Board Still-life Paintings

A vivid explosion of color defines this composition. The artist employs a rich, textured approach to capture a lush bouquet. Rhythmic brushstrokes build a dense tapestry of floral fo...

Original Oil painting with hand painted Japanese paper collage. Flower bowl inspired by traditional Moroccan Tamegroute ceramics with seasonal flow...

A true celebration of contemporary impressionism, this original fine art oil painting by Nikolay Dmitriev is a masterclass in rich, tactile texture. The artist uses heavy impasto tec...

Edgar A. (Ted) Batzell (1915=1996) Cubist Tabletop Still Life Composition, ca. 1960. Oil on artist board measuring 16 x 20 inches. Measuring 24 x 28 inches in a wide white frame. Signed by the artist lower right. Ted Batzell, was listed in Who's Who in American Art in 1957, and is now listed in Who Was Who in American Art. First in his class in the Master's of Fine Art program at Syracuse University he was awarded the highest honor along with the Augusta Hazard scholarship to study abroad. In high school he entered a nationwide poster contest and won a four year scholarship to Syracuse, where today for one year's tuition the cost is $45,000. But he never got to use the Augusta Hazard award because World War II broke out and he went to New York City where he studied at the Art Students League and with artist Walt Kuhn as well as others. Hired by the General Electric company art department in Schenectady, N.Y. , he progressed over the 35 years he was there (the only job he had until retirement), to an art director. At General Electric he was a "Madison Avenue Ad Man" for many years, like those in the series "Mad Men", spending every week at General Electric headquarters in New York City. He was known to his fellow artists, many also renowned, as "the Renaissance Man" having a voracious appetite for reading and collecting art books...

A vibrant explosion of nature fills the canvas. Sunflowers bloom in a dense, energetic arrangement. Thick impasto layers create a tangible sense of volume. The artist employs a rich ...

Mid-Century post impressionist oil on board of waterlillies by French artist Marc Mussier. Signed and dated 1959 to the reverse. This evocative oil painting captures a serene aquat...

Original Oil painting with hand painted Japanese collage, inspired by Moroccan Tamegroute ceramics with seasonal flowers from my garden in Oxfordsh...

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 frame) This painting and its mat...

A contemporary botanical still life oil painting on panel with magenta, pink, white and dark purple peonies in a mustard ochre colored vase, a blue glove and white teacup against a w...

Dimensions with frame: 55 x 47,5 x 5,5 cm This evocative antique floral still life oil painting depicts a lush bouquet of roses and wildflowers arranged in a delicate porcelain vase...

A joyous colorful floral still life painting depicting a bunch of freshly picked flowers placed effortlessly. The piece is done in a highly impressionistic manner and is a wonderful display of Reilly's more impromptu style, with bold colors of joyful yellow, deep rouge, and softer colors of light blue, hints of brown, and pops of pink. White ostrich daisies along with blue bluebells, orange, yellow and mamey flowers on a background of bright green grass and dark bushes in the background. This still life in nature, in the garden from nature. This bouquet reminds us of sunny summer days filled with the scent of flowers and nature. This piece is titled and has artist's estate stamp on the back, it comes housed in a contemporary gold leaf plain air wood frame with hanging wire on verso ready to be displayed. Art measures 30 x 24 inches Frame measures 37 x 31 inches John Reilly is a critically acclaimed and award-winning New Jersey artist, born in Brooklyn, NY in 1942. He received his early art training at the School of Art and Design, formally known as ‘The School of Industrial Art’ in Manhattan, where he studied advertising art. By the age of twenty-three, he operated a mid-town-based sales promotion agency, eventually expanding the business to service large companies such as Bacardi Rum, Johnson and Johnson, Nabisco, and KLM...

Buoyant XVIII is an original painting by Henry Walsh. This work is acrylic painted onto board, and framed in a white box frame. 10 x 10cm (19 x 19cm framed). This piece is inspired b...

Fran Dinhofer Untitled, 20th century Oil on canvas board Sight: 19 1//2 x 15 1/2 in. Framed: 25 x 21 1/4 x 1 in. Signed lower right This painting was created by artist Fran Dinhofer...

'Uncatalogued II', oil on board, from a collection of Postwar European Abstractions, by JG (circa 1950s–90s). This painting is part of this gallery's new series from a compelling bod...

Morning at Lawson Park by Millie Gosch is an original contemporary landscape painting executed in oil on linen board. Measuring 14 x 18 inches and presented in a 16 x 20 inch frame, ...

