Encaustic Paintings

Robot Butler Stole My Girl 2019 Collage, encaustic wax & oil colour on deep-fame board 600 x 600 mm

Hesse describes of his work, "encaustic is the perfect paint with which to explore this balance between control and chaos. In trying to wrestle a recognizable image from a fluid and ...

Encaustic, abstracted landscape of a country farm field with autumn foliage "November Light" made in 2024 by Regina Quinn encaustic and oil with wax on panel 12 x 9 inches unframed ...

This abstract floral encaustic painting by Linda Bigness features a cool green and blue palette, with subtle warm muted orange accents and large organic botanical forms and line work...

In this contemporary painting on panel, pale lavender, pinky purple encaustic (pigmented beeswax) is accented with light lilac details in and light teal blue along the edge. Signed a...

In this contemporary abstract painting, vibrant metallic silver and bright teal blue encaustic (pigmented beeswax) is accented with bright blue on the edge. Signed and titled on vers...

Rinat Goren (Israeli, American, born 1964) "'I' is For Individuals" 2023 Encaustic paint on cradled wood panel The artist signed the bottom right corner of the painting. “I Is for Individuals” is a contemplative piece by Rinat Goren. Rendered in encaustic, the work features a rhythmic field of softly silhouetted human figures interspersed with horizontal bands of warm ochre, rust, and muted red. The palette is restrained yet expressive, allowing form, spacing, and repetition to carry the emotional weight of the composition. Goren’s signature encaustic technique creates a luminous, layered surface in which wax, pigment, and drawing coexist. The figures appear both distinct and anonymous, suspended within a subtle grid that suggests structure, systems, and shared space. Each figure maintains its own posture and presence, reinforcing the theme of individuality within a collective environment. Conceptually, the work reflects on identity, autonomy, and coexistence. The title underscores this tension, emphasizing the singular “I” while situating it within a larger context. “I Is for Individuals” exemplifies Goren’s ability to merge abstraction and figuration into a quiet, psychologically resonant visual language. About the Artist: Rinat Goren is an Israeli-American artist based in California whose contemporary encaustic works explore the relationship between thought, structure, and emotion. Born in Israel and residing most of her life in the U.S., Goren has long been drawn to both observation and creation, translating the complexity of the human mind into layered visual compositions. Her encaustic paintings—formed by applying molten beeswax mixed with pigment—evoke a tactile, sensory experience that reflects her fascination with systems, decision-making, and the creative act itself. She works with geometry, color, and abstraction to celebrate our innate capacity to reflect, choose, and act with intention. Goren’s process is rooted in one of the world’s oldest painting...

An unusual encaustic (pigment and wax) landscape cream, pale blue and light yellow accented with teal blue, yellow and orange. The painting has sculptural details along the lower edg...

Series: Plunge Triptych Oil and encaustic Size: 80" x 108" (36" x 80" each panel) Using unconventional hardware - a blow torch, iron and other heated tools - along with paper, enc...

Abstract painting made with light green encaustic and brown hemp leaves and branches resembling a tree Happanese, made by Allyson Levy in 2020 48 x 34 inches hemp leaves, branches, a...

Poppy Pods in Red, 2018 48" X 24" (vertical) 24" x 48" (horizontal) This long, rectangular, modern, abstract encaustic painting by Allyson Levy is made with assorted brown and beig...

A vibrant cobalt blue and bright turquoise encaustic (pigmented beeswax) painting on birch panel accented with subtle orange and red details. Signed and titled on verso. Joanne Matt...

Light blue and pale golden yellow encaustic (pigmented beeswax) painting on birch panel accented with light orange highlights and pale peach edges. Signed, dated and titled on verso....

For many years Susan Squires goal has been to create encaustic paintings as meaningful, evocative experiences for herself and for the viewer. She wa...

Pressman works in various media. The oil paintings require a different approach as they dry more slowly than the encaustic work. As such, the oils sit with the artist often for month...

This is a vibrant red orange encaustic (pigmented beeswax) painting with light reddish orange and faint yellow accents on birch panel. Signed, date...

This is an abstract encaustic painting by Linda Bigness with silver and gold leaf on board with neutral sides. The painting features a multicolored palette with vibrant teal, red, ye...

A peaceful landscape scene is set in shades of blue with pale ivory in this contemporary encaustic (pigmented beeswax) painting with oil paint, pigments from Morocco and India, volca...

