Late 20th Century Paintings

Late 20th century oil on paper view of the Mediterranean sea at the port of Cassis in the south of France by French artist Armand Avril. The painting is initial signed bottom right a...

Colorful Spanish Village Landscape with Thick Impasto and Yellow Fields Artist: Ulpiano Carrasco Title: Pozoseco, Cuenca Year: 1999 / 2000 Medium: Oil on canvas Canvas dimensions: 7...

Surreal Anthropomorphic Interior, Dalí Circle Cadaqués Spanish Oil Painting Artist: Antoni Pitxot Technique: Oil on cardboard Date: 1996 Signature: Signed “Pitxot 96” lower left Ins...

➡️ Landscape Village of Houses with orange roof⬅️ ⏩It is signed J Dangu⏪ (1926-2015) ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐61x5...

'Hidden Portraits XXI', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing ...

Dalí Circle Surrealist Mineral Landscape, Spanish Catalan Oil Painting Artist: Antoni Pitxot Soler / Antoni Pichot Soler (Figueres, 1934 – 2015) Title: Surrealist Mineral Landscape ...

Late 20th Century oil on canvas view of a rugged mountain landscape by Franco British artist Isabell Pardoe. The painting is not signed but came directly from the artist's atelier. ...

This colourful contemporary abstract painting is by the highly collectable artist Milly Ristvedt. Milly Ristvedt is considered one of Canada's foremost abstract artists. Hailed as a...

Yvonne Canu 1921 – 2008 Painting Size: 24 x 29" (61 x 74cm) Outside Frame Size: 31 x 36" (79 x 91cm) Yvonne Canu is currently one of the most in demand exponents of Pointillism w...

5207 Oversized Modernist Oil painting on rapped canvas of a desert landscape Signed Robert Yaumola Edges are painted no need for frame

6050 Italian white on white composition in a silver leaf frame

3772 Acrylic surreal figural painting on artist board by Brunelli

'Hidden Portraits XII', acrylic on board, by L. Piccini, of the Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an age...

Large Post-Impressionist Night Café Terrace Scene Oil Painting After Van Gogh, Expressive Impasto Oil on canvas Post-Impressionist style Contemporary European school Dimensions: 120...

Soft Green French Landscape by Jacqueline Boisselot (French, late 20th century) oil on canvas, unframed Canvas: 6 x 7 inches Provenance: private collection, Paris Condition: very goo...

'Hidden Portraits III', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing ...

5078 Oversized oil on canvas of a girl walking a dog

Vintage mid-century abstract impressionist oil painting on board signed at the bottom, Jacques Birr 91. With expressive cloud swirls created by a large brush, the artist has given u...

Artist: Ramón Pérez Barril (Barcelona, 1950) Title: Mediterranean Forest Medium: Oil on canvas Dimensions: 65 × 50 cm (25.6 × 19.7 in) Signature: Signed lower right Period: Contempor...

Original vintage oil on canvas depicting a dramatic tall sailing ship navigating powerful ocean waves beneath a moody sky. The artist captures the movement of wind-filled sails and r...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

ARTIST: Ronald Ronaldson (1919-2015) British TITLE: "East Anglian Landscape" SIGNED: lower right MEDIUM: oil on board SIZE: 63cm x 48cm inclusive of frame CONDITION: very good DETA...

Male Portrait oil on canvas, unframed Canvas: 9 x 6.25 inches Provenance: private collection, Paris Condition: very good condition Description: A striking and atmospheric male portr...

5-3735 French Mixed media abstract set in a wood frame

ARTIST: P J V Russell ? (Mid/Late 20th century) British TITLE: "View From A London Window" SIGNED: labelled verso MEDIUM: oil on canvas SIZE: 45 x 35cm inclusive frame CONDITION: ...

Step into a dreamlike pastoral paradise with this enchanting mid-century oil on canvas by French artist Denise Collet. Titled "Girls and Ponies," this wo...

Alexander Mikhailovich Kishchenko (1933–1997) was an outstanding Belarusian monumentalist artist whose work significantly influenced the development of visual arts in Belarus during ...

Still Life Sketch by Jacqueline Boisselot, French late 20th century size: 19.75 x 25.5 inches pastel drawing on thin paper, unframed condition: very good and ready to enjoy provenan...

A powerful and dramatic original oil painting depicting a majestic clipper ship cutting through rolling ocean waves under a glowing, atmospheric sky. The vessel leans confidently int...

