Encaustic Paintings

Contemporary encaustic (pigmented beeswax) painting on birch panel in bright, vibrant teal blue with bright blue edges. Signed and titled on the verso. Joanne Mattera’s paintings ca...

Tracy Spadafora's “Billboards”, is from her “Monument” series. This contemporary encaustic and oil painting consists of reddish-violet and black transparent colors. The 17 x 14 inch ...

"When I walk into my atelier to start a new painting, I look at the white surface, feeling into it, and the first color that comes to mind is where I begin. I start by pouring the pa...

Abstract encaustic painting with dyed teal, indigo, beige, and white dyed fabrics "Blue Ochre & White Lies" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & dyed fabrics mounted on panel 16 x 20 inches, 17 x 21 inches framed Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with repurposed pieces of found fabrics in complementary tones of teal, indigo, and beige on an encaustic white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

White What's Left (Contemporary Abstract Painting with Colorful Paper Collage) 20 x 20 x 2 inches encaustic, collage on wood panel Signed on rev...

In this contemporary painting, luminous lime yellow green encaustic (pigmented beeswax) is accented with coral reddish orange towards the top edge. Signed, dated and titled on verso....

An abstract light lilac purple encaustic (pigmented beeswax) painting with pale teal blue accents and bright coral edges on birch panel. Signed, dated and titled on verso. Joanne Ma...

Abstract mixed media painting with green spurge plant material and neutral encaustic on panel 12 x 12 x 1.5 inches, ready to hang as is Sturdy d-ring is on the back for installation ...

Mayday Floriferous by Carrie Goller — Original Surrealist Wildlife Painting We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This e...

Tracy Spadafora's “A Place for Thought”, is from her series “Left Behind: Visual Histories”. This contemporary encaustic and oil painting consists of aqua blues, brown, pink, orange,...

Abstract painting with assorted neutral toned golden tree bark and purple violet encaustic "Barking Betula", by Hudson Valley artist, Allyson Levy, mad...

This abstract floral encaustic painting by artist Linda Bigness features a cool blue palette with metallic gold leaf accents. The painting is made with e...

Neutral toned abstract painting of green plant leaves on a light beige cream colored encaustic background "Snowflowers 8," by Hudson Valley artist, Allyson Levy, made in 2020 spurge ...

Wonderful encaustic landscape of Coastal Farm by Northern California artist Gregory Fetler (American, b. 1946), 1973. Signed and dated lower right hand corner and on verso. Attached ...

A yellow encaustic (pigmented beeswax) painting on birch panel accented with light neon lemon yellow edges. Signed, dated and titled on verso. Joanne Mattera’s paintings can be desc...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Gloria Dudfield (1922-2015) Untitled c.1960s Mixed media: gouache, pastel and encaustic on newsprint 12"x19.5" paper cut unevenly, unframed Unsigned Gloria (Fischer) Dudfield July 1...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Little Blue, 2020 Encaustic & collage on thin edged board 12" X 12" This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

After Jasper Johns Collage and Encaustic Wax on Board

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

'Somewhere In Between' by Susan Thornbury is a striking abstract work rendered in mixed media on panel. Measuring 36 x 36 in, this piece showcases the artist's distinctive style and command of composition. A perfect addition for collectors seeking contemporary strikings with presence and personality. Susan Thornbury creates richly layered mixed media paintings that feel both modern and timeless. Working on wood panels with plaster and wax, she builds surfaces that are as much about what’s revealed as what’s concealed. Her compositions often begin with structure—repeating motifs inspired by antique textiles, vintage wallpaper, or family heirlooms—then soften and evolve through an intuitive, hands-on process of scraping, sanding, and waxing. The result is work that feels quiet but deeply tactile, inviting viewers to linger and discover the nuance within every petal, line, and edge. A background in graphic design shapes Susan’s sensibility: there’s a balance between pattern and spontaneity, symmetry and imperfection. Whether working in soft sage greens, misty grays, or whispery whites, she leans into the beauty of restraint, letting texture and subtle shifts in color carry the emotion. Susan lives and works in Atlanta, where she shares a home with her husband, two daughters, and their spunky rat terrier...

The mathematics of the universe is behind the sky but we lack the senses to detect it. encaustic wax on board

Tracy Spadafora's “Display of Beauty”, is from her series “Left Behind: Visual Histories”. This contemporary encaustic and oil painting consists of pink, grey, dark red, and blue col...

Tracy Spadafora's “Reflective Dumpster”, is from her series “Left Behind: Visual Histories”. This contemporary encaustic and oil painting consists of dark and light blues, rust, brow...

