Pastel Paintings

English Village Countryside Scene - Original Pastel on Paper by British Artist Art measures 12 x 8 inches Frame measures 17 x 13 inches (approx.) British School – “Country Lane, No...

Aude AZAÏS "The Shadow of Their Desire" - Terrace in Marqueyssac Pastel on paper (framed under glass) H. 65 cm; W. 50 cm Signed lower left - 2023 It was after seeing a small reprodu...

This is a pastel wave painting, showing a ubiquitous view near my Florida home. I use only the finest pastel sticks and papers. This can be framed with or without a mat. :: Paintin...

Through The Spring Window and Carmargue diptych Overall image size cm : H102 x W142 Through The Spring Window – 2 by Jon Rowland [2020] original Acrylic on paper Image size: H:51 c...

FREE SHIPPING Meting the Shade is done in pastel by Garrett Middaugh who lives in San Antonio, Texas. Meeting the Shade is 18 x 24 without the frame....

Flooded river 1950s. Paper, pastel. 26,5x35,5 cm The medium used for this artwork is pastel on paper, offering a soft and powdery texture that can effectively convey the atmospheric and natural elements of the subject. The flooding of a river can be a powerful and evocative subject, as it can symbolize the forces of nature and the unpredictable beauty and devastation that water can bring. Aleksandra Belcova...

Picnic. 1999, paper, pastel, 28.5x33 cm Colorful abstract composition in fauvist style with figures

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exh...

This 28x20 pastel invites you to the serene meeting point of land and water, where soft textures and flowing lines evoke the calm beauty of a tranquil shoreline. Gentle hues blend to...

Blue and Green Landscape by Akos Biro (Hungarian 1911-2002) pastel painting on artist paper, unframed painting: 9 x 12 inches provenance: the artists estate, France condit...

The title of the series derives from one of the many conversations in which Jorge Luis Borges, a lover of walks and strolls through streets, parks, and gardens, in those conversation...

May The Four Winds Blow You Safely Home 8.0 x 10.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This is my second painting in the series celebrating the lyrics and magic of the Grateful Dead. The title of this painting is from a lyric in the song ‘Franklin’s Tower’ and it always reminds me of Jerry Garcia. After Jerry died...

'Who Wants Cake?' original abstract bright pastel painting on arches oil paper. Paper measures 12" x 10" with a velvety texture. Signature signed on the back with archival ink. C...

Since moving to Ubud (Bali, Indonesia) in August 2018 Lydia has been investigating the psychological phenomenon known as the Spotlight Effect. The idea of constantly being watched; u...

Artist: Jose Canes (aka Dore) Title: Woman in Pink with Flowers Medium: Acrylic and Pastel on Paper, signed "Dore" l.r. Year: circa 1980 Size: 19.5 x 25.5 inches

Since moving to Ubud (Bali, Indonesia) in August 2018 Lydia has been investigating the psychological phenomenon known as the Spotlight Effect. The idea of constantly being watched; u...

Since moving to Ubud (Bali, Indonesia) in August 2018 Lydia has been investigating the psychological phenomenon known as the Spotlight Effect. The idea of constantly being watched; u...

Lift is a figurative artwork featuring a female swimmer through the water. It is a Pastel on archival board. It is the first time in 30 years Bennett has created artwork with pastels. The Artwork is 16" x 20.5". It is framed to 20" x 24.5" with a white frame. Carol Bennett spends all of her time surrounded by water, and a great deal within it. Her work is a meditative journey through both the water and through life. She is intrigued by how life continues to flow and change, being both in the moment and timeless. The viewer will experience being in a state “flow” – where the currents of the ocean suspend life and self, and the unexpected floats to the surface. Carol's work has been featured in many solo and group exhibits throughout California, New York, Martha's Vineyard and Hawaii including a 2007 solo show at the First Hawaiian Center at the Contemporary Museum of Art (Honolulu) and a 2018 group show "Making Waves" exhibit at the Honolulu Museum of Art. Her work was seen alongside April Gornik, Agnes Martin, Kiki Smith, and Pat Steir. In 2019, she was also featured in exhibits at the Maui Arts & Cultural Center, the Hawaii State Art Museum and a solo exhibit at the Honolulu Museum of Art. She also just completed a 40 piece glass panel commission at the Daniel K. Inouye International Airport in Honolulu. She has been featured in Hamptons Cottages & Gardens, Ocean Home...

Trees in the park. 1978. Paper, pastel, 37.5x29.5 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

Going Solo 7.0 x 5.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I've been having a blast creating homemade boards and I used a 5x7 one fo...

Work on canton paper Golden wooden frame with glass pane 88,5 x 71 x 2,5 cm

"Detour" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 48 x 36 inches. A warm, calming composition ...

Lois Dodd Untitled Landscape, 1990 Colored chalk on grey wove paper Signed, dated and inscribed "For Beverly & Howard", lower right. Original artist's frame included This unique work...

Hot Flash 12.0 x 9.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "The color red has significant meaning in many cultures around the world ...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Albert Besnard entered the École des Beaux-Arts in 1866, studying with Alexandre Cabanel before making his debut at the Salon in 1868. Six years later he won the Prix de Rome with a ...

Island Girls 9.0 x 12.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I love the pop of a pink underpainting as it reveals itself under all...

Walking On Sunshine, Original Impressionist Landscape Painting, 2021 8" x 10" (HxW) Pastel on Board This landscape emits a warmth, both from the s...

