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Medium: Panel
Artist: Adam Mysock
Abraham Lincoln, Paul Bunyon, the Gold Rush of 1849 and a Man Who Doesn't Care
By Adam Mysock
Located in New Orleans, LA
Framed: 10h x 10w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
Foreseeing Nothing
By Adam Mysock
Located in New Orleans, LA
(after: Henry Fawcett; Dame Millicent Garrett Fawcett by Ford Made Brown, 1872)
Framed: 8.50h x 10w in
On November 7th, 2016, it seemed as if everyone knew how the U.S. presidential election would conclude, particularly our major media outlets. On the morning of November 9th, 2016, it was clear that no one had known what they had been talking about.
We’d spent so much time living in a world defined by largely reliable focus groups, polls, and surveys that we’d become convinced that we could idly predict the future. Our news sources became complacent in their analysis of human behavior, and we followed along. It became the blind leading the blind.
But what truly struck me was that we seemed surprised to discover our inability to foresee the future, to discover that we aren’t omniscient.
Here—in the tradition of other paintings depicting the parable of the blind...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
And, lo, three men stood by Abraham
By Adam Mysock
Located in New Orleans, LA
full title:
"And, lo, three men stood by Abraham: and when he saw [them], he ran to meet them from the tent door, and bowed himself toward the ground"
After: “Punishment of Korah” by Domenico Beccafumi (1537) and “The Banjo Player” by William Sydney Mount (1855)
Framed: 6.90h x 8.10w in
This image really began with my knowledge of the American artist of the source painting – William Sydney Mount. While Mount is acknowledged as one of the first painters to present African- Americans in a positive light, his beliefs about slavery were at odds with Abraham Lincoln’s. In response, he seems to have wrestled with the good and evil aspects of his beliefs. The imagery of Moses on his knees (from Domenico Beccafumi’s Punishment of Korah, Dathan and Abiram) comes from a similar narrative about a struggle between good and evil. In it, Moses’ divine connections were challenged by tribal leaders and as a result the earth split open and swallowed the malicious contenders, leaving only the good. William Sydney Mount’s painting of The Banjo Player serves as a stage that hints at both something positive (the musical reference) and something negative (figures emerging on their knees, as if being released from captivity.) The musical poster...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
So Abram departed, as the LORD had spoken unto him
By Adam Mysock
Located in New Orleans, LA
full title:
"So Abram departed, as the LORD had spoken unto him; and Lot went with him: and Abram was seventy and five years old when he departed out of Haran"
After: “Basket of Clams” by Winslow Homer (1873) and “Moses Striking the Rock” by Abraham Bloemaert (1596)
Framed: 12h x 10.50w in
This piece began with two stories about striking a rock to get water – that of Moses from Exodus and that of the S.S. Minnow of Gilligan’s Island...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
Looking Down the Barrel of a Gun (Last Judgment)
By Adam Mysock
Located in New Orleans, LA
after: Hans Memling's "The Last Judgment" triptych (c. late 1460's), Bambi's mother from Disney's "Bambi" (1942)
acrylic on panel, mounted on a J.P. Sau...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
Foreseeing Nothing
By Adam Mysock
Located in New Orleans, LA
(after: Henry Fawcett; Dame Millicent Garrett Fawcett by Ford Made Brown, 1872)
Framed: 8.50h x 10w in
On November 7th, 2016, it seemed as if everyone knew how the U.S. presidential election would conclude, particularly our major media outlets. On the morning of November 9th, 2016, it was clear that no one had known what they had been talking about.
We’d spent so much time living in a world defined by largely reliable focus groups, polls, and surveys that we’d become convinced that we could idly predict the future. Our news sources became complacent in their analysis of human behavior, and we followed along. It became the blind leading the blind.
But what truly struck me was that we seemed surprised to discover our inability to foresee the future, to discover that we aren’t omniscient.
Here—in the tradition of other paintings depicting the parable of the blind...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
A Seduction
By Adam Mysock
Located in New Orleans, LA
From John William Waterhouse’s A Mermaid, 1900
We have a wonderful capacity to impose fictions on others in order to make them desirable. We o...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
Where the Snow in Snow Globes Came From
By Adam Mysock
Located in New Orleans, LA
after: View from Mount Holyoke, Northampton, MA, after a Thunderstorm - The Oxbow (1836) by Thomas Cole
Framed: 6h x 7.80w in
Looking back at the work of Thomas Cole and his contemp...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
George Washington
By Adam Mysock
Located in New Orleans, LA
full title: George Washington, George Washington Carver, the Spruce Goose, and a Victorious Tiger Woods
Framed: 10h x 10w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, O...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Panel, Acrylic
A Repetition
By Adam Mysock
Located in New Orleans, LA
A red-and-green parrot.
