Gold Paintings

A very substantial, early 19th century, oil-on-canvas laid down on panel showing a view of the risen Christ Pantocrator flanked by the Virgin Mary and St....

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Anthony Benjamin, 'Green Dots', acrylic and gouache on gold leaf board, image size 9" x 12", signed and dated 1999. Artist Estate Stamp on verso Provenance: From the Artist Estate A...

Time Travel Black & Gold Glyphs I by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary F...

For this work Dumas used the ancient fresco technique and real gold leaf on wood panel. Following her critically acclaimed Whale Flukes Paintings series (2018-2019), Dumas’ continu...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by t...

This work is a unique piece. It is an oil painting on linen canvas gilded with 24 carat white gold leaf. CS Art comprises of two artists, one French, the other Norwegian. They have ...

This work is a unique piece. It is an oil painting on linen canvas gilded with 24 carat gold leaf. CS Art comprises of two artists, one French, the other Norwegian. They have been p...

This original abstract painting is a 2 piece set, sold individually. Both are highly textured mineral paintings, made with Japanese blue-gold leaves, natural and synthetic minerals and partially resin on Japanese paper mounted on a wood panel. Natural colors include gemstones or precious and semi-precious stones, such as green agate (deep matcha green). Because these substances consist of unique chemical and physical properties, every artwork has unique characteristics and a story to tell, with a sense of connection to the earth. All 4 sides are painted with a 3D-like appearance. It has a matt, sand-like texture for mineral areas and a smooth texture for resin areas. "Furaha" means joy and happiness in the Swahili language. Inspired by the rich culture and extraordinary land of South Africa, the artist expresses an environment of respect for differences in traditions and values, each existence as an independent entity. These duo pieces are part of the artist's continuous research on the Four Color Theorem or the Four Color Map Theorem of mathematics, which states that no more than four colors are required to color the regions of any map so that no two adjacent regions have the same color. In mint condition, Certificate of Authenticity included and calligraphy seal in front, hand-signed at the back. Sold unframed and ready to hang (eye bolt and string mounted at the back). Artist: Maria...

This 60 inch by 48 inch original textural painting on canvas is wired and ready to hang. It is signed by the artist on the back. The thick layering of paint, glitter and gold foil ma...

This beautiful painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal leaf ...

This is a one of a kind original oil and 23k gold leaf painting by San Diego artist, Duke Windsor. Its dimensions are 22"x26". It is framed. A certificate...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

Painting with plaster and gilt details. Attributed to Edgar levy. A modernist still-life painter whose style leaned towards Cubism, Edgar Levy had a studio...

Knox Martin (1923 - 2022) Untitled Signed to lower edge Acrylic and gold foil on canvas 9 x 9 inches Knox Martin (1923-2022) was an esteemed New York School painter. Knox Martin was born in 1923 in Barranquilla, Colombia. He was the son of the aviator, painter, and poet William Knox Martin, the first man to fly over the Andes Mountains. After serving in World War II, Knox Martin attended the Art Students League of New York on the G.I. Bill from 1946-1950, where he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet, and Morris Kantor. In 1954, Knox Martin's friend Franz Kline placed a painting of his in the Stable Gallery Annual. Charles Egan of the renowned Charles Egan Gallery saw Knox Martin's painting at the Stable Gallery and asked Martin to show his work in a one-man show for the tenth anniversary of the Egan Gallery. Since then, Knox Martin was a celebrated painter, sculptor and muralist. Knox Martin had an extensive exhibition record and his work is in museum, corporate and private collections worldwide. His two best-known murals in NYC are Venus and Woman with Bicycle...

White Flower Garden By Catherine Ruth Church [2021] original Acrylic, Gold Leaf, Pearlised Image size: H:64cm cm x W:43cm cm Complete Size of Unframed Work: H:60cm cm x W:40cm cm x ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...

I want to return from a walk at sunset. A wonderful day is behind us, Ahead is tea and a delicious dinner in a comfortable chair... This artwork from the series "Life in the Avatar" ...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

A Playful Disposition 3 by Magdelena Morey [2022] A Playful Disposition 3 is a cheerful, original abstract floral painting by Magdalena Morey. This co...

