Linen Paintings

Contemporary painting of plants on a porch in oil on linen from Francis Sills' ongoing series of Flora Paintings. Verdant leafy palms in planters stand behind a wooden table with bri...

"Season of Falling Leaves" by Jim Morgan is an original oil painting depicting the brilliance of autumn color. Roaming the canyons and fields around the small, central Utah town wh...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

"Hydrangeas in Pottery Vase" by Lesley Powell is a delightful 14" x 11" oil on linen painting that exudes charm and elegance. This intimate still life captures a timeless arrangement...

Contemporary abstract botanical garden painting in oil on linen with lush flowers and plants from Francis Sills' ongoing series of Flora Paintings. Framed in a light natural wood fl...

Available at Madelyn Jordon Fine Art. 'Good Times' 2025 by Chinese/Canadian artist Yangyang Pan. Oil on canvas, 42 x 60 in. This beautiful abstract-expressionistic landscape painting...

"Houseboats in Moon Light", a rare early 20th century tonalist nocturnal harbor landscape scene at Greenbrae Boardwalk, San Rafael, California by Charles Rollo Peters (American, 1862-1928), 1912. Inscribed "Charles Rollo Peters Greenbrae, 1912" in the lower left corner. Presented in an antique giltwood frame. Image size: 19.5"H x 25.25"W Auction record high for this noted Nocturnal and Tonalist artist is $58,000. Rare works like this one range $30,000-$35,000. (Note: the photos showing the inscribed signature have been adjusted to show contrast and the artists inscribed signature in other photos enhanced by acrylic over inscription in the oil paint for visibility). Although not noted on verso, the title is taken from two others done the same year at Greenbrae Boardwalk near San Rafael, California. Charles Rollo Peters (American, 1862-1928), called "The Poet of Night", is best known for his Tonalist landscapes, especially nocturnes, with much of his subject matter being scenes around his home in Monterey, California. James McNeill Whistler, who promoted the Tonalist aesthetic in Europe, was a major influence on his painting, and "is reported to have said that Peters was the only artist other than himself who could paint nocturnes." (Gerdts) As Peters matured, his life became increasingly tumultuous, but the one stable part of his existence was his painting. He continued to pour his emotions into his work, creating lonely, mysterious nocturnes with a palette of deep blues and blacks. The scenes were invariably dotted with a speck of light emanating from the moon or a lighted window. His landscapes usually displayed a more prominent sky view and often included a winding path or road trailing off in the distance. Peters was born in San Francisco in 1862 to a wealthy family, and in San Francisco attended Bates Private School for Boys and the City College, where his talent for sketching and painting became obvious and was encouraged. After graduation from the College, he spent time as a commercial artist, but this pursuit did not hold his interest. In the mid 1880s, he began to study privately with Jules Tavernier and also attended classes with Virgil Williams and Christian Jorgensen at the California School of Design. During this period, he painted Bay-Area scenery. In 1886, he began a four-year period of study and travel in Europe, enrolling in Paris at the Ecole des Beaux-Arts and the Academie Julian. His teachers were Jean-Leon Gerome and Fernand Cormon. In San Francisco, where he returned in 1890, he met and married Kathleen Mary Murphy, and the couple immediately departed for an extended trip to England and France. Peters painted the countryside and produced numerous landscape paintings, especially moonlit views of Brittany and Paris---his first nocturnes, encouraged by the aesthetic of Whistler, whose influence was pervasive in England and France. Upon his return to California about 1895, Peters held a large show in San Francisco and was able to sell many of his works. Soon after, he and his family relocated to Monterey, California where Peters became interested in California adobe ruins and missions as subjects for his paintings. Night paintings with rich blues highlighted by moon light became his signature work. Like most Tonalists, he painted in his studio. It was written of him that Monterey residents often saw him "wandering about in the semi-darkness, taking down notes here and there, studying the different phases of light, and creating a vivid mental picture of the scene he wished to paint." (Lowrey 158) In 1899, he made a tour with his collection of paintings through Chicago, Maine, Long Island, and New York City where he held a solo exhibition at the Union Club and received very favorable publicity. One reviewer of the Union Club work wrote: "The artist has studied the atmospheric effect of the night to good purpose, and in the representation of the silvery gray of moonlight he has arrived at singular proficiency." Peters returned to Monterey in 1900, and purchased thirty acres of land where he built an estate. He exhibited in the annual exhibitions of the San Francisco Art Association and the Bohemian Club. Along with William Keith, Xavier...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Ocean Sunset," a masterpiece by contemporary artist Alina Hub...

Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. "No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake No Pasaran oil on linen 48h x 30w in 121.92h x 76.20w cm WIL047 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

Acquired by the gallery directly from the artist Exhibited California Art Club's 108th Annual Gold Medal Exhibition, Pasadena Museum of California Art, Pasadena, CA, March 3 - 29, 2...

"Happy Family", Mid Century Sepia Figurative Interior Scene, Illustration Art by Charles Kinghan A classic and heartwarming mid-century sepia toned figurative interior scene by Charles Ross Kinghan (American, 1895-1984). Circa 1940's. This mid-century piece exemplifies the classic style of illustrations and advertisements from the period, and depicts a family gathered in their living room. Signed "Kinghan" in the lower right corner. Acquired with other works by the artist. Displayed in a period giltwood frame. Linen size: 36"H x 30"W. Framed size: 45"H x 38.5"W x 2"D. Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign...

Daisy Cook is a British painter of landscape and still life. Cook creates abstracted paintings that take landscape as the subject without being explicitly topographical or descrip...

Michael Miller’s "Barn in the Rain" is a captivating oil painting on linen panel that embodies the quiet stillness of rural landscapes, in the calm before a storm. Measuring 10 x 10 ...

Samuel S.Hoskins Statement on The Traveler : I hold a deep appreciation for the motif of the traveler. I prefer to perceive my life as a narrative in which I play the role of a traveler. Much like in life itself, this journey involves navigating through various elements and facing the challenges that life presents. At times, the journey may be characterized by sunny and pleasant moments, while at other times, it might resemble a chaotic storm. Nevertheless, there is a profound beauty woven in it all. The Traveler by Samuel Hoskins...

Suzy Smith's "Lady in Red" is an original, handmade oil painting that depicts a feminine figure, in a formal red gown holding a cigarette. About the Artis...

Neige de Nuit (Night Snow) — luminous oil on linen. Dimensions are 32 x 24 inches. French American Frédéric Choisel, is inspired by the cities and country...

Signed and dated, 2007, oil-on-linen, abstract figurative painting, "Fairchild Gardens" (located in Coral Gables, Florida) by highly regarded Italian artist, Sandro Chia (b. 1946). C...

David Collins was raised in Dallas, received a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions i...

Brittany Coastal Painting France by Modern French Impressionist Landscape Artist. Douarnenez, Brittany, France, is a rare original Oil Painting by Award Winning French Post-Impressionist Artist, George Charles Robin. Art measures 21.5 x 18 inches Frame measures 27 x 23 inches (approx.) Born in Paris in 1903, Robin was a student of Paul Michel Dupuy...

An impactful black painting with dark green accents, characterized by sharp and angular shapes. Spiky and energetic elements create a powerful visual tension.

This large abstract oil painting is by Dutch contemporary artist and art teacher Rubins J. Spaans. A unique oil painting on the finest quality Belgium linen canvas. The painting is a...

This warm, realistic painting depicting a day exploring the Dutch countryside features a golden field with a stream bisecting the landscape with windmills dotting the landscape. The...

Dillon's choice (Abstract painting) Acrylic on linen - Unframed Clay Johnson is an American abstract painter whose reductivist compositions explore the relationships between color,...

