Linen Paintings

Artist Statement—Motion Capture Studio Series. Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his direct interaction...

Diptych - signed on bottom right Helen Uter is an established Franco-American painter with international exposure. Heavily influenced by Edward Hopper, she creates works that explo...

This 31" x 28" oil on linen painting was done by Robert Bonaparte in 1980. The painting depicts an abstracted and minimalist still life composition on a canvas. In the foreground, th...

INDIVIDUAL EXIBITIONS albert vidal February. Sala Parés, Barcelona. 2011 October. Gallery Sibman. Paris. 2010 April. Gallery Sibman. Paris. 2009 February. Sala Parés. Barcelona. 2007 June. Uniglavas Gallery. Tokyo. Japan. 2006 May. Sala Pares. Barcelona. 2005 October. Juan Amiano Gallery. Pamplona. 2003 October. Sala Parés. Barcelona. 2002 September - october. Galeria Juan Amiano. Pamplona. 2001 February-March. Sala Parés. Barcelona. 2000 March. Auditorio Municipal. Montcada i Reixac. Barcelona. 1999 January-February. Galeria Tuset. Barcelona. 1995 December. Sala Lola Anglada. Barcelona. 1993 April - May. Sala Albareda. Barcelona. 1991 December. Sala “ Ca N´Amatller”. Molins de Rei Cyty Council. Barcelona. COLLECTIVE EXIBITIONS 2010 40x40. Sala Parés. Barcelona. 2008 December. Sala Parés. Barcelona. 2008 Septembre. 50 years of “Premi Pintura Jove”. Sala Parés. Barcelona. 2008 April. La Cave. Geneve . Switzerland. 2008 March. “Urbe”. Jordi Barnadas Gallery. Barcelona. 2007 February. Nichido Gallery. 42 Showakai Exhibition. Tokyo. Japan. 2006 April. “NYC” , Ariel Sibony Gallery. Paris. 2005 November. Barnadas Gallery. Barcelona. 2004 Sala Parés. Barcelona. 2004 Sala Barnadas. Barcelona. 2002 July. Galeria Gaudi. River North Festival Absolut Vision. Chicago. US 2002 May. ARTEXPO. Sala Parés. Barcelona. 2001 December. Galeria Barnadas. Barcelona. 2001 September-October. Galeria Giart . Girona. 2001 July. Sala "Ca La Pruna" - Pals. Girona. 2000 February- April. Jeunes talents catalans, Maison de la Catalogne. Paris. 1999 September. Sala Parés. Barcelona. Premi a la Pintura Jove. 1999 September-November. Realisme a Catalunya. Centre d´Art Santa Mónica. Barcelona . 1999 May. ARTEXPO. Galeria Tuset. Barcelona. 1998 September. Sala Parés. Barcelona. Premi a la Pintura Jove. 1998 July-August. Estudi d´Art. Calella de Palafrugell...

Acrylic, spray paint, oil bar and oil on linen During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of worki...

In this abstract painting in acrylic on linen mounted on panel by Elizabeth Gourlay, clean and precise, carefully ordered blocks of color in shades of magenta pink and green with hin...

Reflecting the role that ancestor worship played in Chinese culture, this Qing-dynasty painting depicts several generations of family, dressed in intrica...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shaped canvas that is color-blocked into three main sections. The topmost triangular portion of the canvas ...

"Stars and Stripes" 23 Karat Gold Leaf and Oil on Linen 26 x 50 Inches Charlotte Gibbs’ "flag" and "star" paintings often reference the artist's interest in Pop art and sometimes incorporate 23 karat gold leaf in addition to oil paint, but not always. With its depiction of a graphically idealized American flag. "Stars and Stripes" is at once lovely and bold. Beautifully painted and exquisitely executed, these elegant works of rich color are sophisticated examples of Gibbs' ability to invoke whimsy while demanding serious attention, and the artist's simple distressed white wood double lattice frame is the perfect complement. Also available is a smaller version of this painting, "American Standard" 18 x 34 inches, as well as a vertical variation "Vertical U.S. Flag" 34 x 18 inches. Additional variations of the American flag series are available without 23 karat gold leaf ("Reverse Image" in black and white, "Flag #4" in black, white and tan, and "Black and White" which is black, gray and white). The artist's "Canton" series of paintings focuses on stars only. Paintings from this series are available in navy blue with gold leaf stars ("Canton Major" 34 x 48 Inches), olive drab with gold leaf stars ("Canton Olive and Gold" 30 x 42 Inches), and all 23 karat gold leaf ("Starry Splendor" 30 x 42 Inches). Gibbs is often commissioned to paint variations on her 'flags' and 'stars' to customize scale, orientation (horizontal or vertical) palette, and/or symbols of particular significance to the client. Additionally available are flag paintings in various sizes inspired by the British flag with and without 23 karat gold leaf ("Sgt. Pepper Jack," "Union Jack Red and Gold," "Union Jack Navy and Gold," and "Union Jack White and Gold"), the Scottish flag...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

