Varnish Paintings

A unique, medium to large scale figurative painting with vivid colours. The painting style shows influences from the post-impressionis...

This vibrant artwork is a grid of 36 squares, each showcasing a distinct heart design, celebrating diversity in unity. The hearts vary in color, pattern, and texture, creating a visu...

Lori Larusso makes paintings and installations that explore issues of class and gender and how both reflect and shape culture. She has exhibited her work widely in the US and abroad ...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the pe...

This artwork presents a stunning depiction of two large, softly hued hibiscus flowers, exuding grace with their delicate, layered petals and vibrant green leaves. The flowers are int...

This mesmerizing artwork features two large, vividly colored flowers, centrally positioned on a richly textured background. The petals, with their graceful gradient from deep lavende...

Bluebell Woods Large is a limited edition canvas print by artist Michael Sanders. These stunning prints are created using fine art archival quality inks and canvas with three layers ...

Once again, Olivier Ebel surprises us. With a small modification, it transforms a painting into a very modern tray to serve coffee, whisky... and at a very affordable price! Tray or...

Once again, Olivier Ebel surprises us. With a small modification, it transforms a painting into a very modern tray to serve coffee, whisky... and at a very affordable price! Tray or...

Once again, Olivier Ebel surprises us. With a small modification, it transforms a painting into a very modern tray to serve coffee, whisky... and at a very affordable price! Tray or...

picture with 3d effect, changes color depending on the lighting, the work is done in the style of antique wall fresco. This vibrant artwork prese...

From John Singer Sargent’s Gassed, 1919 When considering the factors that are required (or at least helpful) for a lie to succeed, I constantly look to the audience. I constantly tr...

Mark Hilltout has always been drawn to the random, the discarded and the broken. For the past 12 years he has been looking intently at something that m...

picture with 3d effect, changes color depending on the lighting, the work is done in the style of antique wall fresco. This artwork presents a stunning depiction of a flower in full ...

Contemporary gold toned abstract painting by Houston based artist Joseph Cohen. The work features a solid gold field that ends in drips off of the bottom edge of the piece. Signed an...

Lori Larusso, an American visual artist, explores themes of domesticity in her work, including this stunning flower painting series. By using layers of bright acrylic paint, often wi...

This equine drawing, "Motorin'" is a 30x40" charcoal black and white painting on canvas by artist Shawn Faust depicting a horse and jockey in full leap. Complimentary to Faust's traditional oil works, these charcoal on canvas sketches boast a clean and contemporary feeling exhibiting the muscle tone and mass of these majestic creatures. Fixed with varnish, these charcoal works are permanent and best framed or unframed. About the artist: Shawn’s love and fascination for drawing came as an unexpected gift from his grandfather at the age of 5. Young Faust was a tag-a-long during his grandfather’s impromptu plein air art lesson with his older brother in the back yard of his Aunt’s house. A retired director for the American Red Cross, Shawn’s grandfather, who had only recently picked up the brush himself, began a charcoal sketch that would forever change how Faust would see the world. From that brief lesson, Faust recalls vividly, “The techniques I witnessed from my grandfather that day, were pure magic!” With his newfound gift of magic, Shawn quickly began practicing his art of 3D illusion for anyone who wanted to see it. During his childhood, you would be hard pressed not to find Shawn doodling on a piece of paper at some point during the day. Among his favorite things to draw as a youngster were his comic book heroes. Instead of reading the comics, he spent all his time studying the line work and muscle forms of the comic book characters. And so, began his interest in portraying the human form. Upon entering college at the University Of Delaware, Shawn enrolled as an accounting major yet emerged with a Bachelor of Fine Arts Degree in 1990. At the U of D he is forever grateful for the privilege of studying under distinguished artists Stephen Tanis, Charles Rowe, Robert Straight and Rosemary Lane. Shortly after graduating, Shawn embarked on a career in Illustration. By 1993 he had quickly become one of Delaware’s prominent architectural illustrators working for more than 75% of the homebuilders in Delaware. Between illustration jobs, Shawn pursued his interest in portrait painting. In 1992 Faust was commissioned to paint the official portrait of outgoing Delaware Governor, Michael Castle. Continuing his quest to learn more about portrait painting, Faust studied with Daniel Greene in 1995. He credits Daniel Greene for giving him the greatest key to unlocking a whole new way of seeing and interpreting color. By 1995, Shawn’s portrait commissions and easel paintings were supporting him as much as his illustration jobs, so he decided to focus entirely on his fine art career. This included opening a gallery and custom frame shop with his wife and brother. During the twelve years of owning and operating the gallery, Shawn continued his intense portrait research by focusing his studies on the eyes of his favorite subject, the horse. His head studies of horses caught the attention of Mr. Richard Golden, a prominent horse owner in Chesapeake City, MD and president of Northview Stallion Station. Northview is best know for standing Northern Dancer...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 48 x 84 x 2.5 and it is Aerosol on Custom Panel with UV Gloss Varnish. A certificat...

