Linen Paintings

David Mellen’s paintings orchestrate a complexity derived both from an intricate style and equally complex notion of painting’s ability to cross boundaries and conception in a time o...

DO DAISIES FLICK? ( ¿Parpadean las margaritas? ), Oil on linen by Chico Montilla. Measurements in centimeters (H) 100 x (W) 81 x (D) 2 cm. / In inches 39.37 x 31.89 x 0.79 " Expres...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

"Harvested" is a plein air landscape painting featuring red, yellow, and blue hues. David Boyd is inspired by the work of Edward Hopper, Andrew Wyeth and Wi...

Katrina Revenaugh Unexpected Blooms No. 14 Archival Pigment Ink, Acrylic, Spray Paint, Belgian Linen, Thrifted Chambray Year: 2023 Image Size: 13 x 10.25 Frame Size: 21 x 36 Diptych ...

Katrina Revenaugh Unexpected Blooms No. 5 Archival Pigment Ink, Acrylic, Spray Paint, Belgian Linen, Thrifted Chambray Year: 2023 Image Size: 13 x 10.25 Frame Size: 21 x 18 Note: Fra...

Malcolm Maloney Jagamarra "Kangaroo Dreaming" 1991 Framed Signed verso Provenance: Hank Ebes, Aboriginal Gallery of Dreamings, Melbourne, Australia; Acquired from the above in 1991, Richard Kelton Collection, Santa Monica, California Malcolm Jagamarra was born in the Australian outback...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Blue Nude by Gabrielle Moulding [2020] This painting was completed in my studio from drawings and watercolours of the model. I love drawing and painting from life to capture a mood ...

David Mellen’s paintings orchestrate a complexity derived both from an intricate style and equally complex notion of painting’s ability to cross boundaries and conception in a time o...

Kevin Sonmor’s heroic, post-apocalyptic paintings […] reference dark brooding abstract landscapes animated with tight, intensely coloured, realistically ordered still-lifes. Hints of...

An oil painting of a nude female figure, sitting upon a bed; chest bent over knees, hand on head, seemingly bored. Hues of pink surround the figure due to decorative fabrics that are...

Exquisite, modulated, and sensitive, Mathieu Weemaels' painted world centers around his home and studio, where his subjects comprise the subtle shifts of light and color reflected on...

Lisa Fricker's "Frozen Lightning" is an original, handmade oil painting that depicts a portrait of a woman looking through a window, it measures 9 x 5 inches. This painting is framed...

Lisa Fricker's "Inscrutable" is an original, handmade oil painting that depicts an abstract portrait of a man, it measures 8 x 10 inches. This painting is framed and ready to hang. ...

Contemporary Art, Abstract Painting Porcelaine and pigments on linen canvas 120x90cm One of a kind About the artist Luis Carrera-Maul is a visual artist, born in Mexico in 1972, ...

Oil on linen

Puppet is a oil on linen painting by Cuban-American artist Edel Lugones who lives in Miami, Fl. It is 21 x 14 unframed. Puppet refers to the fact that how easily it is for us to...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, leading him to learn the craft in the open studios of the Palette and Chisel...

"In the Oculus body of work I was interested in reaching back in time and utilizing classic materials and painting techniques then merging them with contemporary – industrial materia...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

"Blue Light Nude, Bea" is a contemporary impressionist oil painting of Fenske's muse, Bea. The first painting of the "Bea Nudes Series" is a loose presentation of brushstrokes that ...

"Rosé" by Derek Harrison (US based) is an original oil painting that depicts a female model with her arms gracefully obscuring her nudity. Derek Harrison is a representational pain...

Contemporary oil painting by American realist painter, Carl Bretzke. A snow covered winter landscape at night. A quaint residential neighborhood appears silent after a heavy snowfall...

Unframed Dimensions: 20 x 16 inch Framed Dimensions: 27 x 23 inch American b. 1950

IA (Abstract Painting) Oil, fabric, pencil on linen — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper collage and installation. Her proc...

Hannah Reeves Greenhouse Garden 2023 Acrylic and dye on linen and organdy 42 x 42 inches

Black and tan contemporary painting by Houston, TX artist Tra' Slaughter. The painting features a simple and fun typography that reads "let's piss down each other's legs" in black se...

Artist: Steven Jones, American Title: The Silver Bowl Year: 2001 Medium: Oil on Linen on Panel, signed, titled, and dated verso Size: 42 x 60 inches Frame Size: 43.5 x 62 inches

Artwork in acrylic on canvas sold with a white frame

Robert Baart graduated from the School of the Museum of Fine Arts in 1969. A year later in 1970, Baart received the Clarissa Bartlett Traveling Scholarship for Alumni of the Museum s...

