Linen Paintings

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

The Space Between This work foregrounds negative space as an emotional register. The figure’s isolation is intensified by the surrounding darkness, which functions as both void and refuge. Hall’s mastery of chiaroscuro is evident in the way light traces bone and muscle while leaving the face partially obscured, denying easy access to the subject’s inner life. Nathan Brad Hall...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

"Water, Roses, Window, Table" is a bright and airy contemporary impressionist scene. A large oil painting of an open window's view to the outdoors, painted from an interior of the artist's home in Tuscany. Situated in the kitchen, facing the window, the walls and room appear dark, as they are backlit from the bright daylight streaming in. A small glass vase of roses sit centrally in our view, on the table's surface, glowing with blue light. A small tumbler, or glass of water, sits in the foreground, almost lost within Fenske's loose, wild brushstrokes. Urgent, loose brushstrokes connote impressionism, and bring to mind modern...

Mark Harrison's (UK based) "Ice" is an oil painting that depicts an arid landscape with clouds and a small unassuming building. Sometimes they are silent epic landscapes of the Dese...

Beautiful Impressionist landscape of a country scene by Paul Friederich Weindorf (German/American, 1887-1965). Signed "Paul Weindorf" lower right. Artist's bio on verso. Unframed. Im...

Provenance Acquired by the gallery directly from the artist Signed "McVicker" on lower left FRAMED: 24.375" x 20.375" x 1.375" UNFRAMED: 18" x 14" Artist Statement “The three ele...

David Collins has an ongoing interest in space and memory. Many of Collins’ memories relate to his family’s history in inventing Cold War era technology. Personal recollections of sp...

"Sunset Behind the Barn" is an oil painting by contemporary American painter, Terry Elkins. The artist signed the painting verso, "Terry Elkins 2025 Sunset Behind the Studio Oil/Canv...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Romantic R...

In Untitled 7.1.25, Bryan Ricci presents a richly layered abstraction that moves between structure and release, color and gesture. Dense clusters of thick, block-like marks float acr...

This painting is framed at 16.75 x 22.75 inches, and is ready to hang. About the artist: Daniel J. Keys was born on Oct. 7th 1985, in Fresno CA. Upon noticing a glimpse of artistic...

This work emerges from Ricky Lee Gordon’s close relationship with nature, where making art becomes a quiet, meditative act rather than a purely visual exercise. Using pigments and dy...

This oil painting captures a stunning natural phenomenon — a towering cumulus cloud formation rising over the tranquil expanse of the sea. The artist masterfully blends soft whites...

Realistic painting with autumn landscape is very cozy - purple flowers, yellow, orange, red colours create an amazing autumn mood. The artist was creating the painting about 2 years....

"One Winter Evening" Northwest in Winter Snow and Stream - Oil on Linen Northwest Territories oil on linen layers of color and impasto give a winter glow to this work by Thomas Charl...

La Gournaise l is a warm elegant golden cloud at sunset. Evocative, modern and unique. French American Frédéric Choisel, has had multiple solo and group exhibitions in New York, Par...

"Vivid Warm Strokes on Gray" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique shapes t...

Linda Lillegraven's beautiful original oil landscape "County Road 55" (2023) captures a paved dirt road crossing through vast midwestern green hills, the afternoon sun creating a glo...

Molesky’s latest body of work approaches art history with wit and irony. Drawing from classical themes and the heroic narrative, he subverts these traditions by casting the banana as...

"Early Winter Snow" is a beautiful original acrylic painting on panel, the composition of which centers around a willow tree near a lake, with dense forest sprawling across the hill ...

Symbolic Hawaiian nocturnal figurative of whispy angel figures with mountains and bridge by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

"City Harbor" Mid Century Modern Oakland Nautical Seascape in Oil on Linen Vibrant seascape by California artist Carol Sideman (American, b. 1925). Seve...

"Stillness at Twilight" is a beautiful handcrafted painting and light sculpture, featuring LED tubes crafted in the style of neon, including a dimmer switch to control the luminosity...

