Crayon Paintings

This stunning work, acrylic and pencil on paper, is captivating in its vibrant primary colors. Diogo Barros Pires (b. 1985) is a figurative contemporary artist from Lisbon. Having ...

Untitled (260.11) (Abstract photography) Crayon on vellum. Unframed. In a broader sense, Tilman’s works on paper function as an archive of the artist’s ideas and observations. The ...

Title: Mid-20th Century Post-Impressionist Pastel Landscape of La Bourboule France by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: ...

September Seas, Original Seascape Painting in Pastel on Board, 2021 Sunlight reflects off of the waves crashing onto the beach. Artist Commentary: I’m mesmerized by waves of all sh...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

STILL LIFE ANTIQUE WHITE Graphite and oil pastel on paper Size: 39 x 46.5 cm (including frame) An engaging and powerful abstract composition by British contemporary artist Lloyd Dur...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Even if it doesn’t look like it (Abstract painting) Acrylic, oil, pastels, spraypaint on canvas - Unframed. This artwork is exclusive to IdeelArt. Knaut builds her compositions sl...

"Blue Fall 2" is a Still Life of falling impasto flowers painted on a canvas of blue and yellow. Darius Yektai was born in Southampton NY, in 1973. H...

"Bodacious" 2022, 21.5" x 21.5" square. A small but mighty abstract painting consisting of acrylic, pencils, and oil pastels on flat board canvas by Argentine-born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Traditional Home, Veranda Magazine, Luxe Interiors, and most recently in Introspective Magazine...

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

Richard Smith, British (1931-2016) Untitled (Abstract Composition) (1976) Gouache, crayon, charcoal and metal staples on Arches paper Hand signed lower center sheet: 22 x 22 inches ...

Untitled #206 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

Breakthrough by Helen Howells [2022] original and hand signed by the artist Oil on Canvas Image size: H:76 cm x W:122 cm Complete Size of Unframed Work: H:76 cm x W:122 cm x D:3.5cm...

"Esme" by Primary Hughes (United States) is a handmade nude portrait of a woman, made with charcoal and pastel on paper. This piece of artwork is framed and ready to hang.

Untitled 1915 (Abstract Drawing) Pastel on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

Hello Marine, Le Soleil Du Midi, 2024 Acrylic on canvas, framed in oak tray frame Original artwork 80 x 94 cm ( 31.5 x 37.01 in) Signed by the artist Parisian artist HelloMarin...

Hello Marine, It’s Like A Jungle Sometimes, 2024 Acrylic on canvas Original artwork 120 x 100 cm ( 47.24 x 39.37 in ) Signed by the artist Parisian artist HelloMarine has spent...

Hello Marine, Beneath The Palm’s Shade, 2025 Acrylic on canvas, framed in oak Original artwork 110 x 93 cm ( 43.31 x 36.61 in ) Signed by the artist Parisian artist HelloMarine...

Hello Marine, Sunburst, 2024 Acrylic and oil sticks on wood panel, framed in wood Original artwork 40 x 50 cm ( 15.75 x 19.69 in) Signed by the artist Hand-signed by artist Pa...

Hello Marine, La Tomatina, 2024 Acrylic and oil sticks on canvas, framed in oak tray frame Original Artwork 94 x 78 cm ( 37.01 x 30.71 in ) Signed by the artist Hand-signed by a...

Spring Blossom By Natalie Bird [2023] Pastel on thick Pastelmat paper. Fixed and mounted in an antique white acid free mountboard and sealed in protective cellophane envelope. Addi...

William Mason (1906-2002) was a painter born in Newport, Wales, who studied at Newport College of Art and the Royal College of Art. Aside from painting he also taught at Scarborough...

Untitled 1513 (Abstract painting) Pastel on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerg...

French School, Portrait of a Lady, Rococo, 18th Century, Fine drawing in Pastel/ Oil Pastel on Paper in the style of Vivien. The Lady might be a woman from Marie Antoinette's Court. It is part of a Pendant (see the other listing with the portrait of Queen Marie Antoinette...

