Book Paintings

Sarah Noble Ives, artist (1864-1944). Original drawing of three Dutch children, with an ink inscription reading: “Full Page / 6 Buff / Three children sliding on the ice / upon a summer’s day” above image. Ink, watercolor, and gouache on linen/board. Illustration for Mother Goose...

Artist unknown. Medium: Gouache on Board Signature: Unsigned Dimensions: 24.00" x 21.00" Illustration for Morton's Iodized Salt, printed advertisement affixed to back.

Provenance: Illustration House, New York, Framed in a simple and modest frame. This is a brilliant post-Cubist work by Dutch-American illustrator Charles Verschuuren...

after: Joseph Shuster’s Superman #1 Cover (1939) and #17 Beast and the Beauty from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards...

after: Joseph Shuster’s Action Comics #1 Cover (1938) and #19 Burning Flesh from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards (1962) Framed: 9h x 9w in Continuing the exploration of Superman’s role as extraterrestrial anomaly – an alien who’s also a friend, I spent time considering how important one’s actions (on a singular occasion, in sum, alone, in collaboration with others, etc.) are in determining overall “goodness” or social value. In literally his first exposure to any reader, on the cover of Action Comics #1, Superman is shown smashing a large car against a rock, while three well-dressed men run away in fear. Taken by itself the image presents a deranged, super-strong vandal. It’s only upon reading the full narrative that we understand Superman’s action to be part of a rescue mission and the men to be gangster villains. When we allow Superman to be considered as an individual, responsible for his own actions, and over a series of events, rather than one incident, we find our hero. But when I offer Superman another alien (this one up to no good), and deny any exposure to a fuller understanding of circumstance, it’s much more difficult to separate Superman’s destructive actions from those of his new companion. Better Alone Than in Bad Company...

Signature: Signed Lower Right "Circus Day", original Cream Of Wheat illustration. Artist applied face. Ex: Kraft Food Collection / Morton Grove Ill.. Reference: "The Nabisco Brands ...

Provenance: Illustration House, New York, Framed in a simple and modest metal frame. This is a brillant post-Cubist work by Dutch-American illustrator Charles Verschuuren...

signed lower left. As you know, the pictures you have (Illustrated Gallery) were decommissioned from the New Britain Museum of American Art. Th...

Vibrant piece. Mad Magazine homage. Alfred E. Neuman. Super fun. Floats in white frame. About the artist: South Africa’s most renowned pop artist is an anonymous figure kn...

Medium: Oil on Canvas Signature: Signed Lower Left Grandmom with grandson and dog

An original painting By the talented artist Sergei Moskalev, acrylic on canvas, signed lower right . Inspired by the Rebbe’s spirit, presence, and legacy - an emotional and powerful...

Japanese Scarecrow-Acrylic Painting on Wood. The feminine guardian dressed in a kitchen smock and sunhat as a scarecrow could easily be accompanied in the field by the traditional re...

Medium: Oil on Canvas Signature: Unsigned Sight Size 18.00" x 13.50", Framed 25.50" x 20.50" This illustration was used as a Karo Corn Syrup advertisement.

Medium: Oil on Canvas Signature: Unsigned R. Norton, The Mediator, New York, 1913, cover illustration. Douglas Duer (1887-1964) was a member of New York's Society of Illustrators w...

In his oil painting titled, “Broadway is Yesterday, 1995” Alec Montroy depicts an assortment of illuminated Broadway marquees arranged on a dark background.

Medium: Gouache on Board Signature: Not Signed The Night Club Mystery, The Sexton Blake Library #284 cover, March 1953 This illustration appeared on the c...

Signature: Signed Lower Left A young couple brainstorms and sketches out plans for their suburban dream home as their young baby sleeps soundly alongside them. Illustration for an ...

Medium: Gouache on Board Dimensions: 22.50" x 16.00" Signature: Signed Lower Left From an Important California Collection.

Date: 1918 Medium: Oil on Canvas Dimensions: 31.00" x 24.00" Signature: Signed Lower Left From the Collection of James "Rip" Collins, former member of the Gashouse Gang.