City 13. 1966, paper, monotype, varnish, 47x77 cm Soikans Nikolay, pseudonym Niklo de Martell (till 1953.) 1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist. ...

Lori Larusso makes paintings and installations that explore issues of class and gender and how both reflect and shape culture. She has exhibited her work widely in the US and abroad ...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 04 (2022) by Kyle Butler. Acrylic, graphite,...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract geometric shapes with bold use of color and contrast. The dark black ivory background allows for the luminosity of the emerald, light white, and and peach to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist hand embellishes gold leaf to add elegant accents. This painting comes housed in a natural oak floater frame with hanging wire on verso ready to be displayed. Art measures 63 x 47 inches Frame measures 64.5 x 48.5inches Antoinette Ferwerda is a renowned Australian artist largely recognized for producing a bold collection of fine artwork that joyfully explores the geometry of shape and the changing light from dusk to dawn. Championing her love for shape, reflection, and nature using a diverse pallet of mixed media to portray her abstract interpretations of nature. Antoinette's diverse past and a childhood that was somewhat nomadic has inspired much of her work today. Antoinette’s backstory reads like something out of an adventure series, having spent her early days living in remote pockets of Papua New Guinea, where she was lucky to spend time in a seaside shack on Ela Beach in Port Moresby, as well as the volcanic town of Rabaul, the Cargo Port Lae, before moving on to Darwin where her Dad worked for the Red Cross and helped with the re-build process after Cyclone Tracy. This was followed by a family stint in Europe, visiting Netherlands, London, Belgium, France, Italy, and Switzerland, before finally settling back in Melbourne for her formative years. Her love for nature and exploring the patterns and relationships she finds within started early. “I’ve been forever fascinated with color and the magical interplay of light”. “Blessed to have a teacher Mum who fostered regular creative time during our nomadic stint, my childhood was largely spent creating, especially outdoors”. Never without a pen, sketchbook or scraps of paper, her natural ability to create in layers instinctively started in these early years. Although her work continues to evolve, she consistently creates works that are rich in layers, resulting in pieces that are optimistic, luminous and full of stories from her colorful life. Her signature work is abundant with color and texture, resulting in a transparent quality of her works. Adaptable to any palette, Antoinette has produced works from a diversity of spectrums and mediums – sun-soaked, muted and ethereal, vibrant, as well as monochromatic with accents of gold. Her themes include abstract and metaphysical interpretations of fossicking in rock pools, exploring the rolling hills of the countryside both here and abroad, the rock formations of the Australian outback and the magical light of a European summer to name just a few. Her dream and longing to become an artist became a reality after starting her own family and farewelling a corporate life in the pharmaceutical industry, with her debut solo exhibition in 2014. Six years on, Antoinette has fast become a firm favorite amongst interior designers, stylists and home decorators alike, having been represented by fenton&fenton, Thom Gallery and Trit House (formally Click On Furniture) to name just a few. Continually experimenting and evolving as an artist, Antoinette invites the viewer to look deeper through surface layers to find hidden stories of color and form. Past collections have been inspired by visits to the bustling markets of India, the morning light outside her childhood beach shack...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract hills shapes with bold use of color and contrast. The light coral background and the azure blue from the ocean allows for the luminosity to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist's hand embellishes gold leaf to add elegant accents. This painting comes housed in a natural oak floater frame with hanging wire on verso ready to be displayed. Art measures 47 x 47 inches Frame measures 48.5 x 48.5 inches Antoinette Ferwerda is a renowned Australian artist largely recognized for producing a bold collection of fine artwork that joyfully explores the geometry of shape and the changing light from dusk to dawn. Championing her love for shape, reflection, and nature using a diverse pallet of mixed media to portray her abstract interpretations of nature. Antoinette's diverse past and a childhood that was somewhat nomadic has inspired much of her work today. Antoinette’s backstory reads like something out of an adventure series, having spent her early days living in remote pockets of Papua New Guinea, where she was lucky to spend time in a seaside shack on Ela Beach in Port Moresby, as well as the volcanic town of Rabaul, the Cargo Port Lae, before moving on to Darwin where her Dad worked for the Red Cross and helped with the re-build process after Cyclone Tracy. This was followed by a family stint in Europe, visiting Netherlands, London, Belgium, France, Italy, and Switzerland, before finally settling back in Melbourne for her formative years. Her love for nature and exploring the patterns and relationships she finds within started early. “I’ve been forever fascinated with color and the magical interplay of light”. “Blessed to have a teacher Mum who fostered regular creative time during our nomadic stint, my childhood was largely spent creating, especially outdoors”. Never without a pen, sketchbook or scraps of paper, her natural ability to create in layers instinctively started in these early years. Although her work continues to evolve, she consistently creates works that are rich in layers, resulting in pieces that are optimistic, luminous and full of stories from her colorful life. Her signature work is abundant with color and texture, resulting in a transparent quality of her works. Adaptable to any palette, Antoinette has produced works from a diversity of spectrums and mediums – sun-soaked, muted and ethereal, vibrant, as well as monochromatic with accents of gold. Her themes include abstract and metaphysical interpretations of fossicking in rock pools, exploring the rolling hills of the countryside both here and abroad, the rock formations of the Australian outback and the magical light of a European summer to name just a few. Her dream and longing to become an artist became a reality after starting her own family and farewelling a corporate life in the pharmaceutical industry, with her debut solo exhibition in 2014. Six years on, Antoinette has fast become a firm favorite amongst interior designers, stylists and home decorators alike, having been represented by fenton&fenton, Thom Gallery and Trit House (formally Click On Furniture) to name just a few. Continually experimenting and evolving as an artist, Antoinette invites the viewer to look deeper through surface layers to find hidden stories of color and form. Past collections have been inspired by visits to the bustling markets of India, the morning light outside her childhood beach shack...