A deep, bright cobalt blue encaustic (pigmented beeswax) painting with light purple and vibrant teal accents on birch panel. Signed, dated and titled on verso. Joanne Mattera’s paintings can be described as lush minimalism, the work is chromatically rich and compositionally reductive. Each painting in the ongoing Silk Road series is a small color field achieved by layers of translucent wax paint applied at right angles. The series, began in 2005, was inspired by the iridescent hues of slubbed silk, hence the title, but very quickly evolved into a more expansive exploration of color. In plying the richness of the encaustic paint against the austerity of a very subtle grid the artist sets in motion a dynamic in which color and texture jostle for primacy. A decade and almost 300 paintings later, the artist is still enthralled with this exploration. Mattera is the foremost expert in the field of encaustic painting and is the founder and former director of the International Encaustic Conference. Her artwork is in the collections of The New Britain Museum of Contemporary Art, US Embassies (Slovenia and Poland), US State Department, Bank of America, and Norwegian Cruise Lines, to name a few as well as numerous private collections. Mattera writes a contemporary art blog, she is a frequent guest speaker and curator and is a member of American Abstract Artists (NYC). The artist lives and works in MA and in NYC. Encaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added. The word comes originally from the Greek word “enkaustikis” meaning to “burn in” and the process dates back to the 5th century. The liquid or paste is applied to a surface —usually prepared wood. Metal tools...

Layered and complex abstracted landscape by Lauren Ohlgren (American, b. 1959). At the base layer, this piece is an abstracted landscape, with saturate purple and green trees. Sketches of trees...

Patricia Zippin Study For Anaganaga 3/6 1980s Mixed Media 30.25"x 23", unframed Signed in pencil bottom right and titled bottom left and signed and titled in pencil on reverse Patri...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

The mathematics of the universe is behind the sky but we lack the senses to detect it. encaustic wax on board

This abstract floral encaustic painting by Linda Bigness features a cool green, blue, and violet palette, with large organic botanical forms and line work throughout the composition....

This is an abstract encaustic painting by Linda Bigness. It features multicolored palette with silver leaf accents and neutral sides. Dabs of paint and organic shapes and linework ar...

The mathematics of the universe is behind the sky but we lack the senses to detect it. encaustic wax on board

Little Blue, 2020 Encaustic & collage on thin edged board 12" X 12" This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Artist: Daniela Nikolova Medium: Oil and encaustic on canvas Size: 39.3" x 47.2"

Encaustic on board 10 x 12 inches This monochromatic encaustic landscape on board was created by Hudson Valley-based artist Leigh Palmer. Once a hard edge realist painter, the artist eschews those details, letting the stroke of his brush and moody palette leave an abstract implication of the landscape. The main image is bordered by white to give the impression of a window. About the artist: In the Openings series, Palmer integrates the frame into the painting. This element contributes to the narrative, suggesting the viewer is inside looking out. We are not a part of the landscape, rather we are a peaceful witnesses to nature that will transcend even our own existence and continue to change with the seasons long after we have passed. We are romanced by Leigh Palmer's unique ability to pare down and find the true essence of the landscape, gently veiled through his own soul. We are proud to have exhibited his work since the inception of Carrie Haddad Gallery in 1991. Today, the artist continues to work with both encaustic and oil paint. He is currently developing a new series in his studio right across the street from the gallery. We hope to reveal his new work to the public sometime in 2021. Artist Statement: My paintings are based on observation of the landscape in the Hudson River Valley where I live, and are improvised in the studio; the images are found or discovered in my memory of familiar places and developed during the painting process. Human beings do not appear, but their presence is felt in the marks left on the ground (furrows, fence rows, roads), and sometimes in the air (smoke, haze). About the artist: In 1987, Leigh Palmer moved with his family from suburban Duxbury, Massachusetts, to Tivoli, New York, a quiet town on the Hudson River, north of New York City. His subject matter shifted to the sprawling hills and countryside of the Hudson Valley. “I wanted to respond to the new landscape I was seeing, to catch something of the feeling I had just before dark,” says Palmer. “I took a lot of photographs, but I was happier with the paintings I created from memory.” Leigh Palmer has been represented by Carrie Haddad Gallery in Hudson, NY for over 25 years. Resume: EXHIBITIONS 2013 - 2017 Carrie Haddad Gallery, Hudson NY 2011 Graficas Gallery, Nantucket MA 2010 Carrie Haddad Gallery, Hudson NY 2009 Bachelier-Cardonsky Gallery, Kent CT 2008 Bachelier-Cardonsky Gallery, Kent CT Four Starr Gallery, Stonington CT 2007 Carrie Haddad Gallery, Hudson NY 2005 Bachelier-Cardonsky Gallery, Kent CT 2004 Segalas Gallery, Bernardsville NJ 2003, 04 Bachelier-Cardonsky, Gallery Kent CT 2000, 01, 03 Carrie Haddad Gallery, Hudson NY 1999 Barbara Singer Fine Art, Cambridge MA 1999, 98 Carrie Haddad Gallery, Hudson NY 1997 The Main Street Gallery, Nantucket MA 1996 Randall Tuttle Fine Arts, Woodbury CT 1995 James Cox...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

