Lithograph Portrait Paintings

Listing includes framing, free shipping to continental US and a 14-day return policy. Kate Moss by Annie Kevans 20 x 16 inch paper 16 x 20 inch image Archival pigment print Edition 15 of 50 Signed and edition on the front of the print Frame is in fair condition and is included for free due the condition issues. The print itself is in excellent condition. If you would like the print sent unframed the cost is the same. Please let us know if you would prefer to have us ship the print unframed. Artist Biography - Kevans’ paintings reflect her interests in power, manipulation and the role of the individual in inherited belief systems. She looks at alternative histories and how they relate to current issues and creates what she describes as ‘anti-portraits’ that may or may not be based on real documentation. She believes that, as her work is concept driven, sometimes the actual similarity to the person depicted in the work is irrelevant. This can be seen in her 'Boys' series which is not about portraying dictators as they really looked as children but rather about the notion of the ‘innocent child’ which has influenced images of children in art...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...

Portrait of a Clerical Gentleman Italian artist, mid 18th century Circle of Giovanni Battista Carboni (1725-1790) oil on canvas, unframed canvas: 26 x 22 inches provenance: private c...

Mystery European Artist Untitled, c. 20th Century Oil on canvas board 31 x 22 3/4 in. Framed: 36 1/4 x 28 x 1 1/2 in. Signed lower right

My analysis of this striking art nouveau period painting evolved as I studied it. Initially, I thought it was simply a portrait of a dashing, stylish, somewhat androgynously dressed ...

Born into difficult times, the life of German Jewish artist Hermann Hirsch was not filled with peace or abundance. However, I believe at least while he w...

Beautiful circular oil on canvas representing the portrait of a Noblewoman dressed in Art Nouveau Style. It includes a contemporary black wooden frame. Very good conditions.

Françoise Gilot Window on Another Dimension, 1981 Lithograph on Arches mould made Johannot paper Signed and numbered in graphite pencil; also bears artist's monogram with date, edition of 60 Frame included: floated in the original vintage frame Measurements: Framed 30 inches vertical by 22 inches horizontal by .75 inches depth Artwork: 27.25 inches by 19.75 inches Francoise Gilot was not just Picasso's muse; she was an accomplished artist in her own right, and at age 100, the New York Times dubbed her the art world's latest "It Girl".! Signed and numbered in graphite pencil; also bears artist's personal monograph with date. Held in original vintage frame under plexiglass. Charmingly, there is a sticker label on the back of the frame, from the "Picasso Gallery Custom Framing" in D.C. This silkscreen is based upon Gilot's eponymous painting, also done in 1981 Excerpt from Alan Riding's 2023 New York Times obituary on Gilot: " Françoise Gilot, an accomplished painter whose art was eclipsed by her long and stormy romantic relationship with a much older Pablo Picasso, and who alone among his many mistresses walked out on him, died on Tuesday at a hospital in Manhattan. She was 101...But unlike his two wives and other mistresses, Ms. Gilot rebuilt her life after she ended the relationship, in 1953, almost a decade after it had begun despite an age difference of 40 years. She continued painting and exhibiting her work and wrote books. In 1970, she married Jonas Salk, the American medical researcher who developed the first safe polio vaccine, and lived part of the time in California. Still, it was for her romance with Picasso that the public knew her best, particularly after her memoir, “Life with Picasso,” written with Carlton Lake, was published in 1964. It became an international best seller, and so infuriated Picasso that he broke off all contact with Ms. Gilot and their two children, Claude and Paloma Picasso. Ms. Gilot’s frank and often-sympathetic account of their relationship — she dedicated the book “to Pablo” — provided much of the material for the 1996 Merchant-Ivory movie, “Surviving Picasso,” in which she was played by Natascha McElhone, with Anthony Hopkins as Picasso. If Ms. Gilot’s book sold well, so has her art. With her work in more than a dozen museums, including the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Centre Pompidou in Paris, her paintings fetched increasingly higher prices well into her later years. As recently as June 2021, her painting “Paloma à la Guitare” (1965), a blue-toned portrait of her daughter, sold for $1.3 million in an online auction by Sotheby’s. That surpassed her previous record price, $695,000, paid for “Étude bleue,” a 1953 portrait of a seated woman, at a Sotheby’s auction in 2014.. And in November 2021, her abstract 1977 canvas “Living Forest” sold for $1.3 million as part of a retrospective of her work at Christie’s in Hong Kong. Lisa Stevenson, the head of curated sales for Sotheby’s in London, told ARTnews after the 2021 auction, “It isn’t commonly known that Gilot’s commitment to art was present long before her relationship with Pablo Picasso, and she was sadly often left in his shadow.”.. Marie Françoise Gilot was born into a prosperous family on Nov. 26, 1921, in Neuilly-sur-Seine, a suburb of Paris, the only child of Emile Gilot, an agronomist and chemical manufacturer, and Madeleine Renoult-Gilot. Her 19th-century ancestors had owned a couturier house of fashion whose clientele included Eugenia, the wife of Emperor Napoleon III. Marie Françoise was drawn to art from an early age, tutored by her mother, who had studied art history, ceramics and watercolor painting. Her father, however — recalled by Ms. Gilot as an authoritarian who had forced her to write with her right hand, though she was left-handed — had other ideas. Envisioning a career in science or the law for his daughter, he persuaded her to enroll at the University of Paris, where she received her bachelor’s degree in 1938 at age 17. She went on to study at the Sorbonne and the British Institute in Paris and receive a degree in English literature from Cambridge University. As war crept closer to France in 1939, her father sent her to the city of Rennes, northwest of Paris, to enroll in law school. All the while she continued working on her paintings. Then came the German occupation of Paris, in June 1940, and she joined other students in an anti-German protest march at the Arc de Triomphe. In a clash with the French and German authorities, Ms. Gilot was arrested, briefly detained and put under watch. “From day one, we were not the kind of people who would become collaborators,” she said of her family. She continued her law studies at the University of Paris, but after taking her second-year examinations, in June 1941, she lost interest and abandoned the field, deciding to devote herself to art. She began private lessons with a fugitive Hungarian Jewish painter, Endre Rozsda, and attended classes at the Académie Julian, which numbered Matisse...

