Costume Paintings

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian governed academia setting. This presence exposed Franci...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

Currently Under restoration by professionnal. Free US CONTINENTAL shipping, incl Europe and Asia. Presale order accepted. Delivery in Mint condition, pictures updates sent prior ...

Master painter Bruno Surdo brings humor to the painting "Trick or Treat". His classically posed figures sport various Halloween costumes and stand in front of a factory. The painting is framed in a simple black frame. Bruno Surdo Trick or Treat oil on panel 18h x 24w in 45.72h x 60.96w cm BRS046 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section...

Bruce Adams often references historical painting themes and styles in order to throw into relief western tropes in figurative art. Here as part of the artist's series Myths and Lies,...

Nobuyoshi ARAKI (*1940, Japan) From the series 'PalNting', 2010 Acrylic on B/W photography 43.2 x 35.6 cm (17 x 14 in.) Unique Print only Nobuyoshi Araki is a contemporary Japanese ...

June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in B...

George Hirsch - He gets his inspiration from the prototype of neo-classic painting for this groovy 1970s brothel. This is a complex figural work with m...

Image of a ballerina wearing a tutu sitting in front of a brick wall. Signed Lower Left. Artist Francois Cloutier captures the essence of ballet in paintings of dancers who maintai...

Francesc Torneró (1934). Joven vestida de sevillana. Óleo sobre lienzo. Firmado a mano en el ángulo inferior derecho. Medidas marco: 139 x 103 cm. Medidas pintura: 115 X 80 cm. Gran...

This contemporary painting in ink, gouache and pencil on archival paper, is composed of a silhouette figurative form in costume and a headdress suggesting a strong female character h...

This is a partial homage to David Hockney's art. In this painting, I explored the interplay of realism and symbolism through the figurative use of acrylic. The central figure, clad i...

Pamela Wilson's (US based) "The Mooring of Scarlet" is an original, handmade oil painting that depicts a pregnant model with a boat on top of her head. This...

"Cabaret" is painted with acrylic paints on canvas 100x80 cm

This is a portrait of Felisa Rincón de Gautier (Doña Fela) whose terms in office as Mayor of San Juan lasted from 1947-1969. The painting captures Doña Fela's iconic gestures: her ever present fans, in this case white with red floral embellishments, her Spanish coif, and a mahogany wicker chair. In the painting Dona Fela wears a violet dress...

Juggler and Band Paul Noiret Date: 1983 Oil on Canvas, signed and dated l.r. Size: 20 x 24 in. (50.8 x 60.96 cm)

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

Archival Pigment Print on Linen Year: 2022 Size: 33.4 x 25.5 inches Signed and titled by hand COA provided The style reflects the need for constant self-perfection and development, ...

Don Hatfield’s 'Renaissance Fair' is a vibrant example of American Impressionism, showcasing his ability to capture lively scenes with rich color and fluid brushstrokes. This framed ...

Oil on canvas Elene Melikidze is a Georgian artist born in 1999 who lives & works in Tbilisi, Georgia. She started painting since childhood in various media. Her other profession is...

Stella Jae Cosmos 2023 Oil on Canvas Size: 51.96 x 35.03 inches (132 x 89cm) Signed by hand COA provided Ref.: 924802-2112 ---------- Tags: #StellaJRichey...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

A pair of original mixed media paintings by American contemporary artist Bruce Adams from the artist's technology series. "Sometime around 1981 I was at my mother-in-law’s house r...

June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in B...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

This is an unframed painting from her "Mountain Drag II" series. June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at t...

Working across a variety of media, including ink drawings and oil paintings, June Glasson creates works that are by turns realistic, whimsical, and surrealistic. Her paintings are fr...

An original painting by American contemporary conceptual painter Bruce Adams from the artist's new Untitled series. The “Untitled,” series draws from a variety of visual and histori...

2009, Unique Artwork Oil on Canvas 55 1/10 × 47 1/5 in - 140 × 120 cm The artwork is dated and signed by the Artist & stamped with the logo of the studio of the Artist crazynOOdles o...