“My art is all I can give to the world, it is all I have to offer.” Abstract painting by Janet Lippincott, 1975, acrylic on linen. Born in New York in 1918, Lippincott had attended t...

Ulrich Gleiter's (EUR based) "Sunset in Perrigny" is an oil painting that depicts clusters of colorful trees with the blue sky overhead. Bio/Artist Statement: German-born artist U...

60 x 72 x 1.5 inches acrylic on canvas being offered by CARRIE HADDAD GALLERY in Hudson, NY. Large, horizontal abstract painting with a palette of turquoise, saffron orange, teal an...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Artist: Vadim Zang Title: Workshop at Maggie’s Medium: Oil on Linen Year: 2011 Style: Figurative Impressionism Dimensions: 28" x 22" x 0.8" inch (71 x 56 x 2cm) Presentation: Unframe...

Green Dreams Artist initials lower right corner, signed on the back. Maximo Caminero Born in the Dominican Republic in 1962. Artist, self-taught formation. He made his first ...

Stunning mid century landscape of Carmel, California titled "Sea Rocks" by Homer Francis Levinson (American, 1894-1975), circa 1940's. Impasto brushwork adds extra depth and interest...

"My paintings and drawings incorporate elements found in architecture, design, popular culture and art history. My reductive compositions and pure color mimic the low-tech graphics utilized in mid-century media...

Luminous 1900 landscape of lake with mountains in background and stunning Aurora Borealis; a canoe rests on the shoreline by R. Briston (American, 20th Century). Signed lower left co...

In this work Peter Durieux shows his love for the landscapes of France, and also his capability in composition, tonality and style. Beautiful and powerful at the same time. Drawi...

"Self Portrait in Turban" is a poetic realist oil on linen painting. It depicts the artist, Angel Ramiro Sanchez wearing a turban, or a white cloth wrapped around his head, knotted i...

A solitary figure, head bowed, stands in a field in contemplation of what has just taken place or what is about to take place. "A Great Battlefield" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to contemplate the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. A Great Battlefield oil on linen 60h x 35w in 152.40h x 88.90w cm WIL029 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

Inspired by the J. R. R. Tolkien quote "Not All Those Who Wander Are Lost" from the poem "All That is Gold Does Not Glitter" from "The Lord of the Rings." The poem reads: "All th...

Edward Minoff graduated with honors from NYU's Tisch School of the Arts. Throughout his high school and college years he studied painting and sculpture at the Art Students League of ...

‘Amaryllis', by artist Frédéric Choisel, who lives and works in Paris, France, painted this dramatic, creamy white, amaryllis flower bursting full bloom on green stalks against a dar...

Early 20th Century Original Oil Painting Landscape -- High Sierras Spring Alpine Meadow by Frederick Carl Smith This painting is a classic exampl...

The Hana-Bi 4 — luminous oil on linen. Dimensions are 63 x 63 inches. French American Frédéric Choisel, is inspired by the cities and countrysides o...

An impressionist painting of trees silhouetted against a bright sunset. The contrast between the subtle colors in the trees and the warm glowing colors of the sky. The trees in the d...

Bold composition of two people on a porch by Majel McHugh Logan (American, 1916-1982). Two people sit facing each other on a porch, backlit by warm sun. The piece is sketchy but confident, with thick brushstrokes adding high contrast shadows and highlights. Although the subjects' faces are undefined, there is nonetheless an expressive quality in their body language. Signed "Majel Logan" in the lower right corner.\ Artist's tag on verso with title. Presented in a wood frame with a gold accent. Frame size: 14.75"H x 16.75"W Canvas size: 14"H x 16"W Majel Logan (nee McHugh) (American, 1916-1982) was born in Utah. After graduation from St. Mary of the Wasatch College in Utah, she studied at the Pennsylvania Academy of Fine Arts. She continued to study at Idaho State University before eventually settling in Santa Clara, CA. Although she was a professional artist at the time, she nonetheless continued her studies at San Jose State University in the 1970s. By the mid-70s, she had won 43 awards in state, regional, and local competitions, including Fiesta des Artes (Los Gatos...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2025 Style: Impressionism Title: Drift into Sea Size: 28" x 39" x 0.8...