Medium: Oil on Canvas Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s which ...

title: "Warhol Pop Portrait Technique: Acrylic paint on canvas Dimensions : 100 x 100 cm Year of creation : 2020 Signature at the bottom of the canvas, on the left description : Fantastic comic characters are installed in front of a large screen, which they look at. On the screen is projected a satirical image of WARHOL. A large open mouth, insects and doodles flutter around without disturbing the calm of the disturbing warriors. In the middle of the scene: a well-known character wonders what he is doing there; he embodies the banality so dear to Andy WARHOL. References used for this painting : The ghost of WARHOL : after Ron ENGLISH Warriors : after Whilce PORTACIO Homer SIMPSON...

Artist's comment: "This painting symbolizes the "No Surrender" in the face of terrorist attacks If these last ones make thousands of deaths, they do not come to end of our unconscious "and collective and archaic" which believes in the vigilantes, in the super-heroes, these mutants which we protect. Cat Woman, "right in her boots", certainly looks to the left, the past that she integrates but also to the right, a future that she will make better. The predominance of "green" and the fact that there are more "white runs" than "black runs" brings just what we need: hope. Twin Towers...

You Are the One in Which I See the Truth of Love and Its Healing Effects On Mankind Acknowledging that love, as represented by a person, has a transformative, restorative, and heali...

Painting: Oil on Canvas

Painting: Oil on Canvas

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

38"x25" signed by the artist, David Kramer. (oil, enamel, acrylic, pencil on gessoed paper) In this conceptual work on paper, the text "Keeping it Real...Whatever That Means" is wr...

Between Clearings, by María Conejo - Ceramic and Lacquer - 100 x 140 cm / 39.37” x 55.11” in - Feminist Contemporary Wallpaper, c. 2025 Entre Claros is a piece inspired by María Zam...

Between Clearings III, by María Conejo - Ceramic and Lacquer - 120 x 120 cm / 47.24” x 47.24” in - Feminist Contemporary Wallpaper, c. 2025 Entre Claros is a piece inspired by María...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...

Panel Sz: 7 1/4" x 19 1/4" Frame Sz: 11 3/4" x 23 1/2" Artist: Joseph L. Parrish (1905-1989) Joseph L. Parrish was chief editorial cartoonist for The Chicago Tribune who was widel...

Original painting. Hand signed by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

Inner Feeling I, by María Conejo - Oil Painting - 160 x 140 cm - Women Empowering, c. 2024 María Conejo’s proposal consists of a series of oil paintings and ink drawings that offe...

Vibrant, engaging painting. Featuring a mouse, a moon and a cast of characters. Brown wooden frame included. About the artist: South Africa’s most renowned pop artist is an an...

Pop Art. Comic/cartoon theme. Black. White. Grays. About the Artist: Formally trained as an illustrator, Nancy Landauer holds a BFA from Parsons School of Design in New York ...

Pop Art. Movie Theme. Icon Logos. Paramount. Universal. Ford. Black. White. Grays. Color portrait in center. About the Artist: Formally trained as an illustrator, Na...

Classic illustration for a romanace novel from the 1950's in England. Recently these charming works have been the source of interest and even parody. Unsigned, unframed. Vale Studi...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right Caricature by George Wachsteter (1911-2004) of Composer and Musician Tony Mottola, `Mr. Big`, author of the `Danger` chord for the 1950 NBC-TV show of the same name. A famous musical signature where a single repeated note is interrupted by a dramatic chord or sting, the device was named after the series which first utilized it as its theme, the CBS-TV suspense anthology, `Danger` (1950-55). It was one of the directors for `Danger` - Yul...

Date: 1935 Medium: Oil on Canvas Dimensions: 26.20" x 21.20" Signature: Signed Lower Right Cover of Capper's Farmer magazine, August 1935. Image of an elderly couple...

Date: 1921 Medium: Oil on Canvas Dimensions: 30.00" x 21.00" Signature: Signed Lower Right This illustration was published in Trail's End by George W. Ogden, Grosset & Dunlap, ...

