Adam Mysock holds a BFA degree in Painting and Art History from Tulane University and an MFA from Southern Illinois University at Carbondale. In collaboration with his studio practice, he has taught at the university level for more than 10 years, most recently as a Senior Professor of Practice at Tulane University in New Orleans, Louisiana.
Looking Down the Barrel of a Gun (Last Judgment)
By Adam Mysock
Located in New Orleans, LA
after: Hans Memling's "The Last Judgment" triptych (c. late 1460's), Bambi's mother from Disney's "Bambi" (1942) acrylic on panel, mounted on a J.P. Sau...
Acrylic, Panel
An Allowance to Try Again
By Adam Mysock
Located in New Orleans, LA
A portrait of the Wizard from The Wizard of Oz, Metro-Goldwyn-Mayer, 1939 Whenever I’ve watched The Wizard of Oz, I’ve always been struck by the same thing – that the actor who play...
Varnish, Acrylic, Wood Panel
A Willing Ignorance
By Adam Mysock
Located in New Orleans, LA
From John Singer Sargent’s Gassed, 1919 When considering the factors that are required (or at least helpful) for a lie to succeed, I constantly look to the audience. I constantly tr...
Varnish, Acrylic, Wood Panel
A Repetition
By Adam Mysock
Located in New Orleans, LA
A red-and-green parrot. For a lie to gain real power, it must continue its existence separate from its creator. If it can be repeated by others, retold in a variety of contexts, it ...
Varnish, Acrylic, Wood Panel
A False Prophet
By Adam Mysock
Located in New Orleans, LA
A portrait of news anchor Brian Williams Similar to the regular fall of the Democrats, Brian Williams positioned himself as a figure worthy of our trust nightly. He convinced us tha...
Varnish, Acrylic, Wood Panel
Our Legacy of Engagement
By Adam Mysock
Located in New Orleans, LA
after: “La Lutte” by Émile Friant, 1889 Framed: 10h x 8.50w in As I’ve gotten older, I’ve been particularly struck by the staggering number of unintende...
Acrylic, Panel
OF-Head28
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
A Surmountable Problem Writ Large
By Adam Mysock
Located in New Orleans, LA
After: The Young Beggar by Bartolomé Esteban Murillo (c. 1645-50) and Approaching Thunder Storm by Martin Johnson Heade (1859) The main character of this painting finds himself mired in a pond as a sizeable storm approaches, and yet – instead of standing up and removing himself from the trouble – he chooses to focus on the discomfort of his wet clothing. This child, attending to a minor nuisance rather than enacting a permanent solution, stands in as an icon of our current sociopolitical leadership – leadership which has defined our modern reality by its preference for constantly kicking the can on major issues (climate change, income inequality, various forms of discrimination, and so much more) as the rest of us are left to watch from the shore. ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specialized in the manufacturing of pigments. On account of a steady stream of folk tales from his mother and his father’s vividly dyed work clothes, he developed an interest in narrative and representative painting from an early age. Mysock earned a Bachelor of Fine Arts degree in Painting and Art History in 2004 from Tulane University and an MFA from Southern Illinois University at Carbondale in 2007. After his studies, Mysock taught at the university level for nearly a decade, including as a Professor of Practice at Tulane University. In 2016, he and his family moved back to Cincinnati, where he currently serves as coordinator for Manifest Drawing Center. Mysock’s work has been exhibited throughout the country and is in private collections across the US, including the 21c Museum, Beth Rudin DeWoody, Ruslan Yusupov, Thomas Coleman and Michael...
Acrylic, Panel
In Search of What Once Was
By Adam Mysock
Located in New Orleans, LA
after: Sanford Gifford's "the Desert at Assouan, Egypt" (1869) and Ilya Repin's "Procession in the Province of Kursk" (1881-1883) Framed 7h x 14w in I began this piece with the inte...
Acrylic, Panel
And Abram fell on his face: and God talked with him
By Adam Mysock
Located in New Orleans, LA
“Moses and the Burning Bush” by Sébastien Bourdon (1642-45) and “Evening at Medfield, Massachusetts” by George Inness (1875) Framed: 12h x 18.50w in This image begins with two allus...
Acrylic, Panel
A Bit Too Far
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875 As we seek this fine line separating safe lying from detrimental misdirection, we often have to cross it...