Victoria Harrison Spring Leaves 2020 Original Painting Acrylic and Acrylic Gloss Varnish on Canvas Board Signed and stamped on the back Sold Unframed Artwork Dimensions: 35cm X 35cm ...

Victoria Harrison Beachy Head Original Painting Acrylic and Acrylic Gloss Varnish on Canvas Board (280g natural cotton duck canvas coated with acid free ac...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 07 (2022) by Kyle Butler. Acrylic, graphite,...

Once again, Olivier Ebel surprises us. With a small modification, he turns a painting into a very modern tray for serving coffee, whisky... and at a very affordable price!

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract floral shapes with bold use of color and contrast. The Silver Leaf background allows for the luminosity to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist's hand embellishes with free fall paint dripping to add elegant accents. This painting comes housed in a black oak floater frame with hanging wire on verso ready to be displayed. Art measures 31.5 x 31.5 inches Frame measures 33 x 33 inches Antoinette Ferwerda is a renowned Australian artist largely recognized for producing a bold collection of fine artwork that joyfully explores the geometry of shape and the changing light from dusk to dawn. Championing her love for shape, reflection, and nature using a diverse pallet of mixed media to portray her abstract interpretations of nature. Antoinette's diverse past and a childhood that was somewhat nomadic has inspired much of her work today. Antoinette’s backstory reads like something out of an adventure series, having spent her early days living in remote pockets of Papua New Guinea, where she was lucky to spend time in a seaside shack on Ela Beach in Port Moresby, as well as the volcanic town of Rabaul, the Cargo Port Lae, before moving on to Darwin where her Dad worked for the Red Cross and helped with the re-build process after Cyclone Tracy. This was followed by a family stint in Europe, visiting Netherlands, London, Belgium, France, Italy, and Switzerland, before finally settling back in Melbourne for her formative years. Her love for nature and exploring the patterns and relationships she finds within started early. “I’ve been forever fascinated with color and the magical interplay of light”. “Blessed to have a teacher Mum who fostered regular creative time during our nomadic stint, my childhood was largely spent creating, especially outdoors”. Never without a pen, sketchbook or scraps of paper, her natural ability to create in layers instinctively started in these early years. Although her work continues to evolve, she consistently creates works that are rich in layers, resulting in pieces that are optimistic, luminous and full of stories from her colorful life. Her signature work is abundant with color and texture, resulting in a transparent quality of her works. Adaptable to any palette, Antoinette has produced works from a diversity of spectrums and mediums – sun-soaked, muted and ethereal, vibrant, as well as monochromatic with accents of gold. Her themes include abstract and metaphysical interpretations of fossicking in rock pools, exploring the rolling hills of the countryside both here and abroad, the rock formations of the Australian outback and the magical light of a European summer to name just a few. Her dream and longing to become an artist became a reality after starting her own family and farewelling a corporate life in the pharmaceutical industry, with her debut solo exhibition in 2014. Six years on, Antoinette has fast become a firm favorite amongst interior designers, stylists and home decorators alike, having been represented by fenton&fenton, Thom Gallery and Trit House (formally Click On Furniture) to name just a few. Continually experimenting and evolving as an artist, Antoinette invites the viewer to look deeper through surface layers to find hidden stories of color and form. Past collections have been inspired by visits to the bustling markets of India, the morning light outside her childhood beach shack...

