Linen Paintings

A view of the walkways to the Gondola services in Venice, where the painter places us at dawn with the Church of San Giorgio Maggiore in the background, submerged in the mist produce...

Elegant Early 20th Century Floral Still Life of Cascading Yellow Hybrid Tea Roses Realistic early 20th Century floral still life by L. Griffin (English, 19th/20th century), 1904. Fe...

“Chic Canine” is a contemporary acrylic dog painting by French artist Natalya Mougenot, part of her expressive ongoing series dedicated to dogs. With her distinctive painterly langu...

Oil painting of lupine fields at Toro Park, in California. A sunny day makes a bright blue sky, which fades to white as it inches towards the horizon. Th...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Wonderful oil painting of artist's son, Ray Rogers, by Virginia Sevier Rogers (American, 1916-2015). Signed "VSR" 7/50 (July 1950) on verso. Unframed. Image: 34"H x 24"W. Rogers stu...

"Geostructure II" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French public, despite his participation in the architectural project of the Musée du Quai Branly, Tommy Watson is nevertheless often considered the greatest living Aboriginal artist. Like many aborigines of his generation, he lived a traditional, nomadic or semi-nomadic life before his contact with Western civilization; then he will occupy the only jobs that the Aborigines find: herdsmen (until Yuendumu), laborers for the construction of infrastructures in the desert. Throughout this period he became familiar with his "country", a harsh region, and deepened his knowledge, both profane and sacred, relating to Dreams and Dreamtimes, to the connections between sacred sites and the Ancestors. He will even work in Papunya, where the artistic movement started. But the Pijantjarra are intransigent with tradition…no question at this time of revealing the motives and the secret stories. The North of South Australia, the region where he is from, was touched by the pictorial movement only at the very beginning of the 2000s. In 2001, Tommy began his career as an artist in Irrunytju (Wingellina). He is a young artist… He learns by observing other painters and draws on the experiences of a long life and on the exceptional knowledge he has stored up. But quickly he will find his way, a radically new style where color plays a major role. Very quickly, the iconography now well known by the artists of Yuendumu, or the Western Desert, Balgo or Lajamanu disappeared. The symbols are no longer there. As Rover Thomas, Emily Kame or Paddy Bedford had done before him, this is a real artistic revolution. For Tommy, it is not a question of describing his Dream (Caterpillar), the routes taken by the Ancestors. He concentrates on a site, a story, sometimes very profane, the memory of a meeting, of a hunting party, tries to condense his memories, the information of which he is the depositary, to add a poetic touch to it, sometimes melancholy, and this gives a painting with a very abstract aspect. It is a painting where the emotion is very present, undoubtedly less cerebral than the art of the neighbors of the north the Pintupi, like Ronnie Tjampitjinpa, George...

Clyde Hopkins Wazoh De Kellog, 2003-4 Oil on linen 61 x 51 cm 24 x 20.1 inches Clyde Hopkins, born in Sussex, studied Fine Art at the University of Reading from 1965 to 1969. The ar...

"Untitled 2" Abstract Acrylic on Linen Painting 36" x 38" inch by Hossam Dirar Untitled 2" by Hossam Dirar Acrylic on linen canvas 2016 This work in on loose canvas, ships rolle...

This artwork is an exemplary manifestation of abstract expressionism, captivating audiences with its vigorous and spontaneous composition. Dominated by a harmonious blend of pastel h...

Clyde Hopkins Gastropodus, c. 2011 Oil on linen 70 x 55 cm 27.6 x 21.7 inches Clyde Hopkins, born in Sussex, studied Fine Art at the University of Reading from 1965 to 1969. The art...

“Dog Sparkle” is a contemporary acrylic dog painting by French artist Natalya Mougenot, part of her expressive ongoing series dedicated to dogs. Executed in Mougenot’s unique blend o...

"Another Day" is an oil painting on panel. A winding California road snakes its way up a hill. Houses are perched at the top overlooking brown scrub and ro...

Represented by George Billis Gallery, NYC & LA --Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas c...

