoal drawings mounted on blind canvas frames. Drawing for the Panon Universi...

Title: Golf Players - Limited Edition Textured Canvas Print Immerse yourself in the world of golf with "Golf Players," a limited edition textured canvas print that celebrates the spirit of the sport. This captivating artwork captures the essence of golfing moments...

Couple à Aegina (A Couple in Aegina) Acrylic on Canvas 61 x 50 cm Couple à Aegina presents two intertwined figures assembled within a structured architectural setting inspired by the Greek island of Aegina. Rather than depicting a fixed scene, the composition builds from fragments — bodies, objects, spatial planes — held together through vertical alignment and interlocking geometry, so that figure and environment become genuinely inseparable. A central elongated form anchors the work, while surrounding elements — suggestive of musical instruments, interior structures, and architectural detail — intersect and layer. The figures remain partially legible, continuously shifting between presence and abstraction as they absorb and release the forms around them. The palette is restrained and deliberate: deep blacks and muted blues form the dominant ground, punctuated by sage greens and lighter neutral passages. Small circular accents and linear elements move across the surface, creating an internal rhythm that draws the eye without dictating a fixed entry point. This is not a scene captured at a single moment. Working through what he calls a "reverse jigsaw logic" — beginning with a figurative view of reality, then fragmenting and recomposing it — Mathias brings multiple perceptions into one field: variations in viewpoint, shifts in spatial relation, different moments of observation layered together. Like his figurative works more broadly, the human presence here is never isolated; it is always integrated with place, absorbed into the architecture and light of Aegina itself. Living with the Work: Before acquiring this piece, consider: at 61 x 50 cm, this is an intimate format — best suited to a space where you will naturally spend time close to it, rather than a large wall viewed from across a room. Does the space you have in mind allow for that? Does your interior already carry deep blacks, blues or greens, or would this palette introduce a contrast you'd find interesting to live with? Are you drawn to the human figure as a subject, or does the way the figures here dissolve into their architectural surroundings — becoming part of the place rather than standing apart from it — feel like the more compelling idea? Collector's Insight Rooted in the direct lineage of Jean Metzinger — whose disciple Claude Augereau was Mathias's professor at the École Nationale Supérieure des Beaux-Arts in Paris — this work extends the structural logic of European Cubism into a genuinely original proposition. Where Cubism fragmented space, Diachronic Cubism fragments time itself, embedding successive moments of perception within a single composition. The result sits comfortably within the tradition of Gris and Gromaire while belonging to no one but Mathias. About the Artist Grégoire Mathias, graduate of the École Nationale Supérieure des Beaux-Arts de Paris, is the pioneer of Diachronic Cubism — an evolution of the cubist tradition that captures not only multiple points in space but multiple moments in time within a single work. His paintings have been exhibited in Paris, New York, Los Angeles, Bordeaux, and Dublin. Since 2020, he has been the official artist of the WFUNA (World Federation of United Nations Associations), designing posters for United Nations Day in Geneva — the first French artist commissioned to do so since Picasso, Chagall, and Miró. Keywords Diachronic cubism, Greek island painting...

Cubist Scene 20th Century, Continental School signed initials pastel painting on paper stuck on board, framed framed: 18.5 x 13.5 inches provenance: private collection condition: ver...

"Abstracted Letter Sunset" is an abstract painting by Spanish artist Natalia Roman. These color field paintings are inspired by both modernist shapes of ...

This Cubist-inspired portrait of a woman was created by the painter Menachem Gueffen. Faithful to the artist’s figurative-expressionist style, this oil on canvas is distinguished by ...

Avant le Déjeuner (Before Lunch) Acrylic on canvas board 16 × 24 cm (without frame) 35.5 x 43.5 x 4 cm (with frame) Signature: Lower left; also inscribed on verso Condition: Excellent, presented in a gilded frame In Avant le déjeuner (“Before Lunch”), Grégoire Mathias creates a playful and vibrant still life where bottles of wine, a glass, and a red-checkered cloth are arranged against the backdrop of the sea. The bold shapes and saturated colors lend the work a festive, almost theatrical quality, echoing the traditions of Synthetic Cubism while infusing it with Mathias’s characteristic rhythm and modern eye. Painted in acrylic on canvas board, the piece is framed in a substantial gilded frame that enhances its presence. Despite its intimate size, the composition radiates with energy, suggesting both the convivial anticipation of a shared meal and the joy of Mediterranean light. Signed lower left, this work reflects Mathias’s ability to turn everyday objects into striking compositions of color, balance, and narrative. Perfect For Collectors of Cubist-inspired still lifes Interior designers looking for colorful, conversation-piece artworks for kitchens, dining rooms, or entertaining spaces Buyers seeking affordable yet highly collectible paintings by Mathias Collector's Insights Small-format oils such as this offer an ideal entry point into Mathias’s oeuvre. They combine the immediacy of his vision with accessibility, while holding strong potential for appreciation as his international recognition and market continue to grow. Keywords: Greg Mathias, Grégoire Mathias, Avant le déjeuner, Cubist still life, oil painting, wine bottles still life...

Charles Liberte (XX), Cubist Seated Female Nude, Oil on Canvas, signed to verso, unframed. 33" H x 25" W. Provenance: From the Allen Tucker Memorial Collection.

Frame size 42 x 52.5 inches ELISABETH RONGET "AU CAFE” OIL ON CANVAS, SIGNED FRANCE, C.1940 Elisabeth Ronget 1886-1962 Elisabeth Boehm Ronget was born in 1896 in Conitz, Polan...

Figures (66) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, unsigned Size: 21 in. x 33 in. (53.34 cm x 83.82 cm) Frame Size: 27 x 41 inches

by Paul-Louis Bolot (French 1918-2003) signed & dated 1968 original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuf...

Natalya Prager was born in Moscow, Russia in 1938, the daughter of a famous Russian artist Vladimir Prager. She began her life as a ballerina studying at the Bolshoi Theater Ballet School. As a young woman she participated in the Bolshoi Theater performances, but the rigorous training damaged her health. Her exposure to music at a young age certainly influenced the subjects of her future endeavors in art. Her works are lyrical and with observation tell an intimate story. Encouraged by her father, she turned to painting and became a student at the Moscow College of Art. She had two exhibitions of large canvases to critical acclaim at the First Exhibition of Young Painters in Moscow when she was eighteen years old. After marrying her fellow artist Igor Kononov in 1957, she expanded her work in many different different areas, including book illustrations, circus and stage design, and puppet making for a children’s TV channel, receiving critical success and broad recognition. Prager- Kononov came to the United States with her husband and son in 1975. The first years were extremely difficult, but they never looked back. The family settled in Staten Island, New York and since 1985 in Bridgewater, New Jersey. Natalya displayed her works in some of the most prestigious locations in New York City including 57th street and SOHO galleries, Lincoln Center Gallery, Staten Island galleries and many others throughout the country. Her final show, jointly with her husband, was produced by Somerset Arts Association in 1999. Animals had a special place in Natalya’s life and art. Some of the enchanting New York City Toy Center soft animal toys had been designed by her and continue to bring joy to children of the world. Many national and local newspapers published extensive articles and personal interviews praising her enchanting work as a door to the Bewitching Fairy Kingdom...

Cubist Scene 20th Century, Continental School signed with initials pastel painting on paper on board, framed framed: 18.5 x 13.5 inches provenance: private collection, U.K condition:...