Pastel Paintings

Flooded river 1950s. Paper, pastel. 26,5x35,5 cm The medium used for this artwork is pastel on paper, offering a soft and powdery texture that can effectively convey the atmospheric and natural elements of the subject. The flooding of a river can be a powerful and evocative subject, as it can symbolize the forces of nature and the unpredictable beauty and devastation that water can bring. Aleksandra Belcova...

Subrata Das - Untitled - 10.5 x 8 inches (unframed unmounted ) Charcoal & Pastel on board , 2013 **The work will be shipped unframed (parcel ) If you wish it to be framed and despatched, Kindly contact with the gallery. Style : Subrata Das's works are a poetic representation on Indian Mythological forms, skillfully rendered. His present works representing the divine love of Radha and Krishna, are traditional in subject yet contemporary in his use technique. About the Artist & his work : Born : 1967, Kolkata. Education: 3 Years Foundation Course under the guidance of eminent artists Mr. Shuvaprasanna from College of Visual Arts, Kolkatta. Selected Solo Exhibitions : 2008 - Kanvas Art Gallery, Kolkata. 2005 - Art Walk, Oberoi Hotel, Mumbai. 2002 - Academy of Fine Arts, Kolkata & Chitrakoot Gallery, Kolkata. 2001-02 - Standard Chartered Grindlays Gallery, Kolkata. 1997 - ABN-Amro Gallery, Kolkata 1996 - Gallery Aurobindo, New Delhi. 1995 - Sponsored by RPG Enterprise at Academy of Fine Arts, Kolkata Selected Group Exhibitions : 2008 - 'Shiksha 08', organized by Delhi Friends Round Table at New Delhi; 'Summer Show', Idiyas Gallery, Kolkata & 'Monsoon Show', Master Collection, Kolkata. 2007 - ‘Vibrant Hues’, Kanvas Art Gallery, Kolkata; ‘Facts of Life’, Sop. Gallery One, Gurgaon; ‘Colors 2007’, organized by Art Land at Majestic Hotel, Dubai & ‘Art Fair India -07’, organized by Hindustan Times and Habiart Foundation, Kolkata. 2006-07 - ‘Essence of Bengal Art’, presented by Group Fifty, New Delhi & ‘Art for Concern’, organized by Right Lines Art...

L.W.Fraser English, mid 20th century The Scottish Terrier Original pastel drawing signed on artist paper Framed: 20.5 x 14 inches Glass covering Provenance: private collection, UK ...

Untitled 1915 (Abstract Drawing) Pastel on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge...

Untitled 1513 (Abstract painting) Pastel on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerg...

Le Resesquement a l'Advocats (The Legal Reservation) Pastel on paper, c. 1910 signed lower right Image size: 10 3/4 x 14 inches Frame size: 23-1/2 x 26-1/2 x 2-3/8 inches Condition: ...

Springtime in the park [2023] original Pastel Image size: H:25 cm x W:35 cm Complete Size of Unframed Work: H:20 cm x W:30 cm x D:1cm Sold Unframed Please note that insitu images ar...

What We Stay For (Abstract Expressionism painting) Acrylic and pastel on un-stretched canvas - Unframed. This artwork is on un-stretched canvas as per the artist's aesthetic's choi...

Poppies for Miles 10.0 x 8.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "The photo reference was actually a field of daisies but I wanted ...

Pavlo Marinets "Girl"

Louis Wolchonok was a social realist painter and member of the Woodstock Art Association. His work was exhibited at the Whitney Museum of American Art, the National Academy of Design...

Born in London to Scottish parents, Peter Howson (b. 1958) has spent much of his life in Scotland and attended the Glasgow School of Art, receiving tutelage from Sandy Moffat. Religi...

Since moving to Ubud (Bali, Indonesia) in August 2018 Lydia has been investigating the psychological phenomenon known as the Spotlight Effect. The idea of constantly being watched; u...

Since moving to Ubud (Bali, Indonesia) in August 2018 Lydia has been investigating the psychological phenomenon known as the Spotlight Effect. The idea of constantly being watched; u...

Pastel on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. He...

