Abstract Expressionist Paintings

Murray Hantman (1904-1999). Untitled, ca. 1950-55. Oil on canvas measures 20 x 26 inches, 26 x 32 inches in silver leaf vintage frame.. Signed lower right. Excellent condition with ...

Summer day 23 – Vibrant Abstract Acrylic Painting (60x80 cm) Bring the beauty of nature into your space with Golden Meadow, a mesmerizing hand-painted abstract acrylic artwork that ...

Gabriella, in a world of dreams so deep, Sits down, her secrets, her treasures to keep. With closed eyes, she wanders to realms unknown, Where fantasies dance, and her spirit has ...

Mid Century Modern, American Abstract Expressionist Painting on Masonite. This wonderful work in exciting colors is housed in a contemporary white wood frame presentation.. The art...

Katherine Bello Title: Risky Business Oil on canvas Year: 2021 Dimensions: 40"x30"x1.5" Signed by hand Canvas on stretcher frame - ready to hang COA ...

A wonderful large abstract still life oil painting with figures by Brazilian artist Menelaw Sete (aka Sete Menelaw, b. 1964). Menelaw Sete is internationally known as “The Picasso of...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

A large Mid Century Abstract Expressionist oil on canvas by noted Belgian artist Ernest Engel-Pak. The painting is signed bottom left. Presented in black and silver modern frame. A ...

Richard Snyder (American, born 1951) Untitled Mixed media painting including oil Hand signed to lower right on the back Dimensions: 22.5" W x 30.0" H x 0.1" D Richard Snyder is particularly known for his large-scale abstract expressionist paintings exhibiting vibrant colors, often applied in an irregular manner with large gestural brushstrokes. He also was an accomplished sculptor and was amongst the downtown New York art-furniture scene spawned in the 1980s by the Soho gallery ‘Art et Industrie’ founded by Rick Kaufmann. Downtown New York, circa 1977-1980 was a hothouse of creative impulses that flew in the face of restrictions and ran headlong toward riotous expression. Punk, hip-hop, graffiti or neo-expressionism, Kaufmann looked around for new talent that could create a new kind of art furniture. He felt the design of the day was so standardised, and he wanted to give voice to young artists and bring new ideas to market. After receiving a BFA from the School of the Museum of Fine Arts in Boston, Snyder made his career in the fields of art and design, practicing sculpture, painting, furniture design and fabrication, interior design, cabinetmaking, construction and industrial design. Along with extensive experience in a wide variety of materials and processes, Snyder also possesses a wide range of visual and experiential vocabulary acquired in his many travels through the Americas, Africa, the Middle East and Central and Southeast Asia. Snyder considers his objects to be not just about form, function, color, material and process, but rather to be fantasies with spirit, magic and story. During his seventeen years with the Art et Industrie gallery, Snyder participated in five solo shows and more than twenty group shows, which established him as a major player in the American Art Furniture movement. His pieces have appeared in numerous publications and media around the world; and they are included in numerous private collections worldwide as well as in the permanent collection of The Art Institute of Chicago. Snyder guest-lectures at the Rhode Island School of Design in Providence, the New School in New York, and SUNY Purchase. He was included in the seminal Magen H Gallery retrospective of Art et Industrie—a New York Movement. Art et Industrie was the first to exhibit Studio Alchemia, Shiro Takahama, and Ron Arad. The retrospective included artists such as Forrest Myers, Terence Main...

"Falling Lily Rose" is an oil and resin painting on linen. A yellow backdrop grounds an abstract depiction of flowers, white, and red, arranged in a haphazard order, as if they were ...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

Square, abstract expressionist oil painting on canvas in aqua, teal, blue, and green against pale grey with accents of yellow, peach, and mauve 'Delta' by Jenny Nelson Oil on linen, ...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Title: Blooming Beautiful Blooming Beautiful Flower Color Investment Nature Floral Landscape Mother Earth A joyful gift for Mother's day - or to celebrate Mother Earth and our ...

Midday in Lombardy, 100x170 cm, acrylic on canvas

Douglas M. Olsen (b. 1960). #135, 1982. Watercolor on rag paper, 22 x 30 inches. Signed lower margin and on verso.

It's 1951. Who was doing painting like this? Franz Kline, Arshile Gorky, Jackson Pollock, Mark Rothko, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Lee Kra...

“Song of Spring” – Textured Vertical Abstract Painting with Natural Renewal by Michelle Thomas. “Song of Spring” is a lively original abstract expressionist painting that captures t...

Richard Andres American, 1927-2013 Untitled, c. 1984 acrylic and ink on paper mounted on canvas signed lower right 19 x 16 inches Richard Andres was born in Buffalo, New York in 192...

An emblematic example of Paul Jenkins mastery. It is not by hazard that Phenomena West Mantle was chosen as the cover of the catalogue for the groundbreaking exhibition "Paul Jenkins...

