Yarn Paintings

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Experimentation with different materials, textures and techniques in each of his paintings has been a point of discovery and a major part of Raul de la Torre’s artwork. In his Fils I...

Bold contemporary form and striking bright colours define the unique artistic style of Aron Hill. The Calgary-based artist often uses the sun and rocks as central images in their wor...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Experimentation with different materials, textures and techniques in each of his paintings has been a point of discovery and a major part of Raul de la Torre’s artwork. In his Poemes...

Belgian artist Greet Helsen masterfully layers acrylic paint with the effervescent transparency of watercolors in her large mixed-media abstract paintings. Reminiscent of abstract ex...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Thread, metal and acrylic paint on wooden panel Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Interna...

Winter Killed Five Paths, 1983 Mixed Media Abstract, signed and title on revers. No frame needed for this work at the top is attached to plank of wood and ready to be hang, it will be rolled up for shipping. Terence La Noue was born in Hammond, Indiana in 1941. He received a Bachelor of Fine Arts from Ohio Wesleyan University in 1964. After going to Berlin as a Fulbright Meister Student at Hochscule fur Bildende Kunste in 1964-65 he went on to receive a Master of Fine Arts degree from Cornell University. In addition to the Fulbright Foundation fellowship, La Noue has twice received grants from the National Endowment for the Arts and the Guggenheim Foundation. He has had extensive teaching experience at Trinity College 1967-72, the City University of New York 1972-85 and at New York University in 1987. He lives between Arizona, Paris, France and Vermont. Terence La Noue, who has created powerful, compelling paintings for the last four decades, is considered one of the outstanding talents of 20th century American abstract art. Layering canvas, fabric, gauze, acrylic paint and cast elements forming a lively melding of many different materials, symbols and colors to create tapestry-like paintings, he conjures up colorfully rich abstractions that reveal a sense of myth, magic and mystery. His extensive world travels serve as inspiration for works that are abstract mixtures of Western and non-Western traditions and histories. India, South America, Morocco, Mexico and Nepal have been favorite destinations. Terence La Noue’s unique approach to painting and printmaking has achieved worldwide recognition. Beginning in Berlin in 1965 he has had over a hundred and thirty acclaimed solo exhibitions in London, Paris, Tehran, Stockholm, Hamburg, Dusseldorf, Cologne, New York, Washington, DC, Los Angeles, Houston, Chicago, Palm Beach, Dallas, Atlanta, Tucson and Scottsdale. His work is represented in the permanent collections of major museums including: The Museum of Modern Art in New York, The Metropolitan Museum of Art, The Whitney Museum of Art, The Corcoran Gallery, The Guggenheim Museum, The Brooklyn Museum, Brooklyn, New York, The Tate Modern in London in Japan, Singapore, France and Australia including the Center for Contemporary Art, Kitakyushu, Japan, the Power Institute of Fine Arts, Sydney, Australia, The Musee d'Art et Archeologie, Paris, France. Walker Art Center, Minneapolis, Minnesota, United States Carnegie Institute, Pittsburgh, Pennsylvania, United States Corcoran Gallery of Art, Washington D.C., United States Albright-Knox Art Gallery, Buffalo, New York, United States National Gallery of Australia, Sidney, Australia Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts United States Embassy, Beijing, China His work is also included in numerous university and city art museums throughout the US as well as major corporate collections. Terence la Noue worked extensively at Tyler Graphics from 1987 to 1993 and is represented in the National Gallery’s Kenneth Tyler Collection by a large body of work made in 1987 and 1991. La Noue’s work is characterized by an intensive layering process, which was well accommodated by the Tyler workshop. The artist found that through collaboration with Ken Tyler...

Title: Free Spirit Painting Animal Horse Abstract Nature Floral Unique Original Bold Delight Invest Mixed Media One-of-a-kind This strikingly beautiful artwork by Karnish, depicts...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...