Bride Interior Paintings

The Still Life Composition by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE signed oil on canvas, framed framed: 19 x 23 inches canvas: 18 x 22 inches Provenance: all th...

Interior Scene with Flowers in Blue Vase French, mid 20th century signed oil on canvas, framed framed: 36 x 31 inches canvas: 29 x 24 inches Provenance: private collection, France Co...

Artist Comments
Elegant patrons of Majestic Cafe in Porto, Portugal, await their lunch. A server brings a round of sparkling wine. They sit quietly, enjoying the moment as chan...

An exceptional impressionistic depiction of Ballerinas in an interior scene by Jules René Hervé. Hervé is known as a painter of the scenes of Parisian life. This piece is a pertinent...

Nude Figure by Jacqueline Boisselot, French late 20th century 16 x 13 inches oil on canvas, unframed condition: very good and ready to enjoy provenance: from a private collection of ...

This painting captures the beauty of the awakening of nature. The touches of the oil palette embody the bright dance of the first rays of dawn, embracing delicate flowers. Thr...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: oil on board, unframed Size : 10.75 x 8.75 inches Provenance: private collection, France Condition: The painting is in ov...

6073 Oversized Modernist Flower arrangement

Interior Still Life by Harry Bloomfield (British, 1883-1940) *see notes below signed verso oil on canvas, framed framed: 28 x 24 inches canvas: 22 x 18 inches Provenance: private co...

Elegant Figures in Interior *see notes below Italian School, mid 18th century most likely of Venetian origin oil on canvas, unframed canvas: 10.75 x 11.75 inches provenance: private ...

Still Life of Flowers by Josine Vignon (French 1922-2022) oil painting on artist paper, unframed stamped verso paper: 13 x 17 inches very good condition provenance: the artists esta...

This painting portrays a refined 19th-century interior scene, where a group of elegantly dressed individuals gathers in an opulent drawing room. The richly decorated space, adorned w...

Profusion of Flowers Dutch School style, late 20th century oil on canvas, unframed canvas : 36 x 24 inches provenance: private collection, Cornwall, England condition: a few minor su...

Camille Joseph Etienne ROQUEPLAN 1803 - 1855 A fantastic oppotunity to buy a piece by Camill Roqueplan.His works do not come up often in auction but in 1989 one reached FF 200 000. ...

Artist/ School: David Wilkie Wynfield, (British 1837-1887) Title: Elegant Ladies in a Drawing Room interior scene Medium: oil on panel, framed Framed: ...

Large French Mid 20th Century, oil on paper laid on canvas, portrait of a seated female figure by Sylvain Vigny. The painting is signed bottom left and presented in a very fine carve...

Artist/ School: French School, circa 1970's Title: Orange Flowers and green plant within an interior setting Medium: oil painting on canvas, unframed canvas: 24 x 20 inches Prov...

Still Life of Vases by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 22 x 15 inches Provenance: all the paintings we have by this artist ...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 31 x 38 inches. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

Fabien Fabiano (1882, Lamballe – 1962), Signed bottom right Oil on canvas Canvas Size" 24 x 20" (61 x 51cm) Outside Frame Size: 31 x 27" (79 x 69cm) F...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

The Artists Model by Jacqueline Boisselot, French late 20th century 18 x 15 inches inscribed verso oil on canvas, unframed condition: very good and ready to enjoy provenance: from a ...

Artist Comments
Sunlight filters through the dilapidated room, illuminating dust motes and peeling paint. Before the crumbling fireplace, the translucent figures of the home'...

Albert Bréauté (1854-1941) After the Ball, 1894 Oil on canvas 65 x 54 cm 77 x 66.5 cm with frame Signed and dated lower left 1894 Exhibition: Society of Friends of the Arts of Seine...

This painting depicts an interior scene of a woman seated at an apartment in Paris with a window that overlooks the city and an iconic church with the artist's reflection in the armo...

In this painting, I've poured my passion into depicting the raw intensity and elegance of a timeless struggle. The blend of acrylic and oil mediums allowed me to capture both the sof...

Vintage American school impressionist nude interior scene oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 18 by 21 inches overall...

Mother and Child signed initials by Irina Hale (British 1932-2022) oil painting on thin card , unframed double sided painting: 5 x 4 inches provenance: private collection, Cotswold...

Purple Anemone's by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 13 high by 9.5 inches wide condition: ove...

This charming British Victorian oil painting is by noted artist Albert Chevalier Tayler. Painted in 1896 the composition is four women in a sitting room. One young woman is holding u...