M Fine Arts is honored to announce the addition of Robert Baart to our roster of contemporary artists. Born in Lowell, Massachusetts in 1947, Baart’s work ...

That Year! [2021] original Mixed media on linen Image size: H:80 cm x W:80 cm Complete Size of Unframed Work: H:80 cm x W:80 cm x D:4cm Frame Size: H:84 cm x W:84 cm x D:6cm Sold Fr...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and peopl...

Estuary 1 (Abstract Drawing) Graphite and acrylic on linen - Unframed This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen. The inter...

Ulrich Gleiter's (EUR based) "At Sunrise in the Mountains" is an oil painting that depicts the textural hillside of a mountain landscape with blue skies overhead. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...

Look for Free Shipping at Checkout Persimmons in A Brass Bowl 11" x 16" oil on panel . Archival Frame This painting is a quiet piece with the persimmons providing a burst of color. ...

This painting features hues of red, yellow and blue. This work is framed 32 by 42 inches. David Boyd is inspired by the work of Edward Hopper, Andrew Wyeth and Winslow Homer. David...

Fluxion 1 (Abstract Painting) Oil on canvas - Unframed This work will be sent flat within the US and rolled in a tube for international shipping. ...

"Dark Self" is a post modern, oil on linen painting. It depicts a man in a very dark room, barely visible. The viewer continues to search for Yektai’s image in “Dark Self” which is...

An oil painting of a boat yard at nighttime. Boats at rest behind a locked chain-link fence. Street lights glow with hot orange auras. The full moon peeks out glowing a cool bright w...

Oil on linen Simple wooden frame Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced by Edwa...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Oil on linen, dark purples, greens . This work conveys a sense of mystery.

"Nostalgia" features soft hues of brown, orange, yellow, purple and blue. Richard Thomas Scott is inspired by the work of Rembrandt, Andrew Wyeth,...

Ulrich Gleiter's (EUR based) "Coast at Primelin (Brittany)" is an original, handmade oil painting on linen, picturing a serene lakeshore laden with autumn-colored leaves. This piece...

This is an oil on linen canvas mounted on a cradled wood panel. Framing recommended but not necessary. It is signed and dated on the reverse

Linda Lillegraven's beautiful original oil landscape "The Past" (2015) depicts a serene moment of a western plain at evening, with a thin wooden fence extending through the field tow...

Ulrich Gleiter's (EUR based) "The Dunbrody at New Ross (Ireland)" is an original, handmade oil painting on linen, picturing a serene lakeshore laden with autumn-colored leaves. This...

A group of uniformed soldiers gather in a grassy field. We see cannons yet must bring our own decisions about what is about to transpire. Painted in the loose style of Winslow Homer, "Union" by William Blake captures a scene in a Civil War Reenactment as the Union Army's Artist Reporter. Portraying Homer as an Artist-reporter, Blake has to be more than merely good draftsmen. He has to be an astute observer, have an instinct for story and drama, the ability to sketch quickly and accurately, and no small amount of daring, as he faces battles first hand. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. Please contact the gallery for framing options. William Blake Union, 2022 oil on linen 24h x 36w in 60.96h x 91.44w cm WIL034 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

Ulrich Gleiter's (EUR based) "Autumn Evening (Lakes of Finland)" is an original, handmade oil painting on linen, picturing a serene lakeshore laden with autumn-colored leaves. This ...

Megan Elizabeth Read's "Breath" is an original, handmade oil painting created in 2024 depicts a still-life of dark red carnations balanced in a small vase, cast in shadows. Megan El...

Con Leche (Abstract painting) Acrylic on linen - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as well as reducing and minimizing t...

Denied Warhol portrait of German Artist Joseph Beuys Silkscreen Painting on canvas by Charles Lutz Silkscreen and acrylic on canvas with artist's Denied stamp of the Andy Warhol Art...

oil on linen on mounted board *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works a...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

Mary Chaplin Bouquet In A Blue Vase Original Still Life Painting Acrylic Paint on Canvas Canvas Size: H 100cm x W 80cm x D 2cm Sold Unframed Please note that in situ images are purel...

David Hare Cronus Waiting, 1990 Acrylic on linen 72 x 42 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

This work is an initial exploration of the iconic Venice canal, conceived as a preliminary study with the intention of developing it into a larger format in the future. In this study...