Varnish, Acrylic, Wood Panel
Having Missed the Mark with Our Grief
By Adam Mysock
Located in New Orleans, LA
After: The Death of Seneca by Manuel Domínguez Sánchez (1871) and Eaton's Neck, Long Island by John Frederick Kensett (1872) Painted as a response to the ongoing conversations about race and policing in the United States in 2020, Having Missed the Mark with Our Grief focuses on the problem of the “But what about…” conversations that too often accompany discussions about systemic racism and discrimination. From the nonsensical All Lives Matter crowd to the virtue-signaling of more well-meaning, empathetic groups, people outside of BIPOC communities too frequently seem ready to misdirect valuable attention away from meaningful change toward their own unthreatened subcultures. Having Missed the Mark with Our Grief presents a mourning white male pulled from The Death of Seneca hovering above the shore of Eaton’s Neck, far from an “X” drawn in the sand. The setting is simple and uncomplicated beyond the target on its shore. However, the forlorn figure draws the spotlight away from the marked terrain toward his dramatic presentation of suffering. ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specialized in the manufacturing of pigments. On account of a steady stream of folk tales from his mother and his father’s vividly dyed work clothes, he developed an interest in narrative and representative painting from an early age. Mysock earned a Bachelor of Fine Arts degree in Painting and Art History in 2004 from Tulane University and an MFA from Southern Illinois University at Carbondale in 2007. After his studies, Mysock taught at the university level for nearly a decade, including as a Professor of Practice at Tulane University. In 2016, he and his family moved back to Cincinnati, where he currently serves as coordinator for Manifest Drawing Center. Mysock’s work has been exhibited throughout the country and is in private collections across the US, including the 21c Museum, Beth Rudin DeWoody, Ruslan Yusupov, Thomas Coleman and Michael...
Acrylic, Panel
What Your Children Will Look Like According to Gordon Moore
By Adam Mysock
Located in New Orleans, LA
After: Charles Hayter's Miniature Portrait of Sir Peter Francis Bourgeois (after Beechy) (1811) and an illustration by Ed Valigursky. Framed: 10h x 8.50w in In the late 1960s Intel cofounder Gordon...
Acrylic, Panel
George Washington
By Adam Mysock
Located in New Orleans, LA
full title: George Washington, George Washington Carver, the Spruce Goose, and a Victorious Tiger Woods Framed: 10h x 10w in ABOUT THE ARTIST Adam Mysock was born in Cincinnati, O...
Acrylic, Panel
A Sense of Guilt
By Adam Mysock
Located in New Orleans, LA
A portrait of Fred Rogers, Mr. Rogers I suppose I like to believe that liars know they’re lying. I like to believe it’s a controlled activity. And if they...
Varnish, Acrylic, Wood Panel
A Brush With Justice
By Adam Mysock
Located in New Orleans, LA
From Nicholas Poussin’s The Death of Sapphira, circa 1652 Sooner or later, we get caught lying. For most of us, it’s incredibly early in life, and the falsehood detected is innocuou...
Varnish, Acrylic, Wood Panel
A Horrifying Self-Actualization
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875 At some point the lying has to stop, right? But when? I’m no longer convinced that any external stimulus...
Varnish, Acrylic, Wood Panel
An Overreach
By Adam Mysock
Located in New Orleans, LA
From an illustration by Arthur Rackham for Alice in Wonderland – “They all crowded round it panting and asking, ‘But who has won?’” 1907 There’s a fear of inferiority that lies behi...
Varnish, Acrylic, Wood Panel
An Automated Message
By Adam Mysock
Located in New Orleans, LA
From a series of paintings by Ed Valigursky. Our technology is staggering. We now have computers that can lie for us. For proof you only need to head over to any online comment boar...
Varnish, Acrylic, Wood Panel
Jefferson's Meat, Poultry, Fish, Dried Beans, Eggs, and Nuts
By Adam Mysock
Located in New Orleans, LA
ABOUT THE ARTIST Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...
Acrylic, Panel
Red Sky in the Morning (Day Three)
By Adam Mysock
Located in New Orleans, LA
after: "Twlight in the Wilderness" by Frederic Edwin Church, 1860 Framed: 3.50h x 3.50w in ABOUT THE ARTIST Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementa...
Acrylic, Panel
I Saw a Headline Once
By Adam Mysock
Located in New Orleans, LA
ARTWORK STATEMENT After : Norman Rockwell’s "The Gossips", 1948 Framed: 10h x 8.50w in It seems like we’re invited to contemplate the nature of our political climate every time we ...
Acrylic, Panel
The Consequences of Empty Threats
By Adam Mysock
Located in New Orleans, LA
after: Friedrich Edwin Church's "The Iceberg" (1875) and Henry Raeburn's "The Archers" (1789-1790) Framed: 11h x 13.25w in While considering our great power over, and responsibility...
Acrylic, Panel
And the LORD said unto Abram...
