Pigment Paintings

Poolside Party #30 (Naiades Series 1) 2023 Archival pigment on canvas 100 x 100 cm / 39.25 x 39.25 inches Signed, titled and dated on verso and comes with optional NFT Certificate ...

Poolside Party #41 (Naiades Series 1) 2023 Archival pigment on canvas 100 x 100 cm / 39.25 x 39.25 inches Signed, titled and dated on verso and comes with optional NFT Certificate ...

Poolside Party #15 (Naiades Series 1) 2023 Unique Archival pigment on canvas 100 x 100 cm / 39.25 x 39.25 inches Signed, titled and dated on verso and comes with optional NFT Certi...

Stefan Szczesny is a contemporary painter and sculptor, who came to public attention in the early 80s as one of the protagonists of the "Neue Wilde".

Franco DeFrancesca (b. 1967) is a multidisciplinary artist whose work investigates the links between art and technology. Using digital imaging to navigate between photography and pai...

Miguel Dominguez was born in El Paso, Texas on October 3, 1941. HE spent his formative years in the agricultural valley of Salinas, California where ...

Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. His canvases barely contain the landscape painted...

Clifford Singer has been working with Hypercubes since 1973. This printed canvas is a continuation of a drawing in working progress since 1978.

Archival pigment ink print on canvas, edition of 15 - artwork can be shipped in a tube or framed in a crate Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in N...

Archival pigment ink print on canvas, edition of 15 - artwork can be shipped in a tube or framed in a crate

Archival ink print on canvas, limited edition of 20 - artwork can be shipped in a tube or framed in a crate ...