In her colorful and saturated oil paintings, Lucy Reitzfeld explores the relationships she’s always had with land and sea. Born into an artistic theatrical family on the shoreline of...

Ulrich Gleiter's (EUR based) "In the Andalusian Desert" is an oil painting that depicts the textural hillside of a desert landscape. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...

sbc 195 (Abstract painting) Acrylic on Linen - Unframed Like sbc 194, this acrylic painting on medium-weave linen deviates from Cantrick’s habitual formats. Indeed, the seascape f...

"Flora #2" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of bright yellow, lime green, pink, blue and purple. Guy Robinson is i...

Ulrich Gleiter's (EUR based) "Midnight Sun in Finland (Last Snow)" is an oil painting that depicts a snow covered yard with a deck railing and a yellow mi...

Oil and fabric on linen - Unframed Feinberg works with a variety of techniques and mediums, including painting, paper collage and installation. Her process results in abstract paint...

Since moving to Ubud (Bali, Indonesia) in August 2018 Lydia has been investigating the psychological phenomenon known as the Spotlight Effect. The idea of constantly being watched; u...

David Hare Cronus Asleep in the Cave, 1971 Acrylic on linen 55 x 67 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Still 13, 2023 Oil on linen 43 1/4 x 39 3/8 in 110 x 100 cm "Encountering the work of Ian Cumberland is a peculiar, unsettling experience, as if the vi...

Acrylic on linen - Unframed This acrylic painting on linen is one of 8 medium-scale paintings that Cantrick produced for her 2012 series based on the prose poem "The Pebble" by Fran...

acrylic on linen 18 x 18 x 6 inches b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are base...

Since moving to Ubud (Bali, Indonesia) in August 2018 Lydia has been investigating the psychological phenomenon known as the Spotlight Effect. The idea of constantly being watched; u...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Rose Freymuth-Frazier Come In Peace oil on linen 50h x 70w in 127h x 177.80w cm RFF056 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary expl...

Acrylic on linen - Unframed This acrylic painting on linen is one of 8 medium-scale paintings that Cantrick produced for her 2012 series based on the prose poem "The Pebble" by Fran...

"Under One Sky no.3" by Alyson Kinkade 44x44" oil on linen 45x45" framed, black wood floater "We're all looking at the same sun, it just has a different setting based on where we st...

Autumn Clouds Over the Headland by Fiona Carver [2021] original Work signed by the artist Oil Paint on Linen Panel Image size: H:18 cm x W:24 cm Complete Size of Unframed Work: H:...

Yektai composes a still life of flowers and one of his own canvases in front of his studio window. One of Yektai's more personal paintings, he gives us a look into his point of view ...

black and white landscape painting of lily pads. floral

Twilight- Bruges VIII [2017] original Oil on Linen Image size: H:80 cm x W:60 cm Complete Size of Unframed Work: H:80 cm x W:60 cm x D:3cm Sold Unframed Please note that insitu ...

Teofimo was painted over several days in the artist studio in Florence, Italy. The painting measures 16 x 12 with a handmade frame from Italy. This is oil on a linen panel which mos...

Ulrich Gleiter's (EUR based) "Melting Snow Swedish Lapland" is an oil painting that depicts a snow covered landscape surrounded with barren mid-winter trees and long cast shadows as ...

Also shown below are other available paintings by Judy Crowe. Beautiful Melody is a mockingbird commonly seen in Texas and painted in the Impressionistic style by Texas artist Judy ...

An oil painting of a seascape at sunset by Contemporary Russian Impressionist Viktor Butko. Tall, skinny, birch trees stretch across the foreground and up towards the sky. Behind the...

