1830s Paintings

Portrait of Margaret Cross, (portrait of a lady artist, seated in Regency style, holding an artists sketchbook). Irish School, early 19th century (circa 1820–1835) Oil on panel, oval, in a gilt frame panel: 10 x 8 inches framed: 13 x 11 inches This finely observed Irish Regency portrait depicts Margaret Cross, a woman of notable Anglo-Irish lineage and quiet artistic presence. Rendered in an elegant oval format, the sitter is shown half-length against a dark, restrained ground, her pale muslin dress and composed expression emerging with striking clarity and refinement. Margaret Cross was the daughter of Alexander Cross, Esquire, of Portnelligan, County Armagh, and descended through her mother from the Cote family of Bellamont Forest, County Monaghan, one of Ireland’s established landed families. She later became the wife of Thomas J. Fawcett, Esquire, a barrister-at-law, and the mother of Major William Cross...

This finely observed early 19th-century oil painting, attributed to German artist Carl Adolf Mende (1807-1857), depicts Jean Gerard Vonderbank, a German surveyor, instrument designer...

Outstanding portrait of two dogs. Sam Spode was an Irish painter of horse and dog portraits from the late 18th century through the early 19th century. His dog portraits are very rar...

This superb Victorian portrait oil painting is attributed to circle of Thomas Lawrence. Painted circa 1836 the sitter is William Henry Cooper, of Pains Hill, Cobham, Surrey and Hig...

This exceedingly charming early 19th-century half-length portrait by a follower of Thomas Gainsborough RA FRSA (1727-1788) depicts a lady traditionally identified as ‘Miss Sparrow’. ...

“Orientalist Portrait of an Arab Man” Half-length, turned to the left, oval Jean-Horace Vernet (French 1789-1863) Circa 1830s Watercolor heightened with touches of white on paper Sig...

Shipping off the coast by English artist Thomas Luny. Oil on canvas signed and dated 35' in the lower left. Nice period and possibly original frame. Thomas Luny (1759–1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George's, and later relocated to Old Gravel Lane. Examples of his work are exhibited at the National Maritime Museum at Greenwich, in the Royal Albert Memorial Museum in Exeter, and at The Mariners' Museum in Newport...

Adolphe BERNARD (Attributed to)Ghent, 1812 – Ghent, 1890 The soldier's wife and her son by the fire Oil on canvas46 x 38 cm (61 x 52 cm with the frame) Signed and dated lower left "B...

French artist of the first half 19th century oil painting on canvas, unframed canvas: 12.5 x 9.5 inches provenance: private collection, France condition: overall very good - aging signs...

US buyers pay no import tariffs on this item. This endlessly charming mid-19th-century English oil painting depicts a rural scene with a family, cattle, pond, and cottage. A mother...

Portrait of Princess de Joinville riding a Bay Horse Henri d’Aincy, Le Comte Monpezat (French 1817-1859) Painted circa 1837-9 oil on canvas 113 x 92 inches (including frame) 92 x 70 inches (unframed) Provenance – from a private royal collection This magnificent portrait depicts Princess de Joinville, the daughter of Pedro I, Emperor of Brazil and the King of Portugal. Through her illustrious family she was directly related Alexander III and Nicholas II of Russia and the Russian royal family, as well as to many of the great ruling families of Europe. The work clearly confirms Monpezat as one of the most accomplished equestrian portrait painters in France in the early nineteenth century. In terms of scale, quality and dramatic power, it must surely be considered amongst his finest works. The stance of the powerful thoroughbred - in half rear - emphasises the calm nature and courage of the Princess. Francisca of Brazil (1824-98) married a son of Louis Philippe I, the King of the French, and had three children. Born at the Imperial Palace of Saint Christopher, her youngest brother was the future Pedro II...

Samuel Raven (c.1775–1847) Two Men Drinking in an Inn, circa 1850 Oil on panel (roundel) Signed on the reverse Presented in an English oak frame ⸻ DESCRIPTION (Dibs-style long for...