This painting by Antoinette is from her 'Mini Series'. A stylish and luxurious mixed media on canvas piece depicting abstract floral shapes with bold use of color and contrast. The b...

Eleanor Woolley - contemporary artist Oil on primed board. 35 cm wide by 46 cm high Signed, unframed. An autumnal view looking towards the Cotswold escarpment from Highnam Church. ...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract floral shapes with bold use of color and contrast. The Silver Leaf background al...

Impressionist Style Landscape Painting, Swamp, Water, Oil on Panel, Jill Hackney "A native of New Orleans, Jill Hackney studied painting at The Cleveland Institute of Art and Louisi...

This is a mixed media artwork by artist duo Monty Montgomery and Tony Philippou as “Kaleidoskull”. Its dimensions are 5" x 7" x 1.5" and it is Aerosol, Acrylic, Color Pencil on Crade...

Abstract Landscape Seascape Painting with Pink & Blue Sky by Leading British Painter, Angela Wakefield Art measures 18 x 12 inches Frame measures 22 x 16 inches This painting featu...

Impasto Oil Painting of Derwent Water in Keswick in the Lake District of England by British Landscape Artist Colin Halliday. This painting articulates the intensity of the clouds in ...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 48 x 76 x 2.5 and it is Aerosol on Custom Panel with UV Gloss Varnish. A certificat...

In this work titled "Classic Profile" Ceravolo has used one of his favorite New York models and has combine oil and acrylic with oil stick to create this timeless subtle and classic ...

**NEW YEAR FINAL 90 DAYS SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** >>Th...

What inspired the creation of this abstract painting: The excellent travelling through Toscana. The excellent and clear colour of the water, golden and silver coast. Dimension in inc...

Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington University, St. Louis, Missouri, and his Master of Fine Arts in 1983 from the ...

"The Introvert" is a unique abstract figurative painting by Svetlana Shalygina. It combines red, white & grey hues with the artists unique layered texture and a variety of mediums. ...

There is a sophisticated old world color palette within this abstract painting. Harald M. Olson paints with a natural balance and harmony within the abstract work. He is not afraid...

Black River 11 (Abstract work on paper) Resin varnish, collage on paper - Unframed Many little fragments from different sources exist within these resin works, including natural ma...

"Red and gold architecture" created in 2019 abstraction varnishes pigments iridescent masks painting on wooden panel 120x220 cm deliver in wooden crate at the real cost

Stunning One of a Kind Original painting on canvas by Canadian artist Fahri Aldin. This Beautiful Masterpiece measures an impressive 76 x 80 inches or ...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now carved out a career for himself as artist and designer, utilizing the medium and craft he has mastered over the ...