Signed upper right, 'Laisner' for George Laisner (American, 1914-1984), titled, verso, 'Fireflies', and painted circa 1955. Born in Czechoslovakia, Laisner first studied at the Uni...

Tracy Spadafora's “The Tender and the Delicate”, is from her series “Left Behind: Visual Histories”. This contemporary encaustic and oil painting consists of pink, blue, brown, and r...

Poppy Pods in Red, 2018 48" X 24" (vertical) 24" x 48" (horizontal) This long, rectangular, modern, abstract encaustic painting by Allyson Levy is made with assorted brown and beig...

Foreign seeds and encaustic on wood panel 24 x 24 x 1.5 inches This work on panel is being offered by Carrie Haddad Gallery, located in Hudson, NY. This modern encaustic painting by...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Borderland II 2020 Encaustic wax on board Image 764 x 578 mm. Signed, In a Welsh Oak frame 2020

Different Nomenclatures 2019 Encaustic wax & oil colour on deep-fame board 600 x 600 mm

Francis, Shingo (Japanese/American, born 1969), W3 , 1999 Encaustic and watercolor painting on Arches paper, 23.5 x 22.5 inches, Hand signed and dated verso Provenance: Garner T...

Series: Deep Woods Encaustic oil and shellac Size: 28" x 58" Using unconventional hardware - a blow torch, iron and other heated tools - along with paper, encaustics, photography,...

The mathematics of the universe is behind the sky but we lack the senses to detect it. encaustic wax on board

This is an abstract encaustic painting by Linda Bigness with silver leaf accents and neutral sides. It features a light blue and turquoise palette, with layered dabs of paint and org...

Signed lower right, 'Gilberg' for Robert George Gilberg (American, 1911-1970) and dated '58'. Born in Oakland, Robert George Gilberg first studied at the Oakland Art Center during t...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Abstract encaustic painting by Welsh artist Andrew Francis

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Olympia Mare, 2019 Collage, encaustic wax & oil colour on deep-fame board 600 x 600 mm

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

1/1, steel frame, Can be hung vertical or horizontal Oil and encaustic Size: 30" x 40" This painting will be shipped directly from the artist's studio.

encaustic on paper

Dale O Roberts' "Oxidized Boxcar" is an original, hand made encaustic painting that depicts a rusting boxcar in an industrial setting. About the artist: Born 1959 in Waterville NY, ...

Rinat Goren (Israeli, American, born 1964) "Windows of Opportunity" 2021 Encaustic paint on cradled wood panel The artist signed the bottom right corner of the painting. “Windows of Opportunity” unfolds as a quiet grid of softly rendered rectangles and window-like forms, layered in warm tones of apricot, saffron, pale peach, and muted white. Subtle line work and translucent wax layers give the surface a luminous, atmospheric depth. Goren’s encaustic technique allows each shape to feel both deliberate and ephemeral, evoking architectural plans, urban facades, and moments of pause within a structured environment. The repeated square and rectangular motifs suggest windows, thresholds, and openings, visual metaphors for possibility, transition, and choice. Fine incised lines and faint architectural markings add rhythm while preserving a sense of openness and calm. The painting balances abstraction with suggestion, offering viewers space for contemplation rather than narrative certainty. “Windows of Opportunity” is emblematic of Goren’s practice, which explores systems, repetition, and human-scaled geometry through a restrained, tactile language. About the Artist: Rinat Goren is an Israeli-American artist based in California whose contemporary encaustic works explore the relationship between thought, structure, and emotion. Born in Israel and residing most of her life in the U.S., Goren has long been drawn to both observation and creation, translating the complexity of the human mind into layered visual compositions. Her encaustic paintings—formed by applying molten beeswax mixed with pigment—evoke a tactile, sensory experience that reflects her fascination with systems, decision-making, and the creative act itself. She works with geometry, color, and abstraction to celebrate our innate capacity to reflect, choose, and act with intention. Goren’s process is rooted in one of the world’s oldest painting...

This abstract encaustic painting by Linda Bigness is made on board and features a vibrant multicolored yellow, turquoise, and muted pink palette with a neutral grey background and ne...

19 x 36 cm (7.5 x 14.2 in) image mounted on board 41 x 51 cm (16 x 20 in) matted Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heate...

Patricia Zippin Moon View VIII 1980s Mixed Media 24"x 16", unframed Titled, signed, materials, and dimensions in pen on reverse Patricia Jayne Zippin (1930-2015) She was born to B...

