Pigment Paintings

A. Laurenti has been exhibiting since 1984 universal, visionary and contemporary paintings. His images bring back to us through his colors, landscapes and personalities that have exi...

Landscape mineral oxide on canvas relief paint original art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Paint...

Dominika Krechowicz is a professor at the Gdansk GUT Institute Flags 1, 175 x 170 cm, acrylic, pigment on paper, 1999, composed of 20 elements, a single part is 30 x 40 cm. Works fr...

Kim Fonder INIZIO AVORIO II Mixed media on handmade paper, pigment, mica, on burlap over panel 24.00 X 24.00 in $800.00 Kim Fonder loves texture and touch. Her paintings and furnitu...

The allure of deep pink, a colour that evokes feelings of pure joy dominates the canvas in this enigmatic abstract painting by Ivo Stoyanov. The Canadian artist has become internatio...

Vivid, deep blue and abstract…this compelling acrylic and mixed media piece by Ivo Stoyanov illustrates his masterful use of expressive form, colour and texture. The Canadian artist ...

Registros XXI, 2023 by Nat Orlowski From The Series Registros Lacquers, pigments, Indian ink, acrylic, water, and sun on canvas. Size: 500 H cm x 200 W cm. Unique Impressions of p...

Lush layers of white paint in expressive brushstrokes form a geometric pattern that plays out across the canvas in this engaging abstract by Ivo Stoyanov. Internationally recognized ...

Three spotted leopards in dynamic, powerful poses are dramatic and meticulously painted, layered beneath an intricately detailed map of Mumbai, India in bright shimmering gold. In th...

Colt Seager (b. 1993) is an American painter and sculptor based near Chicago, IL. Drawing inspiration from the inherent holiness and tranquility of the natural world, Seager’s work i...

Red Landscape Original Art on Paper 60x70 cm 2023 Mineral oxide on paper Marilina Marchica was born in Agrigento, where she works and lives, After rec...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Born in 1986 in Saarbrücken, Germany, Amela lives and works as a visual artist in Munich. As the daughter of migrants from former Yugoslavia, she grew up bilingual and her live had taken place between Germany and Bosnia. This experience has had a particularly strong influence on the content of her work. The paintings of Amela Rasi...

In tribute to Janet SOBEL who was the forerunner in the field. And it’s not because it looks like Pollock that it is an imitation. We could also define thi...

Title: landscape BW Artist: Marilina Marchica Medium: Mineral oxide on canvas Dimensions: 40x50x3 cm certificate of authenticity included Marchica's technique transcends the bound...

AUDRA WEASER’s abstracted, organic paintings reference those places where rivers or streams may be traversed as well as to mental states of pause or reflection. The paintings themse...

Loneliness – Nijoujou Pine is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink and gold leaf on Japanese paper mounted on panels...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Alicia Gimeno, born in Barcelona (1989), trained in graphic design during her time in Mexico. From the beginning, she was captivated by calligraphy, the gestuality of brush strokes, the trace of the pen... And delving into the depth of the act of writing, she came across oriental calligraphy...

Title: Black and white landscape Artist: Marilina Marchica Medium: Mineral oxide on Arches paper Dimensions: 75 x 55 cm certificate of authenticity included Marchica's technique t...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Interior design paintings. Abstraction art, made in pale pink, black, grey, white, rose color. Can be positioned in horizontal or vertical mode. Lena Cherny...

Colorful abstract geometric painting in various shades of red, orange, green and blue, with accents of white, black, pink and light yellow "Partly Perpendicular", made by Hudson Vall...

🔹 Landscape BW – Contemporary Minimalist Art Diptych Small Format 24x18 cm Pure Pigment, Mineral Oxide & Oil on Canvas Panel Descriptio...

'Aura fields- study #2'-- 46"x 54" abstract tantric painting by contemporary artist Elisa Niva This textural color field painting uses the soak- method created by Helen Frankenthale...

artwork is 11 1/2 x 9 inches, Professionally matted in an 8ply museum mat and backing and comes in an archival sleeve. Ready for framing or for presentation. All archival materials u...

A Japanese screen. A six panel, Japanese Byobu screen depicting white birds perched in a pine tree and flying over a flowing river. Provenance: ...

Oil painting over pigmented cement on foam panel. Structural and hanging frame on the back. Light and time fade colours. This artwork is an attempt to keep colours bright through e...

Exquisite work from Frohsin's Cautionary Tales, with the appearance of a Navajo Blanket or three dimensional urban street signs that are bold, strong, colorful. The painting is mainl...

"Sea Breeze" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 12 x 12 inches....

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

"Birds" is an elegant and contemporary abstract pattern painting with dark tones and golden highlights. This compelling artwork features an intricate tapestry of overlapping, dark-hu...

Children And Balloons Artist signed lower right. Bernardino Toppi was born in 1936 in Rome is a French painter of Italian origin. Sharing his time bet...

