Charcoal Paintings

Patrick Terenchin (b.1970). Paul, 2024 Gesso and charcola on paper, 16 x 20 inches. Measuring 17 x 21 inches in black frame behind glass. Signed and dated lower left.

PaperLandscape paper and oil on canvas 80x100 cm original art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Paint...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Romantic, tonalist style charcoal drawing of a tree in isolation by Sue Bryan "Offshoot" charcoal, acrylic, and pastel on paper dry mounted to canvas 30 x 22 inches 31.25 x 23.25 inc...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Charcoal on paper Rachel Yedid is a French multidisciplinary artist born in 1977 who lives and works between Paris, France & Jerusalem, Israel. She grew up marked by a severe autoim...

Naked young woman is one of the best works by the artist Marco Fariello realized in 2021. It is an academic drawing of a female nude. It is painted with oil on canvas. The subject ...

Victor Pasmore, R.A. Abstract, 1980 signed with initials (centre right) oil, acrylic and charcoal on canvas 44 x 150cm.; 17¼ x 59in. Executed in 1980. Provenance Sale, Bonhams London...

Traces (2023) is a large-scale original work on paper (75x110 cm) by Italian artist Marilina Marchica, created with pure mineral oxides on 300 gr Canson paper. The deep, atmospheric ...

Paris: City Winter Scene by Henri Miloch (1898-1979) watercolour and gouache painting with charcoal on artist's paper, unframed Sheet: 9.75 x 13.5 inches Intriguing painting by the...

Acrylic & charcoal on canvas Rita di Benedetto is a French visual artist born in 1952 who lives and works in Toulouse, France. Her painting is intended to be sensual, no-conceptual,...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Romantic, tonalist style landscape drawing by Sue Bryan charcoal and acrylic on book pages on wood 8 x 10 inches Hangs flush to the wall, with nail notch on back Signed verso Clean, ...

Flying Alinga Double Jump, smoke on paper, framed on a contemporary box frame - all archival materials. Artwork size: 40x30 inches Frame size: 48x37x...

oil stick, acrylic, & charcoal on raw linen

Title: Journey to Joy Journey Painting Large Abstract Contemporary Bold Invest Statement Texture Joy The Guardians - Journey to Joy is a brilliant painting, where the artist expre...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Large, charcoal and acrylic landscape painting on canvas featuring a detailed countryside wooded field and light blue sky "Dreamland" by Sue Bryan acrylic and charcoal on canvas 34 x 42.5 x 1.5 inches 35.5 x 43 inches with an ebonized walnut floater...

This piece, titled "The Meeting 29" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, an...

landscape mixed media on canvas 46x65 cm 2021 original art Original Created:2021 My painting tells of the relationship between man, nature and time, the landscape, the sign and the...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Richard Mann (1940-1990). Duino Elegies, 1981. Mixed media on rag paper, consisting of 3 sheets, each measuring 18 x 24 inches. Each vertical edge is hinged with mounting tape, resulting in a triptych presentation. Entire measurement: 24 x 54 inches w. Biography: Playwright, poet and visual artist, Rev. Richard Mann was born and educated in Melbourne Australia. At the height of America's counter-cultural revolution, Mann moved to New York City where he lived and worked in Harlem. He was influenced by surrealism, abstract expressionism, and calligraphy at the time of his arrival. Beginning in the mid-1970's, the extreme living conditions of Harlem and demands of his religious calling provided subject matter for his painting. Urban decay and ubiquitous public graffiti provide inspiration for compositions that include highly stylized writing. By the late 1970's many works incorporate writing exclusively, with areas of layered, obscured and illegible words, very much like repeatedly tagged walls. Education: Studied painting with Maurice Cantlon, Melbourne, Australia 1961-62. Liberal Arts Studies, Christ the King...

This piece, titled "Wanderer Study 3" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and g...

Africa Allure portrays the rich cultural, historical, and social contributions of Black individuals and communities throughout history. It encompasses the traditions, values, and ach...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

This rare 1941 work by American modernist Charles Ragland Bunnell (1897–1968), titled Quitting Time, is a compelling example from the artist’s important Black and Blue Series, a body...

"Portrait of Adefunke" is an original painting created by Eyitayo Alagbe. Eyitayo created "Portrait of Adefunke" with Mixed Media on a Primed canvas of 20Wby 26H Inches The Portrait...

This piece, titled "Wanderer 17" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and graphi...

Description: Artist: Marilina Marchica (b. 1984, Italy) Title: Frammento CN Year: 2025 Medium: Charcoal on translucent drafting paper (carta da lucido) Size: 75 × 145 cm Framing: Unf...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

This piece, titled "Wanderer 16" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and graphi...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in blue folder/ thick paper, unframed drawing: 12 x 19 inch...

Bill Crawford (1913-1982). Original illustration artwork depicting teams as they advance to the World Series. Depicted are representations of the St. Louis Cardinals and The Brooklyn...

Red Landscape mineral oxide on papers ( Canson Paper 300gr) Origial drawing ,one of a kind 50x70 cm 2025 The drawing is shipped flat inside a cardboard clip, it is possible to bu...

Frammento / Casa di Famiglia mixed media on cotton canvas 124x145 cm 2022 Original Art Ready to hang Due to its large size, it is shipped without a frame. For other options, please c...

Title: Charcoal Portrait of an Elderly Man Smoking a Pipe Artist: Josine Vignon (French 1922-2022) Medium: signed black charcoal on artists paper stuck on board, glass covered Siz...

Oil & charcoal on cardboard Keta Jikia is a Georgian artist born in 2002 who lives and works in Tbilisi, Georgia. She is graduated in 2025 with a degree in International Relations f...

The piece reminds us that hope is the bedrock of strength; it fuels our determination and ignites our passions. Those who hold onto their hopes with unwavering conviction possess an ...

A study in grace and subtle sensuality, this evocative 1934 black pencil and charcoal drawing by French artist Marie Louise Simard (1886–1963) showcases a nude female figure with scu...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanie...

What's inside you? What is your own Eden like? How many steps down, and how many up? Who is your personal Serpent? What are you really like?

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Mark Bradley Schwartz's (US based) "Untitled 12" is an original, handmade charcoal drawing that depicts a woman in profile with her long dark hair draped over her right shoulder with...

Mixed media still life of black and white bottles inspired by Giorgio Morandi still life paintings Morandi Bottle 41 (Geometric, Abstract Still Life of Bottles in Black and White) b...

This piece, titled "Wanderer 11" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through" and is made of collage, charcoal, pastel, acrylic, and...

This unique artwork is created through interweaving and twisting strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is fram...

oil stick, acrylic, & charcoal on raw linen

The painting is a reflection on how people perceive the world. It is about the importance of stopping in time and calmly observing yourself and your condition: without fuss, complain...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sayeed...

This piece, titled "The Meeting 22" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, a...

Original and unique artwork, painting in acrylic and mixed media on canvas Signed, titled and dated at the back of the canvas and stretched on a custom-made wooden base frame. Accom...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

This piece, titled "Wanderer 9" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through" and made of collage, charcoal, pastel, acrylic, and gra...

Kamal Mitra , Puzzled , 36 x 48 inches (unframed size) Acrylic on canvas Inclusive of shipment in a roll form. About the Artist : Born in Kolkata 1964. QUALIFICATION : 1989-Gra...

"Meditate" by Oluwafemi Akanmu is a thought-provoking artwork that captures a moment of introspection and contemplation. The central figure, a man seated with his hand supporting his...

Pathfinder is Inspired by portraying the struggles, aspirations, and joys of women in my society, and to encourage viewers to connect with these experiences on a personal and emotion...