Pastel Paintings

Yvonne Jacquette (American, b. 1935) Tokyo Diptych, 1985 Pastel on paper Overall 17 1/4 x 28 1/2 inches Signed lower center Provenance: Carey Ellis Company, Houston, Texas Brooke Alexander, New York Collection of an American Corporation Exhibited: New York, Brooke Alexander, Yvonne Jacquette: Tokyo Nightviews, April 5 - May 3, 1986, n.p., illustrated; this exhibition later traveled to Brunswick, Maine, Bowdoin College Museum of Art, Yvonne Jacquette: Tokyo Nightviews, June 27 - August 24, 1986. Yvonne Jacquette has a preference for high places, a circling plane, a penthouse window, an aerie from which to watch the world. Her work has often depicted the city and man-made landscape from the vantage of angels. It is a privileged perspective, long loved by photographers, who were perhaps the first to recognize the geometric grandeur of the city below. That grandeur structures Jacquette's images but is not its full content. Her work attempts to resolve the visual and emotional pardoxes of the modern metropolis. Only from the tower is there the possibility of order and context. And unlaced beauty. Jacquette first visited Japan in 1982. Nighttime Tokyo, its cars and crowds and canyons of loud Vegas neon, made a vivid and bewildering impression on her. The neon signs, pulsing, scaling the walls of high rises, fascinated the artist, "like Times Square spread over miles." Her fascination was equal parts marvel, confusion, and curiosity—the sparks of art. She returned to Tokyo in May of 1985, choosing hotel rooms with expansive vistas. From these views Jacquette excerpted images for a series of pastel night scenes. The basic forms and colors of each drawing were blocked in during night sessions by the window. She worked in the dark, selecting colors by flashlight. In daylight, she sharpened the geometry and corrected ambiguous passages. She refined the drawings further in the studio until the images read clearly. Photographic correctness was not important. The finished drawings are complete statements, not simply preparatory sketches for paintings. They have the authority of expert witness. In clear, discreet jots of pastel they record the performance of seeing, each touch of color attesting to a moment's close scrutiny. Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. Her late husband was photographer Rudy Burckhardt, and the couple were part of a circle of artist friends that included Fairfield Porter, Alex Katz, Red Grooms, and Mimi Gross. She continues to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting...

Marker, ink, acrylic, pastel on velvet Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the T...

Dimensions listed include the frame. Charcoal and pastel on paper and bears a signature lower right. There is also the workshop’s stamp (Leonetto Capiello) lower left. Renoir sought ...

Late Summer Reeds 8.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I used a different technique for this piece. Instead of a traditio...

Yvonne Jacquette Searsport Harbor Night I, 1982 Pastel on paper 8 1/4 x 11 inches Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford...

Diogo Barros Pires What I Lacked She Had Ten Fold Crayon, soft pastel, and pastel on cardboard 154 x 105 cm "What I Lacked She Had Ten Fold" by Diogo Barros Pires is an evocative pi...

Marker, ink, acrylic, pastel on velvet Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the T...

Small Mound, Chalk Pastel Painting by David Nash, 1992 Additional information: Medium: Chalk pastel 15 x 11 cm 5 7/8 x 4 3/8 in Signed and dated

You Kiss Like Fire 8.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "'You Kiss Like Fire' was inspired by a magical sunset in the fa...

Marker, ink, acrylic, pastel & watercolor on paper, Unstretched Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studi...

In "Passing Touch at a Bar", the artist captures a fleeting moment of connection in a lively yet intimate setting. The scene focuses on the back of a woman sitting on a bench, her fo...

Above The Fray, Original Contemporary Impressionist Seascape Painting, 2022 8" x 10" (HxW) Pastel on Paper Hand-signed by the artist. ...

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exhibitions, publications, and media. G...

"Hazy Day Hikers" is a plein air pastel painting by Cotati, CA based artist Clark Mitchell. This sublime piece depicts an aerial trail side view of a mountain side. Off in the distance, are hikers taking in the beautiful sunny day. Purple mountains sit quietly against a gold late afternoon sky. This piece comes with an ornate gold frame and is ready to hang. Artwork measurements are: Unframed: 9"w x 12"h Framed: 12.5"w x 15.5"h About the Artist: Growing up in the shadow of the Rockies, Clark Mitchell very early discovered a love of the natural world. Given a set of fine old German pastels by his father when quite young, he quickly embraced the medium for its ease of handling, brilliance of color and portability. He received a bachelor’s degree in art from Colorado College in the seventies and moved to San Francisco to continue his studies at the Academy of Art College. Through personal exploration as well as study with artists Albert Handell, Skip Whitcomb, Michael Lynch...

Oil, acrylic, pastel, and mesh. Unframed and un-stretched canvas.

A fascinating art piece that reveals the talent of portugese artist Diogo Barros Pires. Pastel and crayon on black paper. Diogo Barros Pires (b. 1985) is a figurative contemporary ...

Ginger Williams Cook is a painter, published illustrator, and arts educator based in Jackson, MS. Her paintings have been featured in numerous exhibitions, publications, and media. G...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

A Little Lavender 6.0 x 6.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "On a recent bike ride through the Croatian countryside, I rode by ...

abstract figure, drawn from life; pastels, inks, metallic gouache powder :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist...

(Comes float-framed behind glass.) Artist's Statement: "I was working on my "Gridish" paintings (you can find them in a search on the term "Gridish" on this site) when I became fascinated with certain materials I was working with - a new type of super-flat, super-black paint; powdered graphite; and iron oxide pigment. I had a small canvas ready to go, and shifted my attention to concentrating on just one of the rectangular forms I had been using in the Gridish series, and applying these materials in a way that pleased me. That sort of industrial sheen on the surface of the rectangle is really beautiful to me. This was a second I made, on paper. Quite obviously the mood given off by these works is greatly different from the colorful Gridish paintings that spawned them. My daughter, studying design at RISD, said she found the pic I...