Vibrant landscape painting of a cove in Carmel Beach looking towards Pebble Beach by James Riley Stevenson (American, 1911-1990). Signed lower left "James Stevenson." Unframed. Image...

Moonshine – Fowey, Cornwall [2020] Original Seascape Acrylic on extra deep edged Belgium linen. Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:7....

Madaket Marsh, Nantucket

Oil on linen Fu Zenan always known as Da Han is a Chinese artist born in 1953 who lives & works in Songzhuang, Beijing, China. He is graduated from the Suzhou University. In 1985, F...

Manhattan Henge at Sunset on busy New York City Street by British Urban Landscape Artist, Angela Wakefield. This is a major work to continue her epic New York Series which now spans ...

Gorgeous late 19th Century Russian landscape with stream in the shade by Nikolai Aleksandrovich Sergeev (Nikolai Alexandrovich Sergeyev ...

New York Sunshine Golden Glow Cityscape Painting by British Urban Landscape Artist Angela Wakefield. This original is part of the New York Series, a ...

Provenance Acquired by the gallery directly from the artist. FRAMED: 30.375" x 30.375" x 1.125" UNFRAMED: 20" x 22" Artist Statement “The real voyage of discovery consists not in ...

Green, yellow and bronze abstract Impressionist reflective scene alludes to light on water. Created with a rich range of golden tones. The late-career established artist paints thinl...

Wonderful vintage oil painting of Sierra Mountains in Fall by Max Higgins (American, 20th Century), circa 1940s. Signed lower left. Condition: Professionally cleaned; minor craquelur...

UFI (Abstract Painting) Oil, fabric, pencil on linen — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper collage and installation. Her pro...

Skate Boarder in Times Square New York City, after the Rain, by British Urban Landscape Artist, Angela Wakefield. This unique original is a major work to continue her epic New York S...

Original oil painting on linen by artist Joseph McGurl. Framed.

White Roses is painted in the Realist style which the artists acquired when she studied at the Florence Academy of Art. Frame included at no cost. Other paintings by Melissa Sanche...

"Anticipation" is a realist oil on linen painting. It depicts three men sitting on a dock, the still water and two boats behind them. A large white net is shared between the three of them, resting on their laps as they prepare the net to fish. The center figure, donned in a yellow raincoat...

Mid Century Textural Color-Field Abstract in Royal Blue-Purple by Peter Witwer A striking mid-century textural color-field abstract in a bold color palette of royal blue-purple by San Francisco artist Peter Witwer (American, 1928-1968). This highly textured mixed media piece, c.1960's, uses a monochromatic palette that is divided into two areas of varying textural depths. The lower part of the canvas verges on sculptural, as the textured surface becomes almost three-dimensional and haunting forms emerge from the abstract purple-blue plane. Unsigned. From a collection of the artist's works. Displayed in a painted wood slate frame. Frame has been painted by the artist and is considered part of the artwork. Linen size: 26"H x 22"W. Framed size: 27"H x 23"W x 1.2"D Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

Joanne Freeman Cadmium 40, 2021 oil on linen 40 x 30 in. (freem173) This original oil painting on linen by Joanne Freeman features rich, red abstracted shapes on the linen background. "My drawings and paintings utilize geometry and are influenced by architecture and design. They were initially influenced by the symbols and signage found on the streets of New York. That early visual language emerged into a reductive formal language with roots in modernist aesthetics and ideology. My drawings are made with gouache on handmade Indian Khadi paper. The source for the work can be found in the geometry of the city and the effects of light and shadow. They also reference graphic popular culture, specifically the simple direct designs of midcentury media...