1972-73 Eastbourne College for Art and Design: Fine Art Foundation Course: studies drawing. Works through the South Coast Period of paintings. Studio: South Coast of England. 1974-81 University of Wales: studied painting under Welsh artist Selwyn Jones. Public and private commissions: twenty-five multistory murals in Wales and England: documented by the BBC and British National Newspapers. Studios: Bethesda and Bangor City, Wales. Studies composition and portraiture. Shows at the Royal Exchange, London; Bangor City Museum, Wales. 1981-82 Commission: The Trial of Saint Deiniol: 19-panel, 18 x 21 ft. painting. Studio: Shropshire, England 1982-86 The New York Times send photographer Dith Pran (on whom the movie The Killing Fields was based) to photograph Povey in New York with The Trial of Saint Deiniol painting at Art Expo New York 1986. Povey is advised by George Bush Senior’s former campaign manager Zena Temkin on shaping his public persona. The BBC film Edward Povey with former President of the Royal Academy of Art in London - Sir Hugh Casson KCVO, RA, RDI in which Sir Hugh interviews Povey about his art career. Public and private commissions for collections in the United States, London, Wales, Belgium, West Indies. Studies symbolism and trains in color with Jan de Maere in Brussels and works through the Tapestry Period of paintings Studio: Grenada, West Indies. 1987-91 Studies psychology and narrative in art whilst he builds the extensive Childhood, Illusion and Desire Period of paintings. Studio: Guisborough, England courtesy of the town mayor. Shows in Belgium, London, New York. 1992-93 Public commission: Hall of Illusion mural: 20 X 40 ft. interior oil painting in the Chamber Concert Hall of the University of Wales. The commission is followed by BBC Television, S4C Television; BBC Radio Four and regional and national newspapers. Studios: Guisborough, England; Bangor City, Wales. Designs the Hall of Illusion mural on the island of Grenada, West Indies. 1994-96 Deepens his studies in the relationship between art and the psyche. Researches new ways to evolve concepts with models using theaters...

"White Willow Lilies", is a horizontally oriented oil painting on canvas, with a layer of resin poured and hardened, to create a translucent, reflective layer, reminiscent to the sur...

An oil painting by American Expressionist painter Darius Yektai. In his signature thick application of paint, Yektai molds a vase of flowers atop a simple footstool in primary colors...

Big Rio, Original Contemporary Expressionist Landscape Painting 48" x 48" x 1.75" (HxWxD) Oil on Linen This large square-format work by artist Carol Tippit Woolworth features a stunning color palette of rich greens and reds combined with muted blues, purples, and orange tones. There is a balance, both with the color, but also with the composition as the Rio Grande wraps around the curves in the Southwestern landscape, opening up towards the viewer and simultaneously guiding your eye around to the landscape in the distance. This Mexican desert appears calm and a bit desolate, but also bursting with life and energy through the colors used and the loose, energetic mark making that is characteristic of expressionist landscape works. Artist Commentary: The Rio Grande About the Artist: Art has always been a central part of Carol's life. Constantly drawing as a child, the passion to create something two dimensional has continued to this day, through oil and gouache. Carol currently lives in Santa Fe, NM and exhibits at Smilow Mathiesen Gallery on Canyon Road. She graduated with a BA in Art through the University of California at Santa Barbara, with an emphasis in Painting, but has continued to study at various art institutions (Parsons NYC; Silvermine Artists Guild, CT; Rohaton Art Center, CT; Delaware College of Art & Design (DCAD), DE) throughout her career. She now teaches painting at DCAD (Continuing Education), has several private art students, and leads painting workshops in France twice a year. She also works as a self-employed graphic designer. Carol has always been interested in France, the French landscape and French culture. She loves the fields and hilltop towns,and the strong clean lines and shapes they create. The past couple of years this influence has dominated her work. Her landscapes are a constant search for color, contrast, and shapes. Recently Carol has discovered the natural beauty of Lancaster County PA and Northern New Mexico, and is applying her French vocabulary to these new areas. Another influence early on was of an artist whom she babysat for, and who lived across the street, in Santa Barbara: Priscella Bender Shore. She eventually became her favorite art teacher and mentor at the Santa Barbara Community College. Priscella's work was of women in a swimming pools, reflecting and refracting light. They were both figurative and abstract. This images haunted Carol's memories until she could recently recreate the swimming pool paintings...