Navigation by artist Lisa Weiss is a contemporary abstract blue, turquoise, grey, and yellow mixed media on panel that measures 30 x 20 and is priced at $1,500. Lisa Weiss’ work is about mark making, patterning, spontaneous movement, momentary awareness and paring down to essentials. She is continually looking for ways to detach from the past and future with a focus on the here and now. Weiss’ paintings are process driven by movement, repetition, materials, and place. Her works are for beauty and contemplation. A professional artist from Tennessee, Lisa Weiss received her BFA in painting and sculpture from Middle Tennessee State University in 1990. She received a teaching assistantship to Louisiana State University in Painting and Drawing and completed her MFA in 1996. Lisa has exhibited her work nationally in solo and group shows for the past fifteen years. She is included in numerous public and private collections throughout America, Canada, United Kingdom, Australia and Holland. She has the honor of being in the Hunter Museum permanent collection. In the last seven years, Lisa has attended four artist residencies: Dorland Colony in California, Millay Colony in New York, Wurlitzer Foundation in New Mexico and the Nantucket School of Art on Nantucket Island. She has taught design, painting and drawing at the University of Southern Mississippi, Watkins College of Art and Film, Eastern New Mexico University and Winthrop University. Lisa has recently earned initial certification for teaching yoga from Yandara Yoga Institute in Todos Santos, Mexico. She has traveled the United States, Mexico and Europe. Lisa currently creates artwork in her studio in Franklin, Tennessee. Selected Collections Hunter Museum of Art: Chattanooga, TN. Hilton Hotel: Washington, DC. Iberia Bank: Memphis, TN Sand Point Corporation: Sand point, FL. Baptist Hospital: Nashville, TN. Glanker Brown Law: Memphis, TN. Harrahs: Las Vegas, NV. Hot Springs National Park: Hot Springs, AR. CoCa - Cola Bottling Co.: Knoxville, TN. Creative Arts Guild: Dalton, GA. Tennessee Watercolor Society: Nashville, TN. Private Collections: United States, Canada, United Kingdom, Germany, Australia, Holland Selected Exhibitions 2013 Tinney Contemporary: Three Person Show, Nashville, TN. 2012 Copper Fox Gallery - Inaugural Opening, Leipers Fork, TN. 2012 L. Ross Gallery: Paper Exhibition – Memphis, TN. 2012 L. Ross Gallery: Group Show – Memphis, TN. 2012 L Ross Gallery: Common Thread - Memphis, TN. 2011 Nina Kuzina Fine Art: Group Exhibition - Nashville, TN. L Ross Gallery: Paper Group Exhibition - Memphis, TN. Bennett Gallery: 7 in 11 Group Exhibition - Knoxville, TN. 2009 Waterworks Art Center: Seedlings Exhibition - Salisbury, NC. L. Ross Gallery: “Nature Forms’ – Solo Exhibition – Memphis, TN. 2008 Gallery Up: ‘Papillon’ – Solo Exhibition - Rock Hill, SC. 2007 Project A: ‘Sequence’ – Solo Exhibition – Nashville, TN. 2006 L. Ross Gallery: ‘Prana’ – Solo Exhibition – Memphis, TN. Bennett Gallery: ’New Works’ – Two Person Exhibition’ – Knoxville, TN. 2005 Upstream People Gallery: ‘7th Annual All Media International’ - Omaha, NE. L. Ross Gallery: ‘Inner Garden’ - Solo Exhibition Memphis, TN. 2004 Art Forms: ‘Between Moments’ - Solo Exhibition - Memphis, TN. 2003 Perry Nicole Fine Art: ‘Flux’ - Solo Exhibition - Memphis, TN. 2002 Eastern New Mexico University: ’Faculty Exhibition’ - Portales, NM. Art Forms: ‘Strong Voices’ - Group Exhibition - Memphis, TN. 2001 Hanson Gallery: ‘Remembrance’ - Group Exhibition - Knoxville, TN. Perry Nicole Fine Art: ‘Quest’ - Two-person Exhibition - Memphis, TN. 2000 Creative Resource Gallery: Group Exhibition - Birmingham, MI. Perry Nicole Inaugural Opening: ‘Ascension’ - Solo Show - Memphis, TN. 1999 Creative Resource Gallery: Group Exhibition, Harbor Springs, MI. National Miniature Exhibition: Group Exhibition - Salt Lake City, UT. 1998 Period Gallery: ‘National Miniature Exhibition’ - Omaha, NE. Exit Gallery: ‘Small Wonders’ - Solo Exhibition - Hattiesburg, MS. 1997 Blue Haus Alternative Workspace: Group Exhibition - Hattiesburg, MS. 1995 Ironworks Gallery: ‘Art for Arts Sake’ - New Orleans, LA. 1993 Parthenon Gallery: ‘Central South Exhibition’- Group Show - Nashville, TN. 1992 Dalton Creative Art Guild: Group Exhibition - Dalton GA. 1990 Parthenon Gallery: ‘Tennessee Watercolor Society Exhibit’ - Nashville, TN Awards and Honors 2008 Yandara Yoga Teacher Training: Todos Santos, MX. 2008 ‘The Conversation’: Inspired from the painting ‘Empire’: Rock Hill, SC. 2005 Nantucket School of Art & Design: Artist Residency, Nantucket Island, MA. 2004 Helene Wurlitzer Foundation: Artist Residency, Taos, NM. 2003 Maho Bay Environmental Arts Program: Artist Residency, St Johns...

Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...

Hand Signed by Ken Heyman Born in New York City in 1930, Ken Heyman first became interested in photography in high school. Later, during his student days at Columbia College-which were interrupted by a two-year stint in the army-his skill as a photographer grew, but still regarded photography as no more than a hobby. Then two events in college helped to direct him toward his career in photography. First, he sent off selections of his work to two national photography annuals and was pleased, indeed surprised, when both indicated they were eager to print his pictures-and did. But perhaps more important was his becoming a student of the distinguished anthropologist Margaret Mead...

Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...

Born in Bagé, Rio Grande do Sul, Brazil, Sylvia Martins graduated in Visual Communications in Rio de Janeiro. In 1979 she moved to New York to study at ...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Clifford Singer has been researching Sir Isaac Newton's geometry since 1978. This is recent work.

Clifford singer's Cut Space Series done in the early 2000's is remarkable.

The Apollonius Series is an in depth study of the ancient Greek geometer Apollonius' Conic Sections.

Artist's Statement: My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction – ...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

NINE FRANCOIS produces close-up photographs of animals which are presented against a stark white background. The artist shoots up close – very close – with a wide angle lens, and fr...

Françoise Ben Arous is a French born artist. She has traveled worldwide, delving into different local traditional cultures. Her artistic approach is cross-cultural, filtering through...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all ...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

“Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.” Corvengi’s works explore his version of a lost paradise, an...

Pigment print