For a lie to gain real power, it must continue its existence separate from its creator. If it can be repeated by others, retold in a variety of contexts, it ...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
An Overreach
By Adam Mysock
Located in New Orleans, LA
From an illustration by Arthur Rackham for Alice in Wonderland – “They all crowded round it panting and asking, ‘But who has won?’” 1907
There’s a fear of inferiority that lies behi...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
Washington's Bread, Cereal, Rice, and Pasta
By Adam Mysock
Located in New Orleans, LA
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Panel, Acrylic
The Land of the Free and the Home of the Brave
By Adam Mysock
Located in New Orleans, LA
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Panel, Acrylic
A Weak Compromise
By Adam Mysock
Located in New Orleans, LA
A donkey, symbol of the Democratic Party
Democrats promote themselves as consistently ethical. So, when they inevitably get caught lying, the fault i...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
Distorted Perspectives
By Adam Mysock
Located in New Orleans, LA
After: Jan Veth’s “Portrait of Cornelia, Clara, and Johanna Veth” from 1885.
ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
An Allowance to Try Again
By Adam Mysock
Located in New Orleans, LA
A portrait of the Wizard from The Wizard of Oz, Metro-Goldwyn-Mayer, 1939
Whenever I’ve watched The Wizard of Oz, I’ve always been struck by the same thing – that the actor who play...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
The Earliest Portrait of Everything
By Adam Mysock
Located in New Orleans, LA
after: the European Space Agency's Planck Observatory's imaging of Cosmic Microwave Background
Framed: 4h x 7.75w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 198...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
Having Missed the Mark with Our Grief
By Adam Mysock
Located in New Orleans, LA
After: The Death of Seneca by Manuel Domínguez Sánchez (1871) and Eaton's Neck, Long Island by John Frederick Kensett (1872)
Painted as a response to the ongoing conversations about race and policing in the United States in 2020, Having Missed the Mark with Our Grief focuses on the problem of the “But what about…” conversations that too often accompany discussions about systemic racism and discrimination. From the nonsensical All Lives Matter crowd to the virtue-signaling of more well-meaning, empathetic groups, people outside of BIPOC communities too frequently seem ready to misdirect valuable attention away from meaningful change toward their own unthreatened subcultures.
Having Missed the Mark with Our Grief presents a mourning white male pulled from The Death of Seneca hovering above the shore of Eaton’s Neck, far from an “X” drawn in the sand. The setting is simple and uncomplicated beyond the target on its shore. However, the forlorn figure draws the spotlight away from the marked terrain toward his dramatic presentation of suffering.
ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specialized in the manufacturing of pigments. On account of a steady stream of folk tales from his mother and his father’s vividly dyed work clothes, he developed an interest in narrative and representative painting from an early age. Mysock earned a Bachelor of Fine Arts degree in Painting and Art History in 2004 from Tulane University and an MFA from Southern Illinois University at Carbondale in 2007.
After his studies, Mysock taught at the university level for nearly a decade, including as a Professor of Practice at Tulane University. In 2016, he and his family moved back to Cincinnati, where he currently serves as coordinator for Manifest Drawing Center.
Mysock’s work has been exhibited throughout the country and is in private collections across the US, including the 21c Museum, Beth Rudin DeWoody, Ruslan Yusupov, Thomas Coleman and Michael...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
A Brush With Justice
By Adam Mysock
Located in New Orleans, LA
From Nicholas Poussin’s The Death of Sapphira, circa 1652
Sooner or later, we get caught lying. For most of us, it’s incredibly early in life, and the falsehood detected is innocuou...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
A First Apology
By Adam Mysock
Located in New Orleans, LA
A portrait of Mark McGwire
If we are caught lying, it is the suddenly being singled-out that proves most unsettling. We are temporarily relieved of our ability to define our own pub...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
Our Legacy of Engagement
By Adam Mysock
Located in New Orleans, LA
after: “La Lutte” by Émile Friant, 1889
Framed: 10h x 8.50w in
As I’ve gotten older, I’ve been particularly struck by the staggering number of unintende...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
A Surmountable Problem Writ Large
By Adam Mysock
Located in New Orleans, LA
After: The Young Beggar by Bartolomé Esteban Murillo (c. 1645-50) and Approaching Thunder Storm by Martin Johnson Heade (1859)
The main character of this painting finds himself mired in a pond as a sizeable storm approaches, and yet – instead of standing up and removing himself from the trouble – he chooses to focus on the discomfort of his wet clothing.
