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Art Subject: Beer
Lifting Everyone's Spirits - LE

Lifting Everyone's Spirits - LE

By Thomas Arvid

Located in Santa Monica, CA

Thomas Arvid Lifting Everyone's Spirits - LE, 2019 Medium: Giclee on Canvas Edition: 288/325 Artwork Size: 24 x 44 in Framed Size: 28 x 48 in This work is Framed

Category

21st Century and Contemporary Figurative Paintings

Materials

Giclée

Enthusiasm Oil Painting on Canvas, Contemporary, 21st Century, Signed
Enthusiasm Oil Painting on Canvas, Contemporary, 21st Century, Signed

Enthusiasm Oil Painting on Canvas, Contemporary, 21st Century, Signed

By Lazarus Massavo

Located in Ibadan, Oyo

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity.

Category

21st Century and Contemporary Contemporary Figurative Paintings

Materials

Oil, Canvas

Covington

Covington

By Brad Davis

Located in Denver, CO

Covington, 2020

Category

21st Century and Contemporary Figurative Paintings

Materials

Panel, Oil

Contemporary portraits "Relax"
Contemporary portraits "Relax"

Contemporary portraits "Relax"

By Nataliya Bagatskaya

Located in Zofingen, AG

This artwork presents a vivid poolside scene, blending luxury and introspection through two central figures. The composition contrasts serene blue skies, palm trees, and a sparkling ...

Category

2010s Realist Figurative Paintings

Materials

Cotton Canvas, Acrylic

Clarence James, "I am (mantra)"
Clarence James, "I am (mantra)"

Clarence James, "I am (mantra)"

By Clarence James

Located in Boston, MA

Artist: James, Clarence Title: I am (mantra) Date: 2024 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 40" x 30" x 1.5" Signature: Signed by Artist on Verso...

Category

2010s Contemporary Paintings

Materials

Oil, Spray Paint, Acrylic

The Family Gathering, Beer Belongs Advertisment

The Family Gathering, Beer Belongs Advertisment

By Spencer Douglass Crockwell

Located in Fort Washington, PA

Beer Belongs advertisement. The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...

Category

20th Century Other Art Style Figurative Paintings

Materials

Board, Oil

How! I’m Your Father!, Liberty Magazine Cover
How! I’m Your Father!, Liberty Magazine Cover

How! I’m Your Father!, Liberty Magazine Cover

By Leslie Thrasher

Located in Fort Washington, PA

Original cover for Liberty magazine, published August 2, 1930. Lil has given birth to a new blonde-haired blue-eyed baby boy weighing eight pounds and Ma Morse couldn’t be more exci...

Category

20th Century Figurative Paintings

Materials

Canvas, Oil

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19th century English study of Apples and fruit on a ledge
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By William Hughes

Located in Woodbury, CT

William Hughes British, 19th Century Study of Apples, circa 1870 Oil on panel Monogrammed lower right A finely observed and intimate still life by William Hughes, painted circa 1870, depicting a small grouping of apples arranged upon a simple wooden surface. Executed with quiet restraint and technical assurance, the composition reflects the enduring appeal of Victorian still life painting, where humble subjects are elevated through careful observation and painterly sensitivity. The apples, shown attached to a slender branch with leaves, are rendered with particular attention to texture and natural variation. Subtle transitions of colour—soft greens, warm russets, and touches of golden ochre—capture the ripeness and individuality of each fruit. The surfaces are delicately modelled, with highlights and imperfections thoughtfully described, lending the work both realism and charm. Set against a rich, dark background, the fruit is brought into sharp relief, a compositional device that enhances both depth and focus. The contrast between the illuminated forms and the shadowed ground creates a sense of quiet drama, while the horizontal line of the wooden ledge anchors the composition with stability and balance. Hughes’ handling is confident yet controlled, combining fine brushwork with a painterly softness that avoids excessive detail. The leaves and stems are treated with a lighter touch, providing a natural counterpoint to the more solid forms of the apples. This balance between precision and atmosphere is characteristic of well-executed 19th-century British still life painting...

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Red Ice Block Tongs
Red Ice Block Tongs

John MorfisRed Ice Block Tongs, 2020

$4,160Sale Price|20% Off

H 30 in W 24 in D 1.5 in

Red Ice Block Tongs

By John Morfis

Located in Sag Harbor, NY

An oil painting of an antique pair of tongs, meant for use during ice fishing. Suspended from a small rope, hanging from a single nail, against a grey backdrop. Brushstrokes can be seen in the gray of the background, but are harder to make out on the subject. Morfis paints in an extremely refined, realist approach. Painting dimensions: 25 x 19 inches Framed dimensions: 30 x 24 x 1.5 inches Available at Grenning Gallery. BIOGRAPHY John Morfis was born in Glen Cove, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown. John’s first solo show took place in 2007 at the Ellen Traut Collection Gallery in Hartford, CT and was a near sell out. Since then John has had success up and down the northeastern coast of the United States working with various galleries and collectors. His work has also appeared in various group shows at the New Britain Museum of American Art in Connecticut. ARTIST STATEMENT Each painting, although a portrait of a tired hand...

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Coca-Cola Advertisement
Coca-Cola Advertisement

James AvatiCoca-Cola Advertisement

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