Large Museum Scale Surrealist Composition Dalí Circle Catalan Painting 1987 Artist: Antoni Pitxot Birth–death: Figueres, 1934–2015 Title: Battle of Constantine Series Date: 1987 Technique: Oil on canvas Dimensions: 100 × 100 cm (39.4 × 39.4 in) Signature: Signed and dated “pitxot 87” lower right Condition: Excellent overall condition Frame: Unframed Provenance: Private collection, Barcelona DESCRIPTION Important large-scale surrealist oil painting executed in 1987 by Antoni Pitxot, one of the closest artistic collaborators of Salvador Dalí and a central figure within the visual universe of the Dalí Theatre-Museum in Figueres. This powerful 100 × 100 cm composition belongs to Pitxot’s Battle of Constantine series, one of the artist’s most ambitious narrative cycles. In this work, his unmistakable geological figuration becomes a theatrical surrealist battlefield, where mineral forms, latent human presences, fossil memory and Mediterranean landscape merge into a monumental symbolic construction. Pitxot’s mature paintings are instantly recognizable for their transformation of stones into anthropomorphic figures and metaphysical architectures. Rather than depicting a conventional landscape, the artist creates a stage of petrified forms, suspended between archaeology, sculpture, mythology and dream imagery. The work is especially strong for its museum-scale square format, its dramatic vertical construction and its direct connection with the Dalí circle. Large paintings by Pitxot with this level of compositional complexity are considerably less common than his smaller cabinet-format works and are particularly attractive for collectors of Spanish surrealism, Catalan modernism, European surrealism and artists connected to Salvador Dalí. A major statement piece with exceptional wall presence, ideal for an important private collection, curated interior or collector focused on late twentieth-century European surrealism. ARTIST BIO Antoni Pitxot (Figueres, 1934 – Cadaqués, 2015) was a Catalan painter and one of the most significant artists associated with Salvador Dalí’s late artistic environment. Born into the historic Pichot family, closely linked to the artistic life of Cadaqués, Pitxot studied drawing in San Sebastián under Juan Núñez, who had also been Dalí’s teacher. During the 1950s and early 1960s he exhibited in Barcelona, Madrid, Bilbao and Lisbon before settling permanently in Cadaqués in 1966. From that moment, he developed his mature and highly distinctive pictorial language based on the rock formations of Cap de Creus. Pitxot collected stones from the coast, arranged them in his studio as sculptural constructions, and then transformed them into oil paintings populated by anthropomorphic mineral figures. His friendship and artistic collaboration with Salvador Dalí became central to his career. Dalí dedicated a permanent gallery to Pitxot’s work inside the Dalí Theatre-Museum in Figueres. After Dalí’s death...

Vintage Paris Landscape framed oil painting by French artist, Claude Marin. This delightful post-impressionist oil on canvas, signed in the lower left and dated 1976 is a feast of m...

Vintage Figurative Cat Oil Painting on stretched canvas by French artist Berthine Marceau, signed on the left and dated 1989. This gorgeous, unusual, charming and whimsical cat inte...

Artist: Ricardo Cejudo Nogales (Puertollano, 1952) Title: La Albufera de Valencia Year: 1986 Technique: Oil on canvas Canvas dimensions: 65 × 81 cm (25.6 × 31.9 in) Framed dimensions...

Vintage Watercolor Still Life -- The Antique Store Santa Cruz Watercolor of an antiques store titled "Paradox" by Ross Jones (American, 20th century). Signed "Ross Jones" lower right...

A dramatic and beautifully executed marine oil painting depicting a powerful three-masted clipper ship cutting through rolling ocean waves beneath a luminous sky. The composition cap...

Artist: Antonio Sala Herrero (Barcelona, 1927 – 2012) Title: Los Monegros (Aragón, Spain) Technique: Oil on canvas Artwork dimensions: 65 × 81 cm (25.6 × 31.9 in) Framed dimensions: ...

Gleb SAVINOV (Kharkiv prov., Ua 1915 – St. Petersburg 2000) Gleb Alexandrovich Savinov was born in Ukraine and spent part of his childhood in Saratov. His father, Alexander Ivanovic...

Late 20th century Cezanne inspired oil on board still-life. Signed Amaday and dated 1990. This vibrant painting captures a still life scene with an assertive use of color and form. ...

Color Field in Red, White, and Black - Vintage Latin American School, Signed Bold abstract painting by Latin American California-based artist, Ricardo de Silva (American/Brazil, 20t...

Vintage Paris Landscape framed oil painting by French artist, Claude Marin. This delightful post-impressionist oil on canvas, signed in the lower left is from the 1970's and is a co...

