Glitter Paintings

Where Mashian's other rose works push toward chromatic intensity, this one pulls in the opposite direction. The palette is deliberately restrained and the white ground breathes betwe...

Dancers and Orchids - Pop Art in Oil and Mixed Media on Canvas Pop art by George "Milo" Buck (American, b. 1952). There are several women in this composition, one of whom is dressed in a Las Vegas-style showgirl outfit, lounging in a chair. There are also two large orchid flowers. This piece incorporates glitter to add shimmer and depth. Milo used Hollywood movie stars in many of his symbolist works. From a collection of the artist...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Alea Pinar Du Pre's original mixed media artworks portray human figures in a graphic pop-realist style. An enterprising autodidact merging technology and fine art, her vibrant contemporary pop-figurative artworks colorfully explore the territory between human reality and artificial reality. Her paintings portray the fact that our perceptions of solid reality are deceptively virtual. This unique collage is a part of her "Snapshot" series, as she explains: "We consist of the same atoms, created billions of years ago in a supernova. And here we are living and breathing and experiencing life, and we think we are all so different. I think we are all the same, it’s just that are masks and poses are different. I love humanity and this game we are playing. With snapshot I am trying to capture the unawareness of the fact that we are the greatest wonder of the universe". This one-of-a-kind 68 inch tall by 52 inch wide vertical artwork includes bright neon colors and sparkle. Pinar Du Pre's fusion of materials - acrylics, printed elements, and layers of gilt captured under an epoxy lens - represents the layered reality she aims to depict. The sides of this canvas are painted metallic and it does not require framing. Pinar Du Pre has signed, titled, and dated this original artwork...

Inner Vibration III by Haleh Mashian is a radiant tribute to feminine strength, resilience, and self-possession. Through a fusion of mixed media elements — glittering tiles, resin, a...

Artist: Roy De Forest Title: Taylor Family Size: 29.5 x 41 Inches Medium: Acrylic, pastel, charcoal, ink, pencil and glitter on paper, in artist's frame Edition: Original Year: 1995 Notes: Hand Signed and Dated (Twice, Upper Center Sheet and Lower Right Mount) Sold in the Original Artist Made Frame, As Is. Roy De Forest arrived in San Francisco in 1950 to enroll at the California School of Fine Arts (CSFA). He later went on to teach at the University of California, Davis, where he dedicated nearly three decades of his career. This move to the Bay Area, far removed from the art epicenter of New York, played a significant role in shaping an artistic movement known as "funk," a term coined by Peter Selz of the University of California's Berkeley Art Museum in 1967. This aesthetic celebrated the unconventional, "lowbrow," and seemingly unsophisticated aspects of art. Notably, artists like Jim Nutt...

No two roses in this work are the same. Some are built up in thick impasto, their petals dense and tactile. Others are created simply through line — looping contour drawings that tra...

Alexandra Bernardini – Celebration of Life No. 04 is a monumental contemporary mixed-media painting created in 2021 and exhibited at SCOPE Miami the same year. The work is composed ...

A swirling convergence of texture, pigment, and raw emotion, "Vortex 015" draws the viewer into a mysterious, almost cosmic terrain. Hints of aquamarine, slate, and oxidized copper e...

Jay Mikal’s “Moon of Malachi 001” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition ...

"Shape Up (diptych)" is an original artwork by Eustace Mamba and measures 24”h x 18”w x 1”d (left panel), 48”h x 24”w x 2”d (right panel). The artists cuts, arranges, sews, and coll...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through t...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Vibrant multimedia artworks incorporate reflective mediums and thick textures in Kate Tova's work. Colors splash across the page melding into flourishes of sequins, rhinestones, and ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

Inspired by her background in fashion, Atlanta, Georgia-based artist Lindsey McCord creates artworks that encapsulate the fun of being stylish and the a...

Ripples in Space - Abstract Composition Original Oil Painting Vibrant abstract composition of paint, paper, enamel, and glitter by unknown artist "DeZulio" or "Dejulio". Several pie...

This mixed media piece titled "Lymph Node" is an original artwork by Emily Smith made of watercolor, glitter, and resin. This piece measures 16.25”h x 10”w framed and it is signed en...

Mixed media collage by Ceravolo. In this new work Ceravolo has combined his urban POP painting of Mick Jagger in the forefront and printed a collage of images from vintage 1960's and...

Abstract Blue Orange & Red Lake Sunset Landscape by Contemporary British Artist, Angela Wakefield. Art measures 36 x 30 inches Frame measures 41 x 35 inches This painting is a ra...

Drift into Ascent holds a unique place within Haleh Mashian's practice — a painting where two of her defining series converge. Teardrops and butterflies share the canvas in both tens...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Green Tears transforms the image of the tear into an immersive visual language rooted in repetition, materiality, and emotional intensity. Cascading across the surface in layered for...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Green Passage is a painting in which two of Mashian's defining series dissolve into each other. The vertical trunks of the Tree Series rise through an iridescent ground of deep emera...

Abstract and figurative, "Venus" is made with oil paint and glitter on wood panel.