By Adam Mysock
Located in New Orleans, LA
Full title: "And the LORD said unto Abram, after that Lot was separated from him, 'Lift up now thine eyes, and look from the place where thou art northward, and southward, and eastward, and westward'" After: “In the Fields” by Eastman Johnson (1880) and “The Sacrifice of Moses” by Massimo Stanzione (1629) Framed: 12h x 17.50w in This piece is about redirection. While inserting Lincoln into Eastman Johnson’s In the Fields, it became quite apparent that emulating Johnson’s paint handling would make it quite difficult to capture a likeness. I needed to clarify Lincoln’s face in order to give him an identity. To overcome the obvious stylistic discrepancies, bizarre elements of Massimo Stanzione’s The Sacrifice of Moses were inserted to pull attention right, most specifically the pointing Moses. Baseball player Pat Burrell (of the 2010 World Series Champion San Francisco Giants...
Acrylic, Panel
Washington's Bread, Cereal, Rice, and Pasta
By Adam Mysock
Located in New Orleans, LA
ABOUT THE ARTIST Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...
Acrylic, Panel
Black and White Westerns No. 1
By Adam Mysock
Located in New Orleans, LA
ABOUT THE ARTIST Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigm...
Acrylic, Graphite, Paper
O'er the Ramparts We Watched
By Adam Mysock
Located in New Orleans, LA
Framed: 10.50h x 7.50w in ABOUT THE ARTIST Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes i...
Acrylic, Panel
OF-Head26
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head27
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Torso1
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head25
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head22
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head21
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head24
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head4
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head18
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head15
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Hand4
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head8
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head20
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head10
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Hand3
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head17
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head19
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head16
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Head9
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Foot1
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Foot3
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
OF-Foot2
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Paper, Acrylic
Distorted Perspectives
By Adam Mysock
Located in New Orleans, LA
After: Jan Veth’s “Portrait of Cornelia, Clara, and Johanna Veth” from 1885. ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a...
Acrylic, Panel
$3,500
A Fool
By Adam Mysock
Located in New Orleans, LA
From Jan Matejko’s Stańczyk, 1862 I’ve heard that in centuries past, the jester – or fool – was often one of the only people able to speak truth to power. Because of their inherent ...
Varnish, Acrylic, Wood Panel
A Platform
By Adam Mysock
Located in New Orleans, LA
A portrait of Ted Turner, founder of CNN and by extension a 24-hour news cycle I’ll blame everything wrong with America on Ted Turner. Don’t misread me – h...
Varnish, Acrylic, Wood Panel
$4,100
A Tutor
By Adam Mysock
Located in New Orleans, LA
A portrait of Kellyanne Conway While the statement for this show indicates that there are no formal teachers of proper lying technique, it doesn’t deny that there are individuals ou...
Varnish, Acrylic, Wood Panel
An Audience Unaware
By Adam Mysock
Located in New Orleans, LA
From Johannes Vermeer’s A Girl Asleep, 1656-57 Learning to lie is a bit like learning how to play a game. There are strategies. There’s an opponent. It can be fun because it’s a cha...
Varnish, Acrylic, Wood Panel
A Tentative Probe
By Adam Mysock
Located in New Orleans, LA
From Rembrandt van Rijn’s Militia Company of District II under the Command of Captain Frans Banninck Cocq (The Night Watch), 1642 The search for limits is an ongoing endeavor. Circu...
Varnish, Acrylic, Wood Panel
A Weak Compromise
By Adam Mysock
Located in New Orleans, LA
A donkey, symbol of the Democratic Party Democrats promote themselves as consistently ethical. So, when they inevitably get caught lying, the fault i...
Varnish, Acrylic, Wood Panel
A Pretty Face and a Nice Body
By Adam Mysock
Located in New Orleans, LA
A portrait of Lance Armstrong We tend to exercise differing levels of tolerance for different liars. Some people get called out immediately, while oth...
Varnish, Acrylic, Wood Panel
A Role Model
By Adam Mysock
Located in New Orleans, LA
A portrait of Charles Ponzi When we combine the power of lies to persuade with their ability to establish a false hierarchy, we end up with Charles Ponzi – the eponym of the Ponzi S...
Varnish, Acrylic, Wood Panel
A Seduction
By Adam Mysock
Located in New Orleans, LA
From John William Waterhouse’s A Mermaid, 1900 We have a wonderful capacity to impose fictions on others in order to make them desirable. We o...
Varnish, Acrylic, Wood Panel
A First Apology
By Adam Mysock
Located in New Orleans, LA
A portrait of Mark McGwire If we are caught lying, it is the suddenly being singled-out that proves most unsettling. We are temporarily relieved of our ability to define our own pub...
Varnish, Acrylic, Wood Panel