Merry Makers in the Tavern French School, 18th century oil on canvas canvas: 8 x 11 inches provenance: private collection, France condition: good and sound condition

Profusion of Flowers Classical Still Life Dutch School, 19th century oil on canvas, unframed canvas : 32 x 21 inches provenance: private collection condition: very good and sound con...

Signed figures in interior oil on panel circa 1910 by Russian-born post impressionist painter Elie Anatole Pavil. The piece depicts a a woman in a white dress and hat seated at a tab...

Still Life by René GUINAND (French, 1892-1983), signed oil on canvas, unframed dated 1973 Canvas : 29 x 24 inches Inscribed verso Provenance: private collection of the artists work, ...

‘The Golden Egg’ by Richard Morton Paye F.S.A. (1750-1820). The painting – which depicts the moment the young lovers in Thomas Dibdin’s Georgian pantomime discover the solid gold eg...

Artist/ School: David Wilkie Wynfield (1837-1887) British Title: Elegant Figures in an Interior Medium: oil painting on canvas, framed. Indistinctly Ins...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

French School, 17th Century, Circle of Philippe de Champaigne (1602 - 1674) A Turquerie portrait of a Lady dressed in the Oriental Style of Sumptuous Silk Brocade and a Turban, a ten...

The Artists Studio Interior French Post Impressionist, first half 20th century oil on canvas, unframed canvas: 29 x 20 inches provenance: private collection condition: very good and ...

Jacob Ochtervelt (Workshop) The Grape Seller oil on canvas unframed: 80.7 x 61 cm.; 31 ¾ x 24 in. framed: 109.5 x 89 cm.; 43 1/8 x 35 in. Essay: Th...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

The Yellow Flower in the Blue Vase by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 22 x 15 inches Provenance: all the paintings we have ...

Jordan Wolfson's (US based) "Still Life with Flowers XXXI" is an oil painting that depicts yellow and red flowers gathered in a vase contrasted with a forest green background. Jord...

Portarit - Angelo Granati Italia 2019 - Oil on panel cm.70 x 50. This is his reinterpretation of a greatest old master painting "Portrait de la duchesse de Morny, née princesse Troubetzko "by Franz Xaver Winterhalteri. Franz Xaver Winterhalter was a German painter and lithographer. He worked in numerous European courts, such as Karlsruhe, Paris, London, Prague and Moscow, performing grandiose portraits of rulers, such as the one for King Louis Philippe of France in 1839 (in Versailles) or the one for Queen Victoria with her family in 1842 at Windsor Castle. He also painted three famous portraits of Empress Elisabeth of Austria...

Unidentified Artist Schoolboy, Early 1900s century signed lower left oil on canvas unframed 24 × 29 cm (9.4 × 11.4 in) framed 41 × 47 cm (16.1 × 18.5 in) This intimate genre pain...

Alson Skinner Clark (American, 1856 - 1949) Signed: Alson Clark (Lower, Left) " Morning Sunlight in The Patio " Mission San Fernando Oil on Canvas 30" x 32" Housed in its original 3 1/2" Newcomb...

Ida Sedgwick Proper At the Claremont (View of the Hudson River and Palisades) circa 1912 Signed lower right Oil on canvas 45 1/4 x 57 1/2 inches Exhibited New York, Heterodoxy, Malv...

I would like to present to you my new work titled "The Dream of Architecture." This is an oil painting on canvas created in a surrealistic style, which allows me to expand the bounda...

Hubert-Denis Etcheverry Bayonne 1867 – 1950 Paris French Painter 'Une Consultation de Sigmund Freud' Signature: signed lower right and dated ‘D. Etcheverry / Paris 1900’ Medium: oi...

Whistlers Mother by Anonymous Artist Original Oil on Canvas 1924 Nicely executed painting after James McNeil Whistler of his mother by an anonymous artist (American, 19th-20th C.) I...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Portrait of a Lady French School, 20th century oil painting on canvas, unframed 40 x 29 inches condition: very good and presentable provenance: private collection, Provence Superb ...

Nicely painted American school modernist still life painting. Nice color and modernist composition. Excellent ready to hang condition. Oil on canvas. Image size, 18"H x 24"L.

''A Room with a View" by Édouard Righetti (1924-2001) signed on front and back oil painting on canvas, beautifully painted with rich, thick impasto oi...

Nicely painted early 1900's oil painting. by Richard Hook. Great color and composition. Nicely framed.

Elegant Lady in Interior French School, circa 1890's period, unsigned oil on canvas, unframed painting: 27 x 21.5 inches Provenance: private collection, Paris Condition: very good co...