White What's Left (Contemporary Abstract Painting with Colorful Paper Collage) 20 x 20 x 2 inches encaustic, collage on wood panel Signed on rev...

22 x 22 x 2 inches encaustic on square wood panel Stella is an abstracted painting in rich encaustic (pigmented wax) on wood panel. Using a neutral palette of dark brown, light blu...

This abstract floral encaustic painting by artist Linda Bigness features a cool blue palette with metallic gold leaf accents. The painting is made with e...

Borderland II 2020 Encaustic wax on board Image 764 x 578 mm. Signed, In a Welsh Oak frame 2020

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Patricia Zippin Moon View VIII 1980s Mixed Media 24"x 16", unframed Titled, signed, materials, and dimensions in pen on reverse Patricia Jayne Zippin (1930-2015) She was born to B...

16 x 16 x 2 inches encaustic on square wood panel HOSTESS is an abstracted painting in rich encaustic (pigmented wax) on wood panel. A dark, cross-hatched pattern is overlaid with ...

Patricia Zippin Tillamook Flight 6 of 12 1980s Mixed Media 30.5"x 22.5", unframed Signed in paint on bottom right and signed and titled on reverse in pen Patricia Jayne Zippin (1930...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Encaustic on board. 4 panels, framed

Gary Wolfe works in painting, drawing, monotypes, video, and mixed media. Coming from a family that has roots in Western New York reaching back at least four generations, he was born...

I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color...

Patricia Zippin Temescal 3 1980s Mixed Media 30.5"x 22.5", unframed Signed in paint on bottom right and signed and titled on reverse in pencil Patricia Jayne Zippin (1930-2015) She ...

"Rhopilema" made by Hudson Valley artist, Alaina Enslen, in 2025 Encaustic, dyed fabrics, and paper mounted on panel 20 x 16 x 2 inches unframed, sides reveal raw panel and wrapped f...

This is an abstract encaustic painting by Linda Bigness. It features a green, blue, and grey multicolored palette with gold leaf accents and neutral sides. Dabs of paint and organic ...

Born in Beacon, New York, returning exhibitor Laura Moriarty received training through an apprenticeship in hand papermaking (1986-1990), and is otherwise self-taught. Since 1992, he...

Denise Regan View, 2017 oil and encaustic on canvas 18 x 24 in. This oil painting on canvas by Denise Regan depicts a colorful view of the ocean, rendered in her signature primitive...

64 x 44 inches

This is an abstract encaustic painting by Linda Bigness with silver leaf accents and neutral sides. It features a light blue and turquoise palette, with layered dabs of paint and org...

This abstract floral encaustic painting by Linda Bigness features a cool green, blue, and violet palette, with large organic botanical forms as the central focus of the composition. ...

Patricia Zippin Tillamook Flight 3 of 12 1980s Mixed Media 30.75"x 23", unframed Signed in paint bottom right and signed and titled in pen on reverse Patricia Jayne Zippin (1930-201...

Abstract encaustic painting by Welsh artist Andrew Francis

Borderland III 2020 Encaustic wax on board Image 500 x 500 mm Signed in a Welsh Oak frame Image 50cm x 50cm 2020

Marti Somers Surrealist dream imagery with fish 24 X 24 inches A California artist, Somers received her BFA at the University of Hawaii. She returned to California and worked as a g...

Not That End Of Time 2019 Collage, encaustic wax & oil colour on deep-fame board 600 x 600 mm

Dextra Dolores 2019 Metal, rust, plastic, encaustic wax & oil colour on deep-fame board 600 x 600 mm

Olympia Mare, 2019 Collage, encaustic wax & oil colour on deep-fame board 600 x 600 mm

Three Horsemen And This Other Guy 2019 Encaustic wax & oil colour on deep-fame board 600 x 600 mm