Inkjet Paintings

Coral Purple Painting Art Hand Textured Giclee on Canvas 45x45" Mind and Spirit State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited e...

Rustic Purple Flower Painting Textured Giclee on Canvas 45x45" Purple Sensation State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited e...

Blue Gold Minimalist Painting Art on Canvas Textured Giclee 45 x 72 inches State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited editio...

Champagne Abstract Pastel Colors Art Textured Giclee on Canvas 40Hx 60W" State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edition...

Framed with archival, museum-quality materials, including Museum Glass, which filters out 99% of UV rays and 90% of reflective glare, promoting the longevity of the artwork.

Spring Blue and Pink Flowers Painting Embellished Giclee on Canvas 40H X 60W State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPL...

Playful graphic image depicting a boy and a girl made in bright vibrating colors. Figure of children on a red background with a confident black outline. Will fit both in the children...

'Poppy on Ink #2' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Pr...

'Chrysantemum on ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. ...

'Chrysantemum on ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. ...

'Dahlia on Ink #3' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. P...

'Chrysantemum on ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. ...

'Dahlia on Ink #3' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. P...

'Dahlia on Ink #2' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. P...

'Dahlia on Ink #2' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. P...

'Dahlia on Ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Prin...

The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Brown Giclée Print on Paper E...

Glowing Rose [2021] limited_edition Giclee print Edition number 20 Image size: H:90 cm x W:90 cm Complete Size of Unframed Work: H:98 cm x W:96 cm x D:0.1cm Sold Unframed Pleas...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works are characterized by a tend...

This is an original gouache painting layered on an original inkjet print using alternative process photography. Image measures 8" x 8" on 11" x 8.5" paper. Ava Blitz...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works a...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works are characterized by a tend...

Chinese Report #2 by Liu Bolin, Chinese (1973) Date: 2008 Inkjet and Oil on Canvas, signed and dated verso Size: 57 x 78.25 in. (144.78 x 198.76 cm)

In my creation, I've imbued the serene yet powerful essence of the seaside. The brushstrokes embody the dynamic nature of the waves, contrasting with the steadfastness of the shore. ...

Turl Street and St Giles Café Diptych Overall Size cm : H48 x W56 Turl Street by Gary Wing Limited edition print by Gary Wing depicting a daytime scene on T...

As an artist, I poured my spirit into this artwork, invoking the raw feelings of freedom and adventure with each stroke. The vivid hues emanate a sense of hope and endless possibilit...

In this piece, I've captured the vibrant essence of nature's optimism. The sunflower exudes warmth and energy, its golden petals reaching towards the light. The expressive brush stro...

In this artwork, I've aimed to capture the transient beauty of nature, an expression of life's fleeting moments. Employing gentle strokes and a harmonious palette, I convey the delic...

In this artwork, I've poured my heart into capturing the essence of serenity and divine grace. Through soft brushstrokes and a tranquil palette, the angel embodies a celestial presence, her gaze offering comfort and the apple in her hands symbolizing the gift of life and knowledge. The flowing robes and gentle clouds convey a sense of peace, inviting the viewer to pause and reflect. It's a piece that carries a comforting energy, ready to instill a sense of calm and contemplation in any home. Author's giclee of the original oil painting by Elena Lukina "An Angel...

In this piece, I've captured the tender essence of blooms, imbuing the canvas with a sense of serenity and timeless beauty. Each stroke embodies the dance between light and shadow, c...

In my creation, I've endeavored to capture the serene beauty of nature's embrace, where a hidden pond, overgrown with life, reflects a sky softly blurred by the morning mist. I've in...

In this piece, I've poured my soul into capturing the ephemeral beauty of twilight dance on water, embracing the blend of expressionism and impressionism. The vibrant colors intertwi...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works are characterized by a tend...

Oliver Hazard Benson The Blue Knight giclee 35h x 23w in 88.90h x 58.42w cm 1/11 AP OB0032 Oliver Hazard’s paintings are produced directly from his i...

Modern abstract figurative portrait print by Houston, TX artist David Adickes. The work features a central bearded male figure dressed in a tie set against a background of falling le...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works a...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works a...

This giclee print on canvas is hand embellished with acrylic gel brushstrokes after the 2001 original oil painting. Depicting brightly colored flowers in a vase, this beautiful artwo...

Hand Signed; 2009 SE 50/99

Unique one of a kind

Tribute to Tupac Shakur SE 150/150

Giclee print on archival cold press cotton rag, edition 19 of 25 with 5 APs. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signa...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings. Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums. . A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart. Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...

Illustration on paper (giclée print) realized by the Italian artist Sara Franzese in 2023. Edition of 10. Hand-signed and numbered From the series: Lulù

llustration on paper (giclée print) realized by the Italian artist Sara Franzese in 2022. Edition of 5. Hand-signed and numbered "Your soul is full of sunshine. Clara"

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Milwaukee's iconic spots are captured in watercolor and available as hand-embellished giclée. They are printed on archival quality watercolor paper and specially hand embellished so ...

Represented by George Billis Gallery, NY & LA -- My latest series opening at the George Billis Gallery, titled “Modern Society,” continues my exploration into midcentury architecture and design found in New York City, but focuses on the cultural centers and glamorous institutions that signaled its strength – and enchantment – in the 1950s and 60s. Covering such bewitching landmarks as Lincoln Center, the Guggenheim, and 5th Avenue stalwart Bergdorf Goodman, this series delves into how high design from this groundbreaking Modern period shaped metropolitan society and reinforced New York as a cultural capital. When viewed individually, each painting showcases an aspect of booming avant garde design, be it the Metropolitan Opera’s Sputnik Chandeliers, the high fashion displayed...

Image Sz: 14"H x 18 1/4"W Frame Sz: 18 1/2"H x 22 3/4"W Classic color giclee of Saratoga Racecourse c1962 by Robert Roche Giclee

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Giclee print on archival cold press cotton rag, edition 9 of 25 with 5 APs. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signag...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Blue Gold Minimalist t Painting Art on Canvas Textured Giclee 45 x 72 inches State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edit...