Board Paintings

This maritime scene by Nicholas Matthew Condy, the celebrated English marine painter continues to reveal his deep fascination with ships and the shifting moods of the sea. The compos...

Day and Night II is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with India ink, colour pigments, gold and silver leaf on Japanese cardboard...

This small yet striking painting by Primus Mortimer Pettersson (18.5 x 21.5 cm) encapsulates the essence of his artistic vision—an imagined world where reality and dream blur into on...

Vibrant abstract composition by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Thomas Romero (American, b-1985). Signed ...

Wonderful double sided oil on heavy fiber board paintings done by the well known North Fork Peconic Bay artist Caroline Bell. The coastal sailing painting is signed lower left. The haystack painting verso is signed in pencil lower right. The sailing painting is in good condition; the haystack painting is in good condition. Both done circa 1930. In a period but not original gold leaf over wood frame. Framed measurements are 19 by 23.75 inches. Provenance: A Long Island, New York estate. (1874-1970) Caroline Bell was the leader of a group of artists known as the Peconic Bay Impressionists...

Artist: Mishurovski V.V. Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2021 Title: April in the village Size: 19.5...

Original Painting Steel Workers Fabric Design Industrial Deco American Modernism Antonio Petruccelli (1907 - 1994) Steel Workers Textile design 19 1/4 X ...

“Fore-thought” by Dawne Raulet is a striking photorealistic painting of a single Titleist golf ball suspended against a dramatic, shadowy background. With its precision detail and so...

Green, Yellow, abstract, Picasso, Atelier stamp lower right Dora Maar, original name Henrietta Theodora Markovitch (Marković), (born November 22, 1907, Paris, France—died July 16, 1...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Serene lakeside scene with delicate reeds in soft, misty twilight tones by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 9 x 5.5 inches Frame measures 13.5 x 1...

The painting we have for sale, executed by Swedish artist Erik Tryggelin on May 3rd, 1907, presents an atmospheric and dynamic view of Sankt Matteus Church in Stockholm. This piece i...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Lisa Fricker's "Miraculous" is an original, handmade oil painting that depicts an abstract portrait of a woman, it measures 8.25 x 8.25 inches. This painting is framed and ready to h...

Beautiful Ashcan School portrait of a woman in winter outerwear, 1909. Oil on canvas panel, measuring 17.75 x 18 inches; 21.75 x 22 inches framed. Original frame. Dated lower rig...

Oil Painting of Camlough Lake in Northern Ireland by 20th Century Modern Artist, Patrick O'Neill Art measures 30 x 20 inches Frame measures 35 x 25 inches A beautiful colourful ...

In this stirring seascape, I embraced the raw energy of the ocean, capturing its power and grace with acrylics. Blending realism and impressionism, I sculpted light and shadow, infus...

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on panel Oil size 22x27 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at th...

A bold & dynamic ca. 1965 Abstraction titled "October Landscape" by Valfred Thelin. Image size: 13 1/2" x 30". Framed size: 18" x 35". Painter Valf...

Vintage Israeli American modernist oil painting. Oil on board. Signed. Framed. Measuring 17 by 23 inches overall and 12.25 by 18.75 painting alone.

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Packed with colour and texture, "No Signal", by British contemporary artist Dan Parry-Jones captures a fleeting urban moment with cinematic intensity. A solitary woman walks through ...

A beautiful and large 20th century impressionist oil on board by Pasquale Carenza depicting a mountain landscape, probably Spain. The work is signed and dated 1970 lower right and s...

Created in 2025, “Tungsten” is part of Patrick Nevins’s ongoing Elements Series, in which he explores the beauty, significance, and material properties of chemical elements. Measurin...

'Betsy Ross Bar & Grill', Santa Cruz Art League, California, Cocktail Hostesses 'The Betsy Ross Bar & Grill', Exhibited: Santa Cruz Art League, California, 1986 Signed lower left, ...

Original oil on heavy cardboard painting by the well know Fench artist, Etienne Ret. Signed top right. In excellent condition with original dark wood carved frame and white painted...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Splendid Landscape of the Scottish Highlands Loch in summer by Francis E Jamieson, also known as W. Richards, was an English painter who, after a holiday to the Highlands of Scotland, became obsessed with painting highland landscapes and became one of the most prolific artists of his time. Image, 20.5"H x 30.38"W Frame, 26.5"H x 36.5"W x 3"Deep (please note for shipping quote purposes we marked it as 1" deep in the details section) The paintings of FE Jamieson were so fashionable he was contracted to paint exclusively for various furniture stores painting scenes on furniture. Jamieson is believed to have painted under eleven different artist names so he could sell more of his paintings undetected by his employers. These aliases include J McGregor, Graham Williams, Henry Stewart, HB Davis and W Richards. There are other pseudonyms that include Aubrey Ramus...

Touvia b.1980 (Israeli) - SONG OF JERUSALEM - gold leaf, acrylic and lacquer on board Tradition teaches that the 7 colors of the rainbow parallel 7 shades that the soul illuminates ...

An outstanding oil painting executed with thick use of paint capturing a luminous sight of a train in motion under a bridge with heavy smoke trailing upward. We can feel that a mood...

Oil on board, signed lower right Image size: 7 ¾ x 10 ½ inches (20 x 26.5 cm) Contemporary-style frame  Brown was born in 1894 in Salisbury. His father was William Lewis Brown (1864...