Original painting was made underwater during scuba diving by artist Olga Nikitina. Underwater painting is a new fast growing direction in contemporary art. The artwork was created underwater at the depth of 7.1 meters, an underwater painting session of 100 minutes. It is an intuitive painting, based on feelings and emotions in a particular moment underwater. By the influence of the underwater environment, the feeling of no gravity, colorful impression, another reality - It feels different, the brain works differently, colors and shapes just blow your mind and you feel a kind of explosion. What is special about underwater painting - color perception is different from reality because color rays do not penetrate the water column. On the surface, it is always a surprise. There is a certificate of underwater painting is included with information about the depth and time of the underwater painting session. Style: underwater expressionism Technique: palette knife oil painting...

At the core of this colorful gouache on burlap appears a simple composition with large areas of colors responding to the use of darker hues to establish the backdrop. These hues act ...

Title: Soul Song Sunflowers Floral, Landscape, Investment, Nature, Hope, Painting In this one-of-a-kind and vibrant painting, my connection with nature in its true essence flows fr...

A large scale oil painting - totally abstract, non representational. Largely pink, and blue, with pops of assorted colors peaking up from beneath. Thickly painted globs of paint are ...

My dear art lover, This semi-abstract vibrant expressive artwork celebrates a summer floral period. This floral artwork named "Summer colorful garden" with its bright vivid colors ...

Ben Wilson Ozymandias, 1989 Oil on masonite board Boldly signed by Ben Wilson on the back 36 × 48 inches Unframed Provenance: acquired from the Estate of Ben Wilson This work is titled "Ozymandias" after the famous sonnet written by Percy Bysshe Shelley (1792-1822). Shelley's poem is one of the most poignant meditations on the fleeting nature of human power and the inevitability of decline. The poem serves as a reminder that time erodes even the most imposing empires and leaders and that the pursuit of lasting fame and control is ultimately futile. Depending on how one views Ben Wilson's Abstract Expressionist painting of "Ozymandias" -- some of the imagery might reveal the head of an angry king and a sickle. Shelley's poem Ozymandias reads: I met a traveler from an antique land...

Paul Kostabi is known for his wildly fun, expressionistic, and colorful portraits. This painting is a perfect definition of his most popular works. Red, bright whites, greens, and blues disperse in a frenzy of splatters, fast brush strokes, and speckles ascending across the canvas. Art measures 24 x 18 inches Paul Kostabi (Paul Indrek Kostabi) was born in 1962 in Whittier, California. He is an American artist, musician, music producer and audio engineer. He is the brother of artist Mark Kostabi. He became part of the CBGB Festival in 2014 exhibiting paintings alongside photographers Bob Gruen, Michael...

Marc Raphael’s "Meteor Shower" is a captivating display of action painting that explodes with color and kinetic energy. This original 24 x 60-inch acrylic painting combines elements ...

Messenger Series - Horse on Road" is a captivating oil painting by the renowned artist Koko, known for their unique abstract-impressionist style. This particular artwork is a strikin...

Large Scale Ocean Seascape Abstract Monoprint - Acrylic and Pastel on Paper A dynamic large-scale vintage abstracted seascape Monoprint by Dennis Frings...

"Desert Fire" - Textured Expressionist Composition in Acrylic on Canvas Textured abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). Blended colo...

Abstract by Yvette Dubois-Habasque (1929-2016) dated verso and signed with initials oil painting on artists board, unframed painting measures: 13 x 16.25 inches Stunning original ...

“Desert Landscape” is a captivating 1960s abstract painting by acclaimed New Mexico and Colorado artist Ann Sink, celebrated for her evocative interpretations of the Southwestern env...

A vivid celebration of color, emotion, and nature’s grace, "Blooming into Red" is a captivating floral painting by French contemporary artist Natalya Mougenot, part of her ongoing se...

Landscape Abstract 2020, Artist signed and titled verso. Jerzy Kubina Polish/American Artist: Jerzy was born in Zamosc, Poland, 1956. Studied at the Academy Of Fine Arts in Krakow 19...

"Balade" – Abstract Expressionist Landscape, French Contemporary Art Sophie Dumont is a French contemporary painter known for her richly textured oil works that explore the emotiona...

