Abstract Interior Paintings

"Reminiscence" is a constructive abstract painting that explores the relationship of the colors, creating a dialogue between them, an encounter and movement. An original and unique o...

"Loneliness in the abstract" is an abstract painting distinguished by its texture and intertwined layers of color. Dominated by ochre tones, the piece is complemented by flashes of b...

"Constructive In Reds" is an abstract painting distinguished by its texture and intertwined layers of color. Dominated by Red tones, the piece is complemented by flashes of blue, pu...

"Attempt at Harmony" is an abstract painting distinguished by its texture and intertwined layers of color. Dominated by ochre tones, the piece is complemented by flashes of blue, pur...

READY TO HANG - GALLERY QUALITY A beautiful modern abstract, 100% handmade painting, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched heavy canvas...

Red Chair Interior by Akos Biro (Hungarian 1911-2002) pastel painting on artist paper, unframed painting: 7 x 9 inches provenance: the artists estate, France condition: go...

abstraction of books in a library in red ocher tones the book appears more as the evocation of a culture than as an everyday object. The affinities of literature and the plastic arts...

"Observe a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." – Eckhart Tolle Let your g...

This abstract painting is part of a series in which I explore the chromatic relationships between colors and tones, inspired by the art and aesthetics of pre-Columbian cultures. In a...

In this vibrant tapestry of colors and forms, I've channeled my passion into every stroke, blending acrylics, oils, and colored pencils to craft a symphony of abstract energy. This p...

Kirsten Jackson creates vibrant abstract paintings filled with sunny color blocks, showcasing her contemporary and original style. Fiercely independent, this Australian artist aims t...

The vibrant artwork "Floral Emotion", by French artist Natalya Mougenot, radiates energy through its dynamic use of color and movement. Embracing an abstract approach, the artist int...

I have worked on a series of abstract paintings. This abstract series is dedicated to a "heart- mind connection". This is the one of them called "Duality". While working on this ar...

Yellow and Grey Abstract Oil Painting By German artist 'P. Finke', 20th Century Signed by the artist and dated '92' verso Oil painting on canvas, framed Framed size: 40 x 32 inches ...

Clean and refreshing. Easy on the eyes yet distinct in a classic appeal. White on white has the subtlety of a quiet personality in a room full of people. When it speaks everyone li...

This vibrant floral abstract artwork titled "Pink Blooms," created by French artist born in Kazakhstan, beautifully captures the essence of blooming roses through bold and expressive...

With Literary Imprints, Sophie Dumont offers a poignant reflection on collective memory and the enduring presence of books in human history. This abstract composition, created throug...

Abstract textured acrylic painting on canvas 100x100x2 cm (39,4 x39,4 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides of the work are painted. The artwork is signed, dated and titled. Original artwork with signed Certificate of Authenticity. My artworks are a result of years of studying spiritual books written by Eckhart Tolle. Eckhart Tolle, a spiritual teacher and author, often uses flowers as a metaphor for living in the present moment, which is a central concept in his philosophy. He notes that a flower doesn't think about the past or the future; it simply exists in the present moment, fully expressing its beauty and essence. By observing and appreciating a flower, we can learn to live more fully in the present moment and experience the beauty of life around us. In Tolle's view, flowers can also remind us of the interconnectedness of all things. A flower is not separate from its environment; it relies on the sun, the soil, and other elements to grow and thrive. Similarly, we are not separate from the world around us; we are part of a larger interconnected web of life. By recognizing this interconnectedness, we can develop a greater sense of empathy and compassion for all living beings. Overall, flowers can serve as a powerful symbol and reminder of important concepts in art and spirituality. Whether we are admiring a beautiful flower in a painting or contemplating the lessons that flowers can teach us, they can help us connect with the beauty and interconnectedness of the world around us. I would like to invite you to immerse yourselves in a colorful yet calm world of impasto colors full of meditative floral magic. Style: My technique shows some influence from abstract expressionism and modern art. I use original mixed media in which undiluted acrylic paint, ink, gel medium and structure paste are applied to the canvas. I like to paint impasto abstract paintings...

This contemporary impressionist painting represents the deepest ocean with its varied blues and textures.

"Symphony of Irises," a vibrant and expressive floral painting by French artist Natalya Mougenot, is part of her abstract series where nature and flowers are captured through her uni...

Neutral Abstract, Muted Colours, Signed Oil Painting By French artist 'Jean Briant', 20th Century Signed by the artist on the lower right hand corner ...

Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...

Untitled 05, 2015-16 Oil on canvas (signed on reverse) 13.77 H x 9.84 W in. 35 H x 25 W cm The notion of “abjection”, which at the beginnings referred to the idea of spirit degradat...

ARTIST : Alex Senchenko © Title : Abstract 2378 Technique: Acrylic & structure on canvas 100cm. x 100cm. Original Painting on a 1.5cm Deep Canvas Ready to hang 2023 -------...