This child, attending to a minor nuisance rather than enacting a permanent solution, stands in as an icon of our current sociopolitical leadership – leadership which has defined our modern reality by its preference for constantly kicking the can on major issues (climate change, income inequality, various forms of discrimination, and so much more) as the rest of us are left to watch from the shore.
ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specialized in the manufacturing of pigments. On account of a steady stream of folk tales from his mother and his father’s vividly dyed work clothes, he developed an interest in narrative and representative painting from an early age. Mysock earned a Bachelor of Fine Arts degree in Painting and Art History in 2004 from Tulane University and an MFA from Southern Illinois University at Carbondale in 2007.
After his studies, Mysock taught at the university level for nearly a decade, including as a Professor of Practice at Tulane University. In 2016, he and his family moved back to Cincinnati, where he currently serves as coordinator for Manifest Drawing Center.
Mysock’s work has been exhibited throughout the country and is in private collections across the US, including the 21c Museum, Beth Rudin DeWoody, Ruslan Yusupov, Thomas Coleman and Michael...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
Real and Imagined
By Adam Mysock
Located in New Orleans, LA
after: Pieter Bruegel the Elder’s The Blind Leading the Blind (1568), Akseli Gallen-Kallela’s Building (1903), and #17 Beast and the Beauty from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
And, lo, three men stood by Abraham
By Adam Mysock
Located in New Orleans, LA
full title:
"And, lo, three men stood by Abraham: and when he saw [them], he ran to meet them from the tent door, and bowed himself toward the ground"
After: “Punishment of Korah” by Domenico Beccafumi (1537) and “The Banjo Player” by William Sydney Mount (1855)
Framed: 6.90h x 8.10w in
This image really began with my knowledge of the American artist of the source painting – William Sydney Mount. While Mount is acknowledged as one of the first painters to present African- Americans in a positive light, his beliefs about slavery were at odds with Abraham Lincoln’s. In response, he seems to have wrestled with the good and evil aspects of his beliefs. The imagery of Moses on his knees (from Domenico Beccafumi’s Punishment of Korah, Dathan and Abiram) comes from a similar narrative about a struggle between good and evil. In it, Moses’ divine connections were challenged by tribal leaders and as a result the earth split open and swallowed the malicious contenders, leaving only the good. William Sydney Mount’s painting of The Banjo Player serves as a stage that hints at both something positive (the musical reference) and something negative (figures emerging on their knees, as if being released from captivity.) The musical poster...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
Coming
By Adam Mysock
Located in New Orleans, LA
after: a NASA image of the Andromeda Galaxy
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes ...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
An Attempt at Imperfect Optimism (No. 1)
By Adam Mysock
Located in New Orleans, LA
Framed: 4h x 4.50w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in th...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
Better Alone than in Bad Company
By Adam Mysock
Located in New Orleans, LA
after: Joseph Shuster’s Action Comics #1 Cover (1938) and #19 Burning Flesh from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards (1962)
Framed: 9h x 9w in
Continuing the exploration of Superman’s role as extraterrestrial anomaly – an alien who’s also a friend, I spent time considering how important one’s actions (on a singular occasion, in sum, alone, in collaboration with others, etc.) are in determining overall “goodness” or social value.
In literally his first exposure to any reader, on the cover of Action Comics #1, Superman is shown smashing a large car against a rock, while three well-dressed men run away in fear. Taken by itself the image presents a deranged, super-strong vandal. It’s only upon reading the full narrative that we understand Superman’s action to be part of a rescue mission and the men to be gangster villains.