Linda Lillegraven was born at Fort Benning, Georgia in 1948. She received her BA in art from San Diego State University in 1970, and a BS in zoology, also from San Diego State, in 1...

Artist: Stephanie Peek – American (1940- ) Title: Opening Year: 1996 Medium: Oil on Linen Size: 10 x 10 inches Signature: Signed, dated, titled on reverse by the artist Condition: V...

Manhattan Henge at Sunset on busy New York City Street by British Urban Landscape Artist, Angela Wakefield. This is a major work to continue her epic New York Series which now spans ...

Michael Van Zeyl’s oil painting captures a richly nostalgic Chicago evening, where the glow of the iconic “Chicago Cubs” marquee shines through a rain-kissed window at dusk. Inside, ...

An oil painting of an antique tool, a Garden Dibble, which is a long stick-like tool used to make holes for seeds, to make sure they are sufficiently buried in the soil without damage. This particular object that Morfis chose to paint has a wooden handle, and a metal point. The dibber rests atop a nail, against a gray wall. Bright studio-light casts a sharp shadow directly beneath the tool. Painted in the academic realist style of "trompe-l'oeil" which is French for "trickery of the eye". BIOGRAPHY John Morfis was born in Glen Cove, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown. John’s first solo show took place in 2007 at the Ellen Traut Collection Gallery in Hartford, CT and was a near sell out. Since then John has had success up and down the northeastern coast of the United States working with various galleries and collectors. His work has also appeared in various group shows at the New Britain Museum of American Art in Connecticut. ARTIST STATEMENT Each painting, although a portrait of a tired hand...