"Morgan Hill Morning" is a pastel painting by Torrance, CA based artist, Joe Mancuso. This painting was created at Harvey Bear Park in Morgan Hill, CA, known for its lush scenery and excellent hiking trails. Mancuso ventured out prior to the Plein Air Paint Out event and became inspired by the landscape of the quiet town. Framed: 13.5" x 15.5" Unframed: 8" x 10" Framing includes a black matte border with an ornate gold fillet on top of museum glass, all included in the price. About the Artist: Joe Mancuso is a plein air pastellist based in Torrance, CA. Mancuso is well known for the light in his paintings. His paintings are deeply influenced by the environment, especially seasonal changes and climactic weather. Mancuso creates his breathtaking paintings on location and though he may respond to a certain place or scene, his goal is to always make capturing the light his focal point. Joe participated in Colibri Gallery’s 2nd Annual Morgan Hill Plein Air Paint Out, where he won third place for his painting, Roses Among the Vines. In 2021, Mancuso achieved Master Circle Status with The International Association of Pastel Societies and is a Signature Member of the Pastel Society of America. Mancuso holds membership with The California Art Club, Laguna Beach Plein Air...

Chasing Time 8.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I've been chasing time recently, finding just quick 5 minute blocks of...

Jim’s of Lambertville is proud to offer this artwork. Pastel portrait of artist's granddaughter. Complemented by original signed Harer frame. Illustra...

"Beauty in Blue” Painting 25.5" x 25.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and th...

French pastel on paper portrait of a sleeping cat by Renée Jullien. The drawing is signed bottom left and presented in a custom wood frame with cut card mount under glass. A charmin...

Attributed To French Master Jean-Baptiste Pillement (1728 - 1808). Magnificent rococo pair paintings depicting scenes from the life of Europe of the 18th century. Two scenes tell us about the lives of travelers and fishermen of the time. Two frames of the same century perfectly complement these paintings. Paintings made in the technique: Pastel, Bodycolor, chalks, and perhaps gouache on paper or paperboard supported by wooden boards. Gold leaf neoclassical frames of early 1800s (not examined under frames). On the reverse side of the wooden substrate, there is a stamp, "Bundesdenkmalamt Wien", Perhaps Jean-Baptiste Pillement (1728 –1808). Antique old paintings...

Jane Gilday (American, b. 1951), "When the Pitcher has Command, Speed and Mastery, He is Bringin' It", Mixed Media on Canvas, signed lower left, giltwood f...

Lazy River 8.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This painting reminds me of the long days of summer when the temperature ...

Landscape mixed media on canvas 46x55 cm 2023 Original Art, Ready to hang Frame option available Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works....

Pastel on arches paper

Abstract Expressionism is an original contemporary artwork realized by the Italian artist Giorgio Lo Fermo in 2016. Original mixed media on plywood (pastel and oil painting). Hand...

Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New England Arts Club and the Royal Instit...

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...

September Seas, Original Seascape Painting in Pastel on Board, 2021 Sunlight reflects off of the waves crashing onto the beach. Artist Commentary: I’m mesmerized by waves of all sh...

Ye Old Towne Bar Original Pastel Salmagundi Club Auction 2004 with auction label, auction catalog, bio and American Artist magazine page Sidney Hermel (American, 1922-2006) Sidney ...

Queen For A Day 8.0 x 8.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Queen Ann's Lace always reminds me of summer. These beauties were ...

Dear clients, Thank you so much for your interest to the art of Maestro Marina Dobrovolskaya. The artist Marina Dobrovolskaya has escaped the war in Ukraine and she is safe with her family in Bulgaria, in the historic city of Bansko, where she continues to create her incredible ART. Unfortunately, she had to leave all her artworks and her native town Kharkiv in Ukraine. We wish you well and in the meantime we hope you will enjoy our artworks in a digital way! Kindly yours, Snow Pearl art gallery Milko Pamouktchiev Owner "Still Life With Pomegranates...

Title: Mid-Century French Pastel Coastal Scene With Children Playing and Orange Rowboat by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 5.5 inc...

One is Signed Lower and the Other is Signed Lower Right Louis Kronberg (1872 - 1965) Kronberg, often referred to as "the American Degas,"was born in Boston on December 20, 1872. He displayed artistic talent in his elementary school years and while he was only fifteen years old, his brother, who had become an impresario, made it possible for Louis to copy portraits of stage and concert celebrities backstage. Louis came to know Ignaz Paderewski, Boris Chaliapin...

Three's a Crowd, whimsical colorful pastel on toned paper A Brooklyn native, much of Basso's wildly imaginative artwork was inspired by travel to Jamaica, Puerto Rico, and especiall...

Price and size includes frames (maple wood with white mats). Artwork 58" x 38" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

This 19x14 mixed media abstract draws you into the depths, with fluid tones and layered textures that create a sense of movement and mystery. The intricate details capture the essenc...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Ink, graphite, oil pastel and charcoal on Yupo paper 110 x 76 x 0.1 cm - Framed 116 x 82 x 4.5 cm

Standing Tall 12.0 x 24.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I love Queen Anne's Lace flowers! When they sway in the wind I can't...

This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping costs as well. Rolled works can be easily st...

Sweet Emotions Mixed media acrylic, watercolor, ink marker, pastel on archival. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Art...

Blue Bowl with Lemons 10.0 x 8.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This painting is a great teacher of color harmony, creating ...