Born and raised in Louisiana, Laura Cooper began life surrounded by water. Her childhood home was on the banks of the Vermilion Bayou in Lafayette. She has fond memories of watching ...

Oil on linen

A painting of painter, Ben Fenske, his muse, Beatrice, and his dog. Sitting in front of and underneath Fenske's 2009 painting, "The Break Up." The artist comforts the dog with a nice...

Original oil painting by Alexandra Pacula. Alexandra Pacula (b. 1979, Poland) is a cityscape and landscape artist, focusing on realism through oil painting. She received her BFA fro...

La Piscine de mon Rêve Swimming Pool of my Dream Landscape Tempera Painting on Linen Canvas In Stock Paul Delmée (Brussels, 1944) received his education at the Academie des Beaux Art...

An impressionistic depiction of a Saint-Cloud factory porcelain vase ca. 1695–1710 with a burst of flowers exploding with color and bold marks. Alfaro bridges the Baroque cultural mo...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Summer Season, Size: 28.5" x 56.5...

An oil painting of a beach on Gin Lane, by Darius Yektai. Painted en plein air on the bed of his truck, Yektai uses sweeping brushstrokes to approximate the e...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

Hand signed upper left Samuel Seeberger (Sieberger) was a known French artist and post-card designer who lived in Paris and was active around 1900-1940. He was arrested for being a ...

The Saturday Evening Post Magazine, July 23, 1921 (cover illustration). Sarah Stilwell-Weber is celebrated for her captivating illustrations of children. While her early work often ...

Noé Katz is a multi-media Mexican artist creating paintings, sculptures, and murals that reflect concepts of humanity in his signature modernist style.

An oil on linen painting of a bird on a branch, seen through Contemporary Realist painter Stephen Bauman's signature cerulean lens. The pigeon appears blue, with a pink belly, and a ...

Suzy Smith's "Calm Before the Storm" is an original, handmade oil painting that depicts a feminine figure, in a white and black striped swimsuit, holding a ...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

This painting is part of a new series I began in the fall of 2025 titled Contemplation and Introspection. In this series I am exploring the profound relationship between nature and t...

Abstract oil painting on canvas and resin. This bright piece has a lot of depth, literally! The layers of paint and resin are built upon each other, the upper layers casting shadows ...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French public, despite his participation in the architectural project of the Musée du Quai Branly, Tommy Watson is nevertheless often considered the greatest living Aboriginal artist. Like many aborigines of his generation, he lived a traditional, nomadic or semi-nomadic life before his contact with Western civilization; then he will occupy the only jobs that the Aborigines find: herdsmen (until Yuendumu), laborers for the construction of infrastructures in the desert. Throughout this period he became familiar with his "country", a harsh region, and deepened his knowledge, both profane and sacred, relating to Dreams and Dreamtimes, to the connections between sacred sites and the Ancestors. He will even work in Papunya, where the artistic movement started. But the Pijantjarra are intransigent with tradition…no question at this time of revealing the motives and the secret stories. The North of South Australia, the region where he is from, was touched by the pictorial movement only at the very beginning of the 2000s. In 2001, Tommy began his career as an artist in Irrunytju (Wingellina). He is a young artist… He learns by observing other painters and draws on the experiences of a long life and on the exceptional knowledge he has stored up. But quickly he will find his way, a radically new style where color plays a major role. Very quickly, the iconography now well known by the artists of Yuendumu, or the Western Desert, Balgo or Lajamanu disappeared. The symbols are no longer there. As Rover Thomas, Emily Kame or Paddy Bedford had done before him, this is a real artistic revolution. For Tommy, it is not a question of describing his Dream (Caterpillar), the routes taken by the Ancestors. He concentrates on a site, a story, sometimes very profane, the memory of a meeting, of a hunting party, tries to condense his memories, the information of which he is the depositary, to add a poetic touch to it, sometimes melancholy, and this gives a painting with a very abstract aspect. It is a painting where the emotion is very present, undoubtedly less cerebral than the art of the neighbors of the north the Pintupi, like Ronnie Tjampitjinpa, George...