ARTIST: Unsigned late 20th Century English School TITLE: "Terracotta Pots In A Sunny Conservatory Window" MEDIUM: pastel on paper SIZE: 44cm x 38cm inc frame NOTES: Frustratingly uns...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Pastel and acrylic on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets i...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

A Playful Disposition 5 by Magdelena Morey [2022] A Playful Disposition 4 is a cheerful, original abstract floral painting by Magdalena Morey. This co...

"Spring Sassafras" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly real...

Natalia Bessonova (1963) - Hourglass. 2000. Paper, pastel, 36x37 cm Colorful abstract composition with figures and hourglass in fauvist style

Blooming apple trees. 1980. Pastel on paper, 28x34,5 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis Zemitis...

Louis Wolchonok was a social realist painter and member of the Woodstock Art Association. His work was exhibited at the Whitney Museum of American Art, the National Academy of Design...

"Detour" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 48 x 36 inches. A warm, calming composition ...

Where Ocean Breezes Blow, Original Pastel Impressionist Seascape Painting, 2021 9" x 12" (HxW) Pastel Painting on Board This impressio...

Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New England Arts Club and the Royal Instit...

English Village Countryside Scene - Original Pastel on Paper by British Artist Art measures 12 x 8 inches Frame measures 17 x 13 inches (approx.) British School – “Country Lane, No...

Artist: Jose Canes (aka Dore) [Spanish, 1931 - ] Title: Woman in Red Medium: Acrylic and Pastel on Paper, signed "Dore" l.r. Year: circa 1980 Size: 19.5 x 25.5 inches

This 19x14 mixed media abstract draws you into the depths, with fluid tones and layered textures that create a sense of movement and mystery. The intricate details capture the essenc...

C.Dimitri has received fellowships in painting from the Vermont Studio Center and the RI State Council on the Arts. He is represented by Tabla Rasa gall...

Acrylic, pastel & paper on cardboard

(Comes framed and ready to hang in a high-profile maple frame.) Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loosen up by ...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Title: French Mid 20th Century Pastel of Hilltop Village with Château and Tiled Roofs by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Siz...

Title: Mid-20th Century Post-Impressionist Pastel Village Scene with Cypress Trees by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: ...

'Who Wants Cake?' original abstract bright pastel painting on arches oil paper. Paper measures 12" x 10" with a velvety texture. Signature signed on the back with archival ink. C...

Title: French Mid 20th Century Gouache Painting of Roosters and Rural Church Scene by Anne Marie Migette Perard (French 1902-1977) Medium: Gouache on paper Size: 14.5 inches (height)...

Title: Mid 20th Century Post Impressionist Pastel of Pink and Red Roses in a Vase by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: 1...

Title: Mid-20th Century Post-Impressionist Pastel of Segesta Temple Landscape by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on paper with paper mounting ...

In "Tipping point", Pierre Morquin invites us on a journey into the world of abstract expressionism. The canvas is dominated by vivid colors and dynamic shapes that intersect and ove...

