Alberto Arboleda

Untitled

1980

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

"I IDENTIFY AS YOU AND I'M OBSESSED WITH MYSELF" 2024 Paris, France A commentary on narcism and vanity, identity and obsession. The viewer is presented with two figures, sexually a...

AN URGENT MAN 2020 Paris, France Oil and acrylic on canvas portray a ‘derbyed’ man attempting to shed the weighted armor of his obligations and persona. A very loose nod to the char...

CONGRATULATORY 2020 Paris, France Subtle, black & white, figurative portrait in chalk on antique wood. Wood itself has a lot of character, with a beautiful, grey patina. Evidence o...

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...

For Julia Kiryanova, painting is a dialogue – a dialogue which she beautifully facilitates, layering her work with various techniques. At the heart of much of her work an inherent fascination for people lies, intimately displaying abandoned figures seemingly floating in an abstract dream world, where time has stopped everything, but them. Julia Kiryanova has exhibited work at Amsterdam museum, Museum Op Solder and The Holocaust Museum...

In this exhibition, British painter Michael Pemberton (b. 1974) suggests we each have a personal HUMAN ATMOSPHERE. An ether where we truly exist, unseen by the naked eye but as real ...