This equine drawing, "Stepping onto the Track" is a 30x40" black and white charcoal on canvas by artist Shawn Faust depicting a horse and jockey heading towards the big race. Complimentary to Faust's traditional oil works, these charcoal on canvas sketches boast a clean and contemporary feeling exhibiting the muscle tone and mass of these majestic creatures. Fixed with varnish, these charcoal works are permanent and best framed or unframed. About the artist: Shawn’s love and fascination for drawing came as an unexpected gift from his grandfather at the age of 5. Young Faust was a tag-a-long during his grandfather’s impromptu plein air art lesson with his older brother in the back yard of his Aunt’s house. A retired director for the American Red Cross, Shawn’s grandfather, who had only recently picked up the brush himself, began a charcoal sketch that would forever change how Faust would see the world. From that brief lesson, Faust recalls vividly, “The techniques I witnessed from my grandfather that day, were pure magic!” With his newfound gift of magic, Shawn quickly began practicing his art of 3D illusion for anyone who wanted to see it. During his childhood, you would be hard pressed not to find Shawn doodling on a piece of paper at some point during the day. Among his favorite things to draw as a youngster were his comic book heroes. Intsead of reading the comics, he spent all his time studying the line work and muscle forms of the comic book characters. And so, began his interest in portraying the human form. Upon entering college at the University Of Delaware, Shawn enrolled as an accounting major yet emerged with a Bachelor of Fine Arts Degree in 1990. At the U of D he is forever grateful for the privilege of studying under distinguished artists Stephen Tanis, Charles Rowe, Robert Straight and Rosemary Lane. Shortly after graduating, Shawn embarked on a career in Illustration. By 1993 he had quickly become one of Delaware’s prominent architectural illustrators working for more than 75% of the homebuilders in Delaware. Between illustration jobs, Shawn pursued his interest in portrait painting. In 1992 Faust was commissioned to paint the official portrait of outgoing Delaware Governor, Michael Castle. Continuing his quest to learn more about portrait painting, Faust studied with Daniel Greene in 1995. He credits Daniel Greene for giving him the greatest key to unlocking a whole new way of seeing and interpreting color. By 1995, Shawn’s portrait commissions and easel paintings were supporting him as much as his illustration jobs, so he decided to focus entirely on his fine art career. This included opening a gallery and custom frame shop with his wife and brother. During the twelve years of owning and operating the gallery, Shawn continued his intense portrait research by focusing his studies on the eyes of his favorite subject, the horse. His head studies of horses caught the attention of Mr. Richard Golden, a prominent horse owner in Chesapeake City, MD and president of Northview Stallion Station. Northview is best know for standing Northern Dancer...

A unique, medium to large scale figurative painting with a vivid, exotic background. The painting style shows influences from the post-impressionists, yet is undeniably contemporary,...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Sunset on the village square, you contemplate the copper reflections on buildings the sweetness of the climate envelops you in its setting. The movement of the sun recomposes the col...

JAMES WOLANIN "Cherry Blossoms" Acrylic & Gloss Varnish on Panel 40 x 55 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coat...

We are pleased to announce that we are now representing the large scale paintings of David K. Austin. The paintings of David K Austin are a wonderful balance of emotion and design....

Sunset on the village square, you contemplate the copper reflections on buildings the sweetness of the climate envelops you in its setting. The movement of the sun recomposes the col...

At the crossroads, in the middle of the maze of boulevards of this tangle of buildings with various forms emerges an evidence that catches your attention. You let yourself be taken i...

From a fabric of lines, surfaces, shapes and structures, balanced by matte and bright colors, the artist creates landscapes, fauna and flora, motifs of animate and inanimate nature. ...

From a fabric of lines, surfaces, shapes and structures, balanced by matte and bright colors, the artist creates landscapes, fauna and flora, motifs of animate and inanimate nature. ...

From a fabric of lines, surfaces, shapes and structures, balanced by matte and bright colors, the artist creates landscapes, fauna and flora, motifs of animate and inanimate nature. ...

From a fabric of lines, surfaces, shapes and structures, balanced by matte and bright colors, the artist creates landscapes, fauna and flora, motifs of animate and inanimate nature. ...