Charcoal Paintings

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sam...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His expressive abstract landscape artwork 'Das Grosse Blau' features whimsical details and vibra...

oil stick, acrylic, charcoal on raw linen canvas

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

oil stick, acrylic, charcoal on raw linen canvas

“Mixed Feelings” is a visual series that captures the emotional complexity of Black womanhood, strength, softness, pride, visibility, and invisibility. Each portrait in this series h...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His expressive abstract landscape artwork 'Flourishing Fields' features whimsical details and vi...

“Mixed Feelings” is a visual series that captures the emotional complexity of Black womanhood, strength, softness, pride, visibility, and invisibility. Each portrait in this series h...

Leigh Ann Van Fossan's "Breathe in the Warm Salty Air" is an original acrylic and charcoal painting depicting a blue vase with flowers next to a picturesque scene featuring a blue oc...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His expressive abstract landscape artwork 'Flourishing Fields' features whimsical details and vi...

A stunning charcoal drawing by French artist Etienne Poirier (1919 - 2002). This rare artwork is a charcoal-on-paper composition depicting an interpretation of the famous Alhambra Pa...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Nude Male Study French, circa 1800 Neo-Classical School, circle of Jacques Louis David (French 1748-1825) Pencil drawing on paper, unframed drawing: 14 x 8 inches double sided with ...

This piece, titled "The Meeting 30" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, a...

At the heart of "Shadows and Diamonds," we encounter the theme of shadows. John ingeniously uses shadows to represent the obscured aspects of our individuality, the parts of ourselves that are hidden from the outside world. These shadows can be seen as the unexplored depths of our personality, our fears, or our secrets. The young man in the artwork seems to embrace his shadows, suggesting a willingness to acknowledge and confront those hidden aspects of his being. By portraying shadows as an integral part of the artwork, John challenges us to embrace our own shadows and accept them as essential components of our identity. The shadows in "Shadows and Diamonds" serve as reminders that the multifaceted nature of human existence is not limited to what is visible on the surface but extends far beyond, into the realm of the intangible and the mysterious. While shadows represent the hidden aspects of self, diamonds in the artwork symbolize the facets that shine through, the qualities and characteristics that we choose to reveal to the world. Diamonds are known for their brilliance and sparkle, and in "Shadows and Diamonds," they represent the positive attributes that we proudly display to others. They symbolize our achievements, our talents, and the qualities that make us unique and valuable. Through the juxtaposition of shadows and diamonds, John invites us to reflect on the delicate balance between revealing and concealing different aspects of our identity. The young man's beaded necklace, adorned with diamonds, suggests a celebration of self-discovery and the courage to embrace and showcase the diverse elements that constitute our true selves. In addition to the symbolism present within the artwork, Makama John...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Large, highly detailed charcoal and acrylic landscape featuring a lush country forest against a sunlit sky "Some Twilight Land" by Sue Bryan charcoal, acrylic, and pastel on canvas, ...

Life study drawing original atelier drawing by the French artist, Jeanne Nachat (1898-1984) Nachat attended the prestigious Académie des Beaux-Arts in Pa...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Title: French School Mid Century Standing Female Nude Figure Study Charcoal Medium: Charcoal and white chalk on brown artists paper, unframed Size: 19.75 x 11.25 inches (height x wi...

There will come a time in life when everything seems to stand still. It may feel like nothing is working, your efforts and hard work don't seem to be paying off, and you start to fee...

Oluwafemi Akanmu is a Nigerian-born artist who creates beautiful and thought-provoking works of art. One of his most stunning pieces is titled "Vision...

“Mixed Feelings” is a visual series that captures the emotional complexity of Black womanhood, strength, softness, pride, visibility, and invisibility. Each portrait in this series h...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in black folder/ thick paper, unframed drawing: 12 x 17.75 ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Away from Home captures the spirit of quiet determination. The work reflects resilience, readiness, and the courage to step into the unknown with grace. we left home to make home. S...

Title: French School Mid Century Standing Male Nude Figure Study Charcoal Medium: Charcoal and white chalk on brown artists paper, unframed Size: 19.75 x 12.75 inches (height x widt...

Title: Absolute Wealth Large Painting Absolute Wealth - Contemporary Abstract Colorful Maximalism Bold Invest Another soulful artwork by Karnish. Symbols and forms unfold in this me...

I feel like there’s something deeper, more endless, and more lasting than the ocean in the way a baby looks when it wakes up in the morning and smiles or laughs because it sees sunli...

Title: Fragments Artist: Marilina Marchica (1984, Agrigento – Italy) Year: 2024 Medium: Charcoal on high-quality Fabriano paper Size: 50 x 70 cm Frame: Custom handmade frame availabl...

