Glitter Paintings

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through t...

Inspired by her background in fashion, Atlanta, Georgia-based artist Lindsey McCord creates artworks that encapsulate the fun of being stylish and the a...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Artist: Roy De Forest Title: Taylor Family Size: 29.5 x 41 Inches Medium: Acrylic, pastel, charcoal, ink, pencil and glitter on paper, in artist's frame Edition: Original Year: 1995 Notes: Hand Signed and Dated (Twice, Upper Center Sheet and Lower Right Mount) Sold in the Original Artist Made Frame, As Is. Roy De Forest arrived in San Francisco in 1950 to enroll at the California School of Fine Arts (CSFA). He later went on to teach at the University of California, Davis, where he dedicated nearly three decades of his career. This move to the Bay Area, far removed from the art epicenter of New York, played a significant role in shaping an artistic movement known as "funk," a term coined by Peter Selz of the University of California's Berkeley Art Museum in 1967. This aesthetic celebrated the unconventional, "lowbrow," and seemingly unsophisticated aspects of art. Notably, artists like Jim Nutt...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through t...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is str...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art ...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

#431 by Jessie Woodward [2018] Original abstract mini Additional information: Original Acrylic and glitter on canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H...

A dramatic mixed media on canvas painting with wonderful details and pops of purple, yellow and cobalt blues. We are enamored by the stark contrast, as the shape of the paint takes o...

Dancers and Orchids - Pop Art in Oil and Mixed Media on Canvas Pop art by George "Milo" Buck (American, b. 1952). There are several women in this composition, one of whom is dressed in a Las Vegas-style showgirl outfit, lounging in a chair. There are also two large orchid flowers. This piece incorporates glitter to add shimmer and depth. Milo used Hollywood movie stars in many of his symbolist works. From a collection of the artist...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Titled: SIlver Bullet, Hand signed, dated and titled. Sheet measures 22 X 30 From her Pompidou Series (1979-1981) built around the X in the raw, exposed architecture of the Centre Georges Pompidou in the center of Paris designed by Richard Rodgers and Renzo Piano. Sheila Elias (born in Chicago, Illinois) is an American artist. Her work is Neo Expressionist, Feminist Pop Art. Her works have been featured in exhibitions across North America and at the Liberty show at the Louvre Museum in Paris. Elias graduated from the Art Institute of Chicago, lives and works in Miami, Florida and in New York City. As an artist and art historian, Elias works with the layers of life and art history, seeking in it a connection between art aesthetics and social consciousness. She has exhibited with diverse artists, Larry Rivers, Bob Stanley, Ford Crull, Sol LeWitt, Mark Tobey, Walter Darby Bannard, Clyde Butcher. Her work spans the disciplines of painting, digital mixed media, sculpture, installation and performance. Her inspiration to be an artist began with the work that Matisse created (La Cirque) in the library of the Art Institute of Chicago. Paul Wieghardt (from the Bauhaus School in Germany), was her art teacher at SAIC. She was influenced by the Marisol, Claes Oldenburg and Jean Dubuffet. Her sculptures also reveal the influence of Andy Warhol and Robert Rauschenberg. Select Exhibitions: Museo Vault in Wynwood Art District, Miami Coral Springs Museum of Art, Sheila Elias: Somewhere-Anywhere, Coral Springs, Fla. Lila G. Martinez Gallery, Cambridge, Mass. “Painted Pixels” Lowe Art Museum, University of Miami, FL (Solo Exhibition) “Salon Series” The Sagamore Hotel, Miami Beach, FL (Group Exhibition) “The Invisible Woman” Concrete Space, Doral, FL (Group Exhibition) “eye-Pad” Silvana Facchini Gallery, Wynwood, Miami, FL “Jewels” Buccellati, Bal Harbour, FL “Chai Contemporary” Jewish Museum, Miami Beach, FL “Tribute to Africa” Silvana Facchini Gallery, Wynwood, Miami, FL The Bakehouse Art Complex, Wynwood, Miami, FL Apple Store “iPaint on my iPad,” Chicago, IL The Multicultural Arts Center, Cambridge, Mass. The Napoleon Grand Salon at The Deauville Hotel, Miami Beach, Fla. Bass Museum, "I Wanna Be Loved by You: Photographs of Marilyn Monroe," Miami Beach, Fla. Boca Raton Museum of Art Norton Museum of Art Bass Museum, Miami Beach, Fla. Jewish Museum of Florida Kim Foster Gallery, "Beyond the Camera...," New York, NY Silvana Facchini Gallery, "Living in Miami," Miami, Fla. South Florida / Art Center, "Reconnect," Miami Beach, Fla. Maryland Federation of Art, "Art on Paper 2001" Corcoran Gallery, Annapolis, MD, juror David C. Levy Veneto Gallery, Miami, Fla. Margulies Taplin Gallery, Bay Harbour, Fla. "Secret Gardens," Travelling Exhibition, Lowe Art Museum, Miami, Fla. Public Art Program, City of Orlando, Fla. Lowe Museum, University of Miami, Fla. Art and Culture Center of Hollywood, Hollywood, Fla. Bernard Biderman Gallery, New York, NY Metro Dade Cultural Resource Center, Miami, Fla. Huntsville Museum of Art New England Center for Contemporary Art San Diego Art Institute, CA Anne Jaffe Gallery, Bay Harbour, Fla. Ratner Gallery, Chicago, IL Santa Monica Heritage Museum, Los Angeles, Calif. Paula Allan Gallery, New York, NY. Otis Parsons...