Medium: Oil on Masonite Signature: Unsigned Dimensions: 27.5" x 23.5" American Artist (20th Century)

Portrait of Mayor Lindsay Charles F. Ellis passed on October 1st, 2004 at the age of 82. Mr. Ellis was hired to teach illustration in 1971 at the newly opened Art Institute of P...

Enrique Chagoya is an American-Mexican artist best known for his mixed-media paintings and prints. In his work, the artist combines contemporary cultural icons with Pre-Columbian ima...

I Tried To Drown My Sorrows By The Connor Brothers 2022 Signed on the reverse Oil on canvas 115 x 80 x 6 cm (Framed)

Lisa Martin - Mayfest 1989, Year: circa 2000, Medium: Offset Print and Collage on board, signed in pen lower right and on verso, Size: 28.5 x 13 in. (72.39 x 33.02 cm)

Some Guy’s Decals (#2367) 2022 Signed, titled, and dated, verso India ink and acrylic on paper 22 x 30 inches This painting by Jack Balas is offered by CLAMP in New York City.

Contemporary abstract portrait by Texas / Mexico based artist Tyler Casey of Sharbat Gula, also known as "Afghan Girl," as featured on the 1985 cover of the National Geographic magaz...

Mixed Media 62 x 48 in

Mixed Media house paint on cardboard 28 x 50 in

acrylic and oil paint on board

acrylic and oil paint on board

Medium: Oil on Board Signature: Signed Sight Size 20.13" x 16.38", Framed 26.00" x 23.00" Maxfield Parrish’s popularity as an illustrator began with his early work for magazine publishers. An Easter 1895 cover for Harper’s Bazaar, one of the leading publications of the day, was followed by a successful foray into book illustration beginning in 1897 when Parrish completed illustrations for Frank Baum’s Mother Goose in Prose. His unique style and vivid imagination were well suited to illustrating children’s literature and resulted in numerous commissions. The List of Characters is one of 26 paintings, which appeared as an illustration in Louise Saunders' book, The Knave of Hearts. Lawrence S. Cutler and Judy Goffman Cutler write, “The last book Parrish illustrated, The Knave of Hearts (1924), was his masterpiece. When Parrish discovered this children’s play, he proposed an illustrated edition to Scribner’s, to which the publisher enthusiastically agreed …It was written by Louise Saunders, who was the wife of Maxwell Evarts Perkins of Scribner’s, an important editor in the 20th century and discoverer of authors Thomas Wolfe, Ernest Hemingway, F. Scott Fitzgerald and others. The couple were summer residents at Cornish and close friends of the Parrishes” (Maxfield Parrish and the American Imagists, Edison, New Jersey, 2004, p. 172). According to Coy Ludwig, “The artist’s enthusiasm was shared by the publisher, who requested sketches or more precise information upon which to base a cost analysis, as final approval could not be given until the costs were estimated. Parrish prepared an elaborate dummy or mock-up of the proposed publication, complete with watercolor sketches of the illustrations, and sent it to the publisher early in 1921 …The twenty-six paintings for The Knave of Heartswere executed within three years, and the book, a sumptuous production, was published on October 2, 1925… The volume, selling for ten dollars, was packaged in a telescoping box...

acrylic and oil paint on board

Medium: Oil on Paper Laid to Board Signature: Signed with the Artists Initials M.P Lower Center Coy Ludwig, Maxfield Parrish, New York, 1973, plate 35, p. 133, illustrated in color

Artist: Raimundo de Oliveira, Brazilian (1930 - 1966) Title: Revelation Year: 1963 Medium: Oil on Canvas, signed and dated l.r. Size: 28.5 in. x 39.5 in. (72.39 cm x 100.33 cm)

Hans Hamza (Austrian 1879-1945) In the Study Oil on Panel Signed Site Size: approx. 8 x 6 inches Framed Size: approx. 14 x 12 inches

enamel and oil on copper

acrylic and oil on board

acrylic and oil on board

acrylic and oil paint on board