Glitter Paintings

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earn...

"Compass to Canaan 002" is a breathtaking shift in tone and atmosphere. It's cool, ethereal, yet still rooted in a sense of elemental rawness. The interplay of silvery blues, pale go...

A swirling convergence of texture, pigment, and raw emotion, "Vortex 015" draws the viewer into a mysterious, almost cosmic terrain. Hints of aquamarine, slate, and oxidized copper e...

Tullio Francesco DeSantis (born 1948), also known as Tullio, is an American contemporary artist, writer, technologist, and teacher. His work is informed by ancient and contemporary p...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

Jay Mikal’s “Obsidian 003” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition feature...

Jay Mikal’s “Vortex 012” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition features ...

Jake Chapman Yin & Yin, 2022 Unique multiple on hand-painted circular ply boards with glitter overlay 17 3/10 in diameter 44 cm diameter hand-signed on the back number 7 of 125 "Yi...

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, color pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned...

materials: acrylic, spray paint, airbrush, flashe, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in P...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon and glitter on canvas Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, enti...

Acrylic on canvas with whispers of glitter coated with heavy resin.

This conceptual text based painting by New York artist, David Kramer, combines stylized painting of the FBI Building in Washington DC and the bold text: BRUTAL. An architecture joke, the subtitle reads: "Quasi-Political Architecture Joke (for James Comey.). The J Edgar Hoover building is a low-rise office building located at 935 Pennsylvania Avenue NW in Washington, D.C., in the United States. It is the headquarters of the Federal Bureau...

Peggy Cyphers “Rose Passage” acrylic, sand and gold leaf on canvas 36"x36" This painting was featured in a solo exhibition of paintings at the Front Room Gallery entitled, "Passages...

A stylized depiction of bathers in a swimming pool, reminiscent of 1970's style advertising, this large scale conceptual text based by New York artist, David Kramer reads: "I am all ...

In WELFARE, Samuel Dunson creates a work that encompasses generations, drawing upon the symbolism of his personal history and political beliefs to expres...

This artwork is a diptych consisting of 2 panels. Each canvas panel measures 60 inches high and 40 inches wide giving it a full width of 80 inches. Both panels are stretched and read...

This 48 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

"Looking for faith at the party" stems from finding pattern and rhythm in the world around him. Giles' paintings begin from finding places and spaces between words and lines in the text of "One Hundred Years of Solitude...

This conceptual text based painting by New York artist, David Kramer, incorporates gestural swatches of color over a controlled pastel striped ground. The bold text reads: "I AM COM...

This grand scale masterpiece fills a space with marvelous color and energy. This is a three piece triptych that can be displayed with no space in between measures 180 inches in lengt...

Acrylic on canvas with whispers of glitter coated with heavy resin.

This 72 inch square textural mixed media painting on canvas is wired and ready to hang. It is hand signed by the artist on the back of the artwork. This piece is brought to life by a...

ABOUT THE ARTWORK- Within this mixed media composition, it portrays a woman ensnared within the intricate web of suppressed desires. The figure, boldly defying the constraints impose...

"Superbloom" is made with acrylic, oil pastel, paper, glitter, thread and clay on canvas and paper mache. This bright and vividly colored sculptural painting is a perfect example of the power of unrestrained creativity. INSPIRATION BEHIND THE WORK - What began as an experiment in creating rose petals slowly evolved into this deconstructed "Superbloom". At the center of these petals is a seemingly chaotic arrangement of color and texture. Yet, from slow observation, patterns and repetition emerge. What can be easily grouped into a "whole" is actually a balancing act of orchestrated parts - the same as every living organism we observe. There is a mystery to be savored in every act of living - as well as in viewing the traces of life left behind. "Superbloom" was made in love of the former, and leaves behind the latter. We'll never fully understand all the bits of a rose, or all the brushstrokes of a painting, but we're always welcome to bask in the sunshine that is loving without knowing. ABOUT THE ARTIST: Los Angeles based artist, Megan Dune...

Tu es matinale aujourd’hui by Lélia Pissarro (B. 1963) Blue and gold acrylic and glitter on canvas 80 x 59.5 cm (31 ½ x 23 ⅜ inches) Signed lower right, Lélia Pissarro P.C. Inscribed...

For I have provided for myself a King among his sons (b. 1963) Acrylic and glitters on canvas 70 x 70 cm (27 ¹/₂ x 27 ¹/₂ inches) Signed lower right, Lélia Pissarro; signed and title...

Audace by Lélia Pissarro (B. 1963) Oil and glitter on canvas 55.8 x 40.6 cm (22 x 16 inches) Signed lower right, Lélia Pissarro Signed Lélia Pissarro and titled Audace on the reverse...

This great piece captures in its blues, emeralds, greens, and whites the elegance of "Sacred Waters." The textures and built-up surface bring light and reflections into the space, an...

Acrylic on canvas with whispers of glitter coated with heavy resin.

Erotic Dreams by Lélia Pissarro (b. 1963) Acrylic and glitters on canvas 51 x 40.5 cm (20 ¹/₈ x 16 inches) Signed and titled on the reverse This work is accompanied by a certificate of authenticity from the artist. Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro gallery...

Derived from photographs of subsistence craters formed in the aftermath of underground atomic tests, in the creation of Obar Bedrock, from the Bedrock Underground Tests series, I use...

Derived from photographs of subsistence craters formed in the aftermath of underground atomic tests, in the creation of Hybla Fair Bedrock, from the Bedrock Underground Tests series,...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

ARTIST’S STATEMENT I have two bodies of work; hard-edge glitter geometric abstractions on canvas and the “glitter panels” which are abstract compositions made out of fabric, allowing...

Jumper Maybach is an abstract painter and the alter ego of Ben Workman. Maybach draws inspiration from Jackson Pollock, often creating his works by lay...

"Caddam's Crater 002" is an arresting study in absence and erosion—a meditation on impact, time, and transformation. At its core lies a dark void, bordered by a crust of hardened, al...

Acrylic on canvas with whispers of glitter coated with heavy resin.

Jay Mikal’s “Sun of Sacar 001” invites viewers to embark on a spiritual journey of introspection and a deeper connection to the divine. This 1 of 1, visually-striking composition fea...

Mike Piggott was born in 1963, Charlottesville, VA. He received his BA at Virginia Commonwealth University and studied at the Winchester College of Art, Winchester England. Mike Pigg...

materials: acrylic, glitter, colored pencil, paint pen, collage on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing fr...

materials: acrylic, flashe, spray paint, glitter, paint pen, collage on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawi...

materials: acrylic, ink, flashe, spray paint, glitter, paint pen, collage on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and ...

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon, collage, glitter on canvas Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day...

Medium: acrylic, flashe, collage, pencil, paint pen, glitter and crayon on canvas. Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, ent...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

Acrylic on canvas with whispers of glitter coated with heavy resin.