A wonderful circular mixed media on canvas painting. Executed with bold, bright colors and beautiful pops of metallic and gold. The First Time I Met You is part of a series of abstra...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Ripples in Space - Abstract Composition Original Oil Painting Vibrant abstract composition of paint, paper, enamel, and glitter by unknown artist "DeZulio" or "Dejulio". Several pie...

Conspiracies - Figurative Political Pop Art in Oil and Mixed Media on Canvas Politically themed pop art by George "Milo" Buck (American, b. 1952). F...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Women and a Tiger Cub - Pop Art in Oil and Mixed Media on Canvas Pop art by George "Milo" Buck (American, b. 1952). In the center of the composition a woman is running to the left. ...

Bruce Helander Road Runner (Beep, Beep) Mixed Media Artwork Hand signed and dated This is a unique work and is not numbered. Frame: 31" X 21.25" Image: 29.5" X 19.5" This appears to be glitter and paint over a printed background on canvas. Wile E. Coyote and the Road Runner are a duo of cartoon characters from the Looney Tunes and Merrie Melodies series of animated cartoons, first appearing in 1949. The characters were created for Warner Bros in 1948 by animation director Chuck Jones and writer Michael Maltese Bruce Helander (1947 -) is an art critic, arts writer, curator and artist whose specialty is collage and assemblage. He has a master’s degree in painting from the prestigious Rhode Island School of Design, where he later became the Provost and Vice President for Academic Affairs of the college. He is a former White House fellow of the National Endowment for the Arts and has won the South Florida Cultural Consortium fellowship for professional achievement in the visual arts. He is one of two 2014 inductees to the Florida Artists Hall of Fame, Florida’s most prestigious arts and culture honor (the other is musician Tom Petty). Helander is the former Editor-in-Chief of The Art Economist magazine and recently exhibited his work at Georgia Scherman Projects (Toronto), Corzine Fine Art (Los Angeles), Peter Marcelle Gallery (Bridgehampton, New York), Cornell Museum of Art (Delray Beach), and ArtHouse 429 (West Palm Beach). Most currently, his work was shown by Arcature Fine Art at Art Miami and Art Miami New York/Pier 94 and by Tansey Contemporary at Art Wynwood. Helander had a retrospective of his collages and paintings for the Coral Springs Museum of Art, scheduled for 2017, and his collages are included in “Open This End,” a five-year traveling museum show of works from the celebrated Blake Byrne collection in Los Angeles, currently at the Nasher Museum of Art. It included Pop art and Conceptual Art, Minimalism, body-oriented performance art, the Pictures Generation, identity politics and psychologically-inflected figurative works. Andy Warhol, Ed Ruscha, John Baldessari, Cindy Sherman, Louise Lawler, Rita McBride, Bruce Helander, Marlene Dumas, Albert Oehlen, Glenn Ligon, Mark Bradford and more. His work is in over fifty museum permanent collections, including the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum of Art, the Smithsonian Institution, the Montreal Museum of Art, the Art Institute of Chicago, the Whitney Museum of American Art, the Los Angeles County Museum of Art, the San Francisco Museum of Modern Art, the White House and the Vatican in Rome. His collages have been the subjects of over one hundred exhibitions in North America and Europe, with reviews in leading magazines such as ARTnews and Art in America. Helander's work is in numerous private collections, including actors Martin Mull and Dennis Hopper, musicians David Byrne and Jimmy Buffett and fashion designer Todd Oldham, as well as numerous corporate commissions. Prominent artists who collect his work include Dale Chihuly, Robert Rauschenberg, James Rosenquist and Larry Rivers. Football great Dan Marino, Senator Howard Metzenbaum and author Tom Wolfe own Helander work. City Link magazine called Bruce Helander "arguably the most recognized and successful collage artist in the country.". "If there was a Pulitzer Prize for collage, Helander would surely win it," observed Kenworth Moffett, the former director of the Museum of Fine Arts in Boston, in a feature article in the November 2001 issue of Gold Coast magazine. His collages appear nationally in leading print media, including The New Yorker magazine. He was commissioned by the United Nations in August 1999 to design a first day postal cover design and limited edition print, which was presented in the General Assembly Building. He has produced prints for the Washington Opera, Ballet Florida and the Palm Beach and Boston Film Festivals. He has written extensively on contemporary art and in 2007 Grassfield Press will publish a book, titled Fire & Ice, of one hundred of his favorite reviews. He writes a monthly columns in South Florida Times magazine. Select Exhibitions 2013 Zadok Gallery, 20 Shades of Grey, Miami 2011 Dennis Hopper Estate Sale Exhibition, Christie’s, 2001 Bernice Steinbaum Gallery, A Painting Over the Sofa (that is not necessarily a painting), Miami, Florida 2001 Society of the Four Arts, 63rd Annual National Exhibition of Contemporary American Paintings, Palm Beach, Florida 2000 ArtWest Gallery, RISD on the Road—Printmaking 2000 Woods-Gerry Gallery, RISD on the Road—Printmaking & Photography, Providence, Rhode Island 1999 Armory Art Center, Figurative Small Works, West Rhode Island School of Design, Art in a Box, Providence, Rhode Island 1995 Norton Museum of Art, Group show, West Palm Beach, Florida 1995 Marisa del Re Gallery, Summer group show 1993 Philharmonic Center for Contemporary Art, Greetings From Florida, Naples, Florida (included Robert Rauschenberg, James Rosenquist, Larry Poons, Jules Olitski and Hanson) 1992 Museum of Art, Stars in Florida, Fort Lauderdale, Florida (curated by David Miller; included Larry Rivers, John Chamberlain, Richard Anuszkiewicz) 1991 O. K. Harris Works of Art, Centennial Biennial Invitational, New York, New York 1986 Diane Brown Gallery, RISD in New York, New York, New York (included Jedd Garet, Italo Scanga, Jim Sullivan, Dale Chihuly, Stuart Diamond, Heide Fasnacht) 1986 Forum Gallery, Collages, New York, New York (included Romare Bearden, Varujan Boghsian, Buster Cleveland...