David Michael Slonim Untitled (2017) Oil on linen Size: 30 × 24 in (76.2 × 61 cm) Hand-signed by artist === Born in Miami in the mid-1960s, David Michael Slonim received his bache...

Matthew van Liessum (b. 1989, The Netherlands) is an abstract painter based in Antwerp. His practice is rooted in gestural abstraction, where energetic mark-making meets a strong sen...

Matthew van Liessum (b. 1989, The Netherlands) is an abstract painter based in Antwerp. His practice is rooted in gestural abstraction, where energetic mark-making meets a strong sen...

Original Oil Painting by Robert Jackson, Robert C. Jackson (b. 1964, Kinston, NC) began his career path as an electrical engineer before turning his passionate hobby into a full-tim...

Oil on linen Luo Yi was born in 1965 in Chengdu, Sichuan province, China. She is an artist specialised in oil painting and contemporary art creation. Luo Yi s...

Original Oil Painting by Robert C. Jackson. Robert C. Jackson (b. 1964, Kinston, NC) began his career path as an electrical engineer before turning his passionate hobby into a full...

Signed lower right Louis Guarnaccia Biography American, b. 1958 Louis was born in Omaha, NE in 1958. At the age of nine he began painting in oil, and at 14, he began studying paint...

Floral Phenomena presents a composition where botanical elements are defined by motion rather than stillness. Against a greyish pastel lavender field, branches and blossoms form a c...

American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy Ernst. She has also s...

'Peek-a-boo Ghost in Spring" by Adam Handler. 34 x 40 in. Oil stick and pencil on linen. This painting by contemporary artist Adam Handler features a light pink and yellow palette. T...

Pond in Spring, Abstract Landscape - Ukraine “Pond in Spring", a colorful and expressive abstracted landscape by Igor Ermolov (Ermolov Igor Alekseevich) (Ukrainian/Russian, 1941-200...

Artist: Karen Darbinyan Medium: Oil on Linen, Year: 2025 Style: Impressionism Title: Breath of the Ocean Size: 28.5" x 39" x 0.8'' inch, (73x100x2cm), Presentation: Stretched on Wood...

Abstraction 150-200 1 15 is a painting by French artist Nicolas Galtier. The artist uses a mixed technique combining pigments, binders, glues and various metal powders and sheets. Th...

Hunting Egypt. 2001. Oil on canvas, 68x101 cm

“Vase Dream” is a vibrant contemporary floral still life by French artist Natalya Mougenot, where color moves freely and form dissolves into sensation. The painting does not simply d...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

Red Leaves Red Leaves, oil painting on linen, 43x36x1.5in. Artist signed lower right corner and hand inscribed title and dated on verso. Depicting a young woman standing before a s...

Grey & Tan Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer Heavily textured, expressive composition by Peter Witwer (American, 1928-1968). Over the top of a hea...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2025 Style: Impressionism Title: Drift into Sea Size: 28" x 39" x 0.8...

In this peaceful contemporary painting in oil on linen, the chimneys and roof of a white house visible down a winding path lined with tall green hedges. The serene sky is calm and bl...

Artist Commentary: This minimalist oil painting is created with oil paint and charcoal made from Trump's "Art of the Deal" and Playboy magazines. The calmness belies the blackmail referred to in the title. Trace amounts of human urine are mixed with acrylic medium painted over the charcoal lines. This medium has not color or texture, but is a tool for making the charcoal adhere to the oil primed linen. Keywords: political art, small minimalist painting...

Some paintings know exactly what they want to be. This is one of them. Frequency II arrived fully charged — branches crossing, roses opening mid-gesture, colour moving across the lin...

12" x 16" Unframed Original - Oil on Linen Hand Signed by Darren Thompson