ESTEBAN VICENTE (1903-2001) UNTITLED signed and dated "1980 Esteban Vicente” (lower right) collage, watercolor and pencil on cardboard 14 x 17 inches (35.5 x 43 cm.) framed: 19-3/4 x...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing them at a particular moment in time.” Her artworks often incorporate a sophisticated and vibrant sense of movement. The secret bond that connects everything is a combination of appearance and perception, which Mauel has devoted herself to studying during her artistic career. Whether the subject be dancers, cityscapes, landscapes, or pure expression, Mauel has exemplified herself as an expert in the acute perception of ephemeral moments. This original landscape painting immerses the viewer into the serene world of a masterful portrayal of nature's greens and sky's blues. Layers of carefully applied hues evoke the tranquility of trees, and the sun's gentle embrace in abstract form. This artwork seamlessly blends modern aesthetics with nature's beauty, embodying the allure of modern landscapes. The canvas features a delicate fusion of emerald green, forest green, and accents of blue and white, creating a sophisticated ambiance. Delicate textured layers add depth, making it perfect for modern, nature-inspired decor. Crafted in oil on canvas, this original artwork by Bettina Mauel showcases her exceptional skill, revered by art enthusiasts worldwide. This original artwork measures 24 inches high by 40 inches wide. Mauel created this one-of-a-kind painting using layered oil paint on linen canvas with a balanced subtlety. It is signed and dated by the artist on the back. It is stretched, wired, and ready to hang. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping is available. A certificate of authenticity issued by the art gallery is included. Bettina Mauel was born 1959 in Wuppertal, Germany. She studied at the Düsseldorf Art Academy with Gerhard Richter, one of the most important artists of the 20th century. In 1984 Mauel was asked by the city of Wuppertal, Germany to paint scenes of the dance theater of Pina Bausch. This had a major influence on the selection of themes in her imagery. Rather than focusing on spectacular poses, she pays acute attention to the spontaneous movements in between, capturing a resonating rush of color and form. These impromptu paintings combine a long tradition of Eastern scroll painting, expressionist sketching, and fashion illustration. She lives and works as a lecturer in painting and artist in Cologne, Germany. Bettina Mauel has presented her work in numerous exhibitions throughout Europe, North America, and Asia and her art has been acquired by many notable public institutions. Representations Artspace Warehouse Los Angeles Kunstwarenhaus Zurich, Switzerland Group Exhibitions: 2020 Galerie Partout, Bergisch Gladbach, Germany Art Karlsruhe, Galerie Lauth, Germany 2019 Discovery art fair, Frankfurt Artspace Warehouse Los Angeles, CA, USA 2018 AAF Hong Kong AAF New York, NY, USA Artspace Warehouse Los Angeles, CA, USA Kunstverein Worth eV, Worth, Germany 2017 AAF Hong Kong AAF Battersea, London, UK Artspace Warehouse Los Angeles, CA, USA Kunstwarenhaus Zurich, Switzerland 2016 AAF New York, NY, USA AAF Hong Kong Art Hamptons, NY 2015 Los Angeles Art Show, CA, USA AAF New York, NY, USA Love Art Fair Toronto, Canada AAF Singapore 2014 AAF New York (Artspace Warehouse), NY, USA Love Art Fair Toronto (Artspace Warehouse), Canada Houston Fine Art Fair, TX, USA Red Dot Art Fair Miami, FL, USA 2013 Kunstwarenhaus, Zürich, Switzerland Artspace Warehouse, Los Angeles, USA 2011 Messmer Kunsthalle, Riegel, Germany 2009 Badisches Kunstforum, Ebringen, Germany 2007 Künstler der Galerie, Galerie Nordmann, Bad Kreuznach 2006 Galerie Kunstturm e. v, Ratingen 2004 Galerie, Schloss Oberhausen, Germany 2003 Galerie Peveling, Köln, Germany 2002 Wissenschaftspark, Gelsenkirchen, Germany 2001 Galerie Vostry, Erfurt, Germany 1999 Hans-Thoma-Museum, Bernau, Germany 1995 le rhin de waal, rheinisches Landesmuseum, Bonn 1993 Galerie Michele Hensel, Agrippawerft Köln, Germany 1991 Kunsthalle Barmen, Wuppertal, Germany Frauenmuseum Bonn, Germany 1990 Gut Opherdicke, Unna, Germany Baukunst-Galerie, Köln, Germany 1988 Goethe-Institut, London, UK Goethe-Institut, Sofia, Bulgaria 1986 Famagusta Gate, Nicosia, Cyprus 1984 Charlottenburger Schloß, Berlin, Germany Hannover - Herrenhausen, Germany Stadthausgalerie, Münster, Germany 1983 Akademie München, Germany Museum Abtei, Liesborn, Germany Solo Exhibitions 2020 alles bewegt, Galerie Berghout, Frankfurt 2019 Galerie K, Bad Kreuznach, Germany 2018 Galerie van Almsik, Epe- Gronau, Germany 2017 Alte Pumpstation, Haan, Germany 2016 Palmengarten Frankfurt, Germany 2015 Schloss Paffendorf, Galerie Bergheim, Germany 2013 Galerie Lauth, Ludwigshafen, Germany 2012 Kunst in der Villa, Waldshut-Tiengen, Germany 2010 Oberlandesgericht, Köln, Germany 2008 ces Wasserprojekt, Damaskus, Syria tanzhaus nrw, Düsseldorf, Germany Wasserturm, Meerbusch, Germany 2007 kleine Rathausgalerie Odenthal, Germany Kulturverein Schloss Eulenbroich, Ratingen, Germany Alte Synagoge, Meschede, Germany 2006 tanzende Bilder, Galerie Peveling, Köln cultur and dance boise, Illinois, USA 2005 Icon-Institut, Köln, Germany Culturclub Vancouver, sunshine coast Vancouver, Canada 2004 Ferme Heremance, Switzerland Galerie drei Eichen, Uelzen, Germany artrium art gallery, Luxemburg 2003 Fishhall, Chicago, USA Galerie Peveling, Köln, Germany 2002 Galerie der Universität Köln, Germany 2000 Galerie Luley, Wuppertal, Germany Kulturhaus Llyz, Siegen , Germany 1999 Stadtwerke Troisdorf, Germany 1998 Ingenieurkammer– Bau NRW, Essen, Germany 1997 Ka De We, Berlin, Germany Markgrafenhaus, Berlin, Germany 1996 Art Frankfurt, Galerie Peveling, Germany Kloster Pfaffen-Schwabenheim, Germany 1995 Galerie Hensel und Wiegers, Köln, Germany Castello di Rossignano, German-Italian Culture Institute, Italy Abtei Brauweiler, Köln, Germany 1994 Galerie Peveling, Vence, France Galerie Ricarda Fox, Essen, Germany 1993 Galerie Grashey, Konstanz, Germany 1992 Kunstverein Wuppertal, Wuppertal, Germany Bayer AG, Hochhaus w1, Leverkusen, Germany 1990 Kunstverein Schwelm, Schloß Martfeld , Germany 1989 Galerie Ruth Leuchter, Düsseldorf, Germany 1988 Galerie 2 well, Holland Friedrich...

