Canvas Paintings

Impressive early American impressionist framed landscape oil painting. Framed in a silver impressionist molding. Oil on board. Signed. Image size, 20H by 30L inches.

Susan Kiefer The Queen's Regalia Oil on canvas Year: 2023 Size: 24x24x1.35in Signed and inscribed by hand COA provided Ref.: 924802-1685 A ovoid shape with a circular opening is div...

Pocket Pale Blue Sloes is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque stil...

Serene Horizons - Expansive skies meet textured earthy tones in tranquil harmony. Abstract Landscape by Contemporary British Artist, Angela Wakefield. Art measures 12 x 10 inches F...

Marcel von Herrfeld, born in 1889, was a son of Alice Herrfeldt and the Spanish painter of nudes Luis Ricardo Falero (1851-1896) who worked in Pari...

Very Large Square Painting of New York City Skyscrapers USA - Red Blue & Yellow - by Polish Artist, Katarzyna Szulc. Signed Kasha on the front of the canvas. Art measures 47.2 x 47....

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and unique uses of media. Through a combination of collage ...

Unique still life of a table with geraniums and a lit cigar, with a framed painting of a nude in a forest setting in the background by an unknown artist (American, 20th Century). Pre...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold flakes with thick textured oils and glass...

The guitar - Francesca Strino Italia 2010 - Oil on canvas cm.80x100 In this beautiful painting we admire a young woman in a slip playing the guitar. Francesca Strino, Neapolitan painter...

Helen’s Paradise (Abstract painting) (Abstract painting) Oil and earth on cotton paper (640g) — Unframed This artwork is exclusive to IdeelArt. This artwork will be shipped rolled i...

Erich Kruger (1897-1978) Floral Still life Oil on canvas Pink poppies + Hydrangeas 23.5 x 331.5 unframed, 37.5.x 25.5 framed

Shiney Red Pomegranate is an original oil painting by Dani Humberstone as part of her series featuring life size realistic oil paintings, with a nod to baroque still life painting. T...

Italian painter (18th century) - Arcadian landscape with flock and shepherds. 56 x 70 cm without frame, 63.5 x 79 cm with frame. Antique oil painting on canvas, in a wooden frame. ...

Blushing Roses in a Golden Vase Continental School, late 20th century most likely a pastiche work after an earlier composition oil on canvas, unframed canvas : 36 x 24 inches provena...

W.Redworth, English portrait of a terrier dog, circa 1935 Wonderful oil on canvas portrait. A very English animal portrait and a very well painted painting, framed in an amazing a...

This piece depicts iconic Logos with vintage news paper clippings from the mid century. We find Jacqueline Kennedy Onassis lower left, with other Americana imagery through out. Celeb...

Abstracted River Canyon Landscape in Oil on Canvas Dramatic landscape by Honora Berg (American, 1897-1985). Three large cliffs tower over a river, creating a massive canyon. The landscape is represented in colors reminiscent of fauvism - greens, yellows, and magentas. Signed "Honora Berg" at the bottom edge. Acquired with a collection of the artist's work. Initialed and numbered "HB 103" on verso Unframed. This piece is on canvas that has been stretched over cardstock by the artist. Board size: 20.5"H x 25.75"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon. Berg's friend Edith Truesdell — David Park's aunt — suggested a move to California in 1951 to study under Park. She exhibited at the 25th Annual Drawing, Print and Sculpture Exhibition at the San Francisco Museum of Modern Art, 1961. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

Warm Waters is a beautiful abstract painting in clear blue, with touches of warmth, that references color through water, with a quiet yet complex surface of layered oil paint over st...

Smugglers Cove In A Moonlit Landscape, 19th Century Abraham PETHER (1756-1812) Large 19th Century Moonlit coastal landscape of smugglers at a cove, oil on canvas attributed to Abra...

Giovanni Domenico Ferrucci (Fiesole, Italy, 1619 – Lucca, Italy, post 1669) Title: The Death of Cleopatra Medium: Oil on canvas Dimensions: without frame 85 x 70.7 cm – with frame 10...

This diptych invites you on an immersive journey through a dreamlike floral universe, where vibrant blues intertwine with delicate blossoms. A symphony of movement and color, capturi...

Thomas Bossard was born in 1971 in Poitiers, France, to a large and creative family. His mother fostered his interest in art since an early age, bringing Thomas to various museums wh...

Portrait of a Woman in the Style of Modigliani in Acrylic (Red Background) Portrait of a woman in the style of Amedeo Modigliani by an unknown artist (20th century). The woman has d...

Classic oil painting perfect for the holidays! Horses and hounds with riders in traditional red jackets with green fields, trees and a turquoise blue sky. The painting appears to be...

Immersed in the serenity of nature, I crafted an intimate scene, awash with the rich tones of oil paint. My brushstrokes breathe life into a dance of blossoms and leaves, enveloping ...

This piece is executed with hand cut butterflies, and comes displayed in an acrylic shadow box. These works conjure sensations of nostalgia, created from paper, cutting out colorful ...

Frame: 27 X 21 Image: 23.5 X 17.5 Barry Leighton-Jones was born in London, England in 1932 and is a direct descendant of the Victorian artist and President of the Royal Academy, Lor...