William Fisk 1796 -1872, was an English born portrait and history painter. Although born in 1796 he didn't start his artistic career until after 1826, after the birth of his son Will...

A fine oil painting with cherubs and a cart of fruit by French artist Leger Cherelle (1816-1867). Cherelle was born in Versailles, France, a...

A fine & large antique maritime oil painting of the war ship HMS Britannia, by Robert Strickland Thomas (1787-1853), the painting circa 1835. The painting depicts HMS Britannia broadside with several other war ships of the British fleet, most likely returning from the Mediterranean. In the foreground are several small boats with sailors variously occupied attending to them. A yacht with a crowded deck is visible on the left. In the center foreground there is a barrel or possibly a buoy in the water, a device commonly employed in some of Thomas's paintings. To the verso is an old auction label from the 1920s and another partial label, there are also some annotations on the stretcher with details of photographic images of the painting. There is also an old label of ownership "Mrs. Strange 6 Elvaston Place", this address was a large Georgian house in the prestigious London borough of South Kensington. The painting is in very good condition, this investment quality antique maritime painting...

Pair of Hunting Dogs at Rest; Artist unknown, French, 19th century (monogrammed "JS" Circa 1850 10 x 7 (14 3/8 x 17 1/8 frame) inches This is finely realized portrait of pair of h...

A view of Sebastopol in the Crimea. Oil on canvas. In a 19th century gild wood and plaster frame. This painting can be dated around 1830/1840 given the dresses worn by the women i...

William Shayer (1787–1879) & Henry Brittan Willis (1810–1884) Pastoral Landscape with Cattle and Sheep, circa 1830 Oil on canvas, Signed and inscribed on the reverse Presented in a h...

Portrait of Berthe Thorwaldsen with Bust of Horace Vernet is an original modern artwork realized by the Circle of Horace Vernet (30 June 1789 – 17 Januar...

Victor LEFRANC Paris, 1812 - ? Oil on paper 33 x 42 cm (44 x 52 cm with frame) Inscription on the verso 'Tancarville / 1839" and stamp from the Georges Lhoste collection Painter of ...

Evening Calm, Fishing Boats at Anchor is a painting Per Wickenberg, capturing a serene twilight along a sheltered coast. Fishing boats rest quietly at anchor, their sails lowered and...

Vivid and fresh representation of one of the most spectacular and last eruptions of Vesuvium, that of January 1-5, 1839. Wonderful conditions. Framed in walnut and with passepartout...

Margaret Sarah Carpenter 1793-1872, was an English portrait painter. She was one of the foremost portrait painters in the 19th Century, she ex...

Circle of John Constable (English, 1776-1837) A fine woodland sketch, with a figure ambling Oil on panel, unframed Dimensions: (Panel) 13 in. (H) x 10.5 in. (W) Condition: overall...

Signed and dated '1835' center right

Jean-Charles GRANDJEAN Active between 1833 and 1857 Oil on canvas 33 x 41 cm (46 x 54 cm with frame) Signed and dated lower right “Grandjean / 1835” Beautiful Restoration period fram...

19th Century English School. A Young Girl with a Spaniel, Watercolour, framed and glazed Signed with initials and dated 1835 verso, image: 8 inches x 6.5 inches (20.3 x 16.5cm) fr...

US buyers pay no import tariffs on this item. This early 19th-century central European oil painting depicts Christ The Saviour standing atop an orb and carrying a cross over his left shoulder. An unusual composition, Christ’s rather striking posture is perhaps more ‘Saturday Night Fever’ than it is sacramental. However, the iconography is archaic and derived ultimately from New Testament illustrations dating to the Middle Ages. Depictions of orbs are usually symbolic of the universe, while the cross alludes to redemption. Hence, it’s a visual representation of Christ as the Saviour of humanity. Francisco de Zurbarán...

This finely painted pastoral scene is attributed to Charles Towne, one of the leading animal and landscape painters of the late 18th and early 19th centuries. The composition depicts...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

Antique French painting from the first half of the 19th century. Oil on canvas artwork depicting an interior scene with characters, The Marriage Contract, of good pictorial quality. ...