Rinat Goren (Israeli, American, born 1964) "Almost There" 2021 Encaustic paint and paper on cradled wood panel The artist signed the bottom right corner of the painting. “Almost There” is a luminous abstract work created with encaustic and paper on a cradled wood panel. The composition is anchored by a radiant golden field layered with softened geometric forms, linear markings, and a flowing turquoise passage that guides the eye across the surface. Goren’s use of encaustic allows for rich translucency and depth, with molten wax binding pigment and paper into a tactile, atmospheric surface. Repeating rounded shapes and subtle linear rhythms suggest movement, mapping, and quiet progression, while the contrast between warm yellows and cool blues creates a sense of balance and anticipation. The title reflects this visual language, evoking transition, momentum, and the emotional space between arrival and journey. Blending abstraction with a meditative sense of structure, “Almost There” exemplifies Goren’s refined approach to encaustic painting, where color, texture, and process converge. The work is well-suited for collectors drawn to contemporary abstraction, material-driven practice, and pieces that offer both visual warmth and conceptual subtlety. About the Artist: Rinat Goren is an Israeli-American artist based in California whose contemporary encaustic works explore the relationship between thought, structure, and emotion. Born in Israel and residing in the U.S. for most of her life, Goren has long been drawn to both observation and creation, translating the complexity of the human mind into layered visual compositions. Her encaustic paintings—formed by applying molten beeswax mixed with pigment—evoke a tactile, sensory experience that reflects her fascination with systems, decision-making, and the creative act itself. She works with geometry, color, and abstraction to celebrate our innate capacity to reflect, choose, and act with intention. Goren’s process is rooted in one of the world’s oldest painting...

Vibrant mint green and sky blue encaustic (pigmented beeswax) painting accented with subtle gold details on birch panel. Signed, dated and titled on verso. Joanne Mattera’s painting...

Les Thomas has long recognized painting as a language in its own right, and its diversity in terms of poetic and conceptual messages, exhibited by each individual picture. Les Thoma...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Rinat Goren (Israeli, American, born 1964) "Waiting" 2023 Encaustic paint on cradled wood panel The artist signed the bottom right corner of the painting. “Waiting” is a refined, contemporary figurative-abstract encaustic work. The composition centers on a stylized female figure set against a richly layered grid of warm reds, oranges, and golden tones. The figure is integrated into the architectural structure of the painting, appearing both present and suspended within the surrounding geometry. Goren’s encaustic technique builds luminous depth through translucent wax layers, incised lines, and embedded shapes. The grid-like background evokes urban systems, schedules, and quiet rhythms, while the elongated figure introduces a human pause within this ordered framework. Her posture suggests stillness and anticipation, reinforcing the painting’s title and emotional undercurrent. Balancing abstraction with figuration, “Waiting” reflects Goren’s ongoing exploration of time, presence, and human experience within structured environments. The warm palette and tactile surface give the work an inviting yet contemplative quality. About the Artist: Rinat Goren is an Israeli-American artist based in California whose contemporary encaustic works explore the relationship between thought, structure, and emotion. Born in Israel and residing most of her life in the U.S., Goren has long been drawn to both observation and creation, translating the complexity of the human mind into layered visual compositions. Her encaustic paintings—formed by applying molten beeswax mixed with pigment—evoke a tactile, sensory experience that reflects her fascination with systems, decision-making, and the creative act itself. She works with geometry, color, and abstraction to celebrate our innate capacity to reflect, choose, and act with intention. Goren’s process is rooted in one of the world’s oldest painting...

Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties of oil and cold wax, acrylic paint, and encaust...

encaustic on paper

This scene echoes Aeling’s earlier years exploring Yellowstone and the northern Rockies, where geothermal landscapes and severe winters formed a visual laboratory for him. The stark verticals of dead trees rising through steam and snow evoke the quiet violence of natural forces—eruption, freeze, regrowth. Aeling often spoke of landscapes as records of time, and this painting exemplifies that belief: it is both serene and charged with memory, documenting a terrain shaped by fire, water, and cold. That sense of elemental transformation is deepened by the medium itself. This is the only encaustic painting found in his studio following his death—a rare departure from his familiar oil technique. The wax-based process, involving heat, layering, and an almost geological buildup of surface, mirrors the very forces depicted in the scene. It stands as a singular artifact in his oeuvre, a final and poignant testament to his fascination with how material, time, and natural forces converge. Jeff Aeling Pine Trunks and Mineral Springs, Yellowstone encaustic on panel 48h x 34w in 121.92h x 86.36w cm JAE041 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

encaustic, mixed media Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties of oil and cold wax, ac...