Frida Willis (Swedish, born 1971) "Parallels" 2025 Oil paint, glitter, and mixed media on canvas, stretcher bars The artist signed the back of the painting. “Parallels” is a restrai...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Medium: acrylic, flashe, collage, pencil, paint pen, glitter and crayon on canvas. Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, ent...

Chrysalis Bloom presents the butterfly not as a delicate decorative motif but as a fragmented and proliferating force moving across a heavily encrusted surface. Embedded within layer...

The Quiet Passage distills the forest into a study of vertical rhythm, light, and surface. Slender birch trunks rise in close succession, their pale bark articulated through layered ...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

"Plutonium Messenger" Symbolic Visionary Art in Acrylic on Canvas Detailed symbolic work by Dana Lynn Andersen (American, b. 1962). This piece is a styl...

Drift into Ascent holds a unique place within Haleh Mashian's practice — a painting where two of her defining series converge. Teardrops and butterflies share the canvas in both tens...

Saturated Drift captures the moment just before rain becomes a storm when the air fills with so much suspended water that the world seems to dissolve into pure sensation. Across a ve...

Vibrant multimedia artworks incorporate reflective mediums and thick textures in Kate Tova's work. Colors splash across the page melding into flourishes of sequins, rhinestones, and ...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

"Superbloom" is made with acrylic, oil pastel, paper, glitter, thread and clay on canvas and paper mache. This bright and vividly colored sculptural painting is a perfect example of the power of unrestrained creativity. INSPIRATION BEHIND THE WORK - What began as an experiment in creating rose petals slowly evolved into this deconstructed "Superbloom". At the center of these petals is a seemingly chaotic arrangement of color and texture. Yet, from slow observation, patterns and repetition emerge. What can be easily grouped into a "whole" is actually a balancing act of orchestrated parts - the same as every living organism we observe. There is a mystery to be savored in every act of living - as well as in viewing the traces of life left behind. "Superbloom" was made in love of the former, and leaves behind the latter. We'll never fully understand all the bits of a rose, or all the brushstrokes of a painting, but we're always welcome to bask in the sunshine that is loving without knowing. ABOUT THE ARTIST: Los Angeles based artist, Megan Dune...

"PRLS-1000" is part of Eric Mack's urban grid series. Using a grid to create the framework of the painting, Mack creates movement across the piece with dynamic techniques of washy underpainting underneath matted pieces of paper, and thread. His paintings have been described as "intellect on top of emotion." Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Curtain Wall is a piece created from cast resin panels. The piece depicts the nighttime Mountain Views and a cave system within that range. With this piece I was inspired by tapest...

Marsha P. Johnson 2022 Signed Binder and glitter on acrylic 30 x 30 inches (73.2 x 76.2 cm) Marsha P. Johnson (1945-1992) was a gay liberation activ...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

Acrylic, ink, glitter on canvas Dimitri operates from the idea of the “unfinished.” It informs his choice of materials and the way he handles them. It informs the imagery. The unfin...

Tullio Francesco DeSantis (born 1948), also known as Tullio, is an American contemporary artist, writer, technologist, and teacher. His work is informed by ancient and contemporary p...

MULTICOLORED TAPESTRY 5 is an acrylic sculptural painting on panel that is created from various types of molds. Artist Statement: I am drawn to the aesthetic qualities of jewelry...

The title for this work was inspired by the ruminations of Charles Manson in the 2010 publication Charles Manson NOW. “When you come to prison and you stay the fifteen years, all the dogs of the world are dead when you come back out, there is no dog that was a live when you were out last time. The three dog...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

537 by Jessie Woodward [2021] original Acrylic, Posca Pen and glitter on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:4cm Sold Unframed...

Tullio Francesco DeSantis (born 1948), also known as Tullio, is an American contemporary artist, writer, technologist, and teacher. His work is informed by ancient and contemporary p...

Tullio Francesco DeSantis (born 1948), also known as Tullio, is an American contemporary artist, writer, technologist, and teacher. His work is informed by ancient and contemporary p...

Tullio Francesco DeSantis (born 1948), also known as Tullio, is an American contemporary artist, writer, technologist, and teacher. His work is informed by ancient and contemporary p...

#255 By Jessie Woodward [2019] Original Acrylic, pen, glitter on canvas Image size: H:30.5 cm x W:40.5 cm Complete Size of Unframed Work: H:30.5 cm x W:40.5 cm x D:3cm Framed Size: H...

Tullio Francesco DeSantis (born 1948), also known as Tullio, is an American contemporary artist, writer, technologist, and teacher. His work is informed by ancient and contemporary p...

A dramatic mixed media on canvas painting with wonderful details and pops of purple, green and light lavender. We are enamored by the stark contrast, as the shape of the paint takes ...

Jake Chapman Yin & Yin, 2022 Unique multiple on hand-painted circular ply boards with glitter overlay 17 3/10 in diameter 44 cm diameter hand-signed on the back number 7 of 125 "Yi...

A wonderful circular mixed media on canvas painting. Executed with bold, bright colors and beautiful pops of metallic and gold. The First Time I Met You is part of a series of abstra...

Coming Soon

MTB-4276 is one of Mack's strongest paintings. This piece part of his ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using...