"Rose Bouquet (Tenor) (2002)" by Aaron Fink (American, b. 1955) Signed, titled, and dated verso. Born in Boston, Fink received his BFA from the Maryland Institute College of Art and his MFA from the Yale University School of Art. His work has been exhibited widely throughout the U.S., Europe, Japan and Australia. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. Selected Group Exhibitions Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine, Gorham, 2019, with Martha Armstrong, Ben Aronson, Gideon Bok, Sascha Braunig, Bernard Chaet, Susanna Coffey, Aaron Fink, Jon Imber, Dinorá Justice, David Kapp, György Kepes, Kayla Mohammadi, Jim Ritchie, Ann Weber Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, 2017 Boston’s unique approach to Expressionism by uniting works from the late 1930s to the present day through an examination of subject, process, and materials. Influenced by the teachings of German Expressionist Karl Zerbe, and the early work of Hyman Bloom and Jack Levine. Summertime 16: The Big Annual Group Show, Galerie Christoffer Egelund, Copenhagen, Denmark, 2016 Beautiful Decay, Danforth Art Museum, Framingham, MA, 2016 MICA Then and Now, Ethan Cohen Gallery, Beacon, New York, 2013 Stuart Abarbanel, Donald Baechler, Brock Enright, Aaron Fink, Frank Hyder, Peter Greaves, Morris Louis, Herman Maril The Expressive Voice, Danforth Museum, Framingham, MA, 2012 Bon Appetit, Concord Art Association (curated by Meredyth Hyatt Moses), 2010 Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada, 2008 New England Impressions II: Exploring the Woodcut, Concord Art, Concord, MA, 2008 with artists: Doug Andersen, Leonard Baskin, Aaron Fink, Don Govett, Peik Larsen, Michael Mazur, Barry Moser, Brian Shure, Heidi Siebel, Annie Silverman, Andrew Stevovitch, James Stroud. Right to Print: Segura Publishing Company, Scottsdale Museum of Contemporary Art, Go Figure: The Figure in Contemporary Art – A Response to Art History, McIninch Art Gallery, Southern New Hampshire University, 2007 Fourteen Artists/Fourteen Years: Mahaffey Fine Art, Portland Art Museum, Portland, OR, 2006-2007 More Than One: Prints and Portfolios from the Center Street Studio, Boston Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA, 2002 A Tribute to John Powers, Hatton Gallery, Colorado State University, Fort Collins, CO, 2000 A Salute to Boston, Wiggin Gallery, Boston Public Library, Boston, MA, 1998 Be Still Dear Art, New England School of Art and Design, Boston, MA, 1998 Attributes of the Artist, The Art Complex Museum, Duxbury, MA, 1997 Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA, 1997 The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA, 1997 Face and Figure, Museum of Fine Arts, Boston, MA, 1996 Grand Illusions: Four Centuries of Still Life Painting, Museum of Fine Arts, Boston, MA, 1994 The Label Show, Museum of Fine Arts, Boston, MA, 1994 Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan, 1993 Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 Includes works by Thomas Bang, Jennifer Bartlett, Jonathan Borofsky, Chuck Close, Steve Currie, Rackstraw Downes, Aaron Fink, Audrey Flack, Nancy Graves, Eva Hesse, Brice Marden, Claes Oldenburg, and more. Fast Forward: Six Years of Collecting for a New Museum, Samuel P. Harn Museum of Art, Gainesville, FL, 1993 A Decade of Print Publishing, Neuberger Museum of Art, Purchase, NY, 1993 The Art Collection of the Federal Reserve Board: Five Years of Accessions, Board of Governors Building, Washington, DC, 1992 The Object: Found, Observed, Imagined, Fitchburg Art Museum, Fitchburg, MA, 1991 The Unique Print, Museum of Fine Arts, Boston, MA, 1990 8 Artists/8 Visions, DeCordova Museum, Lincoln, MA, 1990 The 1980s: Prints from the Collection of Joshua P. Smith, National Gallery of Art, Washington, DC, 1989-1990 The Age of Pluralism, Centro di Cultura Ausoni, Rome, Italy, 1989 Award Candidates Show, American Academy and Institute of Arts and Letters, New York, NY, 1987 70’s into 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, 1986 Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY, 1986 Highlights: Selections from the Bank of America Headquarters, San Francisco, CA, 1984 Local Visions IV: Portraits, Hayden Gallery, MIT, Cambridge, 1984 Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The Modern Art of the Print: Selections from the Lois and Michael Torf Collection, Museum of Fine Arts, Boston, and Williams College Museum of Art, 1984 Painting and Sculpture Today, Indianapolis Museum of Art, 1984 The New Portrait, Institute of Art and Urban Resources, Project Studio One, Long Island City, New York, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Boston Now: Part II, Institute of Contemporary Art, Boston, MA, 1983 Jon Abbot, Aaron Fink, Tom Lieber, Chris Wool, Delahunty Gallery, New York, NY, 1983 The Figure Beside Itself: Contemporary Figurative Prints, University of Massachusetts, Amherst, MA, 1982 Art of the State, Rose Art Museum, Brandeis University, Waltham, MA, 1982 Boston Now: Figuration, Institute of Contemporary Art, Boston, MA, 1982 A Private Vision: Contemporary Art from the Graham Gund Collection, Museum of Fine Arts, Boston, MA, 1982 Boston Printmakers 32nd National Exhibition, DeCordova Museum, Lincoln, MA, 1979-1980 Works on Paper from the Yale School of Art, Victorian College of the Arts Gallery, Melbourne, Australia, 1978 S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Children's Hospital, Chicago Choate Rosemary Hall...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pulling us through the two-dimensional surface of the canvas into the mysterious depths of a multidimensional world. Her works resonate with strong, masculine strokes, vibrant colors, and passionate themes. The common factor is that when looking at her pieces you can spend some time letting your mind play within each painting and you'll come away with a much richer understanding of what Suki Maguire's art has to show at a simple glance. This painting is signed by the artist lower right, and titled and dated on verso. Art measures 28.5 x 35.75 inches There is a great potential for discovery in Maguire's world of symbols, but a passing glance will not do, you have to allow your gaze to linger on this part and that of each painting so that your subconscious will have the opportunity to retrieve the elusive forms that seem to be hiding within the more obvious shapes. This holds true even in those works that incorporate letters of the Korean or Latin alphabet, which serve as glyphs bearing some symbolic meaning that goes beyond the mere representation of sound. She has exhibited internationally in Seoul, Nantucket, New York and Italy. Her styles and materials have ranged from realism to abstract, from water and oil colors to acrylics and coffee grounds. Suki Maguire (Kim Jong...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, le...