Eugène Viollet-le-Duc (1814 - 1879) Walker in a wood, somewhere in the South of Italy (Naples/Sicily) Signed and dated at the bottom right, with the artist's mark (L.2924a) on the m...

This painting presents a winter twilight in Värmland: snow-capped mountains rise in the distance while a foaming rapid cuts through a dense spruce forest. Signed “H. Hertzhoff,” the ...

Charming oil on canvas by the painter Dubuisson (1805–1870), depicting a lively pastoral scene with figures and horses in the foreground, and a winding path leading to two ancient to...

American School, Portrait of a Woman, Oil on Canvas, 19th century, unsigned, inscribed "J Harrison / 1836" to verso, giltwood frame. Image: 23"H x 19.25" W;...

Attributed to James Barenger (British, 1780–1831) Huntsman with Hound in a Parkland Landscape Oil on canvas, English, circa 1830 Presented in an antique gilt frame The piece is not ...

John Wilson Carmichael 1799 - 1868 Popular Newcastle painter of coastal maritime subjects and landscape. Regular exhibitor at the Royal Academy and elsewhere, and found in many impor...

This captivating early 19th-century painting of an interior farm scene by Abraham Cooper, circa 1830, is a testament to the artist's skill in capturing ...

Here is an almost two hundred year old painting which is so irresistibly charming that it's crazy! You may have seen painted landscapes, portraits, genre scenes - but how many pretty...

Original oil on canvas signed R.S. to lower right, identifying information to verso Provenance purchased from Kennedy Galleries, NY The Collection of Bruce and Barbara Sullivan, B...

Rare view of Vaduz in Liechtenstein around 1830 Oil on canvas / stretcher renewed No signature found Size 46 x 58 cm Frame 58 x 70 cm Good condition, fine craquelure Authenticity con...

A. GUILLAUME (Active in the 1830s) Watercolor on paper 32.5 x 47 cm (60 x 74.5 cm with frame) Signed and dated lower left (on the rock) “A. Guill. / 1838 » Beautiful 19th century fra...

Painting with a traveler on a white horse and accompanied by a dog looking up at a road sign in the form of a cross. On the roadsign is ” Arnhem”. (a town at the Rhine river in the E...

Portrait French PS 247 Starry Night Diving Portrait of a diving woman dress with a Vincent Van Gogh swimsuit A daring dive in the unknown! This is one of the famous artwork from V...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Richard Bankes Harraden...

Attributed to Pancrace BESSA (1772-1846) Fruits on a marble entablature Watercolor and graphite on paper H. 31 cm; W. 37 cm

Antique French painting from the first half of the 19th century. Oil on oak panel artwork of excellent pictorial quality depicting a Neoclassical subject entitled Amintas (Aminta), f...

A nicely detailed American School oil on canvas portrait of a New England manufacturer banker sitting at a desk signing bank notes with a mill in the background, unsigned, and housed...

Unknown Artist (European, nineteenth century) Oil on canvas, 15 x 20 3/4 inches Framed: 23 x 28 inches Signed at lower left: “A.H.” The area around the Arch has changed dramatically over the years. This view is most similar to views taken circa 1835. See, for example, Charles Heath Wilson (1809–1882) The Arch of Titus...

19th century French school Oil on canvas 33 x 41 cm (53 x 45 cm with the frame) Original canvas with the stamp of the merchant "Vallé & Bourniche / Successeurs de Bellot" active in P...

KNIP August (1819 - 1859) Starting Fox Hunting day in Baden-Baden Oil on canvas signed low right dated 1837 Old original frame gilded with leaves Dim canvas : 81 X 118 cm Dim frame :...

WILLIAM JAMES MÜLLER British, 1812 - 1845 NEAPOLITAN COAST signed "W. J. Muller" (lower right) oil on canvas 23-5/8 x 35-3/4 inches (60 x 91 cm.) ...