Pigment Paintings

Dominika Krechowicz is a professor at the Gdansk GUT Institute Flags , 53x65 cm, acrylic, pigment on paper, 1996, composed of 4 elements, a single part is 24 x 30 cm. Works from th...

Orazio De Gennaro's Ballads of Lights is a 36 x 36-inch abstract painting on panel. The main colors are different shades of blue, red and purple. De ...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

Paper Size: 38.8 x 49.7 cm Painted by Suresh Sharma, this is a 20th Century miniature painting from one of the leading contemporary miniature painting Ateliers in Jaipur, owned by M...

Children And Balloons Artist signed lower right. Bernardino Toppi was born in 1936 in Rome is a French painter of Italian origin. Sharing his time between Rome and Paris, he elaborat...

Title: Landscape BW Medium: Mineral oxides on Canson paper Size: 50 x 70 cm Year: 2024 Certificate of authenticity included One-of-a-kind artwork – not a print Landscape BW is an or...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper that have been created since the winter of 2016. Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home. Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Triptych: 3 panels of 110 cm You travel in and through this living urbanism that catches and digests you. Take the time to look at each window, to dive into the multifaceted interior...

Peter Hoffer’s landscapes have one foot in classic realism and the other in deconstruction. This work, created with clay silicate and pigment on linen, juxtapose the Bauhaus architec...

abstract 29/29, Original Contemporary Grayl Abstract Encaustic Painting 29" x 29" x 3" (HxWxD) Hand-signed by the artist in verso. A contemporary minimalist encaustic work by artist Michele Renée...

This captivating painting features a dynamic interplay between nature and man-made objects, with cascading waterfalls forming a serene backdrop for symbolic objects in the foreground...

'Once Upon a Table' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in a white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2008. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

Canadian artist Ivo Stoyanov is internationally recognized for his compelling abstract paintings. This piece, one of a series illustrates Stoyanov’s masterful vision that combines ge...

Yvonne Lammerich has used a dynamic pattern, bold colours and geometric form to create this visually stunning contemporary piece. The ‘building block ...

Camellia VIII is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with pigments, India ink and gold leaf on Japanese cardboard, dimensions are 1...

Pebbles, sand and pigment on panel, frame not necessary as it has worked edges. Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly diffe...

Magnificence III is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink, Japanese pigments and gold leaves on Japanese cardboard, dimensions a...

Wind II is a unique painting by contemporary artist Yiching Chen. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions are 30 x 40 cm (11.8 × 15.7...

Big Little #146 (Small, Square Abstract Painting with Linear Patterns) by Vincent Pomilio acrylic, pigmented plaster, and wax on wood panel 12 x 12 inches, unframed signed, verso Th...

Nocturn V is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, gold leaf on Japanese paper mounted on panel, dimensions are 53 × 45.5 cm (20...