David Grossman's (US based) "Autumn Orange Leaves" is an oil on linen panel created in 2024 depicting an abstracted birch forest in autumn. About the artist: David Grossmann’s evoc...

Baby ostrich bird portrait painting combining minimal surrealism, theatrical shadow and contemporary figurative art on linen canvas. Baby Ostrich is an original acrylic painting by Sofía Cristina Jiménez from her Nobody Puts Baby in a Corner series, a body of work exploring isolation, theatrical space, humor and visual ambiguity through simplified animal figures. Combining bird portraiture, minimal surrealist painting and carefully constructed light effects, the work transforms an apparently simple scene into a subtle meditation on presence and perception. At the center of the composition, a small blue ostrich occupies the corner of an undefined architectural space. The figure appears simultaneously vulnerable and self-possessed, creating a psychological tension that gives the painting much of its character. Rather than presenting a naturalistic environment, the artist constructs a stage-like setting where space remains deliberately unstable and open to interpretation. A defining element of the work is the dramatic projected shadow extending behind the figure. The shadow exceeds the apparent scale of the ostrich and becomes an active participant in the composition, suggesting an alternative presence, a hidden narrative or an amplified emotional state. This theatrical treatment of light introduces a surreal dimension while preserving the painting’s quiet and contemplative atmosphere. Throughout the Nobody Puts Baby in a Corner series, Sofía Cristina Jiménez uses isolated figures to explore ideas of vulnerability, displacement and symbolic identity. Humor and tenderness coexist with subtle psychological tension, allowing the works to operate on multiple levels simultaneously. The exposed linen surface remains visible throughout significant areas of the composition, contributing warmth, texture and material presence. The contrast between the raw support, muted background and concentrated blue figure creates a refined visual balance that reinforces the painting’s sculptural quality. Executed in acrylic on linen canvas, the work functions equally as a contemporary bird portrait, a minimal surrealist painting and a distinctive contemporary artwork for residential and design-focused interiors. Medium: Acrylic on linen canvas Series: Nobody Puts Baby in a Corner Condition: Excellent original condition Frame: Unframed Installation: Ready to hang Authenticity: Unique original artwork This work is particularly suited for collectors interested in ostrich paintings...

Old town on the Bay in Baja Mexico Original Oil painting on Linen by Palavicini Old Village in Baja Mexico by unknown Mexico artist Palavicini. (Mexico 20...

Acquired by the gallery directly from the artist UNFRAMED: 8" x 10" FRAMED: 12" x 14" x 1.5" SIGNED: Lower Right

"The Bathers" was painted en plein air. A swimming hole, where figures have gathered to cool off on a hot day. Sitting under trees in the shade, splashing in the river. Light is depi...

Polar bear and puffin wildlife painting combining Arctic imagery, balloon animal aesthetics and ecological reflection on raw linen canvas. The Polar Bear and the Puffin – Plastic Nature VIII is an original acrylic painting by Sofía Cristina Jiménez from her ongoing Plastic Nature series. The work presents a polar bear and a puffin transformed into inflatable figures, positioned within an Arctic seascape where floating ice, reflective water and distant frozen horizons establish an atmosphere of stillness and vulnerability. Combining wildlife painting, balloon animal imagery and contemporary ecological themes, the work explores the increasingly complex relationship between nature, representation and environmental awareness. At the center of the composition stands a monumental pale-blue polar bear rendered as an inflatable structure. Its segmented surface recalls balloon sculptures and manufactured objects, creating a deliberate contrast between the symbolic weight of the animal and its apparently artificial form. Nearby, a puffin appears both perched and in flight, introducing scale, movement and narrative tension while reinforcing the fragile balance of the Arctic ecosystem. Throughout the Plastic Nature series, Sofía Cristina Jiménez transforms wildlife subjects into inflatable figures that occupy landscapes associated with environmental vulnerability. Rather than illustrating ecological issues directly, the artist creates subtle visual displacements that encourage viewers to reconsider familiar animal imagery. The balloon animal aesthetic introduces a layer of cultural mediation, suggesting how contemporary society increasingly encounters nature through images, symbols and representations. A significant feature of the painting is the use of raw linen. The upper portion of the composition remains intentionally unprimed, allowing the natural texture and color of the linen support to remain visible. This material decision activates the surface of the painting while establishing a striking contrast between the synthetic appearance of the inflatable animals and the tactile reality of the painted landscape. The restrained palette of icy blues, whites and natural linen tones reinforces the Arctic setting while creating a sophisticated chromatic balance suitable for contemporary interiors and collections focused on wildlife art, environmental themes and contemporary figurative painting. Medium: Acrylic on linen canvas Dimensions: [insert dimensions] Year: [insert year] Series: Plastic Nature Condition: Excellent original condition Frame: Unframed Installation: Ready to hang Authenticity: Unique original artwork This work is particularly suited for collectors interested in polar bear paintings...