When we allow Superman to be considered as an individual, responsible for his own actions, and over a series of events, rather than one incident, we find our hero. But when I offer Superman another alien (this one up to no good), and deny any exposure to a fuller understanding of circumstance, it’s much more difficult to separate Superman’s destructive actions from those of his new companion. Better Alone Than in Bad Company...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
Idle Hands
By Adam Mysock
Located in New Orleans, LA
after: "And In His Eyes I Saw Death" by Ejnar Nielsen, 1897
Framed: 10h x 8.50w in
Being discontented means being left with choices. We can either accept a current status quo or ch...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
So Close I Can Almost Touch It
By Adam Mysock
Located in New Orleans, LA
After: Jacob Jordaens’s Odysseus in the Cave of Polyphemus, from 1635 and a NASA photograph of "Mount Sharp" on Mars
Framed: 7.50h x 10.50w in
As mentioned above, we have technology...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
In Search of What Once Was
By Adam Mysock
Located in New Orleans, LA
after: Sanford Gifford's "the Desert at Assouan, Egypt" (1869) and Ilya Repin's "Procession in the Province of Kursk" (1881-1883)
Framed 7h x 14w in
I began this piece with the inte...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
And Abraham looked toward Sodom and Gomorrah
By Adam Mysock
Located in New Orleans, LA
full title:
And Abraham looked toward Sodom and Gomorrah, and toward all the land of the plain, and beheld, and, lo, the smoke of the country went u...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
Forward
By Adam Mysock
Located in New Orleans, LA
After: “Getting Ready to Leave” by Chesley Bonestell (c. 1954)
With Forward, I wanted an image with the clearest spatial hierarchy – back, middle, a...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
A Fool
By Adam Mysock
Located in New Orleans, LA
From Jan Matejko’s Stańczyk, 1862
I’ve heard that in centuries past, the jester – or fool – was often one of the only people able to speak truth to power. Because of their inherent ...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
A Tutor
By Adam Mysock
Located in New Orleans, LA
A portrait of Kellyanne Conway
While the statement for this show indicates that there are no formal teachers of proper lying technique, it doesn’t deny that there are individuals ou...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
An Attempt at Morality
By Adam Mysock
Located in New Orleans, LA
From Albrecht Dürer’s Adam and Eve, 1507
Akin to the historical narratives we’re fed in an attempt to steer us away from a life of lies, the narrative of Adam, Eve, and the serpent ...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
A Role Model
By Adam Mysock
Located in New Orleans, LA
A portrait of Charles Ponzi
When we combine the power of lies to persuade with their ability to establish a false hierarchy, we end up with Charles Ponzi – the eponym of the Ponzi S...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
An Exciting Unknown
By Adam Mysock
Located in New Orleans, LA
A portrait of Sasquatch (Harry from Harry and the Hendersons, Universal Pictures, 1987)
Developing almost simultaneously with my appreciation of mannequins, I fell in love with what...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
A Bid to Gain Attention
By Adam Mysock
Located in New Orleans, LA
A portrait of Baron Munchausen from The Adventures of Baron Munchausen, Columbia Pictures, 1988
The concept of Munchausen Syndrome offers another per...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
A Lack of Consequence
By Adam Mysock
Located in New Orleans, LA
From Rembrandt van Rijn’s Militia Company of District II under the Command of Captain Frans Banninck Cocq (The Night Watch), 1642
Forgive and forget. That’s what we’re taught to do ...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
A Pretty Face and a Nice Body
By Adam Mysock
Located in New Orleans, LA
A portrait of Lance Armstrong
We tend to exercise differing levels of tolerance for different liars. Some people get called out immediately, while oth...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
Red Sky in the Morning (Day Four)
By Adam Mysock
Located in New Orleans, LA
after: "Twlight in the Wilderness" by Frederic Edwin Church, 1860
Framed: 3.50h x 3.50w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementa...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
An Attempt at Imperfect Optimism (No. 3)
By Adam Mysock
Located in New Orleans, LA
Framed: 4h x 4.50w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in th...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
An Attempt at Imperfect Optimism (No. 2)
By Adam Mysock
Located in New Orleans, LA
Framed: 4h x 4.50w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in th...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
Red Sky in the Morning (Day Three)
By Adam Mysock
Located in New Orleans, LA
after: "Twlight in the Wilderness" by Frederic Edwin Church, 1860
Framed: 3.50h x 3.50w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementa...
Category
2010s Contemporary Panel Paintings
Materials
Acrylic, Panel
Waiting for the Pool to Open
By Adam Mysock
Located in New Orleans, LA
after: William Bradford's "Scene in the Arctic" (c. 1880) and Peder Severin Kroyer "Boys Bathing at Skagen, Summer Evening" (1899)
Framed 11h x 13.75w in
Living in a house which sits about 5 feet below sea level, I find myself thinking about rising sea levels a lot. There’s a great possibility that the home where my wife and I have begun our family will be underwater centuries from now. Conversely, swimming has always been a passion of mine – my wife and I even met on a swim team early in our teenage years. In trying to find the silver lining to global warming drowning our home, I can look for solace in the fact that there’ll be more places to go swimming when the seas overtake our coastal areas.