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli Uptown (4 East 77th Street) This is a unique work Frame Included: floated and framed in vintage wood frame under acrylic with Castelli label on back This unique mixed media Robert Petersen pigment collage, with drawing and gold leaf and acrylic painting is floated against beveled edges, then matted and framed in a gorgeous light wood museum frame. It bears the label of Castelli Uptown on the back. Petersen, an American contemporary artist born in 1945, worked as an assistant to Robert Rauschenberg for 10 years from 1970 to 1980. He is a versatile artist, working in painting, drawing, printmaking, sculpture and collages, but is perhaps best known as a collagist, Robert Petersen was born in 1943 in the small farm town of Le Mars, Iowa. Petersen lived and worked closely with Rauschenberg on Captiva Island until 1980. In 1973, Petersen had his first solo show at Galerie Sonnabend in Paris, France, which was followed by numerous solo and group exhibitions worldwide. His work is represented in private and public collections internationally including the Centre Georges Pompidou, Musee National d'Art Moderne in Paris, France; The Metropolitan Museum of Art, New York, NY; Francois Pinault, Venice, Italy; Robert Rauschenberg Foundation, New York, NY; James Rosenquist, Aripeka, FL; Ileana & Michael Sonnabend, New York, NY; Cy Twombly Foundation, Rome, Italy, and Universal Limited Art Editions, NY. Measurements: Framed: 31 inches x 38.25 inches x 1.75 inches Artwork: 25 inches x 32 inches More about Robert Petersen: Robert Petersen was born in 1945 in the small farm town of Le Mars, Iowa and was raised there until 1952 when he moved with his family to Whittier, California. His education as an artist began in 1963 at Fullerton Community College where his interest in architectural drafting led him to develop a passion for drawing, painting, and printmaking. In 1966, he pursued his love for printmaking further at California State University, Long Beach under the former Tamarind Lithography Workshop printer, Robert Evermon. In 1969, Petersen went on to work as an assistant printer at Gemini G.E.L. where he printed editions for Frank Stella, Roy Lichtenstein, and Robert Rauschenberg. Most notably, Petersen served as one of the head printers for Rauschenberg's Stoned Moon series, during which the two formed a close friendship. In late 1970, Rauschenberg invited Petersen to live and work with him on Captiva Island, Florida, which had recently become the artist's permanent residence and studio. In 1971, Rauschenberg and Petersen established the experimental print shop, Untitled Press, Inc., where they not only printed their own work but also for visiting artists including David Bradshaw, Brice Marden, Hisachika Takahashi, Cy Twombly, and Robert Whitman. Petersen lived and worked closely with Rauschenberg on Captiva Island until 1980. During the early 1970's Petersen predominately created monochromatic minimalist work and then began to explore the possibilities presented by his intricate sketch pages. In 1976, Petersen made his first monthly inspired journal drawing from the highlights of his sketchbook where he collected observations of daily surroundings, drawings for future work, musings, postcards, photographs, and ephemera such as calendar clippings and magazine illustrations. This technique continues to serve as the basis for his present work. In 1973, Petersen had his first solo show at Galerie Sonnabend in Paris, France, which was followed by numerous solo and group exhibitions worldwide. His work is represented in private and public collections internationally including the Centre Georges Pompidou, Musee National d'Art Moderne in Paris, France; The Metropolitan Museum of Art, New York, NY; Francois Pinault, Venice, Italy; Robert Rauschenberg Foundation, New York, NY; James Rosenquist, Aripeka, FL; Ileana & Michael Sonnabend, New York, NY; Cy Twombly Foundation, Rome, Italy, and Universal Limited Art Editions, NY. Petersen currently works in Tivoli, NY where he lives with his wife, Cinda Sparling...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Yellow Landscape Mineral Oxide on Paper Fabriano Psper 70x50cm 2025 Original Art Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Painting at the ...

Plum Tree from Higashiyama I is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with India ink and Japanese pigments on cardboard, dimensions a...

Dominika Krechowicz is a professor at the Gdansk GUT Institute Flags 1, 175 x 170 cm, acrylic, pigment on paper, 1999, composed of 20 elements, a single part is 30 x 40 cm. Works fr...

Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Fi...

In this series the artist represent the force of white that invades with its free forms, strongly over the structure of black. White is the absolute color, the purest, the most perfect, the most luminous. It speaks of innocence and perfection. It springs from the darkness, the mystery and the seriousness of black. This strong contrast of white on black symbolizes light and shadows, like a fight of those two opposing forces that repel and at the same time attract each other, forming a very strong communion between the two. As if they both needed each other to give him place to the other. In her work, Rosario Briones...

For these paintings, Wolf uses expanded metal as a brush and thus creates abstract paintings. The irretrievable moment is found here in the expressive painting process. Also, he adds...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Yellow Landscape Mineral Oxide on Paper Fabriano Paper 70x50cm 2025 Original Art Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Painting at the A...

Using cold wax medium with oil paint, powdered pigments, and pigment stick, Rebecca Crowell builds up layered surfaces as she also scratches, scrapes, and dissolves her layers, selec...

„The Way 2”, mixed media (soil, pearl glue, oil, powder pigment, rosin) on jute, 140 x 150, 2012 Series “The Way” by Marta Pokojowczyk contains mixed media paintings on jute created...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

In this series the artist represent the force of white that invades with its free forms, strongly over the structure of black. White is the absolute color, the purest, the most perfe...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Set of Three 19th century Tibetan Tsakali with Depictions of Dancing Dakinis Mineral pigment on paper Approximately 4 5/8 x 4 inches each (24 x 14 frame) It's important to note this are very fine examples of Tibetan tsakali; more akin to fine art than the usual Tibetan artifacts...