Richard Bosman Thou Shalt Not Covet Thy Neighbors Goods (The Tenth Commandment), 1987 2 Color Lithograph with hand coloring on Dieu Donne handmade paper 24 × 18 inches Signed and numbered 6/84; with unique hand-coloring Unframed Created as part of the 1987 portfolio "The Ten Commandments", in which ten top Jewish American artists were each invited to choose an Old Testament commandment to interpret in contemporary lithographic form. The "Chosen" artists were, in order of Commandment: Kenny Scharf, Joseph Nechvatal, Gretchen Bender...

Limited edition hand signed lithograph featuring two consecutive modern portraits of faces with varying degrees of abstraction, in pink and green, by Dennis john Ashbaugh (American, b. 1946). Numbered "7/7" in the lower-left corner. Signed "Dennis John Ashbaugh" in the lower right corner. Presented in a new tan mat with foam core backing. Unframe. Image size: 4"H x 6.75"W. Some toning yellowing at mat opening. Dennis John Ashbaugh (American, b. 1946) was born in Red Oak, Iowa, and attended California State University at Fullerton, receiving his MA in 1969. Ashbaugh has spent most of his career in New York City. In 1992, he collaborated with William Gibson, a fiction writer, and with publisher Kevin Begos on a book, Agrippa, meaning 'book of the dead'. Exhibition venues include the Metropolitan Museum of Art in New York City, the P.S.1 Contemporary Art Center, the Seattle Art Museum, and the Whitney Museum of American ArtPublic collections holding his work include the Hirshhorn Museum, the Museum of Fine Arts, Houston, the Los Angeles County Museum of Art, and the New York Metropolitan. He received a Guggenheim Fellowship. Ashbaugh lives in a trim frame house in Flamingo Park...

"MOD 24", 2024 Lídia Masllorens is attracted by a moderate abstraction, which allows the observer to interpret the painting with precision and to perceive implicit realities, to rec...

Figures Allonges Color Lithograph, 1971 Unsigned (as usual) Published: XXe Siecle, Volume 33, 1971 Published by G. di San Lazzaro for A. Maeght, Paris Printed by Mourlot, Paris Editi...