"Happy Family", Mid Century Sepia Figurative Interior Scene, Illustration Art by Charles Kinghan A classic and heartwarming mid-century sepia toned figurative interior scene by Charles Ross Kinghan (American, 1895-1984). Circa 1940's. This mid-century piece exemplifies the classic style of illustrations and advertisements from the period, and depicts a family gathered in their living room. Signed "Kinghan" in the lower right corner. Acquired with other works by the artist. Displayed in a period giltwood frame. Linen size: 36"H x 30"W. Framed size: 45"H x 38.5"W x 2"D. Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign...

Provenance Acquired by the gallery directly from the artist. Signed "McVicker" on lower right Artist Statement "This piece was painted during the summer standing on our walkway lea...

Dramatic seascape with a full moon by an unknown artist. The moon is partially obscured by clouds, and the light from the moon reflects in the water below. Purple-blue mountains fram...

Work : Original Oil Painting, Handmade artwork, Unique Work. Ready to Hang. Medium : Oil painting on stretched Linen. Artist : Gabriel Riesnert Subject : Horizon en été (Title / FR ...

Remarkably, this painting tells its own story on the verso. To save your eyesight, here's what it reveals: James McDougal Hart (1828-1901) Landscape, animal, and portrait painter. A ...

Mark Harrison's (UK based) "Ham Rock" is an oil painting that depicts an arid landscape with clouds and towering rock formations. Sometimes they are silent epic landscapes of the D...

Robin Hextrum's (US based) "Dahlias in Bloom" is an oil painting that depicts a blooming white dahlia bush on a black background. This piece measures 22.25 x 18 inches in its frame a...

"Pacific Grove Glory" - Rocky Seascape Signed and dated "Coraly '06" in the lower right corner. Titled, dated, and signed "Pacific Grove Glory 2006 Coraly Hanson...

"Rhythmical" by Alyson Kinkade Abstract Landscape, Undulating Clouds over Plains Oil on Canvas 40x36" image 41x37" framed in black shadow-box wood as pictured "There is great beauty...

This is an oil painting, in the style of "Trompe l-oeil" of an antique hand drill, on a grey background. Painted by American contemporary painter, ...