Fredric Karoly (1898-1987). Etude III, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

Red and Black Abstract Expressionist - Tribute to Jose Guerrero in Acrylic Richly textured abstract painting by California-based artist Ricardo de Silva (American/Brazil, 20th C). T...

Painting: Acrylic and ink on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para crea...

Abstract Figural and Pediments - Two Sided Art Mid century figural and architectural painting on paper. Heavy layers of paint with a dog on an abutment and two Japanese wrestlers...

“Fragment of Silence” is a large-scale minimalist work by Finnish multidisciplinary artist Emmi Iida, measuring 100 x 80 cm. The piece features a soft, arch-like textile form embedd...

Artist: Pierre Marie Brisson (French, 1955-) Title: "Figure Sur Rouge (Figure on Red)" *Signed by Brisson lower right. It is also signed and dated on verso Year: 1983 Medium: Origina...

This contemporary expressive impressionist abstract floral painting, Roses and Two Apples, is a radiant work by French artist Natalya Mougenot, known for her emotionally intuitive an...

This abstract piece "Graceful vulnerability" is part of Natalya's series dedicated to "Women," where the artist explores the complexities of womanhood and femininity. Through this wo...

"Without Titel" is a large, unique oil on canvas painting of German artist Willi Bucher. It depicts an abstract, metaphysical landscape in thick green oi...

Antique American school signed abstract oil painting. Oil on canvas. Signed. Framed. Image size, 19L x 13H.

This acrylic painting makes part of my series dedicated to the scenes of a summer period. I was inspired by my summer vacations spent in the department of Pyrenees-Orientales in the...

Frameless

This contemporary, expressive figurative oil painting titled "No Limits" was created by French artist Natalya Mougenot and marks a significant shift in her artistic journey. Part of ...

47.-Factory 15. 115 x 80 cm original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production com...

“Beauty Beneath the Chaos” is an original abstract expressionist painting by multidisciplinary Finnish artist Emmi Iida, whose work blends raw emotion, layered symbolism, and poetic ...

Bay Area Abstract Expressionist -- Oak Woodlands of San Francisco Golden Gate Park This mid-century painting by Honora Berg (American, 1897-1985) depicts coastal live oaks of Golden...

There’s something different about the homes of creative people. They like to surround themselves with inspiring things, from unique tablecloths to the incredible paintings on the wal...

Antique modernist abstract painting by Elsie Orfuss (Born 1913). Oil on canvas. Signed on verso. Nicely framed. `

There's a room in my heart- quiet, untouched, heavy with things I’ve avoided. A photo of someone who hurt me but whom I still love. A memory that feels like a bruise when I touch it....

Rich, spicy colours combine with pastels in this Indian inspired painting from British artist Paul Wadsworth. Paul’s paintings are widely collected and his expressionist style is muc...

Oil on canvas and the canvas size is 31"H by 27"W.

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed oil painting on canvas, unframed dated 93 canvas size: 22 x 18 inches condition: overall very good, ...