There’s an innocence in Kroyer’s boys – and the concept of children swimming...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
The Consequences of Empty Threats
By Adam Mysock
Located in New Orleans, LA
after: Friedrich Edwin Church's "The Iceberg" (1875) and Henry Raeburn's "The Archers" (1789-1790)
Framed: 11h x 13.25w in
While considering our great power over, and responsibility...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
Jefferson's Meat, Poultry, Fish, Dried Beans, Eggs, and Nuts
By Adam Mysock
Located in New Orleans, LA
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Panel, Acrylic
And the LORD said unto Abram...
By Adam Mysock
Located in New Orleans, LA
Full title: "And the LORD said unto Abram, after that Lot was separated from him, 'Lift up now thine eyes, and look from the place where thou art northward, and southward, and eastward, and westward'"
After: “In the Fields” by Eastman Johnson (1880) and “The Sacrifice of Moses” by Massimo Stanzione (1629)
Framed: 12h x 17.50w in
This piece is about redirection. While inserting Lincoln into Eastman Johnson’s In the Fields, it became quite apparent that emulating Johnson’s paint handling would make it quite difficult to capture a likeness. I needed to clarify Lincoln’s face in order to give him an identity. To overcome the obvious stylistic discrepancies, bizarre elements of Massimo Stanzione’s The Sacrifice of Moses were inserted to pull attention right, most specifically the pointing Moses. Baseball player Pat Burrell (of the 2010 World Series Champion San Francisco Giants...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
Adams' Fruit
By Adam Mysock
Located in New Orleans, LA
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
And Abram fell on his face: and God talked with him
By Adam Mysock
Located in New Orleans, LA
“Moses and the Burning Bush” by Sébastien Bourdon (1642-45) and “Evening at Medfield, Massachusetts” by George Inness (1875)
Framed: 12h x 18.50w in
This image begins with two allus...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
Abraham Lincoln, Paul Bunyon, the Gold Rush of 1849 and a Man Who Doesn't Care
By Adam Mysock
Located in New Orleans, LA
Framed: 10h x 10w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
By the Dawn's Early Light
By Adam Mysock
Located in New Orleans, LA
Framed: 11h x 8w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the ...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
Having Found the Lowest Threshold (St. George Slaying the Dragon)
By Adam Mysock
Located in New Orleans, LA
After: Nicolas Poussin’s Massacre of the Innocents, from 1629
Framed: 8.50h x 9.50w in
In the summer of 2013, the murder of Trayvon Martin dominated weeks of news cycles. As if we n...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
Outward
By Adam Mysock
Located in New Orleans, LA
After: “Exploring Parties in the Vicinity of the Ground Station” by Chesley Bonestell (c. 1956)
In Outward, I chose to return to the allure of the...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Acrylic, Panel
A Horrifying Self-Actualization
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875
At some point the lying has to stop, right? But when? I’m no longer convinced that any external stimulus...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
An Automated Message
By Adam Mysock
Located in New Orleans, LA
From a series of paintings by Ed Valigursky.
Our technology is staggering. We now have computers that can lie for us. For proof you only need to head over to any online comment boar...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
A Platform
By Adam Mysock
Located in New Orleans, LA
A portrait of Ted Turner, founder of CNN and by extension a 24-hour news cycle
I’ll blame everything wrong with America on Ted Turner. Don’t misread me – h...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
A Willing Ignorance
By Adam Mysock
Located in New Orleans, LA
From John Singer Sargent’s Gassed, 1919
When considering the factors that are required (or at least helpful) for a lie to succeed, I constantly look to the audience. I constantly tr...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
An Audience Unaware
By Adam Mysock
Located in New Orleans, LA
From Johannes Vermeer’s A Girl Asleep, 1656-57
Learning to lie is a bit like learning how to play a game. There are strategies. There’s an opponent. It can be fun because it’s a cha...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
A Bit Too Far
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875
As we seek this fine line separating safe lying from detrimental misdirection, we often have to cross it...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
A Tentative Probe
By Adam Mysock
Located in New Orleans, LA
From Rembrandt van Rijn’s Militia Company of District II under the Command of Captain Frans Banninck Cocq (The Night Watch), 1642
The search for limits is an ongoing endeavor. Circu...
Category
21st Century and Contemporary Contemporary Panel Paintings
Materials
Varnish, Acrylic, Wood Panel
Panel paintings for sale on 1stDibs.
Find a wide variety of authentic Panel paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Melisa Taylor Metzger, Hunt Slonem, Marc Dalessio, and Adam Mysock. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Panel paintings, so small editions measuring 0.1 inches across are also available
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