Pigment Paintings

„The Way 2”, mixed media (soil, pearl glue, oil, powder pigment, rosin) on jute, 140 x 150, 2012 Series “The Way” by Marta Pokojowczyk contains mixed media paintings on jute created...

Happiness is a unique painting by contemporary artist Chen Yiching. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions (unframed) are 70 × 150 c...

Parris Jaru's Before The People is a 54 x 37 inches oil painting. The main colors are yellow and blue. The surface is defined by a thick impasto of paint, made with plant-based pigme...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Dominika Krechowicz is a professor at the Gdansk GUT Institute Flags 1, 175 x 170 cm, acrylic, pigment on paper, 1999, composed of 20 elements, a single part is 30 x 40 cm. Works fr...

Flair (2024) by Rebecca Johnson Flashe, dry pigment, acrylic, pastel and watercolor on 14x11" canvas, custom Kona-stained wood frame. Neo-folk style doves and star with decorative b...

Canadian artist Ivo Stoyanov is internationally recognized for his compelling abstract paintings. This piece, one of a series illustrates Stoyanov’s masterful vision that combines ge...

Title: Black and white landscape Artist: Marilina Marchica Medium: Mineral oxide on Arches paper Dimensions: 75 x 55 cm certificate of authenticity included Marchica's technique t...

Unknown French Art and Workshop, Middle 15th century Roundel depicting St. Catherine (?) Gouache, ink gold wash and gold burnishing on vellum Book of Hours folio attributed to the C...

'Grey Stroke Pose' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in an white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2008. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

Yellow Landscape Original Art on Fabriano Elle Paper 50x70 cm 2023 The use of natural materials such as mineral oxide powder connects the work to a dimension of respect for the envi...

​Impressions of past lives, perceptions of future lives. The Records series carries that mystery. Simple and profound since its deed does not happen on the surface. Although it manif...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel Fusako Ekuni is a Japanese artist born in 1947 and who lives & works ...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land and complicated past into richly textured, mixed-media paintings with reverberating, monochr...

Parris Jaru's Second Thought is a 24 x 18 inches oil painting. The main colors are yellow, blue and brown. The surface is defined by a thick impasto of paint, made with plant-based pigments that Jaru collects himself during his long exploratory trips through India. This painting is part of a new series that concentrates on using natural colors only. Natural Indigo, Turmeric, Hibiscus, Beet Root, Rosemary Leaf, Aloe Extract, and Holi Powders to name a few, mixed with Babul Tree Resin. Though the overall composition is abstract, there is a perception of figuration. A very thin wavy white line runs through the contours of the figures, defining an image within the image. Parris was born in NY and grew up in St. Ann's Bay, Jamaica until he was ten years old. Partly Jamaican and Blackfoot Indian...

Center is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strips ...

Yvonne Lammerich has used a dynamic pattern, bold colours and geometric form to create this visually stunning contemporary piece. The ‘building block ...

In creating this work, the artist's thoughts were often focused on Africa, where the problems related to heat are further exacerbated. The artist sought to evoke a habitat reduced to...

Painting on paper is 9 x 12 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 17 3/4 x 20 1/2 inches, with an archival crystal clear case. Frohsin...

AUDRA WEASER’s abstracted, organic paintings reference those places where rivers or streams may be traversed as well as to mental states of pause or reflection. The paintings themse...

A beautifully rendered sparrow sits on a white branch in the center of this painting by Peter Hoffer. Known for idealized landscapes, Hoffer has chosen to honor a little bird indigen...

Wissant (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, base...

Full title: Origen del Deseo: Happy Rhythm 5 Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques a...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

"Waterfall" is an abstract landscape natural pigments and platinum on Japanese mulberry paper mounted on board painting by Hiroshi Senju in 2021. The artwork is 36 x 46 inches and 36...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Born in 1986 in Saarbrücken, Germany, Amela lives and works as a visual artist in Munich. As the daughter of migrants from former Yugoslavia, she grew up bilingual and her live had taken place between Germany and Bosnia. This experience has had a particularly strong influence on the content of her work. The paintings of Amela Rasi...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Orli Ziv, Jerusalem Pink atmosphere, oil on canvas, Jerusalem, expressionism, Israeli artist, Israeli art

Painting on paper is 10 1/4 x 7 5/8 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 19 x 16 1/4 inches, with an archival crystal clear case. Fro...