Daniel Brice Untitled NY 17, 2016 watercolor, charcoal and pastel on paper 30 x 22 in. This original abstract oil painting on paper by Daniel Brice is colorful and bold, composed of...

The Evening Chorus 16.0 x 10.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This diptych was so much fun to paint! I love how the compleme...

Pastel on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State Academy of ...

Graham Noble Norwell, Canadian, 1901-1967 Untitled watercolour on paper 7 x 13 in (sight) Signed lower right framed

Sprinchorn, Carl (American 1887-1971). ON THE BOARDWALK. Pastel, not signed or dated. Provenance: The Artist's estate. 23 1/2 x 17 1/2 inches, 597 x 445 mm. In excellent condition, f...

"The Golden Hour" is a colorful and vibrant fall foliage landscape in a warm autumn color palette by American Impressionist painter Albert Van N...

A fascinating art piece that reveals the talent of portugese artist Diogo Barros Pires. Pastel and crayon on black paper. Diogo Barros Pires (b. 1985) is a figurative contemporary ...

Price and size includes frames (maple wood with white mats). Artwork 58" x 38" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Gossip Girls 9.0 x 6.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Working from the same photo reference as ‘Bike Ride Through the Country...

Sky High 1 8.0 x 10.0 x 2.0, 6.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: **This painting is professionally framed in a warm gold wood frame with T...

Once In Awhile You Get Shone The Light 12.0 x 9.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Once In Awhile You Get Shone The Light (I...

Robert Kleinhans signed Petitjean was an American artists from 1907-1986 Pastel on board Framed Marine Time Art featuring a sailboat crashing against waves in an ominous looking g...

Lithosphere 207 is an original, modern art painting from the Lithosphere series. This one-of-a-kind painting was created with acrylic paint on gallery-wrapped canvas. It has a width ...

This bright and vibrant painting illustrates a young man rushing past a bookstore at dusk, with a contemporary flair. :: Painting :: Contemporary :: This piece comes with an officia...

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

A fascinating art piece that reveals the talent of portugese artist Diogo Barros Pires. Pastel and crayon on black paper. Diogo Barros Pires (b. 1985) is a figurative contemporary ...

Barn In The Meadow 10.0 x 10.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I love an old barn! This photo reference was taken on a bike ri...

OLWEN TARRANT won her first prize while still at Art College in London. The judge was Sir Charles Wheeler, former President of the Royal Academy, who prophesied a successful career ...

Pastel on Paper Page Size 13 x 17 in. Frame size 21 x 22 in. Signed: Lower Right "Likan '62", in white A luminous portrait by Gustav Likan (Yugoslavia, 1...

Weekend Warrior, Original Impressionist Seascape Painting, 2021 9" x 12" (HxW) Pastel on Board The ocean water's blues and greens are bright in this seascape of waves dancing along the Massachusetts shore. The sky glows a beautiful periwinkle over the landscape as the salty sea spray splashes into the air. Artist Commentary: Inspired by a recent trip to Nantucket where I took over 600 photos of the...

COA by Hortensia Soriano Born in 1920 in the town of Cidra in the province of Matanzas, Rafael Soriano manifested an early inclination for painting. Af...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

"X Marks the Spot" is a striking 1960s abstract mixed media painting by 20th Century Denver artist Edward Marecak. Created using acrylic and pastel on paper, this captivating piece f...

Expressive 8x10" mixed media landscape painting of the badlands sagebrush. Acrylic and pastels on paper. :: Painting :: Impressionist :: This piece comes wi...

"Tenderness" is a watercolor painting on canvas by Maestro Marina Dobrovolskaya About the artwork: TECHNIQUE: oil painting, aquatint, pastels STYLE: Realist, Contemporary Edition ...

"Fruits" is a watercolor painting on canvas by Maestro Marina Dobrovolskaya About the artwork: TECHNIQUE: oil painting, aquatint, pastels STYLE: Realist, Contemporary Edition : Un...

Artist Commentary: This painting is from a photo reference I took while on an RV road trip through Wisconsin. I've painted this image several times in values of purple and green, wh...

I Painted Over Nevada, Oil on Canvas Painting by Rebekah Andrade, 2024 Additional information: Medium: Oil, acrylic, tissue paper, and pastel on canvas Dimensions: 74 x 67 in Rebek...

Woman watching TV with spent cup of tea/coffee. I apply the pastel in successive layers to achieve a soft structure with some areas having a more robust textured element. I use a...

Black Sun in the Red and White Sky - Acrylic on Paper Bold abstract by Ricardo de Silva (American/Brazil, 20th C). A large black and yellow orb sits in a swirling white and yellow s...

Pastel on heavy archival paper with architectural photographs mounted. Note - the size given is the actual size of the image. Comes in a traveling frame...

Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New England Arts Club and the Royal Instit...

Portrait of Andy Warhol with Purple Hair in Pastel and Gouache on Paper Whimsical portrait by Ricardo de Silva (Brazilian, 20th Century). Andy Warhol is l...

Acrylic on canvas, Pastel Bella Bibiluri is a Georgian female artist born in 1994 who lives and works in Tbilisi, Georgia. She is graduated from Apollo...

Oil pastels painting, linen canvas. :: Painting :: Modern :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :...

Untitled is a beautiful artwork realized by Maurizio Gracceva in the 2008. Mixed media on paper: acrylic, pastels, spray Hand signed by the artist. Author of numerous philosophica...

"Walking Song" is an original mixed media piece on watercolor paper. Alayna Rose, the artist, signed the piece in the lower right. This piece features a variety of abstract marks in ...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...