The Coronation of Venus draws the viewer into a mystical forest where Venus, the goddess of love, is crowned by four angels. The angel of trust, on the left, gazes deeply into the eyes of Venus. Perseverance crowns her from above. Kindness is at her shoulder, and patience rests on her lap eager for guidance. As Venus looks into the distance, there is both joy and melancholy in her mysterious lips. Technical: 114” x 78”. Oil on panel with 24k gold water-gilded frame. Painting and frame produced by artists Justas and Vilius Varpucanskis. This piece utilizes the "rules of craftsmanship" as outlined in Cenino Cennini's l Libro dell'Arte. 21st century contemporary artwork that employs techniques, philosophy, and visual language of the Italian High Renaissance...

An original painting, made with 24k gold leaves, crushed minerals (natural and synthetic), oyster shells and Japanese ink on Japanese paper, mounted on a wood panel. Natural colors include precious and semi-precious stones. Because these substances have unique chemical and physical properties, every artwork has unique characteristics and a sense of connection to the Earth. It has a matt and rich sand-like texture. What originally inspired Mitsumori to paint were the cityscapes of Jaisalmer, India. The beautiful cityscapes reminded her of jewelry that retains its shine even after a thousand years. Mitsumori felt that the streets reflected the characteristics of the historical and cultural backgrounds of the people who lived there. Presenting the sceneries seen through her eyes in an art form. In mint condition, Certificate of Authenticity included and calligraphy seal in front, hand-signed at the back. Sold unframed and ready to hang (eye bolt and string mounted at the back). Artist: Maria Mitsumori...

Saint John, The Forerunner, after a Russian Icon from the 16th Century. Tempera and gold leave on gesso over a wooden board. Dimensions: (H) 33 x (W) 25,5 x (D) 4 cm. John, The Forerunner, is depicted as an ascetic desert saint with a tousled beard and a coat made from camel hair. The expression that transmits his beautiful face is very intense. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterward, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with agate. Gold leaf is real 24-carat gold . Now does the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

Lana O's retro-future modern wall art is crafted from exceptionally rare vintage 1970s and 1980s circuit boards, meticulously handmade with precious metals such as gold and silver. E...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

This square 60 inch original, neon colored painting on linen is stretched, wired and ready to hang. It is signed by the artist on the back of the artwork....

An original mineral painting, made with 24k gold, natural and synthetic minerals, and sea shells (calcium carbonate) on Japanese paper mounted on a wood panel. Natural colors include...

"Rumination" is a one-of-a-kind piece by artist Lana O. Lana O's modern wall art is crafted from exceptionally rare vintage 1970s and 1980s circuit boards, meticulously handmade wit...

This abstract floral encaustic painting by artist Linda Bigness features a cool blue palette with metallic gold leaf accents. The painting is made with e...

Color Derivatives #14, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, Gold, medium, on wood Size: 18 in. H x 15 in. W x 3 in D. Unique _________________________...

Oil and gold leaf on canvas For centuries, artisans and artists have turned to gold leaf as a way to make their creations shimmer and shine. Also many contemporary artists continue ...

Ricky Hunt’s work is influenced by Egyptian hieroglyphs, graffiti, and his tumultuous past that led to a paradigm shift in his creative life. He covers the canvas with unique imagery...

Color Derivatives #15, 2016 by Natasha Zupan From the series Color Derivatives Oil, fabric, Gold, medium, on wood Size: 18 in. H x 15 in. W x 3 in D. Unique ____________________________________ Natasha Zupan beautifully unites the old and new. A Yale-educated, the internationally renowned artist, combines the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work explores the manipulation of surface texture, light, and the interweaving of time. It is not about translating a world that already exists, but about an entrance into a different universe. A timeless, tactile world of sensation and overlapping memory. Natasha shows annually throughout Europe, Asia, and the United States, including multiple exhibitions at the Columbus Museum of Art...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Color Boundaries #60, Painting 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, Gold, medium, on wood Size: 19.5 in. H x 19.5 in. W Unique _______________________...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...

Venice - Mario De Angeli - Italia 2009 - Oil on canvas cm. 80x120. Gold leaf gilded wooden frame ext. mis. cm.100x140 Mario De Angeli's canvas is an extraordinary work of Italian l...

Color Boundaries #68, Painting 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, wax, gold, medium, on wood Size: 31.5 in. H x 23.5 in. W Unique __________________...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

This super colorful and vibrant wall sculpture is both a painting and a sculpture in one. The piece floats off the wall and is created using black plexiglass which is carved with an...