Marsha P. Johnson 2022 Signed Binder and glitter on acrylic 30 x 30 inches (73.2 x 76.2 cm) Marsha P. Johnson (1945-1992) was a gay liberation activ...

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Juan Dubose 2022 Signed Binder and glitter on acrylic 30 x 30 inches (73.2 x 76.2 cm) DJ Juan Dubose was a friend and lover of Keith Haring, as documen...

Sylvester 2022 Signed Binder and glitter on acrylic 30 x 30 inches (73.2 x 76.2 cm) Sylvester was an American disco icon, known for his flamboyant and androgynous persona. Sylvester was a member of the Cockettes...

Multicolored abstract by Aptos, California artist Sandra Marie Lobue-Erba (American, 1945-2007). Signed "S. LoBue" lower right. Presented in a metal frame. Image size, 24"H x 30"L. ...

In AFFIRMATIVE ACTION, Samuel Dunson creates an epic work that encompasses generations, drawing upon his own personal creative history and inspirations t...

Signed, titled, and dated verso. Hope springs eternal in Resa Blatman’s new series 'Pure Love: Stardust, Clouds, and Dandelions'. After the heaviness of t...

Little Cherry Glitter by Nicky Chubb [2022] Hand signed by the artist Acrylic and glitter on Canvas Image size: H:20 cm x W:20 cm Frame Size: H:23 cm x W:23 cm x D:3.5cm Please note ...

Derived from photographs of subsistence craters formed in the aftermath of underground atomic tests, in the creation of Obar Bedrock, from the Bedrock Underground Tests series, I use...

Derived from photographs of subsistence craters formed in the aftermath of underground atomic tests, in the creation of Hybla Fair Bedrock, from the Bedrock Underground Tests series,...

"Looking for faith at the party" stems from finding pattern and rhythm in the world around him. Giles' paintings begin from finding places and spaces between words and lines in the text of "One Hundred Years of Solitude...

#255 By Jessie Woodward [2019] Original Acrylic, pen, glitter on canvas Image size: H:30.5 cm x W:40.5 cm Complete Size of Unframed Work: H:30.5 cm x W:40.5 cm x D:3cm Framed Size: H...

The title for this work was inspired by the ruminations of Charles Manson in the 2010 publication Charles Manson NOW. “When you come to prison and you stay the fifteen years, all the dogs of the world are dead when you come back out, there is no dog that was a live when you were out last time. The three dog...