Leon Dolice (1892 - 1960) New York Harbor Skyline at Twilight (Searching), circa 1930-40 Pastel on paper 12 x 19 inches Signed lower left Provenance: Spanierman Gallery, New York The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the young man who was someday to be spoken of as showing promise of becoming "one of the greatest etchers of all time". Leon Dolice, born in Vienna on August 14, 1892, even as a young boy, preferred the lure of painting to the scholastic studies which his early years had expected of him. His father was a machinist, which exposed the boy to welding and metal crafts. However, his interest in art led him to abandon a secure future in the family business, and he spent most of his late teens and early twenties traveling through the capital cities of Europe studying the works of the Masters. As with many itinerant artists, he made his way in a variety of fashions metalworker, chef, designer somehow always managing to give vent to his creative instincts. Lured by the adventure of crossing the great Atlantic and by the freedoms of the New World, he came to America in 1920. There he was greeted by the turbulence of New York in the Roaring Twenties. Finding a retreat in the European Bohemianism of Greenwich Village, he picked the streets of this landmark neighborhood as his first subjects. With the encouragement of new found friends and artists such as George Luks and Herb Roth, he soon ventured out and devoted all his time to chronicling the architecture, back streets, dock scenes and other nostalgia that was fast disappearing from the face of Manhattan, mainly in copperplate etchings. A favorite subject for him was the Third Avenue El near one of his New York City studios on Third Avenue. He won accolades for his work, and although he traveled the East Coast recording landmarks in other cities including Washington DC, Baltimore, Chicago and Philadelphia, he always returned to his new home Manhattan. A decline in popular favor for etchings led him to put aside his plates in the late 1930's and devote some ten years to pastels, linocuts and painting. His subject matter was almost exclusively New York City street scenes, but figurative works, country scenes and even experiments with Abstract Expressionism at the height of its new found favor in the 1940's punctuated his career. In 1953, after learning of the forthcoming demise of the Third Avenue El, in the shadow of which he had maintained his studio for over a decade, he once again took to his plates and press and created a final series of Third Avenue and or other New York City landmarks that were then threatened with extinction. His work brings to light aspects of nostalgic New York that survives today only in small part, whether in architecture or in spirit. Dolice's works are in a number of notable museums and private collections, including the Museum of the City of New York; The New York Public Library Print Collection; The New York Historical Society; Georgetown University Lauinger Library; The Print Club of Philadelphia and others. In the past few years, his work has been exhibited at Hofstra Museum, Long Island, NY; with the Montauk...

This 28x20 pastel invites you to the serene meeting point of land and water, where soft textures and flowing lines evoke the calm beauty of a tranquil shoreline. Gentle hues blend to...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Artist: Jose Canes (aka Dore) Title: Woman in Pink with Flowers Medium: Acrylic and Pastel on Paper, signed "Dore" l.r. Year: circa 1980 Size: 19.5 x 25.5 inches

Dear clients, Thank you so much for your interest to the art of Maestro Marina Dobrovolskaya. The artist Marina Dobrovolskaya has escaped the war in Ukraine and she is safe with her family in Bulgaria, in the historic city of Bansko, where she continues to create her incredible ART. Unfortunately, she had to leave all her artworks and her native town Kharkiv in Ukraine. We wish you well and in the meantime we hope you will enjoy our artworks in a digital way! Kindly yours, Snow Pearl art gallery Milko Pamouktchiev Owner "Still Life With Pomegranates...

Raymond Debieve (1931-2011) Born in northern France as a twin to brother Michel Debieve (who also become an accomplished artist later in life), Raymond painted his entire life. His ...

Gustave Jean Jacquet Paris 1846 – 1909 French Painter 'La Belle en Bleu' Signature: Signed middle right Medium: Pastel on paper mounted on canvas Dimensions: Image size 46 x 38 cm,...

Françoise Sullivan (b. 1923) is a trailblazing force in Canadian art, recognized not only for her groundbreaking work in modern dance but also for her prolific and versatile contribu...

No. 206 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with India ink, charcoal, pastel and acrylic on kraft paper mounted on canvas, dimensions are 1...

(Painted on thick gallery-wrapped professional canvas, ready to hang or be framed if you prefer. A video has been included to provide a dimensional view of the piece.) Artist's Stat...

French School Portrait of a young woman in Louis XV period dress Pastel on paper mounted on oval canvas H. 68 cm; W. 54 cm (Frame: H. 102 cm; W. 71 cm) 18th century frame, anti-refle...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Apples and Jug by Lu Haskew Pastel 18x24" image size 22x28" Framed behind glass, white wood with gold highlights Still Life of a brown jug surrounded by colo...

This evocative pastel portrait captures the beauty and strength of an African American woman in a moment of quiet vulnerability. The artist masterfully uses soft yet precise strokes ...

It Always Works Out, Oil on Canvas Painting by Rebekah Andrade, 2024 Additional information: Medium: Oil, Acrylic and Pastel on Canvas Dimensions: 48 × 60 in (121.9 × 152.4 cm) Reb...

Dave Fox, a perceptive life observer, effortlessly translated his experiences into art, a journey that began amidst the Austrian countryside, where nature served as his early canvas....

World Of Chaos, Original Painting in Acrylic on Canvas, 2021 Artist Commentary: This piece highlights the relationship between nature and humans. Keywords: light, day, abstract, wa...