Chinese New Year paintings (nian hua) are colorful folk paintings created to celebrate the annual Spring Festival. Drawn or printed by folk artists in regional studios, nian hua paintings featured exaggerated characters with bright and contrasting colors. Put up around the home to beckon luck and happiness in the coming year, most paintings depicted mythical guardians, scenes from folk operas, or auspicious symbols of good luck. This New Year painting depicts a young woman with a child and is hand-painted in a palette of red, blue, and purple. Belonging to a genre known as 'beauties and babies,' the painting represents a harmonious family life. The early 20th century painting is from the town of Yangliuqing, one of the leading producers of traditional New Year's paintings known for its combination of woodblock printing...

Interior design paintings. Abstraction art, made in red, black, white, peach color. Can be positioned in horizontal or vertical mode. Lena Chernyavskaya / L...

'Grey Stroke Pose' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in an white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2008. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

Original painting by Agnese Negriba. Female figure is depicted in a sitting position and is enjoying a moment of contemplation and relaxation in a fragrant and blooming space. The do...

Painting on paper is 11 1/2 x 9 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 20 1/4 x 17 1/2 inches, with an archival crystal clear case. Fro...

Stunning composition in blue and black of model Ashlyn's back from Kim Frohsin who is associated with the Bay Area Figurative Movement that was started by David Park, Wayne Theibaud,...

"Chaos Theory #23" is an encaustic-on-panel piece by Charles Ivey from his "Chaos Theories" series. Ivey uses the encaustic process of combining hot beesw...

'Once Upon a Table' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in a white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2008. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

'Tendrils of Warmth' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in an white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2008. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

'Sombrero Figurine' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in a white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2008. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

'Catwoman' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in a white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2007. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

'Saint-Tropez Palette' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in an ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2008. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

Figurative nude with complex color—pink, green, grey and yellow— rhythm, and overall design by Kim Frohsin. 'The Pastry Chef' abstracted nude acrylic and mixed media painting in Froh...

Aaron Fink (American, b. 1955) "Cherry" Signed and dated "Aaron Fink 1980" lower right. framed. there is a label that was on the board on back from Obelisk gallery. it is currently not attached. it is unframed. Floated against a foam core backing so that the edges of the sheet are visible. The two tiny tears are probably at site of old tack holes, where the tacks pulled through the paper due to the weight. Born in Boston, Fink received his BFA from the Maryland Institute College of Art and his MFA from the Yale University School of Art. His work has been exhibited widely throughout the U.S., Europe, Japan and Australia. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Netherlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Childrens Hospital, Chicago Choate Rosemary Hall...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

"All The Pieces Floated Into The Sky" is a mixed media eye-catching painting by Jason Hackenwerth. The application of pigment adds intrigue and textu...

HelioBray's latest work, titled "This must be Illegal," is a stunning fusion of his urban intervention style and the intricacies of composite paint. The piece showcases the artist's ...

Original painting on paper by Agnese Negriba. This artwork on paper is from the 'Garden Spirits' series inspired by the extraordinary gardens of London and Oxford. A female figure is...

Lucerne (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, base...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives & works ...

Emma Godebska's artwork is inspired by the Parisian luxury world of fashion, textures and pure color. "Black Forest" is a dramatic and contemporary abstract painting. It is created u...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

AUDRA WEASER’s abstracted, organic paintings reference those places where rivers or streams may be traversed as well as to mental states of pause or reflection. The paintings themse...

Mat Tomezko's "Price" series of mixed media collage paintings are constructed from periodicals, circulars, acrylic, asphalt, graffiti, and coal on panel. Using mostly found materials...

Wissant (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, base...

This abstract painting by Roger Mudre is made with acrylic paint over mica powder and metal leaf on cradled birch panel. It features a large circle shape at the center of the composi...

Gold and orange yellow with black and white emblazon this figurative mixed media 'San Tropez Palette' abstracted figurative nude from Kim Frohsin's "Figures...

Painting on paper is 7 3/4 x 10 3/8 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 19 1/4 x 16 1/4 inches, with an archival crystal clear case. ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Emma Godebska's artwork is inspired by the Parisian luxury world of fashion, textures and pure color. "Acid Blue" is a bright and colorful contemporary abstract painting. Her sensual...

'Dahlia on Ink' 2024 Cotton canvas print from limited edition of 5. (Does not come with streatch bars, only canvas print) Black and white floral film photography combination with...

Painting on paper is 10 1/4 x 7 5/8 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 19 x 16 1/4 inches, with an archival crystal clear case. Fro...

White Series n1, 2023 by Rosario Briones From the White series Mixed media: natural pigments, Indian ink, watercolor on canvas. Dimensions: 197 H x 160 W cm. Unframed Signed by the ...

Children And Balloons Artist signed lower right. Bernardino Toppi was born in 1936 in Rome is a French painter of Italian origin. Sharing his time bet...

Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014. Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home. Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...

Agnese Negriba Jungle Spirit no. 2 Original Figurative Painting Natural pigments, acrylic paint, Japanese gouache on handmade paper from India Image Size: 100 cm x 70 cm Sheet Size: ...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives & works ...

Center is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strips ...

Painting on paper is 7 7/8 x 10 1/4 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 16 5/8 x 18 3/4 inches, with an archival crystal clear case. ...

Space is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strips of pure grey black slate. First...