Title: Vintage Fragment Artist: Marilina Marchica (b. 1984, Italy) Year: 2025 Medium: Charcoal on cotton canvas Size: 79 × 95 cm (irregular edge) Framing: Unframed – can be shipped r...

Reborn, renewed, a soul reborn, A life renewed, a path to adorn. Memories of a past life remain, Haunting, yet freeing, like a chain. A new life, a new chance to grow, To learn, to ...

oil stick, acrylic, & charcoal on raw linen

The paper of the work is not yellowed, there is a applied yellowed primer under the drawing Krzysztof Gliszczyński is Professor for painting o...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This stunning charcoal drawing lithograph print on paper depicting a fanciful lion kidnapping a young woman was designed by Adolf Uzarski (1885-1970), a German artist. This drawing i...

PaperLandscape paper and oil on canvas 80x100 cm original art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Paint...

ink, charcoal, & acrylic on paper

Rue Bootay, a New York-born artist now rooted in the vibrant artistic landscape of Los Angeles, navigates the avant-garde realm of nonrepresentational surrealism with a style uniquel...

Artist (Artista): Marilina Marchica (1984, Agrigento – Italy) Title (Titolo): Landscape Year (Anno): 2024 Technique (Tecnica): Mixed media – paper and oil on canvas Dimensions (Dimen...

Black Essence' captures the unbreakable spirit of every woman who has long been the pillar of strength in their community. With a steadfast gaze, the subject embodies determination a...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) "Innocence" is a captivating artwork that evokes a sense of empathy and reflection. The central figure, a woman, stands as a representation of someone who has been wrongly accused and unfairly painted with guilt. Oladapo's skilled brushwork brings forth the emotions of sorrow, pain, and resilience, creating a visually striking piece. The woman's expression carries a mix of sadness and determination, reflecting the weight of the false accusations. The use of vibrant red in the painting symbolizes the intense emotions and turmoil she has experienced. The artist's attention to detail, particularly in capturing the subtle nuances of her facial expression, adds depth and authenticity to the artwork. "Innocence" highlights the profound impact that false accusations can have on an individual's life and psyche. The emphasis on being "painted red" with lies alludes to the damaging effect of baseless accusations, which can tarnish one's reputation and cause immense pain. The artwork also emphasizes the resilience and strength required to maintain one's truth in the face of adversity. The woman's unwavering gaze and the determination in her expression portray her refusal to be defined by false accusations. She stands as a symbol of the human spirit's ability to rise above injustice and assert one's innocence. Through "Innocence," Oladapo reminds us of the importance of embracing our authenticity and standing firm in our truth, even when faced with unfounded allegations. It urges viewers to question the validity of accusations and to seek justice and understanding, both for themselves and others who may have experienced similar hardships. Agboola Oladapo...

Victor Pasmore, R.A. Abstract, 1980 signed with initials (centre right) oil, acrylic and charcoal on canvas 44 x 150cm.; 17¼ x 59in. Executed in 1980. Provenance Sale, Bonhams London...

Paris: City Winter Scene by Henri Miloch (1898-1979) watercolour and gouache painting with charcoal on artist's paper, unframed Sheet: 9.75 x 13.5 inches Intriguing painting by the...

This piece, titled "Wanderer 10" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through" is made of collage, charcoal, pastel, acrylic, and gra...

Details Artist: Marilina Marchica (b. 1984, Italy) Title: Frammento Year: 2025 Medium: Graphite on paper Artwork Size: 75 × 140 cm Framed Size: 156 × 88 cm Framing: Custom han...

"Portrait of Adefunke" is an original painting created by Eyitayo Alagbe. Eyitayo created "Portrait of Adefunke" with Mixed Media on a Primed canvas of 20Wby 26H Inches The Portrait...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Title: French School Mid Century Seated Female Nude Figure Study Charcoal Medium: Charcoal and white chalk on brown artists paper, unframed Size: 19.75 x 11.25 inches (height x widt...

Rooted in introspection and emotional nuance, Xenia Gray’s figurative mixed media works capture the quiet tension between solitude and connection. Her paintings often depict the huma...

"Soul Sister" embodies the profound bond between kindred spirits, celebrating the deep connections that transcend time and distance. The phrase evokes feelings of warmth, support, an...

Africa Allure portrays the rich cultural, historical, and social contributions of Black individuals and communities throughout history. It encompasses the traditions, values, and ach...

Title: Journey to Joy Journey Painting Large Abstract Contemporary Bold Invest Statement Texture Joy The Guardians - Journey to Joy is a brilliant painting, where the artist expre...

Frammento / Casa di Famiglia mixed media on cotton canvas 124x145 cm 2022 Original Art Ready to hang Due to its large size, it is shipped without a frame. For other options, please c...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Abstract geometric painting in pastel shades of off-white, yellow, green, and light blue - inspired by abstract expressionist Richard Diebenkorn "Leave Me Alone" painted by Hudson Va...