Scenes of Las Ramblas in Barcelona remain among the most recognizable urban subjects in European painting and are highly sought after by collectors and interior designers worldwide. Artist Jordi Junyent Title Rambla de las Flores, Barcelona Date 1988 Medium Oil on canvas Dimensions 50 × 61 cm 19.7 × 24 in Signature Signed “Junyent” lower left and dated 1988. Frame Unframed Condition Very good condition. Canvas firm and well stretched. Stable paint layer with bright colors. No visible restorations. Atmospheric urban painting depicting Las Ramblas flower market in Barcelona, one of the most recognizable and vibrant locations in the city. The composition captures the scene after rainfall, with reflective pavement, flower stalls and strolling figures creating depth and movement. The wet street surface reflects light and silhouettes, enhancing the lively Mediterranean atmosphere. Executed with a confident and expressive brushstroke, the artist uses a palette dominated by cool greys, greens and blues contrasted with vivid reds from the flower displays. The simplified figures and loose handling of paint emphasize the mood of the place rather than strict detail, a characteristic approach of post-impressionist urban painting. Scenes of Barcelona’s Las Ramblas are particularly sought after in the international decorative art market due to their strong visual identity and association with one of Europe’s most iconic boulevards. An attractive and highly decorative cityscape, ideal for collectors of European urban painting or for interior design settings seeking a vibrant Mediterranean atmosphere. Jordi Junyent was a Spanish painter active in the late twentieth century whose work focused primarily on urban scenes and Mediterranean city views. His paintings often depict recognizable locations such as the streets of Barcelona, rendered with a loose brushstroke and an emphasis on atmosphere, light and color. Working within a post-impressionist tradition, Junyent developed compositions that balance figurative clarity with painterly spontaneity, making his works appealing within the European decorative art market. Barcelona Las Ramblas Barcelona street scene Flower market painting...

Interior Abstract signed initials by Jacqueline Boisselot, French late 20th century size: 18 x 15.5 inches oil on artist paper, mounted in card frame condition: very good and ready t...

Up for sale is a large original oil painting on canvas by listed maritime artist Hewett R. Jackson (1914–2007). This striking nautical scene depicts a majestic tall sailing ship brea...

➡️ Landscape House with orange roof⬅️ ⏩It is signed J Dangu⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐61x50cm / 23.6x19.7 inch ...

Luminous Mediterranean View of Sitges Church with Palms and Flowers Artist: López-Valle Title: View of Sitges, Church of Sant Bartomeu i Santa Tecla Medium: Oil on canvas Period: ci...

Maritime Painting of a Tall Ship in the Harbour at Twilight by British Artist, Dion Pears (1929 - 1985) Art measures 36 x 24 inches Frame measures 39 x 27 inches A beautifully atmo...

6131 Blue and white abstract Expressionist painting Image size 18x14"

'Hidden Portraits XIII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing...

"Florentine Expressions: A Portrait Series IX", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inter...

Grand Maritime Scene late 20th century oil on canvas, unframed Canvas : 36 x 46 inches Provenance: private collection, UK Condition: overall sound and good condition For more any mo...

Original vintage oil painting on canvas by British artist Robert Towers titled "Devon Cottage", depicting a charming English countryside cottage surrounded by trees, flowers, and rol...

Abstract Landscape Jacqueline Boisselot, French, late 20th century oil on canvas, unframed Canvas: 7.5 x 9.5 inches Provenance: from a private collection of this artists work, Paris,...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 18 x 24 Frame Size: 24 x 30 Medium: Oil on Canvas Signed "Sea of Blue" Bluebonnets Biography Robert Harrison (Born 1949) Ro...

Cubist-inspired portrait. Oil on board by Marius Oddo. Stamped to the reverse of the frame. This striking artwork features a cubist-inspired portrait that melds abstract geometry wi...

Pierre Coquet - Tin cans Reference number F455 Framed with a natural oak floated frame 35 x 40 cm frame included (30 x 35 cm without frame) This work is painted with oil on a paper t...

Artist: Rafael Durán Benet (Terrassa, 1931 – Barcelona, 2015) Title: Landscape with Farmhouse Date: 1973 Medium: Oil on canvas laid on cardboard Dimensions without frame: 22 × 27 cm ...

Barbara Keidel Park XVI Mixed media, pastel on handmade, toned laid paper 1997 Size: 29.5 × 21.25 inches (75 × 54 cm) Signed and dated in pencil Additionally hand-signed, dated, tit...