"Topo" is an abstract landscape painting featuring blue and green hues. Kate Hooray Osmond is inspired by the work of Hilma af Klint and Damien Hirst. “My series of paintings deal with sensation and ultra-color,” Kate explains. “I am considering the concepts of over-consciousness, Horror Vacui and the overlap between joy and terror. In visual art, “horror vacui” (from Latin “fear of empty space”), also kenophobia (from Greek “fear of the empty”), is the filling of the entire surface of a space or an artwork with detail. For this series titled “Gold,” each piece is influenced by a topic of consideration: technology, super-nature, genetics, pharmaceuticals, perception. As Kate studies and meditates on these subjects, her path of investigation grows more and more intense until she teeters between becoming overwhelmed by fear for our future and a euphoria filled with hope and intention. “I feel so much life that I am paralyzed by it, and I am confounded by how sensation and numbness can blend together,” says Kate. “All that glitters is Gold.” Born in 1983, Kate Hooray Osmond earned her MFA in Studio Art from...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...

"Gold Frenzy" Acrylic & Inks Painting 41" x 53" inch by Kinda Adly * Due to the Ministry of Culture policy, handling time (paperwork) may take up to 2-5 weeks. Kinda Adly, born in...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...

Color Boundaries #22, 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, medium, 24K gold, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Unique __________________...

This square 60 inch original, neon colored painting on linen is stretched, wired and ready to hang. It is signed by the artist on the back of the artwork....

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf and thick textured oils, to add a ve...

This is the second of the 'Golden City' series, a smaller version. Series' first is Mitsumori's very first maiden work. An original mineral painting, made ...

London painter, George Armfield's original oil painting "Untitled -Terrier with Bowl" is an excellent example of this wonderful 19th century artist who is highly sought after for his dog paintings of Terriers. Original's by the renowned 19th century dog painting...

Through its elementary rectangular shape, HEALING GATE is conceived as an access route to the higher lights of this universe. A way to remember that the light always wins. Born from the shamanic knowledge of the artist, these door is a pathway to higher dimensions. It acts as a catalyst for darkness,negative emotions and demons, transmuting them into light. Using ashes to create her own black, Mathilde Lefort employed in this painting her shamanic knowledge to heal the sadness of not feeling loved at an universal level. Meditating with the ashes in her hands, she called in this specific feeling who is then transmuting into light by the gold mantrahidden in the middle of the piece. --- Mathilde Lefort is a french visual artist based in Bali, Indonesia Holder of a Master’s Degree at EHESS Paris (France), Mathilde is specialized in war representations and human rights. In parallel with her theoretical studies, she developed an artistic practice around these questions. Using art video, installation and visual publications, she exhibited her work both in Paris and across Europe. Going back to New Caledonia, she lived in total immersion in a tribe located in the north of the island from 2017 to 2019. There she co-direct EDEN TRIBAL, 52 min documentary produced by Box Fish Productions and sold to France Television. The movie tells the story of a Kanak woman fighting to be the chief of her tribe, within the context of the island’s referendum for independence. This period was spent in a deep loneliness. Rejected by the community while deeply in love, Mathilde wandered the darkness of her soul. She captured empty landscapes and wrote the ambulations of her mind to reflect on her loss of identity, the meaning of love, the woman’s place, racism and colonialism. Now in Bali, she follows an unpredictable journey intertwining art, death, and magic. Stabbed to death in 2020, she pursues today her shamanic journey while crafting abstract paintings and sculptures rooted in mystical knowledge. Her art presents itself as a meditation...

Oil and gold leaf on canvas For centuries, artisans and artists have turned to gold leaf as a way to make their creations shimmer and shine. Also many contemporary artists continue ...

Rebecca Leveille (who is also known for her illustration work under the name Rebecca Guay) received a BFA from Pratt Institute in 1992. Leveille’s art has garnered words of praise from Jerry Saltz, Walter Robinson, and Peter Frank. She has been a guest artist/speaker at Rhode Island School of Design, University of Massachusetts, Savannah College of Art and Design, and Fordham University, a guest instructor at Pratt Institute, and a guest artist by invitation to shows and events in Melbourne Australia, Paris, Nagoya and Osaka (Japan), Valencia, San Fernando, and Torrelavega (Spain). Her work has been featured in Juxtapoz Magazine, American Art Collector, and Hi Fructose among many other publications and is collected internationally. In 2018 she was featured in a solo show at The Untitled Space. Her work has additionally been featured in The Untitled Space group shows “UPRISE / ANGRY WOMEN”, “SHE INSPIRES” as well as "EDEN" (2019) and “(HOTEL) XX" (2018) presented at SPRING/BREAK Art Show. She has been featured at Sotheby’s New York for the annual “Take Home A Nude” exhibit and auction presented by The New York Academy of Art (2017-2019), The Allentown Museum of Art, PA, Delaware Art...