Dimensions with frame: 53,8 x 44,6 x 3,5 cm. Signed "Guinand" in the lower left corner. This charming mid-20th-century still life depicts a generous bouquet of flowers arranged in an elegant white vase. Painted with a free and expressive touch, the composition combines delicate whites, vivid reds and pinks with deep greens, all set against a warm, muted background. The artist approaches the subject with a distinctly Modernist sensibility, simplifying the forms and allowing color and brushwork to shape the composition. The flowers are loosely and spontaneously rendered, while the sculptural white vase, with its curving silhouette, provides a strong and luminous focal point. The restrained palette of the surrounding interior further enhances the freshness and vibrancy of the bouquet. Both intimate and decorative, the painting reflects the enduring influence of Post-Impressionism on mid-20th-century European still-life painting. Its expressive character and harmonious colors make it an appealing work for both classical and contemporary interiors. rené guinand...

Still Life is an artwork realized by an unknonwn artist in the late 19th Century. Oil on Board. 21 x 15 cm. Good conditions

Oil on panel still life of a row of geraniums in pots by Unetien. The painting is signed bottom right. This painting presents a quiet scene of domestic beauty. Three potted plants s...

A colourful and charming school of Cézanne post impressionist oil on board of a tablescape with fruit, flowers and vase by French artist Jean Perret. Signed to the reverse bottom rig...

Egron Sellif Lundgren (1815–1875) Sweden Interior of a Kitchen, c. 1840 oil on paper laid on cardboard, inscribed “Lundgren Nr. 15” on the reverse. unframed 27.5 x 20.5 cm (10 ¾ x ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Ginny Williams’ Bon Chance is an elegant floral still life featuring branches of delicate white blossoms emerging from a blue and white decorative vessel. Set against a dramatic dark...

This original oil painting, dated 1930, offers a rare and charming interior view of "Minglestreams," the summer home and studio of renowned artist Claire Shuttleworth in Chippawa, On...

Beautiful and detailed vintage original oil on board by Armenian/American artist Hovsep Pushman. The work was created circa 1930's and is in excellent condition. Signed lower left "...

Signed lower left, 'Ib Eisner' (Danish, 1925-2003) and dated, lower right, 1953. Displayed in a period, carved gilt-wood frame. Framed dimensions: 19 x 21.5 x 1.5 inches. A lyrica...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

This charming and exuberant posy of peonies immediately made me think of similar works by Marcel Dyf - but it is actually a work by the ultimate master of art deco...

Wind Flowers in a Tzu Chow Vase, 1933, oil on canvas board, signed and dated lower right, 20 x 16 inches, label verso with title and original price ($185.00), exhibited 44th Annual E...

Elegant and wonderfully restrained, Ginny Williams’ Lady Grace features a single sculptural bloom rising from a blue and white vessel against a dramatic black background. The simplic...

Quiet, luminous and beautifully composed, Ginny Williams’ The Peace of the Small Hours depicts an abundant arrangement of pale flowers in a reflective silver vessel. Soft natural lig...

A beautiful 1950's French oil on board depicting a view through a window in Montmartre, by René William Thomas. Montmartre is a historic, hilly neighborhood in Paris's 18th arrondis...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame Vincente Esparza was born in Graus, Huesca in 1946. In 1967 he began his studie...

DIMENSIONS: (With Frame) H:36" L:29 7/8" (Without Frame) H:29.5" L:23 3/8" Donald Roy Purdy is an American painter whose work evolved through a range of styles and subjects over the...

The tea rose has a lovely scent and delights us with its beauty; it also makes delicious tea and jam.

This contemporary expressive impressionist abstract floral painting, Roses and Two Apples, is a radiant work by French artist Natalya Mougenot, known for her emotionally intuitive an...

A. Rigollot (France, 20th Century) designed this superb post-cubist and colorist abstract oil on board painting. Colorist painting is characterized by intense color use, which become...

Orange by Piers Philo [2021] original Oil paint on board Image size: H:23 cm x W:23 cm Complete Size of Unframed Work: H:23 cm x W:23 cm x D:1cm Sold Unframed Please note that insit...

John McCaw's (US based) "On the Vine" is a beautiful original expressionist mixed media on canvas painting that depicts a ripe pepper plant with flowers in tow. John McCaw (b. 1967...

A soft, impressionist landscape painting capturing the quiet shift of spring. Gentle tonal variation and painterly movement give this piece an easy, atmospheric presence. The palette...

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white rose and two crimson flowers in a white vase set on top of a wooden glossy tab...