Robert Elsocht (1908-1999) "Jackman, Maine" Landscape Painting Oil on canvas 42 X 42 Unframed, 43 X 43 Framed

Flowers - Oil on canvas cm.80x60 by Maximilian Ciccone, Italy 2002. In this oil on canvas painting the painter Ciccone draws inspiration from the masterpieces of the great Roman master Mario Nuzzi...

Signed lower right, 'Pauer' for Jacalyn Pauer (American, 20th century) and dated 1991. Additionally signed, verso, and titled, 'The Family Dinner'. A su...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

Vítor Mejuto introduces a geometric synthesis that breaks down painting into its most structural essence. His work, in which line, stain and shape establish a precise chromatic balan...

Vilhelm Hammershoi 1864-1916, was a Danish painter. He predominantly painted interior scenes also a wide range of genre subjects with people in regular poses within the house. This ...

[Bruce Sargeant (1898-1938)] Two Men Kissing Contemporary Painting by Mark Beard n.d. Signed in red, u.r. Oil on canvas 24 x 20 inches $3,600 + $1...

It all started when we both met years back. I loved you and you loved me too. Our love journey began and was full of joy, love, peace and happiness! You showered me with the love I ...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

This abstract landscape statement painting by Elwood Howell features a yellow and orange-hued landscape with a high horizon line and warm undertones. What appears to be a small white...

'Expressions in Bloom: Portraits from the 20th Century III', oil on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings thro...

Fishing Schooners and Sailboats at a dock, "Fischerschoner und Segelboote an einem Dock" by Rudolph Guba (German/American, 1884-1950) Impasto work which depicts several sailing vesse...

"Estrada-Duran combines realism and surrealism in his work, the artists paintings are often monochromatic pencil drawings with overlays of gold paint that depict goddess-like women ...

A charming oil painting on canvas depicting a colorful floral still life in a blue vase on top of a wood table. The flowers depicted are a bright bunch of tulips, placed effortlessly...

Antique American impressionist landscape oil painting. Oil on canvas. Framed. Signed illegibly. Appears to read "Harriet .....". Very nicely painted and a wonderful subject. Ha...

This painting depicts a colorful Mid Century Street in Paris France, a popular subject of the times painted by many important impressionist 20th Century painters. This piece is a bol...

Antique American modernist still life oil painting. Oil on canvas. Framed. Signed.

Ahzad Bogosian Tree Break, East of Bloomington acrylic on canvas 36h x 36w in 91.44h x 91.44w cm AZB171 Ahzad Bogosian SOLO EXHIBITIONS 2007 Landscapes, Ann Nathan Gallery, Chic...

Antique American modernist landscape pastel painting. Pastel on board. Framed in plexi box.

Urszula Wilk – artist statment: I have always been interested in the idea of infiniteness of a painting and its opposite – that is the physical finiteness of the painting. This phys...

In this vibrant tapestry of colors and forms, I've channeled my passion into every stroke, blending acrylics, oils, and colored pencils to craft a symphony of abstract energy. This p...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

In a bid to find myself strength amidst an inferiority complex. I realized that, whether as an individual or as a nation, What we call strength and weakness, yellow, black and white...

Oil on canvas by Jules Gouillet (1826-1907), France, 1907. Architectural and Floral Composition. This exceptional oil on canvas by Jules Gouillet, a renowned French artist born in Ve...

Antique German oil painting by Christian Johannes Wilberg (1839 - 1882). Oil on canvas. Signed. Framed. Measuring 40 by 50 inches overall and 31.5 by 41.5 painting alone. A luminous...

A beautiful signed and dated 1931 French naïf oil on canvas depicting Beffroi de Douai, by Jean Eve. Jean Eve was one of the "first wave" of 20th century Fre...

Landscape oil Painting, Impressionism, flowers, oil on canvas Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 S...

This atmospheric landscape from 1910 offers a rare glimpse into a lesser-known side of Sam Uhrdin’s work. Painted before his formal art education, the canvas reveals an emerging arti...

An Original Oil Painting of George's Street Kingstown in 1910 by Modern Impressionist Irish Artist, Robert D. Beattie (1900-1979). The painting captures a historic moment...

"Twilight Blush" is an oil painting on canvas by Dennis Sheehan, depicting a wooded landscape, the painted stream lit with the soft glow of dusk. The artist's use of vibrant colors along the horizon evokes the last warmth of the day, the approaching chill of evening perfectly captured in this dreamy glade. This piece is finished in a custom silver frame. Pricing includes the pictured frame. Unframed dimensions are 14 x 23 inches. About the artist: Dennis Sheehan is the second of four boys in his family, and is the only one who has an interest in the arts. Realizing his young son had a passion for art, Sheehan’s father would take him to museums and art shows. Sheehan’s more practical mother hoped he might choose to go into business or law. Once she was convinced that Sheehan was adamant about pursuing a career in art, both of his parents were very supportive. After high school, Sheehan spent the next four years at Vesper George School of Art, in the Boston area, where he studied under Robert Hunter Douglas...