'Tendrils of Warmth' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in an white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2008. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before moving toward painting in the 1980s, shaped by Minimalism and Abstract Expressionism. In ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Born in 1986 in Saarbrücken, Germany, Amela lives and works as a visual artist in Munich. As the daughter of migrants from former Yugoslavia, she grew up bilingual and her live had taken place between Germany and Bosnia. This experience has had a particularly strong influence on the content of her work. The paintings of Amela Rasi...

artwork is 11 1/2 x 9 inches, Professionally matted in an 8ply museum mat and backing and comes in an archival sleeve. Ready for framing or for presentation. All archival materials u...

Stunning composition in blue and black of model Ashlyn's back from Kim Frohsin who is associated with the Bay Area Figurative Movement that was started by David Park, Wayne Theibaud,...

Stephen Namara's work is a testament to technical mastery and emotional depth. His artistic execution showcases a level of skill that is both rare and commanding. His ability to rend...

Figurative nude with complex color—pink, green, grey and yellow— rhythm, and overall design by Kim Frohsin. 'The Pastry Chef' abstracted nude acrylic and mixed media painting in Froh...

Signed lower right, 'Orloff' for Alexandre Orloff (Polish-Russian, 1899-1979), also known as Alexander Konstantinovich Orlov (Russian: Александр Константинович Орлов), and painted ci...

This intricately detailed composition is a late-Qing dynasty ancestor portrait depicting several generations of a family's male ancestry. Or...

Painting on paper is 7 7/8 x 10 1/4 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 16 5/8 x 18 3/4 inches, with an archival crystal clear case. ...

Painting on paper is 7 3/4 x 10 3/8 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 19 1/4 x 16 1/4 inches, with an archival crystal clear case. ...

Celedon Mist (Abstract Painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. Image size: 20 cm x 31 cm, 7.75” x 12” mounted on archiva...

False Bar Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Nocturn VI is a unique painting by contemporary artist Lumi Mizutani. The painting is made with japanese pigments, gold leaves on Japanese paper mounted on panel, dimensions are 72.7...

Original painting on paper by Agnese Negriba. This artwork on paper is from the 'Garden Spirits' series inspired by the extraordinary gardens of London and Oxford. A female figure is...

Gold and orange yellow with black and white emblazon this figurative mixed media 'San Tropez Palette' abstracted figurative nude from Kim Frohsin's "Figures...

Original painting by Agnese Negriba. Female figure is depicted in a sitting position and is enjoying a moment of contemplation and relaxation in a fragrant and blooming space. The do...

Series "Minus 3.75", 90x60 cm, unprimed linen, mineral paints for oriental paint

White Series n1, 2023 by Rosario Briones From the White series Mixed media: natural pigments, Indian ink, watercolor on canvas. Dimensions: 197 H x 160 W cm. Unframed Signed by the ...

Space is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strips of pure grey black slate. First...

Exquisite work from Frohsin's Cautionary Tales, with the appearance of a Navajo Blanket or three dimensional urban street signs that are bold, strong, colorful. The painting is mainl...

Beeswax, resin and pigment on canvas mounted on panels. Unframed. This work is from a series of formal compositions of quiet horizontal abstraction, based in the Venetian tradition ...

Beeswax, resin and pigment on canvas mounted on panels. This work is from a series of formal trifold compositions of quiet horizontal abstraction is based in the Venetian tradition ...

Fading Habitat is a large scale abstract painting on canvas with natural earth pigments, charcoal, limestone from the Cotswolds and ink, measuring 100x100cm unframed. ADDITIONAL INF...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

Original painting on paper by Agnese Negriba. This artwork on paper is from the 'Garden Spirits' series inspired by the extraordinary gardens of London and Oxford. A female figure is...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

A Japanese screen. A six panel, Japanese Byobu screen depicting white birds perched in a pine tree and flying over a flowing river. Provenance: ...

Abstract wall sculpture featuring three dimensional geometric shapes painted with bright blue paint. The uniqueness of this blue does not derive from the ultra...