Nude in Lime by Gabrielle Moulding [2020] original oil on linen Image size: H:65 cm x W:45 cm Complete Size of Unframed Work: H:65 cm x W:45 cm x D:1cm Sold Unframed Please note...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. The diamond shaped canvas is primarily a brown cardboard color, with two circles dominating the center of the composition. Stacked vertically, the topmost circle is a light lavender color, and the lower circle is a creamy, salmon orange. Two cuts have been made in the canvas on either side of the center, where the edges of the two circles meet. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Oil on linen

Ulrich Gleiter's (EUR based) "View From the Porch - Winter Evening in Sweden" is an oil painting that depicts a snow covered cabin, surrounded with barren mid-winter trees and dense ...

"Winter Table" is a Neo Impressionist rustic still life of fresh Tuscan ingredients. A Fiorentina Steak, Moka pot, red wine, sliced-into cheese, oranges, and artichokes really situat...

Still Life With Wagtails. 2011. Oil on linen, 40X45 cm

Major. (from series Music) 2011. Oil on linen, 70 x 80 cm

"Subdue" by Alyson Kinkade Abstract Landscape Oil on Linen 10x10" image 12x12" framed in black wood as pictured *Shipping price includes the custom packing necessary for safe transp...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

Darius Yektai was born in Southampton NY, in 1973. He lives and works out of his home and studio in Sag Harbor. He grew up in a cultural home of art and artists, with his Greek-Ameri...

Ulrich Gleiter's (EUR based) "Sunset in Perrigny" is an oil painting that depicts clusters of colorful trees with the blue sky overhead. Bio/Artist Statement: German-born artist U...

oil on linen on mounted board *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fanta...

"Coral Cove Rock" is an oil painting by contemporary artist, Carl Bretzke. Coral Cove is located in Jupiter Florida, known for it's large rocks along the b...

Acrylic on linen - Unframed The artist considers this painting, acrylic on polyester, to be a continuation of the kind of space revealed in sbc 195 and sbc 203: A formal matrix tha...

oil on linen Mark Pomilio’s current research has focused on creating images, which embody principles of geometry, fractals, cloning and single-cell manipulation. These interests hav...

"Hallowed Ground" 47" x 33" inch by Neama El Sanhoury Medium: fabric appliqué on linen "Fragments of Time" series: Ultimately, El Sanhoury’s work is contemplated and generated in ...

Grace Hartigan Pompeian Perfumer, 1999 Signed and dated lower right; signed, titled, and dated on the reverse Oil on linen 72 x 66 inches Grace Hartigan’s career began among the Ne...

An original acrylic on linen canvas by American artist Martica Miguens. The artist's estate was recently unearthed and acquired by Benjaman Gallery. ...

An original acrylic on linen canvas by American artist Martica Miguens. The artist's estate was recently unearthed and acquired by Benjaman Gallery. ...

Derek Harrison's (US based) "Sam" is an oil painting that depicts a nude female model with pink hair and shaved sides. "Sam" is a secondary market work with one previous owner. Artist Biography: Derek Harrison has worked as an artist almost all of his life. It all began with experimental art in various mediums. These ranged from watercolor to spray paint, tattooing, illustration and eventually to oil painting. A full spectrum of mediums experimented with as an artist beginning to learn his craft. In early 2010 Derek began taking workshops with very accomplished painters. This exposure opened his eyes and mind to what the possibilities are in the fine art world. After a very short amount of time, Derek began to take an extreme interest in classical/traditional art. This interest would lead him to study at the Los Angeles Academy of Figurative Art. After formal training, many classes and workshops outside of the school and a very important session of weekly classes with artist Jeremy Lipking, Derek Harrison has become one of the most exciting new talents in the field of representational painting. He has shown in galleries all over California and as distant as Amsterdam. His paintings sit in many collections across the country including musician Richie Sambora...

Alejandro is an oil on linen painting by Cuban-American artist Edel Lugones who lives in Miami, Fl. It is 17 x 14 unframed and the gallery is waiting fo...

Siena Spring Study No.2 by Alyson Kinkade Painting of Siena, Italy from a photo I took. Oil on Linen 22x18" image Framed 29x25" hand-built stained wood with gold leaf ABOUT THE ART...

Jules Olitski (1922-2007) is one of Caviar20's favorite abstract artists of the 20th century. Over the course of his career, his aesthetic evolved in startling and fascinating ways....

Twilight- Bruges VII [2017] original Oil on Linen Image size: H:80 cm x W:60 cm Complete Size of Unframed Work: H:80 cm x W:60 cm x D:3cm Sold Unframed Please note that insitu i...