Pastel on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. H...

Modern Cubist inspired portrait painting by the iconic Houston based artist David Adickes. The work features a seated female figure dressed in aqua against a bright blue background. ...

Chasing Time 8.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I've been chasing time recently, finding just quick 5 minute blocks of...

Going Solo 7.0 x 5.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I've been having a blast creating homemade boards and I used a 5x7 one fo...

Autumn's Magic 8.0 x 10.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I just love the magic of the fall season. This year happened to have...

STILL LIFE CORAL OCHRE Graphite and oil pastel on paper Size: 39 x 46.5 cm (including frame) An engaging and powerful abstract composition by British contemporary artist Lloyd Durli...

For Gracious Skies, Original Impressionist Landscape Painting 9" x 12" (HxW) Pastel on Board With a sliver of desert land gracing the bottom of the composition, this work certainly ...

"ALACRAN" Painting (FRAMED) 40" x 30" inch by Isaac Pelayo Medium: Oil stick & aerosol on paper Size framed: 43.5" x 33.5" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash ...

Island Girls 9.0 x 12.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I love the pop of a pink underpainting as it reveals itself under all...

Paul Fortis Windswept Trees Original Pastel Pastel dimensions 1.5" wide x 6.5" high The frame measures 18.5" wide x 15" high Signed by the artist Very good vintage condition - L...

I intuitively paint each of my paintings based on my mood of the day or at that moment. I never know what I am going to create until I see the end result. Sometimes it is a colorfu...

Crash Course, Original Contemporary Impressionist Landscape Painting 8" x 8" (HxW) Pastel on Paper Hand-signed by the artist. This modern impressionist seascape features a square co...

St. Giorgio e il Drago Oil Painting on Canvas Saint Georges and Dragon In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tus...

"Genesis" Nude Abstract Oil Painting 63" x 51" inch by Yevhenii Shapovalov AAT: Artwork ships rolled in a tube ABOUT: Yevhenii Shapovalov is a h...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

A Playful Disposition 2 by Magdelena Morey [2022] A Playful Disposition 2 is a cheerful, original abstract floral painting by Magdalena Morey. This co...

Springtime in the park [2023] original Pastel Image size: H:25 cm x W:35 cm Complete Size of Unframed Work: H:20 cm x W:30 cm x D:1cm Sold Unframed Please note that insitu images ar...

Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exh...

Pastel on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. He...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

"Fantasy with Flowers" (series of 200+ pictures)   paper 54x40cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

Near the shop. 1987, pastel on cardboard, 67x79 cm The artwork was published in the catalog - "Jānis Zemītis Glezniecība. Painting." Publisher: Al ...

Eliz Gündüz, a visionary artist born in Antalya in 2001, is a rising star in the world of abstract expressionism. Her artistic journey is an enchanting exp...

Outlook of the city 1960. paper, pastel. 29x40 cm "Outlook of the City" is an evocative and vibrant artwork that offers a glimpse into the urban landscape of the 1960s. Through the expressive use of pastels on paper, the artist aims to capture the essence and energy of the city, inviting viewers to immerse themselves in the sights and sounds of this bustling urban environment. Aleksandra Belcova...

In the yard. 1950. Pastel on paper, 65x49,5 cm

Ferry view to Fetlar by Natalie Bird [2022] original Watercolour and pastel on paper Image size: H:40 cm x W:30 cm Complete Size of Unframed Work: H:35 c...

'Who Wants Cake?' original abstract bright pastel painting on arches oil paper. Paper measures 12" x 10" with a velvety texture. Signature signed on the back with archival ink. C...

Gustave Jean Jacquet Paris 1846 – 1909 French Painter 'La Belle en Bleu' Signature: Signed middle right Medium: Pastel on paper mounted on canvas Dimensions: Image size 46 x 38 cm,...