Egg Tempera Interior Paintings

A joyful depiction of a towering celebration cake decorated in edible wild flowers. This painting has a great deal of texture, vibrancy and character. Kerry Louise Bennett, artist and painter, has original artworks available with Wychwood Art in our gallery and online. Working from her home studio in Sheffield, Kerry Louise Bennett (b.1972) makes colourful paintings loaded with texture and pattern. Her previous lives working in set design, upholstery and photography, and her passion for music and literature, all feed into the semi-abstract interior and still life compositions she paints. In one sense the objects painted and the relationships between them can be seen as arbitrary, necessary only to serve a sense of spatial orchestration, and the abstract sensibility of a process-led artist, however, an element of romance and storytelling always seems to emerge in her charming characterful paintings. Colour and composition, strong mark-making and the pure materiality of paint drive my creative practice, but of course everything I make reveals something of me - the introvert, the observer, the dreamer. I work over multiple layers before finding the story the painting wants to tell. In some ways I feel like the conductor of an unruly orchestra - there is a musicality to my work, and my visual vocabulary draws on the everyday to capture a kind of unconscious narrative that transforms chaos into calm, worry into joy, the mundane to the magical. Kerry says of herself: I am obsessed with colour first and foremost – it’s impact is so visceral, but mark making is also important – usually expressed through pattern and the shapes of things often scratched into the surface of the paint, with textures then built up over many layers. My visual vocabulary draws on the ordinary stuff of life - chairs, plants...

Whimsical depiction of the artist's kitchen by Jon Joaquin (American, b. 1944). Titled, initialed, and dated on verso. New; acquired directly from the artist. No frame, but the edges...

"Blooming Rose” is an oil painting on Linen canvas created in 2010 by the French artist Françoise de Beaucé. From a private collection. This elegant artwork celebrates the timeless b...

This painting situates Bruno Surdo within the long tradition of the domestic nude while engaging modern precedents such as Balthus. A reclining female figure occupies a worn armchair...

A Fabulous, Large and Dynamic Mid-Century Modern Painting of a Chicago Night Club by Notable Chicago Artist, Rudolph T. Pen (Am. 1918 - 1989). Painted circa 1948, this is a large, a...

Spanish Expressionist Female Nude Interior Figurative Oil Painting 1981 Artist: Jordi Arrué Medium: Oil on canvas Date: 1981 (inscribed on reverse) Signature: Signed lower right “Arrue” Dimensions: 33 × 41 cm (13 × 16.1 in) Framing: Unframed Condition: Good overall condition. Thick impasto surface well preserved consistent with the artist’s technique DESCRIPTION Expressive figurative composition by Spanish painter Jordi Arrué, dated 1981, depicting a reclining female nude within an intimate domestic interior. The painting is characterized by a richly textured impasto technique applied with broad brushstrokes and palette knife, particularly visible in the handling of the drapery and the construction of the figure. This material approach places the work within the Mediterranean figurative tradition developed in Spain during the 1970s and 1980s. The chromatic dialogue between the pastel tonalities of the body and the structured presence of the deep red cabinet creates a balanced composition with strong visual rhythm and painterly presence. Rather than academic realism, the artist builds the figure through layered color planes and tactile gesture, emphasizing the physicality of paint as a structural element of the image. Reclining interior nudes constitute one of the most recognizable subjects within Arrué’s figurative production of this period. Signed and dated on the reverse: 1981. ARTIST BIO Jordi Arrué is a Spanish painter active in Catalonia during the second half of the twentieth century, known for his figurative interiors and female nude compositions executed with a gestural and materially expressive brushwork. His work belongs to the Mediterranean figurative tradition that remained active in Spain during the 1970s and 1980s, where color structure and surface texture play a central role in the construction of the image. Today his paintings are appreciated within the context of late twentieth-century Spanish figurative painting and continue to circulate in European private collections and the secondary art market. ARTISTIC CONTEXT This work reflects connections with: Joaquín Sorolla Manuel Hernández...

Mid Century Modern Jazz Quartet Figurative -- "The Band Box" Signed A vivid, mid-century modernist interpretation of a jazz ensemble by Louis M. Centofanti (American, 1921-2018). "B...

Blacksmith (Untitled), 1936, oil on canvas, signed and dated lower right, 28 x 30 inches Erle Loran was an influential American painter, art historian, and educator, renowned for h...

A Large, Compelling Mid-Century Modern Figurative Painting by New York Artist, Gerrit Hondius, Titled "Equestrienne & Clown". Artwork size: 30 x 24 inches (Oil on Masonite); Frame...

A dynamic, colorful 1930s painting of a boxing match in Mexico by famed Chicago Modern artist Francis Chapin. Painted during one of the artist's early trips to Mexico, an exceptional painting showing Chapin's steadfast interest in sporting scenes, particularly boxing matches. Image size: 12 x 28 inches. Framed size: 15 1/2 x 31 1/2 inches. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

The Post Party by Héctor Francesch is an acrylic on canvas created in 2026. Measuring 104 x 77 cm, this geometric figurative still life painting transforms domestic objects into anth...

Sally Michel Biography American, 1902-2003 Sally Michel Avery was an American painter known for her lyrical depictions of everyday life. Though she used techniques and stylized form...