Pigment & acrylic on paper

Dominika Krechowicz is a professor at the Gdansk GUT Institute Flags 7, 213 x 96 cm, acrylic, pigment on paper, 1999, composed of 24 elements, a single part is 24 x 30 cm. Works fr...

Interior design paintings. Abstraction art, made in red, black, white, peach color. Can be positioned in horizontal or vertical mode. Lena Chernyavskaya / L...

Peter Hoffer’s landscapes have one foot in classic realism and the other in deconstruction. This work, created with clay silicate and pigment on linen, juxtapose the Bauhaus architec...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

„The Way #4”, mixed media (soil, pearl glue, oil, powder pigment, rosin) on jute, 140 x 170, 2012 Series “The Way” by Marta Pokojowczyk contains mixed media paintings on jute create...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Orazio De Gennaro's "Terra Bruciata (Scorched Earth) is a 10 x 10-inch abstract painting on paper mounted on board. The artist works with natural earth,...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Orazio De Gennaro’s Rituale is a masterful exploration of texture, color, and materiality, offering a deeply immersive visual experience. This painti...

Lush layers of white paint in expressive brushstrokes form a geometric pattern that plays out across the canvas in this engaging abstract by Ivo Stoyanov. Internationally recognized ...

'Tendrils of Warmth' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in an white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2008. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

Yellow Landscape Original Art on Fabriano Rosaspina Paper 50x70 cm 2023 The use of natural materials such as mineral oxide powder connects the work to a dimension of respect for the...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

In this series the artist represent the force of white that invades with its free forms, strongly over the structure of black. White is the absolute color, the purest, the most perfe...

Orazio De Gennaro's "Terra Bruciata - Alba II (Scorched Earth - Dawn II)" is a 10 x 10-inch abstract painting on paper mounted on a board. Unframed. ...

Parris Jaru's Black and White is a 18 x 15 inches oil painting. The surface is defined by a thick impasto of paint, made with plant based pigments that Jaru collects himself during his long exploratory trips through India. The main colors are black, white and gray. The surface is scraped and incised with words and signs, almost like graffiti on a wall or inscriptions on an archaeological fragment. Parris was born in NY and grew up in St. Ann's Bay, Jamaica, until he was ten years old. Partly Jamaican and Blackfoot Indian from his father's side and partly Arawak Indian from his mother, Parris brings into his creative process a wonderful mix of different ethnicities that reflects throughout his work. The artist states "Throughout my life I have always been dedicated to Art but painting has added a patience of perception and love to my conscience mind, as well cultivating my unconscious. Painting gives me a confidence and inner security that has been hard for me to attain elsewhere. When I say a piece has turned out really well, a certain balance has been achieved between composition, perspective, color and depth giving my creative side a jolt. Although my works change frequently in form depending on mood and inspiration, the one thing that remains the same in all my works is an abstract touch. I am drawn mostly to abstract expression for the free-flowing aspect of creation. My favorite material is Plant-Pigment-Powder (ex; Sea Algae, Hibiscus, Gymnema Sylvestre and Turmeric powder. Mixing these pigments reminds me that nature is the purest example of artistic perfection and composition open to interpretation for all. With this understanding I am able to open communications with the energies of nature. the main purpose of these herbs are for medicinal healing, when I add it to my medium it adds an ethereal quality to my works. When I select my materials, I am very specific with my choices, after trial and error I work exclusively with denser herbs giving me the texture I desire and is compatible with oil paints and acrylics, adding depth and longevity to the works. Although I am drawn to blues, reds and blacks for body, my favorite colors are the highlights, whites, yellows, and light grey. I know a piece is done when it feels right, with clarity, movement and composition also complementing my sense of imagination. When my work is going well, I am filled with a sense of wonder and creative joy open to all possibilities of creation. When people see my painting’s I like them to share a part of my thoughts and inspiration, looking at the artist and his works from the inside. I reach my end goal when the painting has connected another link in the chain of an individual’s emotions." Related keywords: Caribbean Artist, Brooklyn Artist, American Indian artist, Figurative Painting, Poems, Poetry, Ancient Fragment...

Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of blue & burgundy ...