Darren Goins, (American, b. 1993) Acrylic paint and metal flake glitter with silkscreen on paper Not signed on front. (presumably signed verso but has not been examined out of frame) Overall: 30-1/4"h x 26-1/4"w Paper Size: 26-1/2"h x 22-1/2"w Darren Goins (American Post War and Contemporary art) was born in 1984 in North Carolina but now resides in Los Angeles, California. Goins is well known for his unique style and aesthetic, which involves the combination of digital technologies and traditional painting methods to create abstract paintings. Working with a wide range of media–printmaking, painting, drawing, sculpture, neon–Goins’ art manages to capture the anxiety of the digital Information Age in both color and form. Creating imagery with both computer software and the paintbrush, Darren Goins’ paintings utilize both traditional methods of abstraction as well as digital intervention.Goins graduated from UNC Charlotte with a BFA in Photography and Printmaking and a minor in Art History. Goins soon moved to New York, and later Los Angeles where he currently lives and works. Goins’ style utilizes computer software, like Adobe Photoshop or Microsoft Paint, in order to etch the image onto an acrylic panel using a CNC carver. He then paints over the surface, which in turn becomes the backside of the painting as the reverse side of the clear panel faces the viewer. Goins in this manner appears to be tricking the eyes of the viewers with his work; portraying the pieces as a base relief in reverse as if the painting is somehow bubbling up from behind the acrylic panel. Goins’ pieces also confront the audience with how one can engage with, and utilizes, technology in art. Through his embrace of technical chance and his flexible, manual process, something organic peeks through from, within these images. In Goins’ paintings we can see the ghost of humanity filtered through digital media, fluidly weaved in space. Using his camera phone, digital prints, silver gelatin prints and screen-print drawings from his computer, Microsoft Paint or Photoshop. He has been exhibited internationally, Goins has had solo exhibitions at Hezi Cohen Gallery in Tel Aviv, Israel, Whitcher Projects in Los Angeles, Martin Lawrence Galleries, La Jolla, California and Hap Gallery in Portland, Oregon among others. Goins has participated as an artist-in-residence at Socrates Sculpture...

MTB-4276 is one of Mack's strongest paintings. This piece part of his ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using...

materials: acrylic, flashe, spray paint, glitter, paint pen, collage on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawi...

Tu es matinale aujourd’hui by Lélia Pissarro (B. 1963) Blue and gold acrylic and glitter on canvas 80 x 59.5 cm (31 ½ x 23 ⅜ inches) Signed lower right, Lélia Pissarro P.C. Inscribed...

This conceptual text based painting by New York artist, David Kramer, incorporates gestural swatches of color over a controlled pastel striped ground. The bold text reads: "I AM COM...

Acrylic, ink, glitter on canvas Dimitri operates from the idea of the “unfinished.” It informs his choice of materials and the way he handles them. It informs the imagery. The unfin...

This conceptual text based painting by New York artist, David Kramer, combines stylized painting of the FBI Building in Washington DC and the bold text: BRUTAL. An architecture joke, the subtitle reads: "Quasi-Political Architecture Joke (for James Comey.). The J Edgar Hoover building is a low-rise office building located at 935 Pennsylvania Avenue NW in Washington, D.C., in the United States. It is the headquarters of the Federal Bureau...

"The Ancient Testament" Pop Art Painting 55" x 79" inch by Gosha Ostretsov Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and works in Moscow. PUBLIC...

Jumper Maybach is an abstract painter and the alter ego of Ben Workman. Maybach draws inspiration from Jackson Pollock, often creating his works by lay...

Portia LaBeija 2022 Signed Binder and glitter on acrylic 30 x 30 inches (73.2 x 76.2 cm) Portia LaBeija was a prominent and beloved member of the House of LaBeija. She passed awa...

Angelo Colon 2022 Signed Binder and glitter on acrylic 36 x 24 inches (91.4 x 61 cm) Angelo Colon was an actor and model known for his collaborations with Grace Jones. Angelo was...

Crystal LaBeija 2022 Signed Binder and glitter on acrylic 28.5 x 26.5 inches (72.4 x 67.3 cm) Crystal LaBeija (1930s-1990s) was the founder of the legendary House of LaBeija. She...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

Signed, titled, and dated verso. After the heaviness of the past few years, Blatman's latest work focuses on the optimistic ideologies associated with the arrival of springtime. Mus...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earn...

Mike Piggott was born in 1963, Charlottesville, VA. He received his BA at Virginia Commonwealth University and studied at the Winchester College of Art, Winchester England. Mike Pigg...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, color pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned...

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

materials: acrylic, spray paint, airbrush, flashe, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in P...