I love Rosie’s quirky style, it’s sort of steampunk. Her hair colour changes frequently so I captured her pink phase. I wanted a slightly kitsch feel so added an Orla Kiely p...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

Greenfield's versions are rendered in the Byzantine style of their art historical predecessors, with the black Virgin Mother and Baby Jesus as the central focus within circular compo...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Berlin, and various New York and stateside galleries and museums. They have also appeared in New American Paintings, the Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself, Sand Journal, and Diner Journal as well as the film “My Idiot Brother.” She has also designed and fabricated exhibitions and displays for the Center for Urban Pedagogy, Bergdorf Goodman, Bumble and Bumble, and Crumpler Bags. She is a co-founder of the Wyoming Art...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Berlin, and various New York and stateside galleries and museums. They have also appeared in New American Paintings, the Paris Review, the Wall Street Journal, Guernica, Versal, Asymptote, People, Domino, June Glasson Herself, Sand Journal, and Diner Journal as well as the film “My Idiot Brother.” She has also designed and fabricated exhibitions and displays for the Center for Urban Pedagogy, Bergdorf Goodman, Bumble and Bumble, and Crumpler Bags. She is a co-founder of the Wyoming Art...

This is an framed original painting. June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery...

June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in B...

Gina Phillips is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...

Date: 1930 Medium: Oil on Canvas Signature: Signed and Dated Lower Right Contact exact dimensions. Liberty Magazine Cover, April 12, 1930

Signature: Signed Lower Left Cover of the Army v. Navy Football Program 1968. 204 page Army Navy Almanac Official Program for game played at JFK Stadium, Philadelphia The program ...

Date: 1927 Medium: Oil on Canvas Dimensions: 27.00" x 18.00" Signature: Signed Lower Right "We Amused Ourselves for an Hour or More, Darting in and out Among the Crowd and Setting off our Crackers", The Story of a Bad Boy...

Medium: Oil on Paper Laid on Panel Signature: Signed Lower Right Initialed lower right: M.P. Signed on the reverse: Maxfield Parish Initialed and numbered by the artist's son on the reverse: M.P. Jr. / No. 68. When Maxfield Parrish painted the comical A Dark Futurist in 1923 for Life magazine, he had already established himself as America's leading book and magazine illustrator. His early artwork for children's classics like L. Frank Baum's Mother Goose in Prose (1897), Kenneth Grahame's Dream Days (1900), and Eugene Field's Poems of Childhood (1904) popularized his signature atmospheric settings, cobalt blue-and-gold palette, and dreamy figures inhabiting magical worlds. Likewise, his covers for Century, Collier's, Harper's Bazaar, Ladies' Home Journal, Life, and Scribner's Magazine were highly desirous and instantly recognizable, often more stylized than his book imagery; no other journal illustrator could match Parrish's winning combination of precise draftsmanship, strong graphic design, and amusing characters. According to David Apatoff, Art Critic, The Saturday Evening Post, "Parrish abandoned his customary heavy details and rainbow colors to present a bolder, more high-contrast design silhouetted against a stark white background - a treatment more suitable for a modern magazine cover vying for attention on a crowded newsstand. A Dark Futurist is silhouetted against a white field with no background or details to prop it up. The composition is carefully centered with only differences in the hands and the artist's necktie to break the symmetry. These are crucial to the success of the design. Just as important as Parrish's clean, high-contrast style in these pictures is the refreshing humor and sophistication in content, which is usually absent from Parrish's fairytale paintings. A Dark Futurist shows us a different kind of modernism. Parrish steps out of his timeless fairy tales to tweak one of the most incendiary artistic movements of his day. Futurism, with its militant manifesto and its outspoken artists, was all the rage in Europe. Parrish pokes them, showing a "dark" and anxious futurist with pursed lips and thick glasses, poised to paint but not exactly sure of, or optimistic about, what the 'future' will hold. This suggests that Parrish was alert to, and had opinions about, current events of the day - something one might never guess from his usual subject matter." In his early Collier's illustrations, Parrish also developed memorable themes that he would return to in his 1920s magazine work. One of his most popular characters was the "seer," or man with keen visual powers, most often depicted as an artist, but also appearing as a tourist, scientist, and philosopher. Parrish's seer was recognizable by particular physical attributes: round glasses, indicating his visual and analytical acuity, and an overcoat and/or hat signifying his role as observer of the outside world. A Man of Letters, sold last year at Heritage Auctions, was one of the first Life covers Parrish rolled out for Gibson, and he repeated the character of the artist-seer, emphasizing the comic spin, for two later editions: A Dark Futurist (Life, March 1, 1923) captures a Parrish-like artist in foggy round glasses and a long green coat...