This richly painted still life depicts a carefully arranged grouping of fruit—pears, apples, and dark grapes—set atop a patterned textile and rendered with warmth and restraint. Exec...

Ginny Williams brings a fresh contemporary sensibility to the traditional floral still life in A Wish for the New Year. A vivid arrangement of deep pink flowers rises from a decorati...

A mid-century still-life gouache of flowers in a blue vase by French artist J Reboa. Signed and presented in a frame under glass. A vibrant energy flows through this floral composi...

Impressionist still life with flowers and fruit My paintings express movement towards rebirth, light and sun, renewal, associated with spring. This idea of movement and renewal is ex...

A striking Post-Impressionist composition by the French artist Jean-Marie Bertaux, painted in 1949. Executed in oil on board, the work demonstrates a confident handling of colour and...

Forest river. 1990. Cardboard, oil. 67,5x93 cm Information about artist Edgars Vinters (1919-2014). Edgars Vinters was working in oil, waterc...

Egon-Josef Kossuth (Opava, Duchy of Troppau, Silesia, 1874 – Hartford, Connecticut, 1949) “Reiter oder König” [Knight or King] Circa 1900 Oil on canvas laid down on cardboard 36 ×...

Signed oil on board pointillist landscape circa 1910 by French post impressionist painter Lucie Cousturier. The work depicts a castle on a hilltop in Provence, in the south of France...

On offer is a mid-century modern, Expressionist floral still life painted in oil on canvas board, signed MacKay and dated '64. The painting belongs to the Expressionist/Modernist sti...

## Fried Egg Painting Original Breakfast Food Art Kitchen Wall Decor This original oil painting transforms a simple fried egg into a striking contemporary still life through bold te...

Item is in excellent condition and has only been displayed in a gallery setting. This painting was procured direct from the artist's studio. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

An air of femininity is expressed in this dress painting on art board, capturing a nostalgic nod to timeless glamour. Delicate detail (with a hint of shimmer) blends with a textured,...

“Yellow Pears” painting is a refined example of classical still life, where beauty comes from balance, simplicity, and careful use of color. The composition is built on the contrast ...

Vase Of Roses Still Life - Original Impressionist on Board Original oil still life painting of a vase of colorful roses by Leon Franks (Canadian, 1914-1970). The green vase sits hol...

A striking mid 20th century Greek expressionist oil on board still life depicting sunflowers. Excellent quality Modern Greek work painted with thick impasto brush strokes. The work...

“White Cat” presents a quiet, contemplative moment centered on a simple porcelain cat figure. The artist uses soft, atmospheric brushwork and muted tones to evoke a sense of solitude...

Large scale mid 20th Century French, oil on board, still life, tablescape, interior view, by Claude Barthélémy. Signed bottom left, presented in fine carved wood and gilt frame, with...

A charming and finely executed still life painted in oil on board, signed A. Bally in the upper right corner and bearing an inscription in the upper left. The composition presents a carefully arranged group of everyday objects rendered with warmth and sensitivity: a large copper basin, a green glazed earthenware jug, a glass tumbler, a ceramic vessel, a small knife, and several ripe peaches distributed across a white tablecloth. The artist skillfully balances form, color, and light to create a harmonious and timeless domestic scene. The copper bowl serves as the focal point of the composition, its rich reddish-brown surface reflecting subtle highlights and demonstrating the painter’s particular attention to texture and materiality. The surrounding objects are depicted with equal care, each contributing to a quiet dialogue of shapes and volumes. The luminous peaches introduce vibrant accents of red and orange that enliven the otherwise restrained palette of earthy browns, soft creams, olive greens, and warm neutrals. Executed with confident brushwork and a keen understanding of tonal relationships, the painting recalls the enduring tradition of European still-life painting. The work celebrates ordinary household objects through careful observation and thoughtful composition, transforming familiar forms into an elegant study of color, light, and balance. The neutral background and uncluttered arrangement lend the composition a modern simplicity while preserving the classical qualities associated with traditional nature morte painting. The result is an inviting and highly decorative work that would complement both traditional and contemporary interiors. Still Life Painting, Oil on Board, Signed A. Bally, European Still Life, Copper Basin Painting, Fruit Still Life, Peaches Painting, Kitchen Still Life, Traditional Still Life, Academic Realism, Decorative Painting, Mid Century European Art, Oil Painting on Board, French School Still Life, Rustic Interior Art, Antique Copper Vessel...

Born on December 20, 1925, at "Ezerkalni" in Skrudaliena Parish, Daugavpils District.

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 31 x 38 inches. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...