Jacob Ochtervelt (Workshop) The Grape Seller oil on canvas unframed: 80.7 x 61 cm.; 31 ¾ x 24 in. framed: 109.5 x 89 cm.; 43 1/8 x 35 in. Essay: This captivating piece, originating from the studio of the revered Dutch artist Jacob Ochtervelt, mirrors the composition of a signed and dated 1669 canvas by Ochtervelt that is presently housed in the Hermitage museum. Its subject, "The Grape Seller" immerses us in a typical 17th-century interior, replete with characters from various strata of society. At the center, a fruit vendor is depicted bending over to weigh grapes for the buyer. A child hands some of the grapes to her mother to taste, their attentive maid standing by. The backdrop showcases typical Ochtervelt details: a hint of the city visible through the doorway, light filtering in through an overhead window, and a playful dog at their side. The exquisite quality of the piece is evident in the minutiae, such as the intricate detailing of the mother's earring, which in reality spans only a few millimeters yet boasts impressive attention to detail. Initially, Sotheby's considered this work to be an autograph piece by Ochtervelt. But due to some uncertainty, it was auctioned as Workshop of Jacob Ochtervelt. On the other hand, the esteemed Cabinet Turquin in Paris leans toward attributing the piece directly to Jacob Ochtervelt himself. The painting is framed in an authentic period frame, which has been delicately restored by Stockholm's Förgyllning och Bildhuggeri. The frame retains its age-old patina and, while in used condition, has minor imperfections adding to its charm. Another interesting thing worth to mention is the painting's provenance. It was once owned by the 1st Viscount Rothermere (1868-1940), the founder of the Daily Mail and Daily Mirror...

Jean François Portaels 1818 - Brussels - 1895 Belgian Painter ‘Oriental Girls - Mediants à Tanger, Maroc’ Signature: signed lower right ‘J. Portaels’ Medium: oil on canvas Dimensions: image size 40,5 x 28,5 cm, frame size 67,5 x 56 cm Biography: Jean François Portaels, also known as Jan Portaels, was a versatile Belgian painter born on April 3, 1818, in Vilvoorde and passed away on February 8, 1895, in Schaerbeek. He was celebrated for his genre scenes, biblical stories, landscapes, portraits, and Orientalist subjects. As a teacher and director of the Academy of Fine Arts of Ghent and the Académie Royale des Beaux-Arts in Brussels, Portaels significantly impacted Belgian art, becoming a pivotal figure in the Belgian Orientalist school. His works were known for their 'everyday elegance and feminine grace,' and he played a crucial role in influencing the next generation of Belgian artists, including notable figures like Théo van Rysselberghe. Portaels was the son of a wealthy brewer who also served as Vilvoorde's mayor. Showing an early passion for drawing, he was sent to the Académie Royale des Beaux-Arts in Brussels in 1836, where he studied under François-Joseph Navez, a former student of Jacques-Louis David. Navez invited him to his studio, which was renowned at the time, allowing Portaels to refine his skills alongside other talented students like Charles de Groux and Joseph Stallaert. In 1841, Portaels moved to Paris, enrolling at the Ecole des Beaux-Arts and studying under Paul Delaroche. He became influenced by the emerging Orientalist movement, which was gaining traction in Paris. In 1842, he won the Grand Prix de Rome, which funded his travels across Italy and other regions, including Morocco, Algeria, Egypt, Lebanon, Judea, Spain, Hungary, and Norway. These journeys profoundly influenced his artistic vision, particularly his Orientalist works. Upon his return to Belgium in 1847, Portaels was appointed Director of the academy in Ghent. In 1849, he married Marie Hélène Navez, the daughter of his first teacher. Despite being offered the directorship of the Brussels Academy, he initially declined, opting to preserve his independence. He later accepted a teaching position at the Academy and eventually became its director in 1878, succeeding Eugène Simonis. Portaels was known for his broad range of artistic talents, including history painting, portraiture, and genre art. He was particularly recognised for his Orientalist depictions, often portraying the 'Oriental woman' with distinctive features like arched eyebrows and almond-shaped eyes. His style, marked by charm and elegance, distinguished him from the dominant artistic movements of Classicism and Romanticism. He was a pioneer in monumental art in Belgium, working with Jean Baptiste van Eycken to introduce fresco techniques like water glass painting...

Sunflowers by Regis Chabal (1930 - 2010 French) signed oil on canvas, framed framed: 25 x 19 inches canvas: 24 x 18.5 inches Provenance: private collection, Paris Condition: very goo...

Profusion of Flowers by Thomas Webster, British contemporary artist, late 20th century signed oil on board, unframed board: 30 x 18 inches provenance: private collection, UK conditi...