Dan McCaw's "Harmony" created in 2024, is a striking oil painting measuring 30 x 24 inches. This original artwork features an abstract composition of figures, rendered with rich text...

Impasto Abstract Seascape Landscape Miniature Study by Contemporary British Artist Angela Wakefield Art measures 5 x 5 inches Frame measures 11 x 11 inches Angela Wakefield – “Coas...

This captivating painting by Charles Cardale Luck, titled Winter Twilight, showcases the artist's remarkable ability to capture the ethereal beauty of a Nordic winter. The scene depi...

Original oil paint on heavy card stock of a lovely spring bouquet of pink flowers by the American impressionist artist, Bird Lefever. Signed lower left...

Circle of James Hardy, Jnr (1832-1889) A gun dog oil on board 7 ⅞ x 6 in. (20 x 15.3 cm.) framed 12 ⅝ x 10 ⅝ in. (32.1 x 27 cm.) This animated and characterful dog bears a striki...

Wonderful snowy landscape with footprints leading to cabin in valley circa 1940. Signed lower left "Gruber." Image has painted "mat" effect. Inside image is 12.50"H x 18.38"W. Unfram...

Joan Gillchrest (British, 1918 – 2008) Titus and Moet Oil on board Signed with initials ‘JG’ (lower left) 32 x 44.1/4 in. (81.5 x 112.5 cm.)

Abstract Composition Diptych, Mixed Media on Paper, laid on board, overlapping transparent circles with a flock of teardrops, apparently unsigned, unframed. Panel: 24" H x 24" W. Pro...

An oil on panel idyllic landscape by Boggio. The painting is signed bottom right. An idealised lakeside landscape view of a shady glen in the style of the Barbizon school.

Ethelbert White 1891-1972 The Forest Pool Oil on board Image size: 14 x 11 1/4 inches (35.5 x 28.5 cm) Original frame Ethelbert White is probably best...

Traditional Celebration and Costumes Japan or Okinawa Oil painting on illustration board of Japanese Ryukyu or Okinawa Island festival goers by and unknown artist. Elegantly dresse...

19th-century English yacht, sailboat, and steamer off a coast with a stormy sky. John Niemann was a prolific and highly successful British landscape artist working mostly in oils. ...

​Helen Taylor (Contemporary) Watching Blue Prisms Signed with monogram, inscribed with title verso Oil on board 10 x 10 inches 11x 11 inches including the frame Helen Taylor’s pract...

Gorgeous early 20th Century American Impressionist landscape of Connecticut red house by George M. Bruestle (American, 1871 - 1939), November 1914. Signed lower left and on verso. Dated on verso. Presented in gilt-toned wood frame. Image size: 8"H x 10"W. George Matthew Bruestle is an American Realist/Impressionist painter known for his intimate landscapes. Born and raised in New York City, Bruestle studied at the Art Students' League of New York in 1886 at the young age of fifteen and later in Paris. That same year, Bruestle visited Essex, CT and eventually purchased a second home in Hadlyme, Old Lyme as the Art Colony formed. Bruestle's main studio was in New York City. Inspired by Jean-Baptiste-Camille Corot [1796-1875] and other French landscape painters, Bruestle's style was a mix of Early Realism and Early Impressionist techniques. He was an adept draftsman and his paintings favored earlier European examples but, later took on a brighter Impressionist palette and brushy quality of the Old Lyme Art...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 VENETIAN SCENE signed & located "A. Reyna, Venezia" (lower right) oil on canvas laid on cardboard 8 ...

This Western Landscape by New England Impressionist painter Richard Edward Miller is a 12.5 x 23.5 inches, oil on board painting from 1931. A plein-air and impressionist painter as ...

In this artwork, I've aimed to capture the transient beauty of nature, an expression of life's fleeting moments. Employing gentle strokes and a harmonious palette, I convey the delic...

Technical Data of the Artwork Title: Life by the Pier Artist: Rosendo González Carbonell Medium: Oil on panel Dimensions: 8.3 x 10.2 inches (unframed), 13 x 15 inches (framed)...

Fabienne Delacroix is the youngest child of the master naïf painter Michel Delacroix. She began to paint at the age of ten, working along side her father in his studio. Her talent wa...

In creating this piece, I poured my soul into capturing the serene yet vibrant essence of a park that whispers tales of tranquility and renewal. I employed expressive brushstrokes to...

Gabriel Casarrubios Martín (1953) - Beach's day - Oil on panel Oil size 19x33 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at ...

Original Oil Painting of the Galway Bogland Landscape in Ireland by Northern Irish Artist, Margaret Stockman Art measures 20 x 16 inches Frame measures 28 x 24 inches This origin...

Golfam Jozdani Saint Minecraft XXX Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing Op...

The impressionist sunny painting with the river and the Sun is a beautiful wall decor, the bright painting is full of different colours, combinations of warm and cold shades are prof...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Acrylic on paper laid board. Frameless.

Ruz- original abstract acrylic painting. Virtual frame Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are inclined to ta...

Sunset on the river by French artist, Leon Richet. Oil on wood panel. Circa 1885. Signed lower left. Framed size 13.5 by 16.5 inches. Born in Solesme, France in 1847, Léon Richet was of the generation of painters raised during the height of the Barbizon school. He was a student of Narcisse Virgile Diaz de la Pena...

Moreno Torricelli - Juventus Football Legend, UEFA Champions League 1995-96 - Determination Technique: Charcoal on paper, Signed and dated '96 Author: Marco Silombria (Savona, 1936 ...