Red & Cream African Head Rusted Metal Composition "Red Face Cameo"
Located in Cape Town, ZA
Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now started to carve out a career for himself as artist and designer, utilizing the medium and craft he has mastered...
Metal, Steel, Iron
A False Prophet
By Adam Mysock
Located in New Orleans, LA
A portrait of news anchor Brian Williams Similar to the regular fall of the Democrats, Brian Williams positioned himself as a figure worthy of our trust nightly. He convinced us tha...
Varnish, Acrylic, Wood Panel
A Repetition
By Adam Mysock
Located in New Orleans, LA
A red-and-green parrot. For a lie to gain real power, it must continue its existence separate from its creator. If it can be repeated by others, retold in a variety of contexts, it ...
Varnish, Acrylic, Wood Panel
A Reliable Pardon
By Adam Mysock
Located in New Orleans, LA
From Nicholas Poussin’s The Death of Sapphira, circa 1652 As we invariably test the waters of lying, we quickly learn to recognize the more forgiving...
Varnish, Acrylic, Wood Panel
An Allowance to Try Again
By Adam Mysock
Located in New Orleans, LA
A portrait of the Wizard from The Wizard of Oz, Metro-Goldwyn-Mayer, 1939 Whenever I’ve watched The Wizard of Oz, I’ve always been struck by the same thing – that the actor who play...
Varnish, Acrylic, Wood Panel
A Bit Too Far
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875 As we seek this fine line separating safe lying from detrimental misdirection, we often have to cross it...
Varnish, Acrylic, Wood Panel
A Brush With Justice
By Adam Mysock
Located in New Orleans, LA
From Nicholas Poussin’s The Death of Sapphira, circa 1652 Sooner or later, we get caught lying. For most of us, it’s incredibly early in life, and the falsehood detected is innocuou...
Varnish, Acrylic, Wood Panel
A Weak Compromise
By Adam Mysock
Located in New Orleans, LA
A donkey, symbol of the Democratic Party Democrats promote themselves as consistently ethical. So, when they inevitably get caught lying, the fault i...
Varnish, Acrylic, Wood Panel
A Horrifying Self-Actualization
By Adam Mysock
Located in New Orleans, LA
From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875 At some point the lying has to stop, right? But when? I’m no longer convinced that any external stimulus...
Varnish, Acrylic, Wood Panel
A Cautionary Tale
By Adam Mysock
Located in New Orleans, LA
A portrait of Pinocchio from Pinocchio, Disney, 1940 Are there any more recognizable stories about the difficulties that can accompany lying than that of Pinocchio? For the puppet-...
Varnish, Acrylic, Wood Panel
A Bid to Gain Attention
By Adam Mysock
Located in New Orleans, LA
A portrait of Baron Munchausen from The Adventures of Baron Munchausen, Columbia Pictures, 1988 The concept of Munchausen Syndrome offers another per...
Varnish, Acrylic, Wood Panel
A Seduction
By Adam Mysock
Located in New Orleans, LA
From John William Waterhouse’s A Mermaid, 1900 We have a wonderful capacity to impose fictions on others in order to make them desirable. We o...
Varnish, Acrylic, Wood Panel
A Platform
By Adam Mysock
Located in New Orleans, LA
A portrait of Ted Turner, founder of CNN and by extension a 24-hour news cycle I’ll blame everything wrong with America on Ted Turner. Don’t misread me – h...
Varnish, Acrylic, Wood Panel
Sold
H 15.75 in Dm 27.56 in
Fisherman V, Tanzania series - Acrylic on iron painting
Located in Paris, FR
Fisherman V is a figurative painting by Calo Carratalá from the "Tanzania" series. This picture represents a fisherman half immersed in water. The drawing is rough and rapid, with li...
Iron
The Chilean creator, who has been living in exile in New York for decades, is having a major moment, receiving the biggest exhibitions, commissions and awards an artist could dream of.
The ceramist, designer and gentleman farmer tells us about the collection of antique dog art he has spread across a New York City apartment and a Greek Revival farmhouse in the Hudson Valley.
Koloman Moser smashed the conservative conventions of art and design in fin-de-siècle Vienna. On the 100th anniversary of his death, the Austrian designer is being celebrated for his radically modern creations.