Joellyn T Duesberry Wall on Wharf Street, #513, New Orleans, LA 1976. Oil on linen Dimensions: (Frame) H 50.5" x W 66.5". sight size 50 x 66" Hand signed and titled verso Joellyn Toler Duesberry (1944 – 2016) was a plein air landscape artist who worked in oils. Joellyn Duesberry American Landscape Painter Bridging Realism and Abstraction Joellyn Toler Duesberry (1944–2016) was an American landscape, Plein Air, painter working primarily in oil, celebrated for canvases that hold realism and abstraction in deliberate tension. Born in Richmond, Virginia, on June 30, 1944, Duesberry developed an early, formative connection to the land growing up in rural Virginia, seeking out woods, creeks, and lakes as places of solitary refuge and sketching from childhood. Though she went on to earn two advanced degrees — graduating with highest honors from Smith College in 1966, followed by an MFA from the Institute of Fine Arts at New York University — Duesberry is considered a self-taught painter, developing her singular style largely outside the classroom. Mentorship Under Richard Diebenkorn The defining turning point in Duesberry's development came in 1986, when she received an Individual Painting Grant from the National Endowment for the Arts to study with the celebrated Bay Area painter Richard Diebenkorn. Though Diebenkorn's influence on her work was conceptual rather than stylistic, Duesberry often cited him as her most significant mentor, crediting him with instilling three ideas that shaped the rest of her career: that the abstract and the real are indistinguishable in painting, that the modernist exploration of all poles of expression should be pursued without timidity, and that an artist's compositional instincts are rooted in deep, often unconscious memory. Diebenkorn also encouraged Duesberry to take up monotype printmaking, a medium she embraced with passion and continued to exhibit alongside her paintings for the rest of her career, working for many years with Denver's Open Press. It was this period of study that prompted her move from Manhattan's Bowery to Colorado in 1985. Exhibition History Duesberry began exhibiting in New York City in 1979, eventually mounting ten solo exhibitions there, and was later represented by Tatistcheff Gallery and Graham Modern in New York, as well as Broschofsky Galleries in Ketchum, Idaho, among roughly seven galleries coast to coast. Major retrospectives followed at the Denver Art Museum (Joellyn Duesberry: Three Decades of Paint, January 2006) and the Century Association in New York, as well as a fifty-year retrospective at the Colorado Springs Fine Arts Center, accompanied by the monograph Elevated Perspective (2011). In 1997, she received the Benjamin Altman Landscape Prize from the National Academy of Design, and from 1998 to 1999 she held a World Views residency with the Lower Manhattan Cultural Council, painting from studio space in the World Trade Center's North Tower — an experience that gave her body of work a lasting connection to Ground Zero following September 11, 2001. Style and Legacy Critics and dealers alike have noted that Duesberry's contemporary canvases echo the modernist masters John Marin and Milton Avery, sharing their bold color and their instinct for finding underlying geometric structure within the observed landscape. Her plein air practice took her across the American Northeast and West, particularly Colorado and New Mexico, as well as Italy and France, and she maintained a decades-long connection to the Colorado art scene after moving to Denver in 1985. In 2005, PBS produced a documentary on her life and work, Joellyn Duesberry: Dialogue with the Artist. She died on August 5, 2016, at age 72, following a long struggle with cancer. Her work is held today in the permanent collections of the Denver Art Museum, the Metropolitan Museum of Art, the National September 11 Memorial and Museum, the Smith College Museum of Art, the Yale University Art Gallery, and the Jundt Art Museum at Gonzaga University, among others. Keywords: Joellyn Duesberry, American landscape painter, Richard Diebenkorn student, plein air painting, Colorado landscape art, Denver Art Museum collection, National Academy of Design Altman Prize, monotype printmaking, John Marin Milton Avery influence, World Trade Center painter, September 11 Memorial Museum, Metropolitan Museum of Art collection, contemporary American realism, abstraction and landscape painting She said that her paintings echo the work of John Marin and Milton Avery. In 2005, a PBS documentary was made of Joellyn Duesberry's life, work, and creative process titled Joellyn Duesberry: Dialogue with the Artist. Her works are held by institutions such as Metropolitan Museum of Art and Smith College Museum of Art. Publications 1998: A Covenant of Seasons: Monotypes by Joellyn T. Duesberry, Poetry by Pattiann Rogers, 2011: Elevated Perspective: The Paintings of Joellyn Duesberry, SELECT SOLO EXHIBITIONS Elevated Perspective: The Paintings of Joellyn Duesberry, Colorado Springs Fine Arts Center Joellyn Duesberry: A Passion for the Land, Leslie Levy Fine Art, Inc., Scottsdale, AZ Joellyn Duesberry: A Passion for Western Land, William Havu Gallery, Denver, CO Joellyn Duesberry Monotypes: Hidden Treasures, William Havu Gallery, Denver, CO Joellyn Duesberry: Solace on Safari, Gerald Peters Gallery, Santa Fe, NM Tremaine Gallery, The Hotchkiss School, Lakeville, CT. Recent Monotypes, James Graham & Sons, Madison Avenue, New York, NY Joellyn Duesberry: Monotypes, Lizan-Tops Gallery, Easthampton, NY The Garden Paintings, Robischon Gallery, Denver, CO Joellyn Duesberry: Paintings, Tavelli Gallery, Aspen, CO Joellyn Duesberry, Graham Modern, Madison Avenue, New York, NY Joellyn Duesberry: Paintings and Monotypes, Carol Siple Gallery, Denver, CO Joellyn Duesberry, Tatistcheff Gallery, New York, NY SELECT GROUP EXHIBITIONS Significant Women Artists, Curtis Arts & Humanities Center, Greenwood Village, CO Finding Abstraction, Gallery 1261, Denver, CO Rocks on Paper, Katharina Rich Perlow Gallery, New York, NY Summer Landscape Show, Greenhut Gallery, Portland, ME Defining the West: 200 Years of American Imagery, Gerald Peters Gallery, Santa Fe, NM Roots, Landing Gallery, Rockland, ME Annual Professional Painters’ Exhibition, The Century Association, New York, NY Glory of Landscapes, Pelham Art Centre, New York, NY Salon du Musee, Featured Artist, Salon d Arts at Gallery 1261, Denver, CO Small Works, Gallery 1261, Denver, CO The Urban Myth, Vision of the City, Sullivan Goss, An American Gallery, Santa Barbara, CA The Art of Printmaking, paying homage to Open Press,Archer Concept Group,Denver,CO Twenty Years: Paintings: Joellyn Duesberry, Bunny Harvey...