Indistinctly signed in Bengali, dated ‘79 Bangladesh/Indian Indistinctly signed in Bengali and dated ‘79 Untitled - Fishermen 1979 Watercolour on paper Paper size: 34 x 53 cm Frame Size: 46 x 62.5 cm Provenance: From a private UK family A fabulously evocative watercolour painting showing fisherman, struggling against the elements. This is Bangladesh, 1979, not long after Independence, when the focus was on the working classes, the everyday struggle to make a living and when the artists depicting these times were concurrently exploring and establishing a new aesthetic. The painting combines naturalism with the wash method of watercolour painting and a reduced palette which allows for a rich harmony of shadow and light. Although appearing to simply utilize monotone colours, closer inspection reveals splashes of quite vivid colours; the yellow on the horizon, a deep crimson on the trousers of one of the figures, blue in the nets etc. The colour is subtle but adds a richness to the overall composition implying that this artist has received an academic training; knowing how to get the most from the materials. Add to this the beautiful watery effect from the wash on the paper and we can immediately see references to Bengal school art techniques. It is not surprising that the artist employs this medium. Neuroarthistory points to the rich heritage of Bengal school painters and the fascination with wash technique emanating from their connection to the water which provides the backbone for the region. From supplying food; fish and seafood, to transportation, agriculture and festivities. Bengal and Bangladesh live and die with the water. Some of the leading protagonists of the mid 20th century Bengal school of painters were equally captivated by the same subject and ideology. D P Roy Choudhury was a leading figure in the academic art institutions in the first half of the 20th century. He was also a great experimenter of style. In the image shown,, we can see Choudhury’s treatment of the same subject and how he to chose the monotone palette. It is through observing the similarities and differences that we begin to learn more about the times these artists were painting in and in the case of the Bangladeshi artists how they were approaching the political traumas of the time. The label to the back of the frame tells its own story;. Saju Arts & Crafts, Dacca-12. “Saju was born in 1944 in Ramu, Cox's Bazar. At one point, he became friends with Shamsul Islam Nizami, one of the veteran painters of Bangladesh. At that time, Nizami was a teacher of the Institute of Fine Arts (now Faculty of Fine Arts, University of Dhaka). Nizami introduced Saju to all the notable painters in the contemporary art scenario -- from master painters like Zainul Abedin, Quamrul Hassan...

Mediterranean coastal scene, late 20th century, oil on canvas by Harrison. The painting is signed bottom left and is presented in a patinated and gilt frame. This captivating artwor...

Barcelona Marina with Reflections, Mediterranean Harbor Oil Painting Artist: Rafael Durán Benet Title: Barcelona Harbor Medium: Oil on canvas laid on board Dimensions Height: 50 cm (19.7 in) Width: 61 cm (24 in) Signature Signed lower right “R. Durán”. Frame Unframed. Condition Very good condition. Stable support and well-preserved paint surface. Origin Spain. Period Late 20th century. Atmospheric harbor view of Barcelona painted by Catalan artist Rafael Durán Benet. The composition depicts a marina filled with small boats moored along a wooden pier, their hulls and masts reflected in the calm water of the harbor. The diagonal structure of the pier leads the viewer’s eye into the scene while the vertical rhythm of the masts creates a lively pattern across the skyline. In the background, the architecture of the Barcelona waterfront appears bathed in Mediterranean light, with palm trees and pale façades dissolving softly into the atmosphere. The painting is particularly notable for its treatment of water. Loose brushwork and subtle color variations capture the shifting reflections of boats, masts and buildings, creating a dynamic surface that gives movement and depth to the scene. Durán’s palette combines cool marine blues with warm ochres and oranges, evoking the luminous coastal atmosphere characteristic of the Mediterranean. The result is a vibrant harbor scene that balances urban architecture, maritime life and shimmering reflections. Rafael Durán Benet was a Catalan painter born in Terrassa who developed much of his artistic career in Barcelona. Specializing in urban landscapes and Mediterranean coastal scenes, Durán created numerous views of Barcelona’s harbor and the Catalan coastline. His work reflects a strong impressionist influence, focusing on the capture of light, atmosphere and reflections on water. Through a fluid brushstroke and a vibrant palette, he developed a recognizable style centered on the visual poetry of Mediterranean maritime life. Barcelona harbor painting Mediterranean harbor scene Barcelona marina painting Spanish impressionist painting Mediterranean marina art harbor boats oil painting Barcelona coastal painting European harbor painting...