Lily Sol’s current work “Flower Goddess” is a symbol of blooming into her true self and honoring the divine femine energy within all of us. Through her paintings she is able to celebrate the fierce women in her life and shine light on the diverse and unique beauty of cultures around the world. She loves exploring different mediums in her art journal, playing with collage, acrylic paints, watercolors, and pressed blooms. While painting she tries to stay in an intuitive mindset and allow her works to transform naturally—always seeking the harmony between staying loose yet in control, yin & yang of life. Bright colors, a playlist she can dance...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a scattering of flowers on the surface, all help to convey the dark mystery of a life below the surface." - Valda Bailey...

A large original mineral painting, made with 24k gold, crushed minerals (natural and synthetic), crushed seashells and gold-coated mica on Japanese paper mounted on a wood panel. Natural colors include precious and semi-precious stones such as gold and azurite (deep ocean blue). Because these substances consist of unique chemical and physical properties, every artwork has its own story to tell and embodies a sense of connection to the earth. It is highly textured with a matt and rich sand-like appearance. This painting was selected by the jury of the world’s oldest public exhibition, Le Salon Société des Artistes Français, for the Art Capital show in Paris 2022. Since 1667, great historical artists such as Manet, Cézanne, Rodin, and Delacroix showcased their artwork at Le Salon and be recognized by the world. In mint condition, Certificate of Authenticity included and calligraphy seal in front, hand-signed at the back. Sold unframed and ready to hang (eye bolt and string mounted at the back). Artist: Maria Mitsumori...

Dusk is a painting in oil and gold leaf on canvas by British artist Charlotte Aiken. Aiken is a Surrey-based artist, who responds to her surroundings t...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract hills shapes with bold use of color and contrast. The light coral background and the azure blue from the ocean allows for the luminosity to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist's hand embellishes gold leaf to add elegant accents. This painting comes housed in a natural oak floater frame with hanging wire on verso ready to be displayed. Art measures 47 x 47 inches Frame measures 48.5 x 48.5 inches Antoinette Ferwerda is a renowned Australian artist largely recognized for producing a bold collection of fine artwork that joyfully explores the geometry of shape and the changing light from dusk to dawn. Championing her love for shape, reflection, and nature using a diverse pallet of mixed media to portray her abstract interpretations of nature. Antoinette's diverse past and a childhood that was somewhat nomadic has inspired much of her work today. Antoinette’s backstory reads like something out of an adventure series, having spent her early days living in remote pockets of Papua New Guinea, where she was lucky to spend time in a seaside shack on Ela Beach in Port Moresby, as well as the volcanic town of Rabaul, the Cargo Port Lae, before moving on to Darwin where her Dad worked for the Red Cross and helped with the re-build process after Cyclone Tracy. This was followed by a family stint in Europe, visiting Netherlands, London, Belgium, France, Italy, and Switzerland, before finally settling back in Melbourne for her formative years. Her love for nature and exploring the patterns and relationships she finds within started early. “I’ve been forever fascinated with color and the magical interplay of light”. “Blessed to have a teacher Mum who fostered regular creative time during our nomadic stint, my childhood was largely spent creating, especially outdoors”. Never without a pen, sketchbook or scraps of paper, her natural ability to create in layers instinctively started in these early years. Although her work continues to evolve, she consistently creates works that are rich in layers, resulting in pieces that are optimistic, luminous and full of stories from her colorful life. Her signature work is abundant with color and texture, resulting in a transparent quality of her works. Adaptable to any palette, Antoinette has produced works from a diversity of spectrums and mediums – sun-soaked, muted and ethereal, vibrant, as well as monochromatic with accents of gold. Her themes include abstract and metaphysical interpretations of fossicking in rock pools, exploring the rolling hills of the countryside both here and abroad, the rock formations of the Australian outback and the magical light of a European summer to name just a few. Her dream and longing to become an artist became a reality after starting her own family and farewelling a corporate life in the pharmaceutical industry, with her debut solo exhibition in 2014. Six years on, Antoinette has fast become a firm favorite amongst interior designers, stylists and home decorators alike, having been represented by fenton&fenton, Thom Gallery and Trit House (formally Click On Furniture) to name just a few. Continually experimenting and evolving as an artist, Antoinette invites the viewer to look deeper through surface layers to find hidden stories of color and form. Past collections have been inspired by visits to the bustling markets of India, the morning light outside her childhood beach shack...