Immerse yourself in the delicate beauty of "Beautiful Nothing," a painting featuring a rose bush against a cool light blue background. Measuring 100x100x4 cm (approximately 39.4x39.4...

"Secret Beach Panorama in Early Autumn" is an oil painting by American Impressionist Ben Fenske. A large scale composition of a Sag Harbor beach vista. The foreground shows green gra...

Michael Magrin's ( US based) "O Precious Thought" is an original, handmade oil painting of a vast sky above the plains. This piece is framed in a natural float frame and is ready to ...

Elliot Gordon (American) , "The Red Room", Contemporary Acrylic on Linen, 36 x 24 Canvas, Early 21st Century, 2015 Colors: Red, Yellow, White, Blue, Black, B...

Denied Warhol Flowers, (Yellow) Silkscreen Linen Painting by Charles Lutz Silkscreen and acrylic on linen with Denied stamp of the Andy Warhol Art Authentication Board. 24 x 24" inc...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

In creating this piece, I let emotions guide each stroke, capturing the quiet energy of a secluded path, the dance of warm light through leaves. The blend of styles speaks to fleetin...

Detailed still life of roses, books, a statue from The Pirates of Penzance, and an ash tray by Texas artist Willa (Willie) Kay Fall (1891-1976). Signed in the lower right corner. Presented in the original period giltwood frame. Image 36" H x 28"W. Unframed. Frame, 42"H x 33.5"W x 1.5"Signed lower right "W. Kay Fall" Willie (Willa) Kay Fall was 1976 Born in Kaufman, Texas to William K. Irvin an advertising man and Roxanne M. Cole. She Married Cecil G. Fall in 1912 in Kemp, Texas She painted in Texas 1920-19600, New York 1950-60, England 1947 and 1951 Sailed on the RMS Queen Elizabeth...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Edward Zutrau Untitled, 1957 Oil on linen 44 x 60 1/2 inches Edward Zutrau is among the American artists who worked within the whirlwind of diverse abstraction that blossomed in th...

Landscape Painting of the Hudson River, New York State, USA by British Contemporary Artist, Angela Wakefield. Art measures 12 x 10 inches Frame measures 18 x 16 inches Angela Wakef...