En esta obra, he vertido mi energía creativa en un lienzo que respira dinamismo y pasión. Usando acrílicos, he fusionado minimalismo con expresionismo abstracto, donde cada pincelada...

A very beautiful large colorful abstract painting with many neon nuances, heavy relief textured with palette knife, vibrant and emotional. READY TO HANG - GALLERY QUALITY It's all ab...

In "Between the Lines," Sophie Dumont masterfully transforms the canvas into a visual symphony using her expert knife painting technique. This painting, measuring 65 x 54 cm, is dist...

Exquisite antique portrait painting of a young fashionable woman. Framed. Oil on canvas. Signed. Image size, 31H by 24L.

The painting was exhibited at the SWISS ART Expo 2019 in August in Zurich. "Exception handling" is a conceptual informatics painting. It is a part of the Science Art collection made...

Large Colour Block Abstract, Mixed Medium, Original Painting French School, circa 1990s sigend indistinctly on the bottom of the painting Mixed m...

Oil painting on canvas featuring a mosaic of red, orange, and yellow tones, interspersed with abstract and representational elements and rich texture that imparts depth. It is create...

* Original unique fluid hand painted artwork * Ready to hang with the edges painted. * Size: 100x50X2 cm, 39.4x19.7x0.8 inches * Signed and dated on the front and back * Certificate ...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

In this piece, I poured raw emotion through acrylic layers, blending chaotic textures with subtle harmony. My brush danced between darkness and light, capturing the tension of uncert...

Rare early American fauvist interior scene. Great colors and composition. Oil on canvas. Nicely framed. Measuring 20 by 24 inches.

A painting in abstract acrylic is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creat...

"History of a Freedom" is an abstract painting distinguished by its texture and layers of color. Dominated by earth tones, the piece is complemented by flashes of green, orange, blu...

The abstract floral artwork "Flourish of Colors" by French artist Natalya Mougenot is part of her Floral series. This vibrant painting bursts with energy, capturing a rich array of c...

Mi obra, creada con oleos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocional ...

Fruit and Flowers monoprint by Calman Shemi Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the School of Sculpture and Ceramics in Mendoza, he studied under the Italian-Argentinean sculptor Libero Badii whom he credits with putting him on the right path. “He taught me principals, not only related to sculpture, but human and philosophic principals. Shemi also carefully studied the work of such masters as Pablo Picasso, Caravaggio, Frank Stella and Henri Matisse. “From each one of these great artists I learned something from observing them,” he says. In 1961, at the age of 20, Shemi immigrated to Israel and joined Kibbutz Carmia of which he was a member for twenty years. There he worked in agriculture and also as a sculptor working with wood and clay. Several of his large-scale fiberglass and polyester sculpture projects are situated in public buildings. He was a student of German-Israeli sculptor Rudi Lehmann, a pioneer of the artistic movement known as “Canaanism.” Canaanite art was an effort to create a direct relationship with the land, bypassing historic Jewish connotations—hence the land’s primordial name is used. Canaanite works, with an emphasis on the inter-action of simple shapes, bear a deliberate resemblance to the sculpture and ritual art of early civilizations of the Middle East prior to Judaism, always with an eye to the fusion of man and the land itself. Though sculpture dominated his early years as an artist, in the mid ’70s Shemi developed the idea of the “soft painting” medium. Beginning with a color drawing done to scale, Shemi layers onto the drawing irregularly shaped pieces of variously textured and colored fabrics. Using a threadless 9,000-needle sewing machine, the fabrics are meshed to one another and to the background, resulting in vibrant wool tapestry carpet compositions infused with exuberant color and explosive movement. Over the years, Shemi has continued to challenge himself with new artistic mediums, developing two more techniques of painting: “Lacquer paintings” and “window paintings.” He also works in monotype, lithograph and silkscreen techniques. He creates his Lacquer Painting by applying vibrant colors to wood or metal panel that has been gilded with gold or silver leaf, and sometimes both. After the oil paint has thoroughly dried, many layers of lacquer are applied to the surface giving it a glowing effect. Between each layer of lacquer the piece is hand-polished to give the surface its very shiny look. Shemi’s “lacquer” and “window” paintings are reminiscent of ancient techniques used centuries ago in Japan and China. Shemi concludes, “All of the art that I create is full of optimism and beauty. That’s all. Simple, very simple.” During the past eighteen years Shemi has held more than seventy one-man shows in the U.S., Japan, Germany, Spain, Belgium and Israel. His works can be seen in many public and private collections around the world. He is of a generation of contemporary Israeli artists, somewhat influenced by pop art that include Alex Pauker...

Abstract textured acrylic painting on canvas 80x80x2 cm (31,4 x 31,4 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides o...

Marine life painting will be a good addition to your original oil painting collection. Fish art is my favourite theme. Original art is painted on stretched canvas, READY to HANG. Ocean art is signed both sides - in front and at the back by OlgaNikitinArt. Explore the enchanting underwater world with this exquisite oil painting on stretched canvas, sized at 50x40cm. Crafted with the impasto technique and palette knife, this original artwork showcases a vibrant school of fish in a captivating marine setting. The dynamic textures and striking colors breathe life into the oceanic scene, making it an ideal enhancement for any home or office. Perfect for art aficionados and ocean lovers, this unique fish painting adds a touch of brilliance to your decor and invites engaging discussions. Celebrate the allure of marine art with this stunning oil painting today! Fish Wall Art Underwater Oil Painting...

There Is A Light That Never Goes Out By Lucy Moore [2023] There Is A Light That Never Goes Out- An Original semi-abstract painting by Lucy Moore I really like the contrast of the mo...

The orange areas interlace with the red, conveying a sense of warmth and enthusiasm, as if the sun were in constant explosion. These tones ignite the spark of emotion in the artwork....

The artist offers you a choice between an oak veneer crate or a black wood crate. Sophie Dumont, a renowned artist celebrated for her mastery of oil painting and her unique techniq...

Amit Kalla - Untitled - 60 x 36 inches (unframed size) Acrylic on Canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his commitment to experimenting with social engagement through the arts. It is here his strength lies. Through his deep connection to a cultural expression of a universal spirituality and passionate sense of humanity Kalla, continuously draws people from all communities into acts of creativity in the belief that through creativity people are empowered and communities move incrementally closer to truth. His poetry and paintings are spiritually intuited. While his poems create a secretive world of words, where silence speaks his paintings are calligraphic and draw on the same silent unknowing of invented texts. His paintings represent moments on the continuum; a slice snatched from his deeper hidden journey. The strength of Kalla’s work is that it represents an Indian artist’s quest for an indigenous tenor rather than a superficial inventory of native motifs, there is nothing about his work which relies on a static Indian Identity. About the Artist & his work : Born : 1980 in Jaipur, Rajasthan. Education : 2005 - Masters in Art and Aesthetics from Jawaharlal Nehru University, New Delhi 2003 - Graduation in Art History, National Museum Institute specializing in ancient Indian art...

Silent Shores is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on honeycomb aluminum panel, patina f...

This extra-large artwork is made with acrylic on canvas. UV protection varnish. Inspired by the Very Peri color and abstract elements with fantasy lettering. The artwork and the com...

This 30" x 24" painting by David Crown, captures an interior scene, rendered in an abstract and simplistic manner. The painting uses a vibrant color palett...

Sophie Dumont has earned significant recognition within the international art scene, establishing herself as a leading figure in contemporary painting. Known for her masterful use of...

Blue Red Yellow Abstract Oil Painting 72H X 48"W, Vivid Dreams, Irena Orlov Oil on Stretched Canvas SPECIFICATIONS: - Artist-grade canvas. - 1" deep wooden support bars - Gallery Str...

This geometric abstract painting belongs to the "Geometric Abstraction" series, a collection that explores the interplay of shapes and tones to create depth, balance, and harmony. G...

Amit Kalla - Untitled - 60 x 36 inches (unframed size) Acrylic on Canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his commitment to experimenting with social engagement through the arts. It is here his strength lies. Through his deep connection to a cultural expression of a universal spirituality and passionate sense of humanity Kalla, continuously draws people from all communities into acts of creativity in the belief that through creativity people are empowered and communities move incrementally closer to truth. His poetry and paintings are spiritually intuited. While his poems create a secretive world of words, where silence speaks his paintings are calligraphic and draw on the same silent unknowing of invented texts. His paintings represent moments on the continuum; a slice snatched from his deeper hidden journey. The strength of Kalla’s work is that it represents an Indian artist’s quest for an indigenous tenor rather than a superficial inventory of native motifs, there is nothing about his work which relies on a static Indian Identity. About the Artist & his work : Born : 1980 in Jaipur, Rajasthan. Education : 2005 - Masters in Art and Aesthetics from Jawaharlal Nehru University, New Delhi 2003 - Graduation in Art History, National Museum Institute specializing in ancient Indian art...

Abstract textured acrylic painting on canvas 90x90x2 cm (35,4 x 35,4 x0,8inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides of ...

Untitled 01, 2017 Mixed media: white oil painting, adhesive on canvas (Signed on reverse) 46.85 H x 39.37 W in. 119 H x 100 W cm Zsolt Berszán treats the first layer of the drawing ...

Large Neutral Abstract Oil Painting, Signed By British artist, M.Longhorn, 21st Century Signed by the artist on the top left hand corner Oil painting ...

Abstract textured acrylic painting on canvas 60x60x2 cm (23,6 x 23,6 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides o...

Due to a physical ailment (a large benign tumor in her right hand) Sarah’s creative process is unique. She works primarily with acrylic paint, alcohol ink, pen, synthetic film and ca...